š“ Easy-Search Season 6 Scripts
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Permalink: https://wp.me/pDKwi-8Mi
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NBCās series The Blacklist created by: Jon Bokenkamp
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Raymond āRedā Reddington ā James Spader
Elizabeth Keen ā Megan Boone
Donald Ressler ā Diego Klattenhoff
Harold Cooper ā Harry Lennix
Aram Mojtabai ā Amir Arison
Samar Navabi ā Mozhan Marnò
Dembe Zuma ā Hisham Tawfiq
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This is all one āpageā meaning you can use your browserās page search to find a quote you remember from Season 6 without knowing which episode itās in. I use this a lot. Also includes full lyrics to main songs (at end of each episode). To find beginning of major songs, search for ā«.
ā For Season 1 Easy-Search scripts, follow this link: http://wp.me/pDKwi-16b
ā For Season 2 Easy-Search scripts, follow this link: http://wp.me/pDKwi-1m8
ā For Season 3 Easy-Search scripts, follow this link: http://wp.me/pDKwi-1Tj
ā For Season 4 Easy-Search scripts, follow this link: http://wp.me/pDKwi-3lZ
ā For Season 5 Easy-Search scripts, follow this link: http://wp.me/pDKwi-5Ey
ā For Season 6 Easy-Search scripts, you are hereā: https://wp.me/pDKwi-8Mi
ā For Season 7 Easy-Search scripts, follow this link: https://wp.me/pDKwi-9MZ
ā For Season 8 Easy-Search scripts, follow this link: https://wp.me/pDKwi-awu
ā For Season 9 Easy-Search scripts, follow this link: https://wp.me/pDKwi-c3J
ā For For All Scripts listed individually, with added features (photos, music links and embedded videos, complete navigation, notes, etc), follow this link: http://wp.me/PDKwi-14P
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You can use your browserās navigation ~
or use the blue arrow ⬠to return to the top of each episode
or use the blue double-arrow ā« to return to the very top. Enjoy!
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š“ Episode 6:1 ā Dr Hans Koehler
š“ Episode 6:2 ā The Corsican
š“ Episode 6:3 ā The Pharmacist
š“ Episode 6:4 ā The Pawnbrokers
š“ Episode 6:5 ā Alter Ego
š“ Episode 6:6 ā The Ethicist
š“ Episode 6:7 ā General Shiro
š“ Episode 6:8 ā Marko Jankowics
š“ Episode 6:9 ā Minister D
š“ Episode 6:10 ā The Cryptobanker
š“ Episode 6:11 ā Bastien Moreau
š“ Episode 6:12 ā Bastien Moreau, Part 2
š“ Episode 6:13 ā Robert Vesco
š“ Episode 6:14 ā The Osterman Umbrella Company
š“ Episode 6:15 ā Olivia Olson
š“ Episode 6:16 ā Lady Luck
š“ Episode 6:17 ā The Third Estate
š“ Episode 6:18 ā The Brockton College Killer
š“ Episode 6:19 ā Rassvet
š“ Episode 6:20 ā Guillermo Rizal
š“ Episode 6:21 ā Anna McMahon
š“ Episode 6:22 ā Robert Diaz
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š“ Skip to End of File
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š“ Script 6:1 Dr Hans Koehler (ā 33)
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Program air date: 1/3/2019 in the US
Permalink: https://wp.me/pDKwi-8P8
Entertainment Weekly Recap: http://bit.ly/2RdQPjb
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Director: Bill Roe
Written by: Jon Bokenkamp, John Eisendrath
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ā Script 6:1 Dr Hans Koehler (ā 33)
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Where weāre at : Season 5 ended with a mad chase between Liz and Red to claim a duffel bag of bones. At the end of the chase, Red walked away with the prize ~ the answer to a secret he has been trying to keep from Liz. In the course of the series, many people have died trying to get the duffel to Liz and keep it away from Red, including, most importantly, her husband Tom and Mr Kaplan, Redās cleaner and Lizās one-time nanny. Red takes the duffel to the homestead of Lizās maternal grandfather Dom, an infamous former KGB operative once known by the codename Oleander. Lizās mother also was a KGB spy. Liz once met Dom but he and Red have kept her relationship with Dom a secret. At Domās homestead, Red has now incinerated the skeleton, with Dom remarking, āShe may not know your secret, but she knows youāve got one. Sheās never gonna let it go.ā
However, unbeknownst to Red and Dom, Liz has collaborated with her half-sister Jennifer (also by Raymond Reddington) to purloin the duffel bag before he claimed it. In addition to the skeleton, it contained a DNA report which identified the bones as being those of ~ Raymond Reddington! This is the big secret. The man we have known as Raymond āRedā Reddington appears to be an imposter! Liz and Jennifer have just one goal now: to find out who the man is who assumed the identity of Raymond Reddington 30 years ago ā and to exact their revenge.
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[ A bank robbery is in progress ] [ Gunmen shoot automatic rifles into the ceiling ] [ š„š„š„
GUNFIRE š„š„š„ ] [ SCREAMING ]
Gunman #1: On the ground! Now! Right now!
Gunman #3 (a woman): Three-minute drill!
Gunman #2: You, slick. He said on the ground!
Gunman #1: Charles Maker! I need Mr. Charles Maker to stand up! ā Charles Maker?! ā Okay.
[ Charles Maker stands up ]
Charles Maker: Stop. Please.
Gunman #1: What do I want, Charles Maker?
