🔴 Script 8:14 Misère

 

Brief (Where we’re at):

Anne, the birdwatching woman who Red met in a park in New York City some months ago – and who he stood up for a movie date because Dembe thought it would be dangerous to her if Red were to date her – didn’t disappear from his life after all. He has been making trips to visit her in her hometown of Cottonwood Falls, Kansas, and they have formed a romantic relationship. Dembe is still concerned, warning Red that multiple trips create a pattern for his enemies to track. Sure enough, on his sixth trip to see her, Neville Townsend and her merry band of mercenaries decide to join them.
 
Before their showing up, Red had shared little about his “other life” with Anne. This was enough to make Anne’s best friend Lois, a member of the local police force, suspicious and somewhat antagonistic toward Red. She dropped by to talk to Anne about possibly doing a background check on Red. Anne objected that she already knew enough about Red and admitted she loved him, a conversation Red overheard. After Lois left, Red told Anne that Lois was right, but Anne quickly changed the subject to birdwatching and proposed they go out. As Red looked out the window, he saw a suspicious van, and concocted a reason to send Anne into town. He then tracked a man from the van pretending to be checking the ground wires. When Red questioned him, he went for a gun. Red grabbed him and threatened him with a chef’s knife.

Red: How many are coming?
Water & Power Guy: ⋘⋙ Everyone.
[ Red slices the man’s throat ]

Red drove to town, grabbed a bewildered Anne and headed to the only place that could possibly assist them: the local police station, where Lois was on duty. Red identified himself as a fugitive, surrendered, and pleaded with Lois, the Police Chief and other officers to take the situation seriously and take Anne to a safe place. But the assault began before Anne could be evacuated. After the police chief was shot by a sniper, Lois was next in charge, and as help was miles away, Lois agreed to let Red help defend the station but promised to arrest him afterward. Most of the defending officers were killed and Lois was shot in the thigh, but Lois, Anne and Red made it to a hardened holding cell just ahead of Neville Townsend and his men. Sirens from the approaching backup units send Townsend scurrying.
 
Red applied a tourniquet to Lois’s leg, saving her life, but that didn’t stop her from going pointing her gun at him and telling him he was under arrest when he, too, tried to leave. But Anne intervened, standing between Lois and Red.
 
When the FBI and area police arrived, Red was gone. Lois and Anne said he’d escaped, but when Anne got home, she opened the trunk of the car and there was Red. After hugs, Red advised Anne to go somewhere to hide. She asked why, if she would be in danger anyway, they couldn’t be together:

Red: Because what I have to do and how I have to do it, you can’t be a part of that. No one should be a part of that.
[ They kiss, embrace ]

As Red drove out of town to link up with Dembe, a song ( ♫ “Somewhere Beyond the Sea” by Bobby Darin) came on the radio. It had become their theme song. At the song’s dramatic peak, Red suddenly did a U-turn and headed back to Anne’s. He opened the door and called her name. Her frightened face appeared. And someone with a gun:

Red: Elizabeth.

 
For S8 Episode 8:14 Misere 🎯 EW recap ¤ 🌅 Photo Gallery ¤ 🎹 Music Videos ¤ 📒 Script link: https://wp.me/pDKwi-bfo [ “you are here” ]

 

༺✦ ♤ ✦༻

 
[ Note: Many of the “Flashforwards” in this episode are from the point of view of previous episodes as experienced by Liz, starting from when she went dark, even though they are “Flashbacks” to us. It’s confusing, I know ]

 
[ ⏳Three months ago⌛️ ]
[ Liz, Agnes and Skip Hadley, the lawyer/accountant she convinced to leave Red’s operation and join hers, are flying in the plane Liz bought with money stolen from Red ]
Skip: You okay?
Liz: Mm.
Skip: Haven’t slept all night.
Liz: Did you connect with Esi?
Skip: I did. Uh, good news and bad news. Good news is Esi made contact with the Fribourg Confidence. They’ve agreed to extract the drive from Reddington’s safe deposit box at Key Atlantic.
Liz: Once they get the drive, have Esi deliver it to Cooper. If the intel on that drive can help prove Reddington is N-13, Cooper should know. And the bad news?
Skip: 72 hours ago, you were an FBI agent. Now you’re on the run from the very same people you used to work for. What exactly is our plan?
Liz: We see Mr. French.
Skip: I don’t know who that is.
Liz: My mother spent almost 30 years running from Neville Townsend. The only way she survived was through a network of resources that Mr. French helped her build. He was her guardian angel. I found his contact in her personal effects. He says he can help.
Skip: So we’re not starting flat-footed.
Liz: [ Chuckling ] No. We’re starting with one of the men my mother trusted the most.

 
[ Oslo, Norway ]
[ Liz and Skip Hadley are parked outside an apartment complex ]
Automated Voice: Please leave a message. [ Beep🔅]
Liz: Voicemail. [ Beep🔅]
Skip: Maybe he’s at the airport.
Liz: He said meet him at his apartment. Call him when we were down here, and he would come meet us.
Skip: So what do you wanna do?
[ Liz looks at the back seat. Agnes is coloring in a coloring book ]
[ Knocking at window ]
Liz: [ Gasps ]
[ Liz rolls down the window ] [ A woman is there ]
Mrs French: Something’s happened. Follow me.

 
[ Inside an apartment ]
Mrs French: Two weeks ago, Phillip went to Stockholm on business. Said he’d be two days. Two days passed, and he never returned. I called. No response. A few days later, Phillip phoned. He said he was in Washington. He said something had happened and that it wasn’t safe for me in the house. He told me there was a key taped to the bottom of his printer. It unlocked this apartment, which I didn’t even know he had. The only thing Phillip would say about his situation was that the daughter of a client was in trouble. I assume you’re the daughter.
Liz: Mrs. French, your husband, what did he tell you he does for a living?
Mrs French: Phillip was a recruiter for a data-management firm, but that was a lie, too, wasn’t it?
Liz: I’m afraid so.
Mrs French: Do you believe he’s alive?
Liz: I have no idea.

 
[ Liz and Skip talk between themselves, some distance away from Mrs French in the apartment’s living room ]
Liz: Reddington’s behind this. He’s not satisfied killing my mother. He has to make sure I have no access to any of her resources.
Skip: O-Okay. Slow down. W-We have money.
Liz: We need more than money, Skip. We need assets. Mr. French was gonna introduce me to the people my mother trusted. This woman doesn’t know anything.
Skip: Yeah, but w-we know nothing about her.
Liz: We know she’s scared and can’t go home. Which is why we’re not going to abandon her.

 
[ Liz, Skip and Agnes are prepared to leave ] [ Liz writes down her cellphone number on a piece of paper ]
Liz: Here’s my number. If you hear from your husband, if he reaches out, if you need anything at all. I know you have no reason to trust me, but I am on your husband’s side.
Mrs French: Where will you go?
Liz: I don’t know. But what I do know is I’m gonna do everything in my power to get your husband back and to keep you safe.
Agnes: Mom, I’m tired.
Liz: I know, honey. We’re gonna go soon.
Mrs French: Why don’t you stay here?
Liz: Oh, we–
Mrs French: There’s plenty of room. You and Agnes can take the room upstairs. Your–Your friend can have the sofa. Unless you have some place else to go.
Liz: That’s very kind of you. [ To Agnes ] We’re gonna stay with our friend, Agnes.
Agnes: Can you read me a story?
Liz: Oh, I can’t, honey. We didn’t bring any of our books.
Mrs French: What if I tell you a story?
Agnes: What kind of story?
Mrs French: A funny one. About a girl and her friend and the sleepover they have in a strawberry cake factory.
Agnes: That sounds awesome!
Liz: I’ll get your pajamas. Come. [ To Mrs French, whispering ] Thank you.

