š“ Script: 4:2 Mato (ā 66)
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NBCās series The Blacklist starring James Spader and Megan Boone
Series created by: Jon Bokenkamp
Program air date: 9/29/2016 in the US
Permalink: http://wp.me/pDKwi-3l6
Entertainment Weekly Recap: http://bit.ly/2cFvwCA
Source: Raw Script from Forever Dreaming: http://bit.ly/1QciD0C [ dump of captioning ] at 6:45am CTu
STATUS: ā Pending ā Rough ā Preliminary š“ Final
STATUS: š Pending š Rough š Preliminary ī Final
Last updated: 10/2/2016 at 3:45pm CT [ Central/Chicago time ]
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Director: Andrew McCarthy
Written by: Jon Bokenkamp, Michael Cerone
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Raymond āRedā Reddington ā James Spader
Elizabeth Keen ā Megan Boone
Donald Ressler ā Diego Klattenhoff
Harold Cooper ā Harry Lennix
Tom Keen ā Ryan Eggold
Aram Mojtabai ā Amir Arison
Samar Navabi ā Mozhan Marnò
Dembe Zuma ā Hisham Tawfiq
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GUEST STARS:
Katya ā Irina Abraham
Baz ā Bazzel Baz
Mr Kaplan (Kate) ā Susan Blommaert
Captain Daly ā Michael Park
Maisy ā Jen Ponton
Romina ā Joselin Reyes
Alexander Kirk / Constantin Rostov ā Ulrich Thomsen
Young Masha ā Lily Lewinter
Fishing Boat Captain ā Jaime Tirelli
Little Nikos ā Jack Topalian
Mato/Raoul ā Raoul Max Trujillo
Katarina Rostova ā Lotte Verbeek
Surgeon ā Michael Winther
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š“ Script 4:2 Mato (ā 66)
Blurb: Liz has been separated from her infant daughter Agnes, forced by Alexander Kirk (aka Constantin Rostov), a man claiming to be her father, to leave Cuba headed āhome.ā Red and Mr Kaplan rescue Agnes, only to have her taken again by the mysterious shamanic Mato.
For S4 Episode 2: Mato: šÆ EW recap ¤ š
Photo Gallery ¤ š ā£Storybook⣠¤ š Script link: http://wp.me/pDKwi-3l6 [ āyou are hereā ]
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[ Kirk, who claims to be Lizās father Constantin Rostov, has forced Liz to accompany him on a float plane to a place he tells her is āhome.ā ]
Kirk: He wonāt find youā Reddingtonā if thatās what youāre hoping for or worried about.
Liz: Tomās alive. You donāt have Agnes. Iām not worried about anything.
Kirk: I wonāt apologize for trying to restore my family.
Liz: Even if it means destroying mine.
Kirk: Reddingtonā He took you from me.
Liz: And you hate him for it, for stealing your child. I know how that feels.
Kirk: You wouldāve been with Agnes now if you hadnāt tried to escape.
Liz: Yes. But then again, so would you.
[ Cellphone rings, beeps ]
Kirk: Tell me.
Mato: I got the girl.
Kirkās Find a way across the Straits, then contact my office in the Keys. Do it quickly. Agnes has been away from her mother too long.
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[ Suddenly, Liz lunges at the pilot. The plane nosedives ] [ Gunshot š„ ]
Pilot: Sheās gonna kill us! Aah!
[ Wind whistling ] [ Grunts ] [ Gunshot š„ ā The pilot is fatally shot. Liz leans over the pilot to grab the controls of the plane tries to level it. The plane is about to hit the water ⦠]
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[ The car with Dembe, Red, Mr Kaplan (āKateā) and baby Agnes was rammed by Mato, who has taken Agnes. Tom drives up in a red pickup truck ]
Red: The childā¦
[ Truck stops ]
Red: No.
[ Grunts, groans ] [ Groans ] [ Sighs ]
Tom: Liz and Agnes.
Red: No. Please assist Mr. Kaplan.
Tom: You all right?
[ Red clears throat ] [ Dembe grunts ]
Tom: Where are they?
Red: In danger. How did you find us?
Tom: I had Aram tracking that car. I spent the better part of the day stuck in the trunk.
Red: Who was the driver?
Tom: Had to be one of Kirkās hired hands. 6-foot, rough trade, dark skin. Likes Western wear.
Kate: Mato. I saw his face.
Tom: Whoās Mato?
Kate: A finder. A tracker. Killer when necessary.
Tom: How do we find him?
Kate: I donāt know.
Red: You donāt know or you wonāt say?
Kate: We had a mutual friend. He gave Mato his start as a skip tracer. It was years ago.
Red: Little Nikos.
Kate: I can talk to him. If he knows anything, heāll tell me.
Red: West Texasā favorite bail bondsman. An Amarillo institution for 25 years to life. Dembe, call Edward. Tell him to ready the jet. Weāre gonna pay a visit to Little Nikos.
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[ Liz wakes in the crashed plane. Kirk is unconscious ] [ Water lapping ] [ Gasps ] [ Grunts ] [ Metal creaking ] [ Object thuds, water pouring ]
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[ Aram runs up metal stairs still the Post Office ]
Aram: Excuse me. Sorry. Itās Mr. Reddington.
Red: [ On phone ] We have two targetsā Elizabeth Keen and Agnes Keenā traveling separate paths to an unknown location. Constantin Rostov, also know as Alexander Kirk, fled with Elizabeth in a private seaplane that departed from Playa Larga⦠mm, less than an hour ago, due west.
Aram: What about Agnes?
Red: I have a lead on Agnes. She was abducted by one of Kirkās private contractors, a high-priced tracker known only as Mato. He missed the flight off the island.
Samar: Then heās trapped in Cuba. Thereās no way heāll make it past the PNR after the international incident you just caused there.