[ Charles Maker tosses him a set of keys. Gunman #1 tosses them to another robber and two of them go to get the š° ]
Gunman #3: 2 minutes, 30 seconds!
[ One customer has remained standing ]
Gunman #1: Are you out of your mind? Hey! You! Iām talking to you! I said on the ground!
Red: This is no way to rob a bank. This isā I Honestly, I donāt know what the hell this is.
Gunman #1: Are you trying to get yourself killed?
Red: Itās a disgrace. Thatās what it is. You have a young mother on the ground. Her child is terrified. What the hellās wrong with you?!
Gunman #1: If youāre not face-down on the ground in three secondsā
Gunman #2: Raymond Reddington?
Gunman #1: What?
Gunman # 2: Thatās Raymond Reddington.
Woman: [ SOBBING ] Unh-unh-unh.
[ Red draws his gun ]
Red: Donāt you bring that gun back up. Joe, put your gun down.
Gunman #3: Two minutes!
Dembe: He said put the gun down! [ FAINT EXPLOSION ]
Red: Joe. Come on. Clearly, this isnāt going to work out according to plan.
Gunman #1: What are you doing here?!
Red: Iām on my sixth and final scout to rob the place. This Tuesday, in fact. Thatās obviously been moved up. Charlie, would you please escort Lucinda to her desk where she keeps the master key to the safe-deposit room? I need box 604 post-haste. Donāt worry about him, Charlie. Just get the box. There we go.
Gunman #1: Whatās in box 604?
Red: Joe, you seem like a guy who gets distracted. If I were you, Iād forget about the box and worry about the bankās new metal-detection system. Because it was specifically designed to silently detect the larger kinds of weaponry that marauders such as yourselves tend to be enamored with. Truth is, your cannons tripped the security system the moment you entered the building, which means you donāt have the precious seconds you thought you had.
[ POLICE SIRENS WAILING ]
Gunman #3: 60 seconds!
Red: Not quite.
Gunman #3: Guys, what are you doing?!
Red: Going to jail, evidently. You know, enough is enough. Everyone up. This is just unpleasant all around.
Gunman #2: Joe, talk to me.
Gunman #1: We got to go! Right now!
[ SIRENS APPROACHING ]
Red: Except you canāt because the bank is surrounded by police. Now, I can get you out of here for 50% of the cash that you have on that cart.
Gunman #1: You can get us out?
[ Charles Maker hands Red the safe deposit box ]
Red: Thank you, Charlie.
Charles Maker: Youāre welcome.
[ Wolfmotherās āŖ āJoker and The Thiefā plays ]
Red: 55 percent. Joe, my numberās only going up until you say yes or you get yourself arrested.
[ Red dials ] [ PHONE KEYPAD BEEPING ]
Gunman #1: Okay. Yeah, yeah, yes. Yes. Yes. Letās go.
Red: [ On phone ] Eli. About the truck for Tuesday. Yeah, uh, thereās been a change of plan. We need it now. No, no, like right now. Same place. Thatās right. Now.
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[ Police raid begins: smoke grenades and flash bangs š„š„š„ ]
[ SCREAMING ] [ The police find a door to the bankās tunnel system ajar ]
Police Officer: Son of a bitch.
āŖ I said the joker is a wanted man
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[ Red leads the group of bank robbers through the tunnel system ]
Red: Liquor built that bank. Boss Varney ran the bank and half a dozen bars in the city. During Prohibition, Varneyās son operated the bars as speakeasies. They made a fortune off of bootleggers, moonshiners, and wine pirates. Laundered all the profits through the bank. The tunnel provided safe passage for all the cash and a warm way to walk to lunch during the winter months.
āŖ There is always sweet and sour
So we are not goinā home
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[ A dump truck awaits them outside the bank ]
Red: You made good time, Eli. Hop in, boys and girls. Weāre going for a ride.
[ The bank robbers pile into the back of the dump truck with their duffels of cash ]
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Can you see the joker flying over?
As sheās standing in the field of clover
[ SIRENS WAILING ] [ The trunk goes over a bump [ ALL GRUNT ] [ The back of the dump truck opens and a duffel falls out, scattering the bills ]
I wonder what would happen if he took her away
[ SIRENS WAILING ] [ TIRES SCREECH ]
[ The bank robbers open fire with their automatic weapons at the police š„š„š„ š„š„š„ š„š„š„ ]
Red: Theyāre shooting at the police. Honest to God, these guys.
[ Red pulls a lever, raising the bed of the truck ]
[ SIRENS WAILING ]
I said the joker is a wanted man
[ The bank robbers tumble out of the truck ]
WOMAN: Ohh! No!
[ The police vehicles surround them ]
See him sifting through the sand
So Iāll tell you all the story ābout the joker and the thief
I said, Iāll tell you all the story ābout the joker and the thief
I said, Iāll tell you all the story ābout the joker and the thief
In the night
Red: [ CHUCKLES ] ā Oh! ā [ LAUGHING ]
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[ Red enters the bank he had robbed the day before. He is carrying the safe deposit box ]
Charles Maker: Oh, no, please.
Red: I come bearing gifts.
[ Red opens the safe deposit box. Inside is a rolled up painting. He unrolls it ]
Charles Maker: Thatās notā
Red: Van Goghās āPoppy Flowers.ā Everything about it just breaks my heart.
Charles Maker: But wasnāt that stolen from?