 
[ Liz and Agnes are in a bedroom with twin beds. Agnes is sleeping ]
Liz: [ Sleepily ] I wish you were here.
[ ♫ “Tilly Tilly bom” (Russian lullaby) by Violent Eve plays ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below to play ♪ ]

Female Voice: I’m always here for you, dearie. This is the last thing I ever wanted for you.
[ It’s Mr Kaplan, Red’s former cleaner, who turned against him and committed suicide to unleash a death plan to have delivered to Liz the skeleton of the real Raymond Reddington, indicating Red is an imposter. She appears now as an apparition, an hallucination or as a projection of Liz’s subconscious ]
Mr Kaplan: I could’ve stopped him, and I didn’t. I failed you.
Liz: You protected me.

♪ … dveri ( … the door)
Tili-tili-bom (Tili-tili-bom)
Krichit nochnaya ptitsa ♪ (Screams nightbird)

Liz: I can’t do this alone.
Mr Kaplan: I know that. It’s why you’ve been thinking of asking for help, about turning to him. You’re a smart woman, Elizabeth. Which is why this next part will be so painful. But if you’ve learned anything from my mistakes, it’s that you can’t show weakness. You have to fight like Reddington, be every bit as fierce and cross whatever line it takes.
Liz: What are you saying?
Mr Kaplan: I’m saying you know what you have to do. Listen to your heart.

♪ Tili-tili-bom ♪

Mr Kaplan: The enemy of your enemy– is your friend.

♪ Pritailsya za uglom (… lurking around the corner)
I pronzayet vzglyadom (and pierces the eye) ♪

 
[ Suspenseful music plays ] [ Liz rushes in to wake up Skip ]
Liz: Skip. Wake up!
Skip: What? What?
Liz: I know what we gotta do.
Skip: Yeah, you mean sleep?
Liz: We’re gonna take down Reddington by teaming up with the man he hates the most.

 
Skip: This is insane. Neville Townsend spent 30 years trying to hunt and kill your mother. Now– Now you want him to be our partner?
Liz: We have a common enemy.
Skip: Yeah, Townsend doesn’t know that Reddington’s N-13, okay? He thinks your mother’s the one that betrayed him, and he thinks she’s dead. Why poke the bear?
Liz: Because if he knew the truth, if he knew that Reddington killed his family and framed my mother, he’d hate him as much as I do. Neville Townsend’s the one man other than Reddington who has the power and resources to really see this through.
Skip: Even if I agreed to this – idea, we have no idea how to find him?
Liz: His wife and children are dead, but not his sister. Her name is Mary Bremmer. She’s one of the very few people in Townsend’s life that my mother was able to identify. If we could get to her, if we could win her trust, she might be able to put us in touch with Townsend.
Skip: You really need to go back to bed.
Liz: Skip, I know how to make this work. Ask me how we recruit her.
Skip: I’m not gonna ask you that. [ Grunts ] ⋘⋙ How do we recruit her?
[Datarock’s ♫ “Fa-Fa-Fa” plays ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below to play ♪ ]

Liz: With the help of criminals. And I know a lot of criminals. Before we do anything, we need a network in place.
⋘⋙
[ Flashforward: ]
[ Skip interviews candidates ]
Skip: So, how long did you serve?
Rocco: Two tours. Went private after that.
⋘⋙
Liz: We start with protection. People we vet.
⋘⋙
[ Flashforward: ]
Skip: And you ran reconnaissance planes?
Jax: As well as security detail. Sort of go where I’m needed.
⋘⋙
Liz: And at the same time, we need papers. All of us. Identities with backgrounds, travel histories, tax records, the works.

♪ I need a hit ♪

 
[ Liz and Skip share their plan with Esi Jackson, a colleague of Liz’s. She’s a former private investigator who can help produce documents ]
Esi Jackson: Okay, wait. Go back to Townsend. You said we get to him through his sister. How the hell is that supposed to work?
Liz: Well, first, we have to find her. There’s a bounty hunter out of Bosnia, Adin Markovic. He’s supposed to be the best of the best. We find him, then he finds Bremmer.
⋘⋙
[ Flashforward: ]
[ Alexander Frayne, an interpreter at The Wellstone Agency, offers payment to Markovic to find Mary Bremmer ]
Alexander Frayne: He hopes you’re happy with the results and would like to discuss his payment.
⋘⋙
Skip: Liz, Bremmer’s a chemical-weapons dealer. She doesn’t trust anyone. Why would she trust, let alone agree, to help us?
Liz: She won’t. Which is why we have to earn her trust. I was thinking of saving her life.
Skip: Is it in jeopardy?
Liz: Not that I know if, but it will be. What do you know about Alban Veseli, The Freelancer? He’s the first criminal our Task Force put away. He’s been rotting in a hole for seven years.
⋘⋙
[ Flashback: ]
Aram: Seven years ago, Veseli derailed a passenger train by making it hit a curve too fast.
⋘⋙
Liz: I thought we’d use some of Reddington’s money, hire him a new lawyer, someone we own.
⋘⋙
[ Flashforward: ]
Alban Veseli: Who the hell are you?
Lawyer Scooter Rovenpor: I don’t think you got a fair trial.
⋘⋙
Liz: The lawyer files an appeal, claims that the court violated his client’s 6th Amendment right to confront his accuser, who just so happens to be the FBI’s confidential source, Raymond Reddington.
⋘⋙
[ Flashforward: ]
Judge Steven Velchek: [ To Cooper ] You’re telling me the United States Government is willingly in business with Raymond Reddington?
⋘⋙
Skip: Okay, but the Feds are never gonna put Reddington into a courtroom.
Liz: I’m a fugitive, so I’m not gonna show up in court, either.
⋘⋙
[ Flashforward: ]
Judge Velchek: I ordered Agent Keen to appear. She didn’t.
⋘⋙
Skip: So, if the case agent doesn’t show and the confidential source doesn’t show, the judge would be– Well, to say the least, he’d be concerned.
⋘⋙
[ Flashforward: ]
Judge Velchek: Oh, I’m not concerned. I’m offended. I’m granting the defendant’s motion to withdraw his guilty plea, and I am forced to dismiss the charges against him.
Cooper: Don’t do this.
⋘⋙
Esi: You want to release a mass murderer in exchange for what?
[ Flashforward: ]
Skip: Miss Keen arranged for your release because she requires your services.
Alban Veseli: What does she need me to do?
⋘⋙
Liz: I want him to kill Mary Bremmer.
Skip: So you can save her.
Liz: We get The Freelancer out of jail. In exchange, he goes after Bremmer.
Esi: He’s never gonna kill Bremmer because we’re gonna grab her.
Skip: I like it. Except you told me that The Freelancer hides his assassinations by masking them as mass-casualty accidents.
⋘⋙
[ Flashforward: ]
Cooper: There are 162 passengers on board, and he’ll kill everyone.
Agent Park: Wait. I thought The Freelancer was going after Reddington.
⋘⋙
Liz: I’m gonna backchannel information through the Task Force and make sure no one gets hurt and The Freelancer goes back to prison where he belongs.
Esi: Go back to Bremmer. You pull her off the street, that woman ain’t gonna be happy.
⋘⋙
[ Flashforward: ]
[ Mary Bremmer, Neville Townsend’s sister, has been abducted by Liz’s people and is being kept in a cell. She pounds ⚡️⚡️⚡️ on the window of the door ]
Mary Bremmer: I want to talk to her! Do you hear me?!
⋘⋙
Liz: After I explain to her that I not only saved her life, plucked her out of the arms of the awaiting FBI, she might change her tune.
⋘⋙
[ Flashforward: ]
Liz: Mary. My people didn’t grab you to hurt you. They grabbed you in an effort to save your life.
⋘⋙
Liz: In fact, she may even thank me by offering to make an introduction to her brother, Neville Townsend.
⋘⋙
[ Flashforward: ]
Jax: [ To Liz ] Bremmer says she’s thought about it. She’s willing to reach out to her brother, see if she can make an introduction.
[ Here ends the discussion of Liz’s plan with Skip and Esi to recruit assets ]