Red: Ordinarily I would agree with you, Agent Navabi, but Mato isnāt your garden-variety mercenary. From what Iām told, heās an Indianā part Sioux, part I donāt know what, son of a Shaman. Mato could sneak up on a deer in a glade and smack it on the rump. Heāll find his way off the island.
Cooper: Weāll notify the seaports just in case. Good luck. And let us know what you turn up. [ Receiver beeps ] Contact Customs and Border Patrol. They work with the Coast Guard to monitor the air and waters around Cuba.
Samar: Sir, I donāt understand why weāre going to such extremesā
Cooper: Agent Ressler is on a return flight from Cuba. Itās time to set aside your personal feelings and help out this investigation.
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Kate: This is my fault. If anything happens to Elizabeth or the babyā¦
Tom: You have nothing to apologize for. You tried to help us find a normal life. Iād take that risk again. [ To Red ] I donāt regret trying to get away from you.
Red: Of course you donāt. Regret requires age or wisdom.
Tom: We were trying to protect Agnes.
Red: I guess that didnāt work out. When we get to Amarillo, I think it would be best to do as I say, both of you.
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Liz: Mayday, mayday, mayday. Plane down off the coast of Havana. 23 degrees, 52 minutes north.
[ Water pouring ]
Liz: 82 degrees, 49 minutes south. Mayday, mayday, mayday. Can anyone hear me?
Kirk: My sat phone.
Liz: Gone.
[ Static crackling ]
Kirk: You need to untie me, Masha.
Liz: Mayday, mayday, mayday, is anyone there?
[ Loud clank ]
Kirk: What was that? You need to know that Agnes is safe. Sheāll be cared for.
[ Metal creaking ]
Kirk: You see anything?
Liz: One of the pontoons is taking on water. We donāt have long.
Kirk: Untie me! Masha, Iām your father. You canāt let me drown.
Liz: Watch me.
[ Static ]
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Captain Daly: Weāve got every sonar operator in the Miami district working on this. We launched the search as soon as I received your call.
Samar: Any chance the plane is still in range?
Daly: A light aircraft, flying low and slow? Weāll find it. We monitor 2 million square miles of ocean from Miami.
Samar: Agent Ressler, welcome back. This is Captain Daly. Heās our liaison with the US Coast Guard.
Daly: Iām authorized to give you full access to our radar screens.
Ressler: If that seaplane is flying low, wonāt it avoid detection?
Daly: Most radar transmitters are on the ground, aimed at the sky. Ours float in the sky on balloons, looking down. Theyāre designed to detect small aircraft, like the one you described. If you donāt mind me asking, whoās on the plane?
Ressler: Friend.
Samar: [ At the same time as Ressler ] A fugitive.
Daly: Sounds complicated.
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[ Red and Kate get out of the car ]
Kate: When we get inside, let me talk to him. He and I have history.
Red: He and I donāt. Iāll be more persuasive.
Kate: Is that what this has come to? The chance for you to punish me by hurting someone I care about?
Red: You are not my concern. Agnes is. If someone you care about is hurt in the process of finding her, so be it.
Kate: Do you remember what I looked like that night? Lying in the street, my head torn open⦠Annieās body in front of me.
Red: You know I donāt know what you looked like. I was away.
Kate: Right, but he does. Little Nikos sat by my bed in the hospital. When I healed, he gave me work, a reason to push on. Heās a decent man. Iām only here to serve you today because of his kindness.
Red: You may speak to him first. Briefly.
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[ Door bell jingles ]
Maisie: Afternoon. Can I help you?
[ Door closes ]
Kate: Little Nikos, please.
Maisie: Oh, wish I could oblige, Missā¦
Kate: Mr. Kaplan, an old friend.
Maisie: Mr. Kaplan, I wish I could oblige, but Nikos is takinā a little nap.
Red: Perhaps itās time for a wake-up call.
Maisie: Uh, Iām afraid thatās not possible. Heās in surgery.
Red: Where?
Maisie: His stomach.
Red: And where might we find his stomach?
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[ Red and Kate burst into an operating room where a laparoscopic surgery is underway ]
Ellen: I told him he couldnāt come in.
Red: Oh, my. Me and my timing.
Surgeon: What the hell is going on?
Red: Is this a lap band? I knew all those desserts would catch up with Little Nikos one day. I think I see some baklava in there.
Surgeon: Put that down. Helen, get him out of here. Call building security.
Red: I need your capable team here to wake up your patient.
Surgeon: What? Call security right now.
Red: Wake him up.
Surgeon: I canāt. Weāre in the middle of a procedure. Iād be putting his life in danger.
Red: His lifeās already in danger. [ Draws gun ] How ābout yours?
[ Monitor beeping steadily ]
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Kirk: There are no life vests, no inflatable rafts. Weāre gonna flip. Our only chance is out there, holding onto the pontoons.
Liz: You mean my only chance. [ Unzips pocket ] Youāre not going anywhere. [ Seat belt clicks ] [ Exhales sharply ] [ Gunshot (flare) š„ ]
Kirk: Weāre not gonna survive unless we trust each other.
Liz: Iāll never trust you.
[ Kirk has gotten the gun when Liz was distracted with the flare. He points it at her ]
Kirk: Weāre a family. Not Reddington. Us. If you wanna hold your child in your arms again, we need to trust each other.
[ Kirk hands the gun to Liz ]
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Ressler: The Coast Guard just picked up a brief ELT signal from a light aircraft west of Havana, somewhere in the Gulf of Mexico.
Cooper: An ELT signal? Are you telling me their plane went down?
Samar: It appears that way, sir.
Cooper: But we have a location for them.
Ressler: Itās not that simple. This ELT signalās an older model. Analog frequency.
Aram: No digital signal to carry GPS coordinates.
Samar: ELTs are notoriously unreliable, especially if theyāre⦠submerged underwater.