Red: Yes. Twice, actually. From Cairoās Mohamed Mahmoud Khalil Museum. Once in 1977 and then again in 2010. Terribly embarrassing. Itās exchanged hands a couple of times over the years, but it came to my attention that the current owner was holding it here at your bank. Not to worry. Iām sure you had no idea. But I do think itās time for the flowers to go back home again.
Charles Maker: You want me to return it?
Red: Yes, to the museum..
Charles Maker: But you just stole it yesterday.
Red: Well, I guess third timeās a charm. But now itās your obligation to see that itās returned to its rightful owner. My God, I hope they can manage to hold onto it this time around. Please donāt mention my name. Iād prefer it to be an anonymous donation.
Charles Maker: But why? Why rob us?
Red: Ha! That was sort of a gift to myself. Iām turning 60 this year. I wanted to see if Iāve still got it. Turns out I do. I have a feeling itās gonna be a very good year. [ LAUGHS ]
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[ Lizās apartment ]
Liz: Raymond Reddington is a fraud. An imposter who took our fatherās place over 30 years ago. The FBI can trace this Reddington forward from ā95. And I know for a fact that our father died five years before that. The night of the fire. Our father, the real Raymond Reddington, cheated on your mother with mine ā a Russian agent named Katarina Rostova.
Lilly: Our fake fatherās a criminal, and our real oneās a snake.
Liz: He took me from her in Russia. She followed him to America where we were staying. They got into a fight ~ a fire started ~ I got out, he didnāt.
Lilly: Wait. But how can you be so sure? You were 4.
Liz: The only person who knew Reddington was dead was in that house that night, so the person pretending to be him was either there that night, or got the idea to take his place from someone who was, which is why I got this out of storage. This contains everything Iāve collected over the years is connected to the fire. Okay. You can still walk away.
Lilly: And do what? Pretend this never happened. Go back to being a waitress. Making minimum wage serving tuna melts and warm beer? You know, I- I get it. Itās dangerous. If he finds out, heā
Liz: Not if. When.
Lilly: But hereās the thing. I have no life. Or I had no life. And nowā
[ Lizās CELLPHONE VIBRATING ] [ PHONE CLICKS ]
Liz: [ On phone ] Hey. Yeah. Yeah, of course. Iāll be right there.
[ CELLPHONE BEEPS ]
Lilly: How do you do that? Pretend like youāre really his daughter.
Liz: Iāve spent the last five years learning to act at the feet of the master. Itās my turn to outperform him.
[ Lilly picks Lizās scorched stuffed bunny in which she had found the interface unit to the Fulcrum, a blackmail file which had exposed the existence of an international Cabal ]
Lilly: Paybackās a bitch. Especially when thereās two of āem.
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[ Red practices Tai Chi with a group of people in a park ]
[ Parquet Courtsā āŖ āWide Awakeā plays ]
Iām wide awake
Mind so woke ācause my brain never pushed the brakes
Iām wide awake
Eyes so open that my vision is as sharp as a blade
[ INDISTINCT CONVERSATIONS ]
Red: You said this would be good for my health, Dembe, and you were absolutely right. I feel like a different person.
[ Liz walks over ]
Liz: Donāt you look cute.
Red: Hmm! Iāve turned over a new leaf. Spinach. Steamed. No butter, no oil, no salt.And very, very little taste.
Liz: Spinach. Tai Chi. Who are you and what have you done with Raymond Reddington?
Red: What do you know about a man named Hans Koehler?
Liz: Nothing. Should I?
Red: Heās the plastic surgeon of choice for the criminal underworld. A wizard at facial reconstruction. Heās hidden some of the very worst of the worst behind a larger nose, a pointier chin, higher cheekbones.
Liz: You want me to find the doctor who helps change criminalsā identities?
Red: Find the doctor, find the criminals.
Liz: Why him? Why now?
Red: Opportunity. Dr. Koehlerās been sighted, which is as rare as sighting the pygmy three-toed sloth. Only 79 of the dear creatures are left.
Liz: Okay. Iāll bite. Sighted where?
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[ The Post Office ]
Liz: An elusive Russian arms dealer, a very successful jewel thief thought to be dead, a wanted forger who has dodged Interpol for nearly a decade. Three examples of criminals we thought were dead or had gone dark but who Reddington believes are still alive and well and continuing to commit crimes under new identities, courtesy of Dr. Hans Koehler.
Ressler: So weāre still doing his bidding.
Cooper: Iām sorry, Agent Ressler?
Ressler: Reddington. He shot an unarmed man in FBI custody just so that Keen couldnāt identify that skeleton that heās been lugging around like his life depended on it.
Cooper: Weāve made a deal with the devil. It comes at a price. As for Reddington, when he gives us a case like this, we have an obligation to take it. Agent Keen, about the doctorā
Liz: Koehler attended medical school at Heidelberg University. Residency in reconstructive surgery at Johns Hopkins. He operates a mobile medical team that travels the globe changing the faces of the criminal elite.
Aram: Iām sorry. Changing their faces?
Liz: He is considered a pioneer in the application of 3-D computer imaging and modeling technology.
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[ Bastien Moreau is about to go under the knife. He grabs Dr Koehlerās wrist ]
Bastien Moreau: Donāt screw this up.
Dr Hans Koehler: Dear sir, when Iām finished, your own mother wonāt know you.
āā
LIZ: According to Reddington, he and his team were in DC operating out of a bakery in Petworth that was undergoing renovation.
Cooper: Then thatās where we start. Dig in. Letās see if we can bring this doctor out of the shadows.
