Posts Tagged ‘evidence

10
May
19

🔴 Script 6:21 Anna McMahon

 

🔴 Script 6:21 Anna McMahon (№ 60)

 
NBC’s series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 5/10/2019 in the US (8pm Central/Chicago Time)
Script Permalink: https://wp.me/pDKwi-9Cm
Entertainment Weekly Recap: http://bit.ly/2UY2aRe
🎶 Tunefind for Episode: http://bit.ly/2J9YCtC [No songs]
Source: Raw Script from Springfield: http://bit.ly/2R6MuxU [ dump of captioning ]
Continue reading ‘🔴 Script 6:21 Anna McMahon’

22
Feb
19

🔴 Script 6:9 Minister D

 

🔴 Script 6:9 Minister D (№ 99)

 
NBC’s series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 2/22/2019 in the US (8pm CT) [ Second of two episodes on this date ]
Script Permalink: https://wp.me/pDKwi-99J
Entertainment Weekly Recap: http://bit.ly/2Tdlmhf
🎶 Tunefind for Episode: http://bit.ly/2SSWHz9
Source: Raw Script from Springfield: http://bit.ly/2R6MuxU [ dump of captioning ]
Continue reading ‘🔴 Script 6:9 Minister D’

16
Sep
15

🔴 Is TBL’s Med Sci Believable?

 

🔴 Is The Blacklist’s Medical Science Believable?

 
September 16, 2015 (Updated October 1, 2015)

I just added this section to the 🔴 Deep Background “page” of this blog. Thinking it would be “lost” otherwise and not noticed, I am also posting it here as a blog entry. I found out that most of the medical science exists or at least appears to be feasible, if anecdotally. My guess is that the show has access to experts in addition to what the writers come up with.
Continue reading ‘🔴 Is TBL’s Med Sci Believable?’

04
Apr
15

🔴 Script: 2:18 Vanessa Cruz

 

🔴 Script: 2:18 Vanessa Cruz

 
Last updated: 4/4/2015 10:00 pm CDT, Program originally aired 4/2/2015 in the US
Script Status = Final + minor edits
Permalink: http://wp.me/pDKwi-MT
Slideshow link: https://youtu.be/I9CabpwQpk4 (8/4/2015)
Source: Raw Scripts from Springfield [UK]: http://bit.ly/1Do56Zu (dump of captioning)
NBC Episode Summary: http://bit.ly/1DLkwtn
 
Blurb: A serial killer is framing members of the one percent. Tom and Liz toy with rekindling a relationship. Red attempts to convince members of the Cabal (formerly known as the alliance) to undergo a restructuring.
 
Created by: Jon Bokenkamp
Director: Guy Ferland
Writers: Vincent Angell, Daniel Knauf
Continue reading ‘🔴 Script: 2:18 Vanessa Cruz’

25
Nov
14

2:8 Decembrist: Occam’s Razor (11/13/2014)

I hold to sort of an Occam’s Razor theory of literary/film analysis: don’t make it more complicated than it needs to be. Just a reminder of the fact that Red said he learned about Tom from his forger. Red also said that Gina Zanetakos was “taking the fall” by fingering him (1:6). I mean, would Red, who is entirely adept at money-tracking, put money that could be easily traced to an off-shore account of his in boxes clearly marked with her scar sign that Tom also used when sending her photos intended to incriminate him? Don’t forget that Liz was persuaded by this that Tom was innocent when Tom clearly was NOT innocent.

Also, how would Red have gotten the murder weapon to put in the box? Did Tom or Gina return a dirty pistol to him? Even if they had done such a thing, would Red have kept it and put it in a box with money that could be traced back to him?

I’m sticking with the more straightforward view that Red and Tom’s “about us” relationship occurred late in the game, soon after Tom’s imprisonment began. Ezra may have figured it out or Red deduced it when he said he did, when he realized that Lizzie had a “Secret Santa” source as to where Berlin kept his money (2:2 Monarch Douglas Bank).

Red’s character is consistent. When he can give a straightforward answer to a direct question or needs to respond to an incorrect assertion, he does so, very often with a simple yes or no. “You’re a monster.” “Yes.” Or “You put Tom’s picture in Gina’s apartment.” “No.” If someone asks him a direct question that he doesn’t want to answer, he’ll say something non-responsive: “That’s a pretty blouse.” Or “Who decided on this paneling?” Or “So you went with the gray” (lol). If he needs information, he asks for it precisely. “Tell me what you saw” (not how you felt). Then with Sherlockian precision, he presses on, “He’s Serbian Orthodox; he wouldn’t have a tattoo.” Spader says his haircut reflects this no-nonsense attitude.

Yes, Red lies, but his lying is minimalist, not superfluous, and he has a clear sense of priorities. In particular, he will lie (or kill) to protect Lizzie’s life. I assume there are other things among ‘those which he holds most dear,’ though I’m not sure what. Naomi, perhaps. Maybe I’m naïve to see it this way, or lazy – too lazy anyway to want to rewrite huge parts of Season 1 to explain away Tom’s pointing a loaded pistol at Lizzie’s head.

[Original; not cross-posted at WSJ Speakeasy]

24
Nov
14

2:6 Mombasa: Is Red Zoë’s father? – reconsidered (10/27/2014)

Why I thought “the girl” could not be Red’s daughter & why that may be wrong (dates, dates, dates):
Continue reading ‘2:6 Mombasa: Is Red Zoë’s father? – reconsidered (10/27/2014)’

12
Jan
00

1:12 The Alchemist: Tags

 

🔴 Episode 1:12 The Alchemist

 
⭕ Press here for the ➔ Script for the Episode

 
Explanation: This file contains just the tags for the episode. To get to the script, just press the link above.

I first set up Season One just as a file for personal use before I dreamed of starting a blog. So I put all the scripts in one file, which eventually became the format of the “Easy Search Scripts.” This was in the summer after the first season, when I binged the season.

Unfortunately, it’s not feasible to pull the episodes apart now. In fact, it’s essentially impossible.

So what I did instead was set up the tags separately, linked to the scripts. If you’ve landed here, you likely used the Search Bar, which is very unpredictable. I hope that someday, WordPress will provide a better one.

In the meantime, consider using the “Tag/Phrase Index for Scripts” instead of the Search Bar. You use it with your Page Search function. It’s basic, but I find it works best for me.

 
 

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