Captain Daly: Weāve narrowed the search field to 220 square miles. SAR teams are gearing up now.
Aram: I know this is not about me, it is about Agent Keen, but I donāt know if I have the strength to lose her again.
Samar: None of us do.
Cooper: Stay on it. Say a prayer. And notify me the minute you have an update.
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Surgeon: Heās awake and in excruciating pain. I gave him a self-administering morphine drip to manage his discomfort. Even that wonāt be enough unless you get what you want quickly and leave.
Red: [ To Kate ] Remember⦠weāre getting what we need, one way or another.
[ Monitor beeping steadily ] [ Nikos groans softly ]
Little Nikos: Kate. What are you⦠Whatās happening?
Kate: We only have a minute. Raymond Reddington is here. [ Nikos grunts ] He wants Mato.
[ Breathing heavily ] [ Groans ] [ Click ] [ Groans ]
Kate: Tell me how to find Mato.
Little Nikos: No.
Kate: Heāll kill you if you donāt.
Little Nikos: Heāll kill Mato if I do.
Red: Iām not gonna hurt you, Nikos. Youāre a good man. Loyal. Protective of those who are protective of you. I admire that in a person. Unfortunately for you, Iām surrounded by people who donāt. Tom, Iād like to introduce you to Little Nikos, the man whoās protecting the sociopath who stole your baby. Good luck with that surgery, Nick.
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[ Kirk and Liz are clinging to the pontoons of the overturned float plane ]
Kirk: Donāt let go. No matter what, donāt let go.
Liz: Theyāre looking. The FBI, the Coast Guard. Theyāll find us.
Kirk: Theyāll find you⦠[ Gasps ] ā¦which is enough.
[ Kirk exhales sharply, then loses his grip and slips under the water ]
Liz: No. No!
[ Liz dives down and saves Kirk ]
[ Grunts ] [ Inhales deeply ] [ Gasps ] [ Grunts ] [ Exhales sharply ]
Kirk: I told you not to let go.
Liz: I can help you.
Kirk: Itās too much.
Liz: You said we have to trust each other. Do you trust me?
Red tape recorder files qqqqaaaqKirk: Yes.
Liz: Then hold on. They will find us. They will find us.
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[ Tom shows Little Nikos a small photo of baby Agnes ]
Tom: Hereās my little girl. Thatās Agnes. Iām gonna put this right⦠here, because she is the reason I am doing this. Remember that.
[ Tom puts the photo on the adjustable surgical light where Little Nikos can see it ]
[ Little Nikos reathing heavily ]
Tom: Iāll just take this. Thatās enough, yeah. Ć n
[ Grunts, exhales sharply ]
Tom: Tell me how to find Mato.
Little Nikos: I⦠I canāt do that.
Tom: Well, you do have guts.
[ Nikos breathing shakily ] [ Instrument whirs ]
Tom: What do you think this does? [ Whirring ]
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[ Red and Kate are sitting in the waiting room ]
[ In the next room, Nikos screams, cries ]
Red: Iām sorry it had to be Nikos.
Kate: If thereās no sincerity behind your words, donāt waste them.
[ Nikos screaming ]
Red: What would you have me say, Kate?
Kate: Say that you understand. I didnāt just give you my friend as an act of contrition. Iām not sorry for what I did. I betrayed you for the same reason I just betrayed Nikosā to keep Elizabeth safe, just like you asked me to all those years ago, when you first put her in my arms as a baby girl, only now she has a baby girl of her own, and your existence in their lives puts them in constant danger. āā Say that you understand or donāt say anything at all.
[ Nikos screaming ]
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Liz: Hey, stay awake. Stay with me. Talk to me. Tell me, uh, about your parents. What were their names?
[ Ship horn blows ]
Liz: Help! Over here! Help!
[ Horn blows ] [ Liz waves to get the boatās attention ]
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[ Door opens ]
Tom: I got a phone number and a password.
Red: Nakaidoklini?
Tom: Itās a famous medicine man. I donāt know. You text that name to that number using Nikosā cellphone, and Mato will show up in person at the bail office. Itās how they do it.
[ Kate goes to Nikosā bedside. Monitor beeping steadily ]
Kate: Iām so sorry, Nikos.
Red: [ Beckoning her: ] Kate.
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Liz: Oh, thank you. Thank you. Uh, he needs medical attention. First aid? Uh, do you understand? Medicina.
Boat Captain: ĀæMedicina? SĆ. I have a first aid kidā
Liz: Good, good. Show me. He needs it right now. Right now.
Kirk: Why did you save me? Why?
Liz: Because you know where Agnes is.
Kirk: Is that the only reason?
Liz:You need to keep pressure on that leg. Youāve lost a lot of blood.
[ Groaning ]
Liz: I saved you because of Agnes, but⦠also maybe because you might be telling the truth.
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[ Liz talks to the boat captain alone ]
Liz: Me llamo Elizabeth Keen. Iām with the FBI. That man was in my custody when our plane crashed.
Captain: ĀæMedicina?
Liz: No, no, no, no. Uh⦠Señor⦠terrorist. Muy malo. Muy malo.
Captain: ĀæTerrorista?
Liz: [ Whispers ] Shh, shh, shh, yes. Uh, necesito un radio.
Captain: ĀæRadio? SĆ, sĆ.
[ Switch clicks ]
Liz: [ Speaking Spanish ] Do you have a gun? ĀæPistola?
Captain: ĀæPistola? The gun is in the toolbox. [ Speaks in Spanish ]
Liz: Uh, I donātā No comprendo.
[ Switch clicks ]
Captain: [ Speaks in Spanish; no subtitles ]
Liz: No, slow down. Please slow downā¦
[ Gunshot š„ ā the captain is hit ] [ Groans ]
Kirk: I believe he said the pistol is in the toolbox.