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Cooper: Keen. A moment? About what Agent Ressler said. I share his sentiments. No matter how fruitful our arrangement with Reddington has been, when I see the price you continue to pay, I canāt honestly say itās been worth it. And I want you to know, if you donāt want to keep paying it, Iāll shut the Task Force down.
Liz: You said it yourself, sir. If that doctor is here, we have to take this case.
Cooper: There will always be a case, Elizabeth. And no matter how important they seem, none is as important as you protecting yourself. Will you think about it?
Liz: Of course. Sir.
Cooper: After all these years, I think you can call me Harold.
Liz: Harold. Thank you, sir.
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[ An FBI Physician performs a vision exam on Samar ] [ Instrument CLICKs ]
FBI Doctor: All right. Up and to the right. Down and to the left. Hmm. [ CLICK ]
Samar: So?
Doctor: You are the picture of health. Weeks ago, your body temperature was 66 degrees.
Your pupils were dilated and unreactive to light. In short, you were gone.
Samar: Well, I had remarkable doctors and a lot of people praying for me.
Doctor: Well, their prayers were answered. Your CT scan is clear. Your physical and neurological exams were normal.
Samar: Am I cleared for duty?
Doctor: You are. Unless thereās something youāve noticed.
Samar: Like what?
Doctor: Hmm, abnormality in speech or memory? Have you been forgetful, unable to recall certain words? Nothing? Okay. Welcome back.
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[ The bakery in Petworth where Red told Liz Dr Koehler had last set up his mobile surgical unit ]
[ CAMERA SHUTTER CLICKS ]
Lucinda: I have a grand opening tomorrow. You the ones in charge?!
Ressler: Agents Ressler and Keen, FBI. You must be the owner.
Lucinda: Yeah. Youāre damn right Iām the owner. My attorneyās on her way now. [ SCOFFS ] This is a joke. An absolute abuse of police power.
Liz: Okay, maāam, slow down.
Lucinda: What? D-Donāt āmaāamā me. Iām not that old. Iām sure as hell not running some kind of mob-doctor surgery center out of my kitchen.
Ressler: Well, our intel says otherwise.
Lucinda: Weāve been closed down for plumbing problems. The grand re-opening is tomorrow.
Iāve got 1,200 cupcakes to make, bake, and frost, and youāre acting like itās the county morgue!
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FBI Analyst: Weāre finished here. Weāve gone through it twice. Thereās no trace evidence.
Ressler: That canāt be.
Lucinda: Yeah? He just said it was, handsome. So can I have my business back?
Ressler: No. I want you and your team to tear the place apart every drain trap, sewage line, air filter. Swab every inch. Iām afraid those, uh, cupcakes are gonna have to wait. Maāam.
Lucinda: [ SCOFFS ]
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Dr Koehler: This last procedure, itās just what we were hoping for. Would you care to see?
[ Moreau looks in hand mirror ]
Moreau: [ LAUGHS ] Beautiful.
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Liz: [ On phone ] The bakery. We have a lead.
Red: On Koehler?
Liz: No, on one of his former patients. Basil Vladakis.
Red: Basil Vladakis. Dear Lord. I havenāt heard his name in ages.
Liz: Evidence Response found trace amounts of blood in the drain line. We ran the DNA, and it matches Vladakis. Who could lead us to Dr. Koehler. If only we knew what he looks like now. Apparently he got himself a new face.
Red: Changing a manās face is one thing. Changing his predilections? Quite another.
Liz: His predilections?
Red: Basil Vladakis was a vicious and wanton gunrunner whose love of money was only rivaled by his love for losing it at the track.
Liz: So you know this guy.
Red: I know he was a regular punter at Mardale. Perhaps Dembe and I should be off to the races to see if we canāt scare up The Mad Greek. I certainly wasnāt the only one he stiffed before skipping town, but Iād still like my money back. And if he knows anything about Dr. Koehlerās whereabouts, well, then, as they say, ātwo birds.ā Dembe, this could be fun. We havenāt been to a race since Smarty Jones cost us a bundle at Belmont. Perhaps Dame Fortune is ready to smile on us after all.
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[ Mardale sports bar ] [ MAN LAUGHING HEARTILY ]
Basil Vladakis: Hey. Keep the change! I just hit the across-the-board on Salsa Marimba!
Red: Is the across-the-board really the wisest bet? As I understand it, theyāre expensive and have far less profit potential. Is that true?
Vladakis: I wouldnāt know. Iām a novice. Today must be my lucky day.
Red: [ LAUGHS ] Itās funny. You look like an old pro with a new face. The kind who likes taking other peopleās money. I once knew a Greek arms dealer who took my money. Do you know how many times Iāve stood in this lousy sports bar looking for you? Clever to have your face reorganized. Looks good. Cute nose.
Vladakis: Okay. Look, Mr. Reddington. Iām sorry. Iāll get you your money. But I canāt be seen here. Not with you. ā If anyone sees us, it would ā
Red: Blow your cover? [ LAUGHS ] Thatās about to happen very quickly. Can you imagine? After all that nipping and tucking, the sucking and plucking. All that goes into changing a manās face, creating a new identity, a new life, then be outed by some old pal at the same old racetrack? What a colossal waste of money and time.
Vladakis: Iāll get you your money!
Red: Of course you will. But Iāll need a little something else to sweeten the pot, make up for lost interest.
Vladakis: What? What do you want?
Red: I want you to put me in touch with the friend who fixed your face.