 
[ Now begins a parallel account from Liz’s perspective of prior episodes, beginning with Episode 8:9 The Cyranoid ⇊ ]

[ Neville Townsend meets with Liz’s Cyranoid, an operative technically geared up to see, hear and speak for Liz ]
[ Townsend reads the letter from Liz explaining the arrangement ]
Neville Torwnsend: [ Static ] Well, Miss –Keen. This is certainly unprecedented. Where’s Mary?
Liz, through her Cyranoid: In FBI custody.
Townsend: She took her, what, to hurt me?
Liz’s Cyranoid: Talk to me, Neville. I’m right here. I’m looking right at you.
Townsend: Why did you take my sister?
Liz’s Cyranoid: Because I had no way to reach you. Taking your sister forced her to make contact, to negotiate her safe return –and to get this face-to-face meeting with you. I had nothing to – do with today’s capture.
Townsend, No? You’re an FBI agent.
Liz’s Cyranoid: Not anymore, I’m not. The FBI can’t help me. You can.

 
[ In the room where Liz is running her Cyranoid through her computer, the Apparition of Mr Kaplan appears ]
Mr Kaplan: You’re doing well, Elizabeth. Stay strong. He’ll say yes.
[ Liz takes off the earphones and microphone connecting her to the Cyranoid ]
Liz: I don’t know if I can do this. This animal hunted my mother.
Mr Kaplan: Of course you can. You know that. What you don’t know is how ugly he really is.
How vicious he can be. He’ll want to know you’re capable of doing what needs to get done. He’ll want to test you.
Liz: What do you mean, test?
⋘⋙
[ Liz goes back online to talk to Townsend through her Cyranoid ]
Townsend: What you’ve done, coming here like this, it’s so audacious. But if I were to even consider an alliance, I’d need to know, w-without question, that I can trust you.
Liz (through her Cyranoid): You can trust me.
Townsend: I hope so. Which is why I’m going to give you an opportunity to prove it.
Liz: What do you mean?
Townsend: It means you’re going to earn my trust by killing my sister.
Liz: I just saved your sister. I’m not a murderer.
Townsend: She knows too much. She’s made herself a liability.
Liz: She’s your sister.
Townsend: You can’t beat Reddington without me. That’s why you’re here. You need me on your team. This is my price. Are you willing to pay it?
Mr Kaplan: You have to do it.
Liz: I–
Mr Kaplan: Reddington would in a heartbeat.
Liz: I can’t. I can’t.
Mr Kaplan: He’d see it as nothing more than a transaction required to close a business relationship.
Liz:This is a woman’s life we’re talking about.
[ Mr Kaplan stands next to the video image of Neville Townsend ]
Kaplan: I know how difficult this is for you, but I also know what happens if you don’t see this through.
I failed because I wasn’t willing to play by Raymond’s rules. You can’t make that same mistake. Dearie, you have to redefine who you are, what you are willing to become. If you have any hope of unseating Reddington, you’re going to have to become just as ruthless. So, either walk away now, or shove your feelings down and get it done with. Besides, she’s no angel. The woman brokers chemical weapons.
Townsend: So – what’s it gonna be?
Liz: [ Exhales sharply ]
⋘⋙
[ Keypad beeping🔅] [ The door of Mary Bremmer’s holding cell unlocks. Liz’s Cynanoid enters ]
Mary Bremmer: How did you get in here? What are we doing here? Does Neville have people on the way?
[ Liz’s Cyranoid strangles Mary Bremmer to death as Liz watches ]
Mary Bremmer: [ Choking ]
⋘⋙
[ Liz takes off the headset, rushes to a sink and vomits. She lifts her head to confront her image in a mirror ]

 
[ Liz phones Townsend ]
[ Phone beeps🔅, speed-dialing ] [ Line ringing✨, click ✵ ]
Liz: It’s done.
Townsend: What wonderful news. Nice work, Agent Keen. It looks like you’ve found yourself a partner in crime.

 
[ New York City ]
[ Liz visits Neville Townsend in person ~ no Cyranoid ]
Liz: Reddington is N-13.
Townsend: So you say.
Liz: He framed my mother.
Townsend: An assertion I want to believe, but need to prove. Elizabeth, we are not going to kill him without asking questions first about the Archive, what he plans to do with it. That is something I need to fully understand.
Liz: How did it happen? Your family.
Townsend: Let’s not do this.
Liz: Is it true that’s why you don’t sleep? What did Reddington do to you? I know the Vory ran drugs through your ports. I know you paid the KBG to look the other way.
Townsend: Elizabeth.
Liz: I know the documents N-13 stole detailed that cover-up. But what happened when that was exposed? What on earth could they have possibly done to you?
[ Townsend sits down ]
Townsend: My ports lined the pockets of some very powerful Russians. When our business was exposed, they lost not only careers, but their fortunes. The Vory knew the authorities had reached out to me. They were pressuring me to testify against them in exchange for immunity.
Liz: They made an example of you.
Townsend: By – subjecting me to a fate worse than death.
Liz: They went after your family.
Townsend: I was – I was asleep for most of it. Woke to the sound of my wife whimpering. When I got downstairs, my eldest was already gone. My youngest, he – was taking his last breaths. Their mother had been forced to watch the whole ordeal. Then I was forced to watch them slaughter her. I spent 30 years believing the documents your mother stole sparked the fire that burned my life to the ground, and every KGB informant and asset I can buy believes the same thing. But if you’re right, if Reddington is
N-13, I need him to confirm it. I need to know he has the Archive, what he intends to do with it. I need to know his endgame. I need to know – why my family had to die.
Liz: He won’t talk.
Townsend: We will kill him, Elizabeth.
Liz: He’s not afraid of death.
Townsend: Perhaps not, but he will talk.
Liz: So, we, what? Grab him?
Townsend: You help lure him out. Through a friend, someone he trusts.
Liz: And then we talk.
Townsend: And then – we kill him.
Liz: We’re gonna need a familiar face to gain access. I think I know just the guy.