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[ Ressler knocks on door ]
Cooper: Come in.
Ressler: Coast Guard just intercepted a distress call on the Gulf. Some Cuban fishing vessel. Keen was on board.
Aram: So sheās alive?
Cooper: You can come in, Aram.
Aram: Sorry, I just wanted to hear the update, which is⦠the greatest update ever.
Cooper: Did you talk to her?
Ressler: No, but we heard her voice. The pilot was in the middle of giving the coordinates when the transmission cut out.
Cooper: The signal cut out? Why? Could you get it back?
Ressler: All that matters is that the search teams have a target now. Theyāre gonna find that boat.
Cooper: Agent Ressler⦠the signal. What arenāt you telling me?
Ressler: Keenās voice. The last thing we heard was her asking if there was a gun on board.
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[ A wooded site. Agnes lies on a blanket on the ground. Mato performs a Native American ritual over her as Romina watches ]
Mato: Honor the sacred, Honor the Earth, and everyone who shares it. Honor the elders⦠⪠ā¦the 4-legged, the 2-legged, the winged ones, the plant and animal people. Walk in beauty and balance. Oy, kak krasivo!
[ Two men with Russian accents walk in on the scene ]
Russian: I take photo for Facebook, yeah? [ Chuckles ] You donāt want your money?
[ Russian tosses black leather bag to Mato ]
Mato: I need to know that youāre gonna safely deliver that baby to Kirk.
Russian: His jet is waiting at MIA.
[ Velcro rips: Mato checks contents of satchel ]
Mato: [ To Romina ] Put the girl into Kirkās hands only.
Romina: I understand.
[ Cellphone chimes. Mato checks the text message. Itās from Nikos ]
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[ Motor whirring ]
Liz: If this man diesā
Kirk: Itāll be your fault. You got him involved. [ Click: Kirk speaks into phone ] I need an ETA.
Man: Intercept team should reach your position in 20 minutes. They want to know how many passengers, over.
Liz: Three passengers, and make sure thereās a medical team standing by.
Kirk: [ Click ] Two passengers. Over.
[ Static hisses ]
Kirk: I know you were lying about believing in me. But I promise, once we reach our destination, youāll know that everything Iāve told you is true.
Liz: Of course you believe that. Youāre a classic narcissist. You were, what, abused as a child? Abandoned? Made to feel powerless? You mustāve suffered some sick, traumatic, dark event to believe that the sick, traumatic dark things youāve done to me and everyone I care about could ever result in me loving you.
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[ In the bail office, Maisy sighs, is sweaty, appears stressed ]
Red: Youāre doing fine, Maisy.
Dembe: He should be here any minute.
āā
[ In the car, waiting outside for Mato ]
Tom: Sorry about Nikos.
Kate: You did your job.
Tom: I know, but⦠I didnāt mean to⦠He knew where my baby was, all right? Thatās the only reason I pushed so hard.
Kate: Why are you telling me this?
Tom: Because heās your friend.
Kate: So you want me to make you feel better? Everyone wants me to make things easier for them. Cleaner. Thatās what I am, after all, the Cleaner.
Tom: Just forget I brought it up.
Kate: In my desire to make life easier for your baby, I betrayed Raymond, and now he doesnāt know what to do with me. Well, he knows what he has to do, and he wants me to make it easier for him. But I wonāt. Iām not here to make him feel better, and Iām not here to make you feel better, Tom.
[ Footsteps approaching. Mato pauses at door of office ]
Kate: I need some air. [ She gets out of the car ]
āā
[ Maisy humming ]
[ Mato walks up to door of Nikosā office. Kaplan sees him. He sees Kaplan and takes off running. Tom takes off after him. Dembe soon follows ]
[ Chase scene ]
Man: Watch yourself!
[ Door bangs opens ] [ Tires screech as Kate drives the car into Matoā”ļø] [ Grunts ]
Tom: Whereās my daughter?! Whereās my daughter? [ Punches Mato ]
Mato: Uhh!
Tom: Huh? Where is she?! Whereā whereās my daughter? Huh? Where is she?
Red: Tom!
[ Mato grunts ]
Red: Letās get out of the heat. [ To Kaplan: ] Thank you.
Kate: Of course, Raymond.
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Captain Daly: Found your boat near Madeira Bay, a few miles offshore. Itās being escorted to a nearby marina.
Ressler: Was there anyone on board?
āā
[ Ressler and Samar are at the marina ] [ Indistinct conversations ]
Samar: Whereās the survivor?
[ The boat captain is receving medical attention on the pier for his gunshot wound ]
Ressler: Excuse me. FBI. We need a minute. [ To the boat captain ] Sir, the woman, the one who was with you, where is she?
Captain: I donāt understand.
Samar: [ In Spanish, no subtitles ] Where is the woman?
Captain: [ In Spanish ā ā ] He took her. On a speedboat. They took her away in a speedboat.
Samar: Who took her away? Quien se la llevo?
Captain: The terrorist.
Ressler: Where the hell are they?
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Kirk: Put Romina on the phone. I want Agnes to see her mother.
Liz: Where is she?
Kirk: Weāll all be together soon.
[ Kirk gives Liz his cellphone ]
[ Agnes appears on cellphone, coos ]
Liz: Hi, Agnes. Hi.
[ Agnes babbling ]
Liz: Did you hear that? Weāre gonna be together soon.
[ Agnes coos ]
Liz: I love you.
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Red: Thisāll be quick, as I have no time and less patience. Tell me where Alexander Kirk took Elizabeth Keen and her daughter. [ Silence ] The strong silent type. Youāre not doing much to break down stereotypes here.
Mato: Iām not afraid of pain.
Red: Mm. Or dying, Iām sure. You know, some years back, I was hiking Devils Tower for a bracing dip in the spiritual vortex, when who did I run into but the tribal leader of the Lakota Nation, a man of vast responsibility. He invited me to witness the extreme version of the Sun Dance ritual.