Vladakis: We donāt speak. Thatās not how it works.
Red: But you know how to reach him.
Vladakis: All Iāve got is a number. For a nurse. A number to call only in case of medical emergency.
Red: Then start dialing, because if you donāt, youāre gonna be naked and penniless in this lousy sports bar at Mardale.
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[ In a parked car ]
Lilly: Hey. I went through your box, and I think I may have found something.
Liz: I think Reddington knows.
Lilly: What? How? ā I donāt know.
Liz: And Iām not sure he does. But this case he gave us heās got us hunting down a plastic surgeon who performs facial reconstructions on criminals.
Lilly: You think Reddington wants you to find the doctor that changed his identity? Why would he want that?
Liz: I have no idea. But it canāt be a coincidence, right? And if this is Reddingtonās doctor, he might have the answer weāre looking for. So weāve got to find him before Reddington does.
Lilly: Soā So, this is what I found.
Liz: Yeah. I was taken to a motel in Dover the night of the fire. But I went there. Itās a dead end.
Lilly: The motel maybe. Or Dover. But not Delaware. My parents used to take me there every summer. To a house theyād rent an hour outside Dover ā in Rehoboth Beach.
Liz: So?
Lilly: So maybe our father, the real Raymond Reddington, took you there. It was the dead of winter. Rehoboth Beach is a summer resort. Itās the perfect place to hide.
Liz: Iāll run a check. See if there was a fire in Rehoboth Beach that night.
Lilly: I already did.
[ PAPER RUSTLING ] [ Lilly shows Liz a photo copy of a newspaper article: āRehoboth Beach Blaze Destroys Houseā ]
Liz: You know what this means?
Lilly: Hell yeah. Road trip.
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[ Mardale sports bar ] [ Red, Dembe and Vladakis watch a horse race ]
Announcer: ā¦racing for the challenge, but here comes Moon Room on the outside! Neck-and-neck with Aura Field. Itās down to the wire with Moon Room and Aura Field.
Moon Room and Aura Field! And at the wire, itās Moon Room!
[ CHEERS AND LAUGHTER ]
[ A nurse enters ]
Nurse: Hey! I got your page. Is everything okay? Mr. Hunt?
Red: Ooh. Oh, my God. You were right! Who wouldāve thought the Daily Double ā would be a smart bet?
Dembe: Yes! I knew it was a smart bet.
Red: Oh, my God.
Dembe: You want another Orange Whip?
Red: Yes, absolutely.
Dembe: Orange Whip? Orange Whip? Three Orange Whips.
[ Dembe goes to get the order ]
Red: [ CHUCKLES ]
Vladakis: Iām sorry. Please, have a seat.
Nurse: Mr. Hunt. Whatās going on here?
Red: I asked Mr. Hunt to page you, not for himself, but because Iām one of Dr. Koehlerās former patients, and I need to get in touch with the good doctor. My name isā
Nurse: I know who you are.
Red: āAh! Then you know Iām serious when I say itās a matter of some urgency.
Nurse: Dr. Koehlerās traveling. Heās in France on holiday.
Red: Until when?
Nurse: He didnāt say. It was an impromptu trip. He texted from Avignon, said he was having the time of his life. Perhaps I could give him a message?
Red: May I ask you something? All the work that was done on poor Vladakis I mean, Mr. Hunt and yet, still, these earlobes. Itās like the grandkids have been hanging and swinging on them. Is there really nothing one can do to ā I donāt know ā shrink them up even just a little bit? You said the doctor texted you.
Nurse: Yes.
Red: Perhaps I could borrow your phone.
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Red: Aram, itās me. Iām gonna send you a cellphone, one I need you to examine as soon as possible. Yes, itās about Dr. Koehler.
āā
Red: What the hell is really going on with Dr. Koehler? He wouldnāt simply pack up and go āon holidayā to France. He hates the French.
Dembe: Heās in trouble, Raymond.
Red: Yeah. Trouble. Never a truer word.
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[ Dr Koehlerās mobile surgical unit ]
Moreau: Dr. Koehler, rest assured that our work here is nearly finished.
[ CHAINS RATTLING ] [ Dr Koehler is in chains ]
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[ SEA BIRDS CRYING ] [ Liz and Lilly are at the seacoast by Rehoboth Beach in Delaware ]
Lilly: [ SIGHS ] The ocean, the air. It all smells the same. The house we rented was rightā
Liz: There. 20 steps to the sand.
Lilly: You remember.
[ They get out of the car to view the remnants of the burned building, just an outline of concrete in the sand ]
Liz: This is where it happened. The fire.
Flashback:
Masha: [ SCREAMING ]
[ Images of fire, of Masha running down the hall of a house ]
Liz: This is where I killed our father.
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Jennifer: So thatās why you were so sure about when he died. Because you shot him.
Liz: They were fighting. My father and my mother. Screaming at each other. And others I think. He was hurting her. I saw the gun and I just wanted to make it stop. Iām so sorry.
Lilly: You were 4. You have nothing to be sorry about.
Liz: I know you have fond memories of this place, but Iām glad itās gone.
Lilly: Wait. If you killed our father, how come you didnāt know Reddington was an imposter?
Liz: [ SIGHS ] My memories of that night. He had them removed.
Lilly: He- He removed your memories.
Liz: He told me he didnāt want me to live with the weight of knowing I killed my father.
Lilly: Who does that?
Liz: He said he did it to protect me ā
Lilly: Who can do that?
Liz: ā when what he was doing was protecting himself so that I would never question who he really was.