 
[ Liz approaches Max Ruddiger, Red’s master of munitions ]
Ruddiger: We talked about this.
Liz: I know, Ruddiger, but things have changed.
Ruddiger: Nothing has changed.
Liz: I have a partner.
Ruddiger: My position hasn’t changed. Raymond is my friend. He’s like a brother. He has seen me through two wives and four stints in rehab. I will never betray him.
Liz: Hear me out.
Ruddiger: I am leaving.
Liz: Just please –
Ruddiger: I should never have come. I’m only here ’cause you tricked me into coming.
Liz: Ruddiger, please.
Ruddiger: Piss off!
Liz: Don’t go out that door!
Ruddiger: It’s not just me. Red’s people are not for sale.

 
[ Ruddiger opens the door to exit, but on the other side Neville Townsend and his men are waiting ]
Neville Townsend: Elizabeth insisted on talking to you first. I don’t like talk.
Ruddiger: No! Elizabeth, what have you done?!
[ Townsend’s men quickly overwhelm Ruddiger ]
Ruddiger: Tell him to stop it! Stop! Stop! [ Grunting ]
Townsend: You’re going to call Reddington, and you’re going to set a meeting.
Ruddiger: Let go!
Townsend: You’re gonna do exactly as I say.
Ruddiger: The hell I am!
Townsend: I appreciate your dedication to your friend, but you’ve obviously never met my friend. Her name is Dr. Perillos.
[ Dr Laken Perillos steps forward ]
Townsend: Doctor, our friend here seems to be something of a bomb-maker. I think you should start with his fingers.
Ruddiger: Oh, no. No. No! N-o-o-o-o!

 
[ Red arrives at Ruddiger’s lab in a warehouse ]
Red: What the hell happened to your hand?
Ruddiger: Oh, uh, car door. I was cooked. Nearly lost my pinky.
Red: You gotta be careful, Max. I need you with all 10 digits. What did you find?
Ruddiger: Ah, partial print on the Tamiya connector.
[ Dembe takes the plastic bag with the print ]
Dembe: I’ll get it to Cvetko.
Ruddiger: Who could do this, Raymond? Not Elizabeth, I’m sure.
⋘⋙
[ Liz is parked and watching from a car some distance away. Dembe exits from the warehouse to call Cvetko, a lab analyst who works with Red ]
Liz: This is a mistake.
Apparition of Mr Kaplan: Don’t second-guess yourself.
Liz: I’m crossing lines I’m no longer comfortable with.
Mr Kaplan: Yes, but you have to match his single-minded devotion. You’ll fail if you don’t.
[ Liz rubs the scar on her wrist ]
Mr Kaplan: You tell people you got it when you were 14. Why is that?
Liz: To hide the truth?
[ Images flash by from Liz’s childhood: the fire consuming the Christmas tree, the gunshot💥 she fired that killed her father ]
Liz: Was he there that night?
Mr Kaplan: You know that, dearie. Just like you know that that scar isn’t only part of your past. It’s the key to your future.
[ Liz looks at the Y-shaped scar on her wrist and palm. She remembers finding Tom’s “go box” in the very first episode. The idiosyncratic shape of the scar was deeply engraved into the box’s wooden cover. Like a talisman, the scar’s shape has popped up in several unlikely places ]
Liz: What does that mean?

 
[ Townsend’s men drive up in a van ] [⚡️Tires screech⚡️]
[ Red and Dembe are ambushed ] [ 💥💥💥 Gunfire 💥💥💥 ]
Dembe: Raymond, go! Go! Go, go, go!
[ 💥💥💥 💥💥💥 Gunfight💥💥💥 💥💥💥 ]
[ One of Townsend’s men comes up behind Dembe ] [ Gun cocks ]
Townsend’s man: Where is he?! Reddington!
Dembe: I don’t know.
[ Gun clatters ] [ Dembe is forced into the van ]
Liz: Wait. Dembe? No.
[ Liz begins to start the car ] [ Mr Kaplan grabs her arm ]
Mr Kaplan: It’s a transaction. It’s nothing more than a transaction.

 
[ Neville Townsend’s New York mansion ]
[ Liz walks briskly down a hallway ahead of Vandyke, to see Townsend ]
Liz: He’s a friend.
Vandyke: He’s a body man.
Liz: Dembe was never the target, and you know that.
Vandyke: Well, your other friend Ruddiger screwed up and we had to improvise, so put this on him.
Liz: Is he with Perillos?
Vandyke: That is not my business.
[ Liz walks up to Townsend ]
Liz: If Dembe Zuma is with that butcher, if she’s hurt him, so help me God –
Townsend: He’s fine. Dembe’s fine.
Liz: What do you mean he’s fine? I was told Perillos was working on him.
Townsend: She was. And she would have continued, had he not escaped.
Liz: He escaped. But – VanDyke told me Perillos –was with the subject. You wanted me to watch. Watch what?
Townsend: Our new subject. The one who surrendered himself.

 
[ The video feed from Dr Perillo’s torture chamber is turned on ]
[ The new victim is Red who had offered to exchange himself for Dembe. Even though Townsend told Dr Perillos to free Dembe, she was enjoying the torture too much. Struggling with her, the arm of his chair broke loose and he escaped. Dembe had called Red immediately, but it was too late. Red is now being subjected to a paralyzing virus that will asphyxiate him if he doesn’t tell Townsend what he wants to know about the Sikorsky Archive ]
Red: Not everything you thought it would be, is it? This moment? You’ve waited for it –
and somehow, it’s – dissatisfying.
Townsend: It actually exceeds expectation.
Red: [ Bresthless, distressed ] I wasn’t talking to you. We know who my assassin really is. Don’t we, Elizabeth? It saddens me to bear witness to this moment in your life, this crossing of a Rubicon from which you can never get back. It may appear self-serving to suggest that you instruct the good doctor to administer the antidote, but I strongly suggest that you do just that, because I’ve seen the other side of that river, and it’s a place I never, never wanted you to go. But perhaps you’re already there.
[ The Apparition of Mr Kaplan places her hand on Liz’s shoulder ]
Mr Kaplan: Yes, Raymond. She’s already there. And she’s strong. And she’s ready for what comes next.
[ Liz sits, while Mr Kaplan, Vandyke, Blake Brown, and other household members stand behind her ]

 
[ Later, Liz is alone with Townsend ]
Townsend: Reddington was wrong about you. We both were.He thought you hadn’t crossed the Rubicon. I was under the impression that you had.
[ Liz sees that Red is gone from the torture room ]
Liz: Where is he?
Townsend: You tell me. You tell me!
Liz: I have no idea.
Townsend: You see this?
[ Liz shows Liz the bloody sack that Townsend has tortured Ruddiger by using him as a punching bag ]
Townsend: This belongs to your pal, Ruddiger. A little reminder of what happens when you fail me.
Liz: I didn’t fail you. I’m the one who got you Reddington! You’re the one who lost him!
Townsend: You came to me promising to make Reddington suffer.
Liz: I promised to give you the opportunity to kill him. You could’ve put a bullet in his head. Instead, you put a needle in his arm, and you gave him the one thing you shouldn’t have – time – And he used it to get away.
Townsend: I told you I wanted answers. I thought you understood what that entailed.
Liz: If you’re upset because I didn’t sit and watch you torture him, let me be clear. It sickens me. But I am doing it because I know more than anyone in the world that it has to be done.
Townsend: There can be no space between what you want to happen and what you’re willing to do to make it happen.
[ Suddenly, the phantasmagoric Mr Kaplan is standing alongside Townsend ]
Liz: So you keep telling me.