Mato: Not just anyone can attend the Sun Dance.
Red: True, and you canāt get a table at The Fat Duck without a reservation. But I find in either case, a generous donation gets you in the teepee. I watched a tribal member, much like yourself, suspend himself from a cottonwood tree with flesh hooks through his chest. Three hours he dangled, skin stretched like salt water taffy, while he left his body to communicate with the Great Spirit. Like you, the man on that tree didnāt fear death. But you know what terrified him? The thought of eternity on earth, trapped in a dark box, surrounded by rotting flesh, forever. I hear thatās why some Native people leave spirit holes in their caskets, to allow their souls to pass on to the next great hunting ground in the sky.
[ Cuckoo clock chiming ]
Red: After I shoot you, sir, you will be locked in an airtight, concrete crypt, unless you tell me what I need to know before those figures stop dancing.
[ Music playing ]
Mato: Kirk said theyāre going to the Summer Palace. Thatās all I know.
Red: Yes. I know the Summer Palace.
[ Music continues playing ]
[ Heard from next room where Tom and Kate wait: Gunshot š„ ] [ Thud ]
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[ Turns off engine ]
Liz: What is this place?
Kirk: Itās yours. It belongs to you and Agnes, of course. Itās a lovely location to raise a little girl, donāt you think?
Liz: The armed goons donāt do much for the landscape.
Kirk: Well, the coercion was necessary and temporary. All I ever intended to do was show you, prove to you who you are, who I am. And then you can choose for yourself.
Liz: Like a Russian fairy tale.
Kirk: Thatās right. Excuse me, Elizabeth. I have much more to show you, but my physician is waiting for me.
Katya: Hello, Elizabeth. My name is Katja. You can think of me as the Palace Keeper.
Liz: Palace? The Summer Palace. Itās what Mr. Kirk calls the cottage. Anything you need during your stay, let me know.
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[ Telephone rings, beeps ]
Cooper: Director Cooper.
Red: I know where Elizabeth is, Harold, where Kirk is taking Agnes. Cape Breton Island, Nova Scotia. Kirk owns a cottage there where he would go to escape the dreary summers in Novosibirsk.
Cooper: Are they hurt? Injured?
Red: I donāt know and I canāt find out. Iām deep in the heart of Amarillo, Texas. How quickly can your people get there?
Cooper: Agents Ressler and Navabi are flying back from Miami. I can redirect their plane.
Red: Iāll send you a location.
Kate: [ Referring to cleaning up the death scene: ] Iāll handle this quickly.
Red: You always do, Kate.
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[ Door closes ]
Katya: Can I get you something else?
Liz: Yes. My daughter.
Katya: I understand, Elizabeth. I know some of what youāve been through, but little Agnes will be here soon. And when sheās here, you will need your strength.
Liz: Tell me about Kirk. How long have you known him?
Katya: I have worked here for nine years. I took over from my mother. She worked my entire childhood maintaining the Summer Palace.
Liz: So you know him well?
Katya: No, actually, I donāt. He hasnāt visited here in years. Itās been⦠too painful for him. Until now.
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[ Liz investigates the cottage. She finds a Russian childrenās book on a table in a library ] [ Floorboards creak ] [ She walks past the room where Kirk is receiving medical care ]
[ Doorknob squeaks ]
[ Liz enters a room for a young girl. On a child-sized table with dolls seated on small chairs, she finds a drawing of a little girl holding hands with her parents. It is the same painting seen in her memories of the fire evoked during the memory recall session and in flashbacks. But it is whole, unscorched, pristine ]
[ Footsteps approach. It is Kirk ]
Liz: This was my bedroom.
Kirk: Welcome home, Masha.
āā
Kirk: I promised you the truth.
Liz: But⦠there was a fire. I⦠I shot my father. I remember.
Kirk: Whatās the memory of a small child? You didnāt remember me or your mother or this room. Reddington lied to you, Masha. He told you your father was dead, but thanks to youā what you did on the waterā Iām very much alive. All the stories Reddingtonās told you about who he is and his connection to youā he knew you were looking for answers and he took advantage of that to re-enter your life. But the answers youāve been looking for are here.
Reddington, he was in love with your mother and heās obsessed with you.
Kirk: [ Whispers ] But you know it is. [ Normal voice ] Iām sorry. I said too much. You must be feeling overwhelmed. Iāll go and check on your daughterās arrival. Do you know why I call this cottage the Summer Palace? We came here for a vacation one July, and my little princess loved it. Itās been a palace ever since.
[ Jono McCleeryās ā« āWhere Are You?ā playing ]
[ ⬠Go to Full Lyrics ] or [ ⪠Tap square below twice to play ⪠]
āŖ can you āŖ
āŖ or me āŖ
āŖ save anyone āŖ
āŖ from disappearing? āŖāŖ the shape āŖ
āŖ of time āŖ
āŖ a shade of light āŖ
āŖ receding āŖ
[ Liz finds a copy of the photo of herself as a child on a swing with her mother. She flashes to: A small, dark-haired girl peering out the window to see the very swing in the photo. Liz goes outside and the swing is there. She walks up to it. She recalls her mother telling her (in Russian) that she is burying a ātime machineā (in a coffee tin) in the garden near the swing. Young Liz has brought ātreasuresā including a Russian nesting doll. Her mother adds her own yarn bracelet to the tin, puts the cover on, and buries it. In the present time, Liz digs and finds the tin. She takes our her motherās yarn bracelet and puts it on. ]
[ Russian dialog with subtitles: ]
Katarina: There you are. Did you bring some treasures? ā Oh, these are beautiful! This is a time machine. One day you will come back here, open it, and remember me.
Masha: Yes, Mommy.