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[ HORN HONKS ]
Martin Donnelly: So, one of you called claiming to be Red Reddingtonās kid?!
Lilly: Hi. Yeah. Are you Martin Donnelly?
Donnelly: [ Nods ]
Lilly: Hi. Iām Jennifer. This is my sister, Elizabeth.
Liz: [ Shows badge ] Special Agent Elizabeth Keen. We heard you were the sheriff here the night that house burned down.
Donnelly: Mm-hmm. Yeah.
Liz: We were hoping you had a record of the people who were there that night.
Donnelly: Whyās that?
Lilly: Did you know our father?
Donnelly: I thought I did. In my mind he was a fine man.
Lilly: The night of the fire was the last time either of us has seen him.
Donnelly: You expect me to believe you donāt know where he is, your own father?!
Liz: We havenāt seen him in over 30 years. He became a fugitive when we were kids. We barely knew him. But we do know this ā before the night of the fire, he was a fine man. And then after, he changed. We think the people who were there that night know why. Will you help us find them?
Donnelly: I would if I could. But whoever was there that night was long gone by the time we showed up.
Liz: Are local hospitals open year-round?
Donnelly: A reduced staff, but, yeah.
Lilly: So if someone got burned that night, there might be a patient record.
Liz: Weāre gonna need a list of every hospital ā in a 20-mile radius.
Donnelly: Sure.
Ā
[ CELLPHONE VIBRATES ]
Liz: Keen.
Aram: [ On phone ] All right. I am not saying Iām amazing. But sometimes I am distinctly above average.
Liz: You found Dr. Koehler?
Aram: The good doctor texted an employee saying that he was in France.
Liz: Have you alerted Interpol?
Aram: And why would I do that?
Liz: You said he was in France.
Aram: I said thatās what he said. But when I pulled the records from the cell carrier and this is the distinctly above-average part I found that his text wasnāt sent from France. It was sent from right here in D.C.
Liz: You have a location?
Aram: Sending it to you right now. Mr. Cooperās working on getting a warrant.
Liz: How did you know he texted?
Aram: I didnāt. Mr. Reddington did. He sent me the employeeās cell. Which, um, I guess, if you want to be technical about it, means heās the amazing one.
Liz: Did you give him the location? Aram, please tell me you didnāt tell Reddington how to find Dr. Koehler.
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[ Dope Lemonās āŖ āHow Many Timesā plays ]
āŖ Here come the doorway
Red: Thatās it there? The brick one?
Dembe: Yes. What about the FBI?
Red: The FBI served their purpose in finding him.
āŖ Itās going down the track
Red: Letās go find out how badly Dr. Koehlerās been compromised.
Ā
[ Moreauās guard hands Moreau an envelope ]
Guard: Thatās everything. You ready?
Moreau: [ Nods ]
Dr Koehler: Please. Let us go. Let them go. Weāve done everything you asked!
Moreau: The conditions under which I have forced you to live and work for the past few months are unfortunate and difficult for everyone. But itās over now. So cheer up. Unchain them.
Ā
[ TIRES SCREECH ]
āŖ How many times does it take
Liz: Good to see you, Samar.
Samar: Itās good to be back.
Ressler: So, what can you tell us about the building, whoās inside?
āŖ To hear the phone
[ CHAINS RATTLING as assistants remove all the chains ]
āŖ How many times does it take
Dr Koehler: So weāre free to go?
Moreau: Of course. Your work is done. Thank you. Dr. Koehler. Before you go ā there is one more thing.
Dr Koehler: Whatās that?
[ He shoots them all š„š„š„š„ š„š„ ]
Ā
[ (GUNSHOTS) ]
Ressler: I got north entrance.
Samar: Iāll take this side.
āŖ Sheās just dying to please ya
[ Dr Koehler is shot, but still alive: he GRUNTS ]
Moreau: Iām so sorry. However, the point of changing my face is that nobody knows who I am. And that includes you.
[ Moreau is going to shoot Koehler again, but Red shoots first š„š„š„ but misses Moreau ]
[ š„š„š„ GUNFIGHT š„š„š„ ]
[ Moreau and his guards leave the building. Red goes to Dr Koehler ]
Ā
[ Outdoors, Moreau and his guards exchange š„š„š„ gunfire š„š„š„with Samar and Dembe ] [ One of the guards is hit ]
[ ENGINE REVS ] [ TIRES SQUEAL ] [ The SUV escapes but Samar takes out a tail light ]
Samar: You okay?
Dembe: Yes. Thank you. Congrats.
Samar: On what?
Dembe: You and Aram. Iām very happy for you.
Samar: Thank you.
Ā
[ Inside, Red is crouching alongside Dr Koehler. All the others are dead ]
Red: [ SOFTLY ] Where is it?
Dr Koehler: [ SOFTLY ] Picasso. [ COUGHS FAINTLY ]
Ā
Dembe: Raymond, we have to leave before the cops show.
[ Liz walks up to Red ]
Liz: I thought we were past this.
Red: Whatās that?
Liz: Alternate agendas. You giving us cases without telling us why. Using us to catch the people you canāt.
Red: He had information thatās important to me.
Liz: And I thought you just wanted us to catch the pygmy three-toed sloth.
Red: Our professional relationship is symbiotic. I help you, you help me.
Liz: And our personal relationship?
Red: I donāt have an alternate agenda. I have secrets. Like the skeleton. I thought youād come to terms with that.