 
[ Liz is alone ]
[ Cellphone vibrates ] [ Beep🔅]
Ressler [ On recorded phone message ]: Hey, Keen, it’s me. Look, we have Rakitin thanks to you and that flash drive you sent Cooper. If Reddington’s really N-13, we have a good chance of proving it. And if we can, maybe you can come home. That’s all I care about, Liz. I mean, no, maybe you can’t be an agent again, but at least you can get your life back. You and Agnes can be together. We got to talk, figure out how to end this. I’m gonna be at Bentham Park at midnight. Meet me there.And, Keen, you can trust me.
[ Cellphone beeps🔅]
Liz: [ Sighs ]

 
[ Liz is in her car. It’s dark ]
Agnes: [ On phone ] Are you coming home tonight?
Liz: Not tonight, honey. But my being away so much, I think it’s about to end.
[ Liz sees Ressler sit down on a bench across the street in Bentham Park ]
Liz: Is Mrs. French reading “The Phantom Tollbooth” to you?
Agnes: We’re almost done. It’s really good.
[ Cellphone vibrates ]
Liz: Well, you finish up and tell me all about it when I get home, okay? I love you.
Agnes: Love you, too.
[ Another cellphone on the dashboard vibrates. Liz grabs it ]
[ Suddenly, the Apparition of Mr Kaplan is sitting next to Liz ]
Mr Kaplan: Don’t answer that.
Liz: He could have good news.
Mr Kaplan: You should not be talking to the FBI. You cannot take that call.
[ Liz takes the call ]
Ressler: Hey, Keen, it’s me. Uh, I don’t even know if you’re getting these messages. I don’t know who I’m talking to.
[ Now no one appears sitting next to Liz in the car, but she still talks to Mr Kaplan ]
Liz: [ To Mr Kaplan ] Ressler says the Task Force has a source. His name is Rakitin, and he’s willing to talk. If he does, he could expose Reddington as N-13. He could end all of this.
[ Mr Kaplan reappears ]
Mr Kaplan: I wish that were true. But you don’t need to hear his message to know that’s not the case.
Ressler [ On recorded phone message ]: Look. Rakitin’s dead. I don’t know how, but – It seems like he was poisoned. … I mean, we really thought it was over this time. We miss you. We just want you back.
[ Liz’s car engine starts. The car pulls out and drives away ]

 
[ Mrs French’s apartment ]
Liz: I told her it was over, that I’d be coming home for good.
Mrs French: You’re doing the best you can.
Liz: I’m responsible for Mary Bremmer’s murder, Dembe’s torture, and I got nothing to show for it, except for another reminder that no matter how tight the noose, Reddington will always cheat the hangman.
Mrs French: I heard from the police today. They found my husband’s body. They say he died of natural causes. But you know differently.
Liz: I’m so sorry.
Mrs French: Phillip was a good man. Whatever he was doing, he was doing because he believed it was the right thing to do. I don’t need sympathy. I need justice. You’re the one who can get it for me.
Liz: I tried. For all of us. I don’t think I can keep trying.
Mrs French: I understand. You thought you could end this. You couldn’t.
Liz: You don’t know who we’re dealing with.
Mrs French: But I do know this – Good triumphs over evil.
Liz: I just don’t think I have what it’ll take.
Mrs French: Of course you do. Every mother does. The love for her child. Isn’t that what saved you?
Liz: Yes.
Mrs French: Didn’t you tell me your mother gave up everything for you?
Liz: Yes.
Mrs French: Don’t you think you should pay that forward?
Liz: Of course. But I don’t know how.
Mrs French: You’ll figure it out.
Liz: How can you be so sure?
Mrs French: Because love wins.
[ Liz once told Red that “Love wins” was her personal motto ]
Liz: You really believe that?
Mrs French: I do. And seeing how you are with Agnes, I believe you do, too.

 
[ Liz pays a visit to Dembe’s daughter, Isabella ]
[ Knock on door ] [ Isabella opens the door ]
Isabella: Elizabeth.
Liz: Isabella, hi.
Isabella: Is my father okay?
Liz: Dembe’s fine. But I did come because I think he could use your help.
[ Photos of Isabella’s daughter are on a table ]
Liz: Thank God she was too young to remember what happened to her.
Isabella: I dread the day when I have to tell her.
Liz: Do you have to?
Isabella: I believe in the truth. When she’s ready to hear it, I’ll tell her.
Liz: Are you going to tell her the truth about your father?
Isabella: You said he needs our help?
Liz: He needs our protection. From Reddington.
Isabella: Did he tell you that?
Liz: No. He loves Reddington, but that love is based on a lie, one that I’m not even sure he knows about. Reddington isn’t who he says he is. I believe – The Bureau believes – Reddington may be a Russian asset.
Isabella: What?
Liz: But we need proof, and with your help, we can get it.
Isabella: So you’re not here to help my father. You’re here to help yourself.
Liz: I’m here to help us both, but most importantly, I’m here to help our daughters. She’s beautiful. She’s innocent. And one day, when she’s ready, you’re gonna tell her that when she was an infant, she was abducted, used as collateral so someone could get to your father. And you’re gonna tell her as if it could never happen again. But you and I both know as long as Reddington is in our lives, that isn’t true.
Isabella: I won’t hurt my father.
Liz: I would never ask you to.
Isabella: What do you want me to do?
Liz: I need you to call your father, tell him you want to see him.
Isabella: I haven’t seen him in months.
Liz: All the better. You miss him. You want him to spend time with Elle.
⋘⋙
[ Flashforward: ]
Isabella: Hi. It’s me.
⋘⋙
Liz: Once you’ve set a meeting, I need you to plant this device.
[ Liz show Isabella a tiny listening device ]
Isabella: What do you want to hear him say?
Liz: Nothing. I want to hear what Reddington says to him.
Isabella: You really think this will help?
Liz: I think, with any luck, we can figure out what Reddington’s up to.

 
[ A playground ] [ Playful shouting ]
Dembe: She’s gotten so big.
Isabella: I know. Can you believe it?
Dembe: I’m glad you called.
Isabella: We miss you, Dad.
Dembe: Do you? I wasn’t sure.
Isabella: Of course we do.
[ They hug. Isabella plants the listening device under the collar of Dembe’s parka ]

 
[ Liz sits in her car, listening in on Dembe and Red talking ]

Dembe: Your heart can betray you. How many times have you told me that?
Red: Anne is not betraying me.

[ Liz writes down “Anne” ]

Dembe: We’ve run no names. Done no background checks.
Red: On the good people of Cottonwood Falls? Believe me, if you’re lucky, you might find a late fee for “Tom Sawyer” at the local library.

[ Liz writes down “Cottonwood Falls” ]

Dembe: You’re letting your guard down.
Red: That’s not what I’m doing. – Okay. It is what I’m doing. But I’m having a splendid time doing it.