āŖ where I sleep āŖ
āŖ in your arms āŖ
āŖ what I see āŖ
āŖ shut all paths āŖāŖ where they lead āŖ
āŖ where you are āŖ
āŖ all I need āŖ
āŖ home āŖ
[ Suddenly, an FBI helicopter appears overhead ]
[ Shouting ] [ Tires screech, car doors close ]
[ Ressler and other agents run toward the front of the cottage ]
Ressler: Spread out! Come on, letās go!
[ Man shouts indistinctly ] [ Gunshots š„š„š„]
Ressler: Return fire!
[ Gunshots š„š„š„]
Guard: Aah! [ One of Kirkās guards tumbles off a balcony ]
FBI: [ Shouts indistinctly ] Move in! Move in!
[ An armed agent encounters Liz in the house, points his rifle at her ]
FBI: Hands in the air! In the air!
Ressler: Stand down! Stand down, sheās one of ours. Secure the house. Find Kirk. Find that child.
[ Liz and Ressler stare at each other for an endless second ]
āā
Man: [ Speaks indistinctly ] I got hot.
[ Birds chirping ] [ Men speak indistinctly ] [ Radio beeps ]
Samar: Heās gone, and if Agnes is with him, sheās gone, too.
[ Radio beeps ] [ Men shouting indistinctly ]
[ Liz is being led toward a police vehicle when she sees Ressler ] [ They hug ] [ Liz sobs ]
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[ A black SUV pulls up in front of an industrial-looking building. Liz and Ressler get out. Baz is there ]
Baz: Heās waiting for you inside.
Liz: Where are we?
Baz: Home. Your home.
āā
[ Red has been observing Lizās arrival from his car. Briefly, Red and Liz make eye contact. He offers a faint hint of a smile. Her look is chilly ]
Red: [ Turns away ] [ To Dembe ] Letās go.
[ Red rolls up his window ]
āā
[ Baz escorts Liz through the almost-empty building ]
Liz: What is this place?
[ A warm light appears, an apartment in a remote part of the facility ]
[ Tom is there ] [ They embrace ]
[ Exhales sharply ] [ Crying ] [ Exhales sharply ]
Tom: Iām gonna find her.
[ Sniffles ]
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[ Dembe drives Red and Kate through a deeply wooded area ]
[ Gordon Lightfootās ā« āIf You Could Read My Mindā playing ]
[ ⬠Go to Full Lyrics ] or [ ⪠Tap square below twice to play ⪠]
āŖ if you could read my mind, love āŖ
āŖ what a tale my thoughts could tell āŖ
āŖ just like an old-time movie āŖ
āŖ ābout a ghost from a wishinā well āŖ
āŖ in a castle dark āŖ
āŖ or a fortress strong āŖ
āŖ with chains upon my feet āŖ
āŖ you know that ghost is me āŖ
āŖ and I will never be set free āŖ
āŖ as long as Iām a ghost that you canāt see āŖāŖ if I could read your mind, love āŖ
āŖ what a tale your thoughts could tell āŖ
Red: [ To Dembe ] Stay with the car.
[ Red and Kate walk into the woods ]
āŖ just like a paperback novel āŖ
āŖ the kind the drugstores sell āŖ
āŖ when you reach the part where the heartaches come āŖ
āŖ the hero would⦠āŖ
Red: There are places back here that have never borne a human footprint. 53,000 acres of virgin wilderness, all but one owned by the Bureau of Land Management. One acre, a jewel. A single buildable acre. Like a flawless diamond set in a sea of emeralds. The real estate equivalent of a unicorn. I acquired it some years ago from a family who had held it in trust for over a century and a half.
Kate: Beautiful.
Red: Yes. [ He stops ] You understand, Kate, that Iā
Kate: Have no choice? Isnāt that the speech, Raymond? That I know too much? Every single one of your weaknesses, all your faults, all your secrets. I dedicated my life to you. You entrusted me with everything you valueā your freedom, your life, a child. I have never failed you. What you see as a betrayal of trust was actually a fulfillment of your wishes, to protect your interests. No more, no less.
Red: You presumed to decide what was best for me. Even if I resolve the anger, the pain you caused⦠I canāt trust you. Ever. Iām standing before a stranger. And yet, I know you believe what you did was best for Elizabeth, which is why I brought you here. Youāve told me youāve always wanted a pristine, unspoiled place to live out your days in peace. So the acre is yours. For all eternity.
[ Red cocks gun ] [ Gunshot š„ ] [ Kate spins and collapses, face first, arm outstretched ] [ Red turns around and walks away ]
āŖ if you could read my mind, love āŖ
āŖ what a tale my thoughts could tell āŖ
āŖ just like an old-time movie āŖ
āŖ ābout a ghost from a wishinā well āŖ
āŖ in a castle dark āŖ
āŖ or a fortress strong āŖ
āŖ with chains upon my feet āŖ
āŖ you know that ghost is me āŖ
āŖ and I will never be set free āŖ
āŖ as long as Iām a ghost that you canāt see āŖ
[ Kateās right hand moves, grasping a handful of grass ]
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⬠go to top
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āāā 4:2 Mato
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For S4 Episode 2: Mato: šÆ EW recap ¤ š
Photo Gallery ¤ š ā£Storybook⣠¤ š Script link: http://wp.me/pDKwi-3l6 [ āyou are hereā ]
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Episode Songs
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ā« Where Are You?ā
By Jono McCleeryāŖ can you?
or me?
save anyone?