Liz: I have. Which is why Iām not upset at finding you here. Itās still hard. Youāre my father. I want us to have an honest relationship.
Red: One has nothing to do with the other. Being honest means one doesnāt lie, deceive, or cheat. Where you are concerned, I donāt.
Liz: How can you say that when you keep things from me?
Red: Dembe keeps things from me.
Liz: Thatās different.
Red: So one can keep certain things secret and be in an honest relationship?
Liz: [ SCOFFS lightly ] I saw Dr. Koehler whisper something to you before he died. What did he tell you?
Red: The last thing I want is to push you away. So if we need a little truth and reconciliation to prevent that, well, what the hell? Just donāt get greedy.
Liz: [ SCOFFS ] Youāre serious?
Red: You want to know my secrets, why Iām here, what the good doctor told me?
Liz: Yes, I do.
Red: Then Iāll tell you. As soon as you tell me.
Liz: Tell you what?
Red: The secrets you keep from me.
Liz: I never said I kept any.
Red: Studies show that at any given moment the average person is keeping 13 secrets. š [ See Note ] So come on. I actually think this could be quite fun. Iāll tell you mine if you tell me yours.
Liz: This isnāt a game.
Red: It could be. If the secrets you keep are as loving as the ones Dembe keeps.
[ Liz doesnāt say anything ]
Red: [ LAUGHS ] Well. That is interesting.
Ā
[ Ressler walks over ]
Ressler: The ID on the dead guy turned up as fake, but we sent the prints to Interpol and we got a hit.
Red: Tell me.
Ressler: Not until you tell us why you gave us this case, because it obviously wasnāt so we could arrest Dr. Koehler and expose his clients.
Red: Hans Koehler was a friend of mine. I suspected he was being held against his will. I wanted to save his life. Sadly, I failed.
Liz: You cared about him? You expect us to believe thatās all thatās going on here?
Red: All? No. Enough? Certainly. The guard. Who was he?
Ressler: A known associate of Bastien Moreau.
Red: The Corsican.
Samar: Until four months ago, no one knew who The Corsican was. Then he shows up on a camera in Gdansk and is IDād as Moreau.
Ressler: Which explains his sudden urge to pay a visit on Dr. Makeover.
Red: One of the worldās deadliest assassins is now one of the worldās most anonymous men. Which means he can act with impunity. Whatever he is up to I fear Dr. Koehler is only the beginning.
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[ Reagan International Airport ] [ Moreau and his guards are in the parked SUV ]
Guard: The Feds have Gabinās body. Theyāll connect him to you.
Moreau: [ LAUGHS ] To who I was. Not to who I am. The assignment remains. This changes nothing. We travel as planned. Well, at least I travel as planned.
[ SILENCED GUNSHOTS (š„š„) ]
[ Morea gets out, opens the trunk and pulls out a wheelchair and puts on a fake cast and a baseball cap. He rolls himself along in the wheelchair ]
Ā
Aram: All right. The Corsican is a gun for hire. But not by just anyone. He has a very particular clientele. The Tamil Tigers. The Kosovo Liberation Army. Heās a nationalist who works on behalf of groups fighting against globalism.
Ressler: His targets have included a UNESCO office in Geneva, a conference center in Davos, and the European Union headquarters in The Hague, where last year a bomb was defused moments before the General Assemblyās opening session.
Cooper: Before now, everything has been overseas.
Ressler: Well, his next target could be here or maybe heās already left the country.
Cooper: Canāt lock down the airports. We have no idea who weāre looking for.
Samar: The Corsican, as bad as he may be, is only one name on Dr. Koehlerās client list. Shouldnāt we be focused on finding the list?
Liz: We may not know what this guy looks like, but thanks to Samar shooting out his taillight, we were able to trace his car.
Ressler: First day back, and youāre already showing us up.
Liz: It was found in a remote lot at Reagan International. There were two bodies identified at the scene matching the men you saw driving away in The Corsicanās car.
Samar: Why would he kill his own people?
Liz: Same reason he killed Koehler and his team ā. they knew what he looked like. They were the only remaining ones who did.
Cooper: Aram, pull every feed from that lot you can find. If you get a hit, circulate it to TSA. Weāll find that list, but right now weāve got an emergency on our hands. Get to Reagan, coordinate with Airport Authority Police, tell them weāve got a situation.
Ā
[ At the airport, Moreau has just passed through the TSA scanner ]
TSA Agent: All right, sir.
Moreau: Thanks.
TSA Agent: [ To next person ] Wait there, maāam.
[ An airport escort is pushing Moreauās wheelchair now ]
Ā
[ Samar makes call to airport security as Ressler drives ]
Samar: Two minutes out. Moreau, Bastien. I need you to notify security heās on site and Yes, thatās exactly what Iām saying. No, I do not have a positive ID, but you need to put the facility on lockdown and hold all passengers.
Ā
Man on (escortās) radio: Code three, all responders. White male. Mid-50s. May be armed.
Moreau: Sir, Iām terribly sorry. Can we please stop at the menās room before getting to my gate?
Escort: Of course, sir. Not a problem.
Moreau: Thank you.
Woman on PA: We ask for your assistance in reporting any unattended bags.
[ Ressler and Samar arrive at the airport ]
Ressler: Lock it down. All points of exit. Drop-off, pick-up, parking garages, everywhere.
Samar: Agent Navabi, FBI. I need you take me to your C.O. I need every male passenger searched, IDād, and taken to a secure area. Where are your security feeds?