[ Red scrunches Dembe’s arms as he walks past him ]

Red: [ Exasperated ] Ugh.

 
[ Anne walks to her car in Cottonwood Falls and gets in ] [ Indistinct shouting ]
[ Liz is parked in the same parking lot ]
[ Liz places a call ]
Liz: Hey. It’s me. Tell Townsend I know how we can get to Reddington.
[ Engine starts ] [ Anne’s truck starts to back out ] [⚡️Tires screech⚡️] [ Liz’s car rams Anne’s truck 💥 ]
[ Both Liz and Anne get out of their vehicles ]
Anne: I am so sorry. Are you okay?
Liz: No, I should have seen you backing out.
Anne: Oh, no, no, no, no, no. It was my fault.
[ Anne looks at the damage ]
Anne: It’s not that bad.
Liz: Let me give you my insurance. [ Sighs ] If we were in the city, you’d be screaming at me.
Anne: Oh. You’re not from here?
Liz: Uh, Kansas City. I, uh – I rented a place on Chase Lake. I just came into town to get some supplies. I’m Cindi.
Anne: Hi, Cindi. I’m Anne.
[ Anne shows Liz her driver’s license ]
Liz: [ Reading ] Anne Foster of 429 Roslyn Place.
[ Liz snaps a photo of Anne’s license with her phone ]
Anne: That’s it. Oh, let me give you my cell, too. If those insurance people give you any trouble, I want you to give me a call, okay?
Liz: Okay. Seriously, if I’d known you’d be this nice, I would’ve run into you on purpose.
Anne: Ohh. You take care.
Liz: You, too. I’m sorry again.
Anne: That’s okay.
⋘⋙
[ Liz gets into her car and makes a call ]
[ Keypad dialing ] [ Line ringing✨]
Liz: I’m gonna give you an address.

 
[ Anne, Lois and Bran are at Anne’s. They are expecting Red to join them for a game of bridge, but he’s late ]
Lois: I’m not saying it’s up there with a nice smile or a nice ass.
Bran: But –
Lois: I think punctuality is sexy.
[ Doorbell rings✨]
Anne: Oh. Nice smile, nice ass, and on time. May I present to you – the sexiest man alive –
[ Anne opens the door ]
Anne: [ Gasps ]
[ It’s not Red. It’s Liz, with a layer cake ]
Liz: Anne! Hey. Cindi. From the accident.
Anne: Of course. I’m sorry.
Liz: I just brought this by to thank you for being so nice about what happened.
Anne: Did you bake me a cake?
Liz: I hope you like red velvet. [[ Megan Boone’s favorite ]]
Anne: Oh, you are too thoughtful. Come in. Some friends and I are about to play some bridge.
Liz: No, I just came to drop that off. I don’t want to intrude.
[ Soft jazz playing on stereo ] [ Liz walks toward the staircase. She hangs a video recording device on the base of a lamp at the bottom of the staircase ]
Liz: Cute drawings!
Anne: Oh, thank you. You sure you don’t want to stay for a bit? To have a drink?
Liz: No. [ Chuckling ] I’m sure we’ll bump into each other again soon. Bye.
[ Liz leaves out the front door ]
Lois: So much for the sexiest man alive. I’m just saying I like punctuality.
Bran: Maybe his plane was delayed.
Lois: So, why hasn’t he called yet?
⋘⋙
[ Liz monitors the video feed from Anne’s house: ]

[ Red opens the back door ]
Red: Only because I like to make a dramatic entrance.
Bran: Raymond! Hey.
[ Soft jazz playing ]
Red: I hope you’ll go easy on me tonight.
Bran: You’ll do fine. Gin and tonic?
Red: Yes.
Bran: We’ve gotten a head st–

 
[ The next morning. Anne’s kitchen ]
Anne: I found two pairs and a blanket.
Red: I found salami and cheese.
Anne: I’ll get a basket for the food and we’re good to go.
⋘⋙
[ Liz is on the phone. The live feed from Anne’s house plays in the background ]
Liz: Yeah, the friend’s gone. It’s just him and the girlfriend. We gotta do this now.
[ Townsend is in an SUV ]
Townsend: We’re on our way. Have Arkham kill the power and land lines.
[ Liz is receiving the video feed from inside the “Chase County Water and Power” van which Red had seen in town the day before and which is now parked outside of Anne’s house ]
[ Arkham puts a gun into his work bag and gets out of the van ]
Townsend: And, Liz, remember to try and enjoy the moment.
Liz: Just get here before he senses something’s wrong.

 
[ Red looks out of the window. He notices the utility van and becomes suspicious ]
[ Anne has just retrieved two pairs of binoculars for their planned day of birdwatching ]
Anne: … What were you saying?
Red: Didn’t you say there was an excellent vegan sandwich shop in town? Why don’t you run into town, order for both of us? I’ll be ready to go when you get back.
Anne: Are you sure?
[ Anne leaves the house ] [ Door closes ]
[ Truck door closes, engine starts ] [ Anne drives off ]
⋘⋙
[ Arkham is around the back of the house ]
[ Liz sees Red come outside to see what’s going on ]
Liz: No. No, no, no, no, no.
⋘⋙
Red: Hey, there. … What seems to be the problem?
Arkham: … I just gotta check your ground wires. It’s standard.
Red: Okay. Very good. Vague but detailed enough. …
Arkham: Not sure what you mean.
[ Red’s look darkens ]
Red: You know what I mean.
Arkham: … I got the work order right here.
Red: Great.
[ Arkham unzips his work bag. Red sees the gun inside. He stabs Arkham in the gut with a chef’s knife from the kitchen ] [ Blade🔪plunges ]
Arkham: Ugh!
[ Red grabs Arkham from behind, and holds the knife at his throat ]
Red: How many are coming?
Arkham: ⋘⋙ Everyone.
[ Red slices Arkham’s throat and lets him fall. He grabs the gun from the bag and walks around the side of the house with the gun on full display. Liz gets into the driver’s seat and The “Water and Power” van takes off ] [ Tires squealing ] [⚡️Tires screech⚡️]

 
[ Red hurries to fetch Anne from the vegan sandwich shop ]
Anne: Raymond, what are you doing here? If you needed something else, you could’ve called me.
Red: I need you to come with me.
⋘⋙
[ Liz returns to Anne’s house after Red leaves. Townsend and Vandyke are there ]
Liz: We’ve got to call it off. Did you hear me? He knows. Reddington knows we’re here.
Townsend: That changes nothing.
Liz: We’ll have other opportunities.
Vandyke: There was an incident in town, but they have eyes on Reddington.
Townsend: What kind of incident?
Vandyke: Landon. She’s gone.
Townsend: And Reddington?
Vandyke: He took the woman and went into the local police station.
⋘⋙
[ Liz turns to address the Apparition of Mr Kaplan ]
Liz: No. I know what you’re thinking. They can’t do this. Innocent people will get hurt.
[ Mr Kaplan just looks at Liz ]
⋘⋙
Townsend: Oh, Raymond. You do keep things interesting.
Vandyke: How you wanna handle this?
Townsend: Put Sagan on the police scanners and have him give us a timeframe. If we’re going to do this, it’s gonna happen now.
Liz: You’ve got to call it off. There are too many innocent people.
Townsend: Don’t you think maybe that’s why he’s there?
Liz: You can’t attack a police station!
Townsend: No space. Remember? Between what you want and what you’re willing to do to get it.
Liz: Innocent people will get killed.
Townsend: No space. None.
[ Mr Kaplan just looks at Liz ]

 
[José González’s ♫ “How Low” plays ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below to play ♪ ]

[ Scenes of the attack on the police station play out ]
[ 💥💥💥 💥💥💥 Gunfire 💥💥💥 💥💥💥 ]
⋘⋙
[ Liz is driving a vehicle, yelling at Townsend on her cellphone ]
Liz: Six people are dead!