from disappearing?āŖ the shape
of time
a shade of light
recedingāŖ i⦠iā¦see
in your eyes
i⦠iā¦see
shine all bright
i⦠iā¦see
in your eyes
i⦠iāll be
wholeš¹ Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2cVgwPm
YouTube link: http://youtu.be/LaTlb-bDFOk
ā« If You Could Read My Mind
By Gordon LightfootāŖ If you could read my mind, love
What a tale my thoughts could tell
Just like an old-time movie
āBout a ghost from a wishinā well
In a castle dark or a fortress strong
With chains upon my feet
You know that ghost is me
And I will never be set free
As long as Iām a ghost that you canāt seeāŖ If I could read your mind, love
What a tale your thoughts could tell
Just like a paperback novel
The kind the drugstores sell
When you reach the part where the heartaches come
The hero would be me
But heroes often fail
And you wonāt read that book again
Because the endingās just too hard to takeāŖ Iād walk away like a movie star
Who gets burned in a three-way script
Enter number two
A movie queen to play the scene
Of bringing all the good things out in me
But for now love, letās be real
I never thought I could act this way
And Iāve got to say that I just donāt get it
I donāt know where we went wrong
But the feelingās gone and I just canāt get it backāŖ If you could read my mind, love
What a tale my thoughts could tell
Just like an old-time movie
āBout a ghost from a wishinā well
In a castle dark or a fortress strong
With chains upon my feet
But stories always end
And if you read between the lines
Youāll know that Iām just tryinā to understand
The feelings that you lack
I never thought I could feel this way
And Iāve got to say that I just donāt get it
I donāt know where we went wrong
But the feelingās gone and I just canāt get it backš¹ Return to where this song occurs in script above
Lyrics and Credits: http://bit.ly/2dyut48
YouTube link: http://youtu.be/v5tr_L31StI
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⬠go to top
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ā Episode Songs ā and Photos ā
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Episode 4:2 Mato is also available as a Twitter āMomentā. Results vary by browser and app. Advantages are itās chronological and the photos and captions are together. Also, Twitter photos are higher resolution than the WordPress photos on this blog. Disadvantages: Each Moment can include no than 100 Tweets (so there are sometimes more than one Moment per episode). And, for best results, you will want a Twitter account. (You can do what Red would do and use an alias: the only real info it requires is a phone number to make sure youāre not a bot.)
Or you can continue using the Twitter links in āEpisode in Tweetsā below.
Here is the link to the Twitter Moments file:
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(Reverse chronological)
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Robo-collage ā created by Twitter Search ā from:BlacklistDCd since:2016-10-1 until:2016-10-6 [4:2
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GENERAL š·
š“ Script [4:2 Mato] http://wp.me/pDKwi-3l6 ī FINAL ī #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/816030028433649665/photo/1
š“ Storybook Season 4 updated through Episode 4:2 Mato http://wp.me/PDKwi-3iR#mato #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/782686886854660097/photo/1
š“ Easy-Search Scripts for Season 4 http://wp.me/pDKwi-3lZ#mato updated through Episode 4:2 Mato #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/782686886854660097/photo/1
š“ Script 4:2 Mato http://wp.me/pDKwi-3l6 š“ Storybook http://wp.me/PDKwi-3iR #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/816030028433649665/photo/1
ā”ļø #TheBlacklist 4:2 Mato ~ A Twitter āMomentā: All my Tweets on this episode in a collection @NBCBlacklist https://twitter.com/i/moments/849785619006066688?lang=en
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PORTRAITS
š£ Red: āRemember⦠weāre getting what we need, one way or another.ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/809704145175400448/photo/1
š£ Kate: āWe only have a minute. Raymond Reddington is here. He wants Mato.ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784174194485370882/photo/1
š£ Tom shows Nikos a photo of Agnes. He then gets the info by prodding Nikos w a surgical saw [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784177036973576192/photo/1
// silhouette
š£ Mato blesses Agnes before turning her over to Kirkās men [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/809704793644105728/photo/1
š£ āI know where Elizabeth is, Harold, where Kirk is taking Agnes. Cape Breton, Nova Scotiaā [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784188488857989120/photo/1
// Red, 3/4, heavy shading
š£ Katarina: [ In Russian ]: āThere you are. Did you bring some treasures?ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784194273243570176/photo/1
š£ Red: āEven if I resolve the anger, the pain you caused⦠I canāt trust youā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784202981906403329/photo/1
š£ Liz: āIāll never trust you.ā Kirk gives the gun back to Liz. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784170734159474688/photo/1
// Liz, sad and pouty
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THE EPISODE IN TWEETS (chronological)
š£ Claiming to be her father, Alexander Kirk leads Liz to struggle for control of the plane [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/849769001916002304/photo/1
š£ Mato rammed Redās car with Kate, Dembe and Agnes inside. Red tells Tom Mato took Agnes [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784168037284843521/photo/1
š£ Kate saw tracker Mato take Agnes. āLittle Nikoā can lead them to Mato [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784168738241208321/photo/1
š£ Tom has no regrets. Red: āOf course you donāt. Regret requires age or wisdomā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784169145579417600/photo/1
š£ The float plane is down. Kirk: āUntie me! Masha, Iām your father. You canāt let me drown.ā Liz: āWatch me.ā https://twitter.com/BlacklistDCd/status/784169756894957568/photo/1
š£ Kirk frees himself and grabs the gun. āWeāre not gonna survive unless we trust each other.ā [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/849770223607721984/photo/1
š£ Liz: āIāll never trust you.ā Inexplicably, Kirk gives the gun back to Liz. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784170734159474688/photo/1
š£ Kate: āWhen we get inside, let me talk to him. He and I have history.ā āYou may speak to him first. Briefly.ā [4:2 Mato] https://twitter.com/BlacklistDCd/status/784171287648145408/photo/1
š£ Maisie: āNikos is takinā a little nap.ā Red: āPerhaps itās time for a wake-up call.ā [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/849771598710222849/photo/1
š£ Red: āOh, my. Me and my timing. I need your capable team here to wake up your patient.ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/849772017314394115/photo/1
š£ Red: āI think I see some baklava in there.ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/849772352632225792/photo/1