♪ How low ♪

⋘⋙
[ Flashback: ]
[ Lois runs out of the police station to retrieve the keys to the holding cell from the body of Officer Brandt, who has killed earlier in the assault ]
Red: No, no, no!
[ Lois is shot in the thigh, but she, Red and Anne make it to the cell just ahead of Townsend ]
⋘⋙

♪ Are you willing to go
Before you reach all ♪

⋘⋙
Liz: Innocent people. Killed and wounded.
⋘⋙
[ Flashback: ]
[ Red talks to Townsend through the cracked bulletproof glass of the cell ]
Red: Take your men and your guns and your bloodshed and go. Then come find me when you’re ready, and I’ll show you the proper way to exact revenge.
⋘⋙
[ Townsend listens to Liz from another vehicle ]
Liz: And for what? Nothing. I’m listening to the police scanner. He’s gone. They have no idea where.
⋘⋙
[ Anne lets Red gets out of the trunk of the car where he was hiding, thanks to help from Lois ]
⋘⋙
Townsend: I did what I had to do. You didn’t.
⋘⋙
Anne: The man who came after you today –
Red: Neville Townsend.
Anne: He won’t stop, will he?
[ Red shakes his head ‘No’ ]
⋘⋙
Liz: You’re right. There is space for me. Between what I want and what I’m willing to do to get it.
Townsend: That’s unacceptable.
Liz: Well, then maybe I’ll keep Reddington all to myself.
Townsend: You said he was gone.
Liz: He is. But I think I know how to find him.
[ Call ends ] [ Mr Kaplan is sits next to Liz ]
Mr Kaplan: Townsend was there, and he can’t see it – The magic trick, how Raymond got away. You weren’t there, but you know how he did it. Because it’s what you would have done.
[ Liz smiles at Mr Kaplan ]

♪ This means war, this means war ♪

Red: Is there somewhere you can go? And not to your daughter’s. They’ll anticipate that.
Anne: My friend Cindi, the one who made the cake. She has a cabin.
Red: See if you can go there.
⋘⋙
[ After Red leaves, Anne calls someone, likely her daughter ]
Anne: Okay, sweetie. I’ll call you as soon as I know more. I love you. Be safe.

 
[ Knock on door ] [ Anne looks around. She grabs a knife from the counter ]
[ Knock on door ]

♪ Where to ♪

Anne: Who is it?
Liz: Anne? It’s me, Cindi.
Anne: Oh. Oh, thank God. I was just about to call you.
Liz: Are you okay? The whole town is talking about what happened.
Anne: It was awful. The whole thing. It was just – I have this friend. With me, he’s kind and decent, but he’s done some terrible things, and terrible people are after him.
Liz: Where is he – Your friend?

 
[ Red is driving on his way out of town ] [ He fiddles with the car radio ]
Man on radio: – another 10 days, uh – [ Click ✵ ]
Woman on radio: – starting to – [ Click ✵ ]
[ The next station is playing Merrilee Rush’s ♫ “Angel of the Morning” ]
[ ⬇ Go to Full Lyrics ] or [ ♪ Tap square below to play ♪ ]

Red: [ Chuckles ]

♪ I’m old enough to face the dawn
Just call me angel of the morning, angel ♪

[ Red flashes back to scenes of being with Anne ]
Red: Ah –

♪ Just touch my cheek before you leave me ♪

[ Red does a sudden U-turn ]

 
Anne: He says the people that are after him may come after me, and that’s why I was gonna call you. Your cabin. No one will look for me there. If I could just stay there, even just for a few days –
Liz: I-I wish that were possible. I really do. And maybe it can be, after you help me find Reddington.
[ Liz takes out her gun, but doesn’t point it at Anne ]
Liz: I need to know where he is.

♪ Maybe the sun’s light will be dim ♪

Anne: [ Gasps ] You’re one of them.
[ The Apparition of Mr Kaplan returns ]
Mr Kaplan: Yes.
Liz: No. But we do want the same thing.
Anne: He left. I don’t know where he went.
[ Knock on door ]

♪ Well, it was what I wanted now ♪

[ Door opens ]
Red: Anne? Annie –

♪ And if we’re victims of the night ♪

[ Liz grabs Anne’s arm and sticks her gun at Anne’s side ]
Red: Elizabeth.
Liz: Go on. Don’t let me stop you.
Red: Put the gun down.
Liz: Why’d you come back? What do you want?

♪ Of the morning, angel ♪

Liz: Do you want to tell her who you really are?
Anne: Raymond –
Red: It’s okay. Just stay calm.

♪ Just call me angel ♪

Liz: You and Kate underestimate me.
Red: Oh, so she’s here, too.
Liz: Do you see her?
Red: I do, without even having to look.
[ Mr Kaplan’s phantasm stands alongside Liz ]
Liz: His true identity is a secret, Anne. He’s never told me who he really is.

♪ If morning’s echo says we’ve sinned ♪

Liz: Maybe he will now, as a deathbed confession.
[ Liz points the gun at Red ]
Red: Let her go. She doesn’t have to be here for this.
Liz: Finally. We agree on something.
[ Anne throws herself at Liz. They struggle ] [ Grunting ]
Red: Anne!
[ Red runs toward them ]
[ Liz pushes Anne away. Anne falls, her head⚡️hitting⚡️the coffee table, shattering the glass and leaving blood on the corner. She rolls onto her back ]

♪ I won’t be blinded by the light
Just call me angel ♪

Red: Anne! Anne. Here.
[ Red flattens his cap and slides it under her head. Ignoring the fact Liz still has a gun, Red crouches over Anne, holding her face in his hands ]
Red: Hold on. Don’t move. Don’t move. Yeah. All right.
[ Anne is conscious but a pool of blood is forming under her head ]
Red: Just breathe. Hold on. Just hold on.

♪ Baby Just call me angel of the morning, angel ♪

[ Red dials 911 ]
Red: Yes. I-I need an ambulance. There’s been an accident at 429 Roslyn Place.
Mr Kaplan: [ To Liz ] This is your moment.
Red: Yes –
Mr Kaplan: Don’t hesitate. Raymond wouldn’t.
[ Liz looks at Red and Anne, almost in wonderment ]
Red: Anne, look at me. Stay with me. Look at me. Just focus on me. Look at me. That’s it. Stay with me.
[ Liz unlocks the gun’s safety ]
Mr Kaplan: That’s it. Pull the trigger. End this now.
Red: Stay with me.
Mr Kaplan: You can’t get your life back until you do.
Red: Stay with me. Stay with me. Anne. Anne.
[ The pool of blood widens ]

♪ Baby, baby Just call me angel of the morning, angel
Just touch my cheek before you leave me, baby ♪

[ Abrupt end ]

 
⬆ go to top

 
❌❌❌ 8:14 End Misere

 
For S8 Episode 8:14 Misere 🎯 EW recap ¤ 🌅 Photo Gallery ¤ 🎹 Music Videos ¤ 📒 Script link: https://wp.me/pDKwi-bfo [ “you are here” ]

 

༺✦ ♤ ✦༻

 

🔴 Episode Songs

 
♫ ⋙ Check Tunefind for any additional music for this episode

♫ Tilly Tilly bom (Russian Lullaby)
By Violent Eve

Russian:

♪ Тили-тили-бом
Закрой глаза скорее,
Кто-то ходит за окном,
И стучится в двери.

♪ Тили-тили-бом.
Кричит ночная птица.
Он уже пробрался в дом.
К тем, кому не спится.

♪ Он идет… Он уже близко…

♪ Тили-тили-бом.
Ты слышишь, кто-то рядом?
Притаился за углом,
И пронзает взглядом.

♪ Тили-тили-бом.
Все скроет ночь немая.
За тобой крадется он,
И вот-вот поймает.

♪ Он идет… Он уже близко…

♪ Тили-тили-бом.
Ты слышишь, кто-то рядом?
Притаился за углом,
И пронзает взглядом.

 
Russian Pronunciation:

♪ Tili-tili-bom
Zakroy glaza skoreye
Kto-to khodit za oknom
I stuchitsya v dveri

♪ Tili-tili-bom
Krichit nochnaya ptitsa
On uzhe probralsya v dom
K tem, komu ne spitsya

♪ On idet… On uzhe .. Blizko…

♪ Tili-tili-bom
Ty slyshish’, kto-to ryadom?
Pritailsya za uglom
I pronzayet vzglyadom

♪ Tili-tili-bom
Vse skroyet noch’ nemaya
Za toboy kradetsya on
I vot-vot poymayet

♪ On idet… On uzhe .. Blizko…

♪ Tili-tili-bom
Ty slyshish’, kto-to ryadom?
Pritailsya za uglom
I pronzayet vzglyadom

 
English:

♪ Tili-tili-bom
Close your eyes rather
Someone goes outside the window,
and knock at the door.

♪ Tili-tili-bom.
Screams night bird.
He had already made ​​his way into the house.
For those who can not sleep.

He goes… He already… close …

♪ Tili-tili-bom.
You hear someone nearby?
lurking around the corner,
and pierces the eye.

♪ Tili-tili-bom.
All hide silent night. i
For you it is stolen,
and is about to catch.

He goes… He is already… close …

♪ Tili-tili-bom.
You hear someone nearby?
lurking around the corner,
and pierces the eye.

🎹 Return to where this song occurs in script above
Lyrics: (Russian and English) http://bit.ly/3vttOIH
Lyrics: (Russian pronunciation): http://bit.ly/2PkuVuJ
YouTube: https://youtu.be/BDMmj5WgB8c

TheBlood-Shed: Origins of Terrifying Russian Lullaby “TILI TILI BOM” are Murky http://bit.ly/3vlvfJ3
// 3/12/2026

 


 

♫ Fa-Fa-Fa
By Datarock

[Pre-Chorus]
♪ I need a shot
I need a shot of ambition
I need a hit
I need a hit of nutrition
I need a fix
I need to fix my ignition
If you want to whip me into shape
I need a plan or a mission

[Chorus]
♪ Cause I’m gonna ride fast, going nowhere
And I left my brain in the past
I’m gonna ride fast
To where I don’t care

[Pre-Chorus]
♪ I need a shot (shot!)
I need a shot of ambition
I need a hit (hit!)
I need a hit of nutrition
I need a fix (fix!)
I need to fix my ignition
If you want to whip me into shape
I need a plan or a mission

[Chorus]
♪ Cause I’m gonna ride fast, going nowhere
And I left my brain in the past
I’m gonna ride fast
To where I don’t care

[Bridge]
♪ Fa-fa-fa-fa-fa-fa-fa-fa
Fa-fa-fa-fa-fa-fa-fa-fa
Fa-fa-fa-fa-fa-fa-fa-fa
Fa-fa-fa-fa-fa-fa-fa-fa

[Pre-Chorus]
♪ I need a shot (fa-fa-fa-fa-fa-fa-fa-fa)
I need a shot of ambition
I need a hit (fa-fa-fa-fa-fa-fa-fa-fa)
I need a hit of nutrition
I need a fix (fa-fa-fa-fa-fa-fa-fa-fa)
I need to fix my ignition (fa-fa-fa-fa-fa-fa-fa-fa)
If you want to whip me into shape (fa-fa-fa-fa-fa-fa-fa-fa)
I need a plan or a mission (fa-fa-fa-fa-fa-fa-fa-fa)

[Chorus]
♪ Cause I’m gonna ride fast, going nowhere
And I left my brain in the past
I’m gonna ride fast
To where I don’t care

🎹 Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/3sKKGZr
Youtube: https://youtu.be/N6xoFhkthls

 


 

♫ How Low
By José Gonzalez

♪ How low are you willing to go
Before you reach all your selfish goals
Punch line after punch line
Leaving us sore, leaving us sore

♪ Absorbed in your ill hustling
Feeding a monster, just feeding a monster
Invasion after invasion
This means war, this means war

♪ Someday you’ll be up to your knees
In the shit you see
All the gullible that you mislead
Won’t be up for it

♪ Where to, will you relocate
Now that it’s war, now that it’s war

🎹 Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/3ecDaBd
YouTube: https://youtu.be/r9Iz3cxwcwI

 


 

♫ Angel of the Morning
By Merrilee Rush

♪ There’ll be no strings to bind your hands
Not if my love can’t bind your heart
And there’s no need to take a stand
For it was I who chose to start
I see no need to take me home
I’m old enough to face the dawn

♪ Just call me angel of the morning, (angel)
Just touch my cheek before you leave me, baby
Just call me angel of the morning, (angel)
Then slowly turn away

♪ Maybe the sun’s light will be dim
And it won’t matter anyhow
If morning’s echo says we’ve sinned
Well, it was what I wanted now
And if we’re victims of the night
I won’t be blinded by the light

♪ Just call me angel of the morning, (angel)
Just touch my cheek before you leave me, baby
Just call me angel of the morning, (angel)
Then slowly turn away
I won’t beg you to stay with me
Through the tears of the day, of the years
Baby, baby, baby
Just call me angel of the morning, (angel)

🎹 Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/3edFOH9
YouTube: https://youtu.be/bUX8oZVfvsA

 

 

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🔴 General

 
⭕ Script 8:14 Misère https://wp.me/pDKwi-bfo Status: FINAL @NBCBlacklist #TheBlacklist My site: BlacklistDCd.com https://twitter.com/BlacklistDCd/status/1386485239804010497?s=20/photo/1

⭕ Easy-Search Scripts updated thru Episode 8:14 Misère https://wp.me/pDKwi-awu#misere #TheBlacklist @NBCBlacklist My site: BlacklistDCd.com https://twitter.com/BlacklistDCd/status/1386513948720181249?s=20/photo/1

 
 

 
 

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