š£ Red: āRemember⦠weāre getting what we need, one way or another.ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/849772761102917633/photo/1
š£ Kate: āWe only have a minute. Raymond Reddington is here. He wants Mato.ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784174194485370882/photo/1
š£ Kate: āTell me how to find Mato.ā Little Nikos: āNo.ā āHeāll kill you if you donāt.ā āHeāll kill Mato if I do.ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/849773888355676160/photo/1
š£ Kirk lets go, but Liz dives down & saves him. Liz: āYou said we have to trust each other.ā [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/849774352392433664/photo/1
š£ Tom shows Nikos a photo of Agnes. He then gets the info by prodding Nikos w a surgical saw [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784177036973576192/photo/1
// silhouette
š£ At last, a fishing boat sees Liz and Kirk and picks them up. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784177450527760384/photo/1
š£ Kirk shoots the captain when he hears Liz ask for a gun [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784178095276199936/photo/1
š£ āHonor the sacred, Honor the Earth, and everyone who shares it. Honor the eldersā¦ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784178547963244544/photo/1
š£ Mato blesses Agnes before turning her over to Kirkās men [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/809704793644105728/photo/1
š£ Kate: āI betrayed Raymond, and now he doesnāt know what to do with me.ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/816047065436487680/photo/1
š£ Mato shows up at Little Nikosā office, but he recognizes Kate and takes off. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784179896973037568/photo/1
š£ Tom and Dembe chase Mato. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784180240679522304/photo/1
š£ Kate drives the Mercedes into Mato and stops him. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784180577293303808/photo/1
š£ The fishing boat captain says Kirk and Liz escaped in a motorboat. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784180941539250177/photo/1
š£ Kirk gives Liz his cellphone. Agnes appears on cellphone, coos. Liz: āHi, Agnes. Hi.ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784182160517320704/photo/1
š£ Agnes babbles and coos. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784182425853173760/photo/1
š£ āTell me where Alexander Kirk took Elizabeth Keen and her daughter.ā Mato: āIām not afraid of painā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/849777807878180865/photo/1
š£ Red threatens Mato w something he fears more than pain, more than death: that his spirit will be trapped [4:2 Mato] https://twitter.com/BlacklistDCd/status/849778096156925952/photo/1
š£ Mato: āKirk said theyāre going to the Summer Palace. Thatās all I knowā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784183962578980864/photo/1
š£ Kirk & Liz arrive at a lovely cottage deep in the woods. Liz: āWhat is this place?ā Kirk: āItās yoursā [4:2 Mato] https://twitter.com/BlacklistDCd/status/784184605670637569/photo/1
š£ āHello, Elizabeth. My name is Katja. You can think of me as the Palace Keeper.ā [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/849778935978176513/photo/1
š£ Liz: āPalace?ā Katya: āThe Summer Palace. Itās what Mr. Kirk calls the cottageā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784185331880906752/photo/1
š£ āI know where Elizabeth is, Harold, where Kirk is taking Agnes. Cape Breton, Nova Scotiaā [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784188488857989120/photo/1
š£ Liz explores and finds a girlās bedroom full of familiar things. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784188834858737664/photo/1
š£ Liz: āThis was my bedroom.ā Kirk: āWelcome home, Mashaā https://twitter.com/BlacklistDCd/status/784189382085320704/photo/1
š£ āReddington, he was in love with your mother and heās obsessed with youā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784190132823797765/photo/1
š£ Liz finds a drawing of a girl holding hands with her parents, signed āMashaā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784190975107182593/photo/1
š£ The photo of Katarina and Liz on a swing ā the same as the photo in Redās secret flat [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784191370722283520/photo/1
š£ Liz looks outside and there is the swing [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784191767667089408/photo/1
š£ Liz walks outside toward the swing [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784192065978576896/photo/1
š£ Liz becomes Masha [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784192562068279297/photo/1
š£ ⦠[4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784193134355886080/photo/1
// Masha in garden
š£ Katarina: [ In Russian ]: āThere you are. Did you bring some treasures?ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784194273243570176/photo/1
š£ Katarina: āThis is a time machine. ā¦ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784194699619774464/photo/1
š£ ā ⦠One day you will come back here, open it, and remember me.ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784194993254567936/photo/1
š£ Collage. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784195355046924288/photo/1
š£ Abruptly, the FBI storms the cottage. Kirk disappears. Liz reunites with Ressler. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784196973066760192/photo/1
š£ Ressler escorts Liz to a warehouse. Red is watching from a distance [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784198328858791936/photo/1
š£ Red and Liz make eye contact. He offers a faint hint of a smile. Her look is chilly [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784198757915037697/photo/1
š£ ⦠[4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784199045287817216/photo/1
// Red, crestfallen
š£ Red: [ To Dembe ] āLetās go.ā He rolls up his window. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784199417226080256/photo/1
š£ In an apartment in a corner of the warehouse, is Tom. Tom: āIām gonna find herā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784199729697521664/photo/1
š£ Dembe drives Red and Kate miles and miles into a pristine forest [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784201999831085056/photo/1
š£Red: āYou understand, Kate, that Iā ā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784202402454908928/photo/1
š£ Kate: ā ā Have no choice? Isnāt that the speech, Raymond? That I know too much?ā [4:2 Mato] #TheBlacklist https://twitter.com/BlacklistDCd/status/784202693225046016/photo/1
š£ Red: āEven if I resolve the anger, the pain you caused⦠I canāt trust youā [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784202981906403329/photo/1
š£ (Gordon Lightfootās ā« āIf you could read my mindā ā« plays) [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784203392935612417/photo/1
š£ Minutes later, Kateās right hand moves, grasping a handful of grass. [4:2 Mato] #TheBlacklist @NBCBlacklist https://twitter.com/BlacklistDCd/status/784204497551634432/photo/1
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