Man: Over here.
[ RADIO CHATTER ]
Ā
[ Moreau has ditched the wheelchair and is on foot. He is wearing the maroon blazer of the escort service. Ressler is about the follow him, when a man comes up to him ]
Man: Sir! We need you right away. We got something.
[ The escort lies on the floor of the menās room ]
Man on radio: All units, suspect is impersonating an airport employee in a maroon blazer. Attention, all units.
āā
[ Moreau enters the escort services parking area, grabs keys for a car from the board. He smashes the window of a vehicle and gets in
Man on radio: ⦠white male suspect ā¦
[ DOOR CLOSES ] [ ENGINE STARTS ] [ Moreau leaves in the vehicle ]
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Mrs Koehler: Yes?
Red: Mrs Koehler, Iām terribly sorry for your loss.
Mrs Koehler: How didā Who are you?
Red: A friend of your husbandās. My name is Raymond. Iām here for the Picasso.
Ā
[ Picasso is the Koehlersā stuffed dog; a real dog who was stuffed, that is ]
Red: Well. This is unexpected.
Mrs Koehler: Why would Hans want you to take him? He loved Picasso.
Red: How much do you know about your husbandās line of work?
Mrs Koehler: He was a great surgeon.
Red: He was away for months at a time, wasnāt he?
Mrs Koehler: He had clients all over the world.
Red: He did. Many of those clients were criminals. Some of them terrible men and terrible women.
Mrs Koehler: Thatās not so.
Red: It is. I should know. Iām one of them.
[ Red examines the stuffed dog. In its collar is a thumb drive ]
Mrs Koehler: What is that?
Red: Your husbandās client list.
Mrs Koehler: Thatās what you came for.
Red: Yes. And to give you this. Itās a numbered bank account with $5 million in it and also the name of a man whoās standing by to create your false identification.
Mrs Koehler: [ EXHALES SHARPLY ] I donāt understand.
Red: Other clients will come looking for this list. I donāt know how many or when. Just that they will. And you do not want to be here when they do.
Mrs Koehler: Why are you doing this?
Red: As I said, Hans was a friend of mine. I wouldnāt be the person I am if it werenāt for him. I recommend Cairo. Beautiful, historic. And thanks to a combination of the Muslim Brotherhood and international Islamophobia, completely abandoned by Western tourists. You and Picasso will have the pyramids to yourselves.
Ā
Cooper: So let me get this straight. We lost Moreau.
Ressler: He slipped security using the identity of an airline rep.
Samar: Security feeds show him stealing a car from an employee parking lot. We have word out on the vehicle now.
Cooper: Any hits?
Aram: Not yet.
Cooper: So heās gone, and Koehler is dead, and the names of his clients died with him.
Liz: All except Moreau.
Cooper: Whoās God knows where and about to do God knows what.
Liz: Reddington never wanted us to catch Koehler.
Cooper: Any chance he told you what it was?
Liz: [ SCOFFS ] No. He didnāt.
āā
Cooper: Did you think about what I said about the price and whether youāre willing to pay it?
Liz: I did.
Cooper: And have you made a decision?
Liz: The Raymond Reddington we know canāt be trusted. But there was another Reddington.
Cooper: Another Reddington?
Liz: Itās hard to explain, but I want to know how the Reddington we could trust turned into the one we canāt. I have to know. Whatever the price.
Ā
[ Baptist Generalsā āŖ āTurnunders and Overpassesā plays ]
āŖ Turnunders and overpasses
Directions change, and you are different today
What do you want?
Oh, what do you want?
Red: Ah. I meant what I said before about our relationship being symbiotic. I help you, you help me. We help each other.
Liz: Whatās this?
Red: An insurance policy. Dr. Koehler was a not only a gifted surgeon, but also a man smart enough to know that his life was threatened by the very men and women who paid for his services. For that reason, he kept a dossier ā a list of every face he changed.
Liz: Moreau knew about this.
Red: Which is why he abducted Dr. Koehler and his team and forced them to operate at gunpoint.
Liz: Which means his new identity wonāt be on this drive.
Red: No. But the names of countless others are men and women who abandoned their lives to hide. Now you can find them.
Liz: Where to find this ā thatās what Dr. Koehler whispered to you before he died.
Red: I told you mine. Now you tell me yours.
Liz: I would. But you havenāt really told me yours yet, have you? Not all of it. This isnāt the complete list, is it?
Red: No, itās not. One file has been deleted.
Liz: Yours.
Red: [ SIGHS ] I prefer to keep my nips and tucks to myself. Forgive an old man his vanity.
Liz: For now, but someday I want to see the before and after pictures.
Red: [ LAUGHS ] Not a pretty sight.m
Liz: Iām sure you were always handsome.
Red: Was I? I canāt remember.
āŖ And you are different today
Liz: Neither can I.
āŖ What do you want for your love?
Liz: But I donāt have to. I know that before everything changed ā
āŖ Turnunders and overpasses
Liz: ā my father was ā
āŖ Directions change
Liz: ā kind and decent and beautiful.
āŖ What do you want for your heart?
Liz: Inside and out.
[ Liz reaches over and clasps Redās hand ]
āŖ What do you want for your heart?
What do you want?
Oh, what do you want?
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⬠go to start of 6:1 Dr Hans Koehler
ā« go to top
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Episode Songs
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ā« Joker and the Thief
By WolfmotherāŖ I said the joker is a wanted man
He makes his way all across the land
I see him sifting through the sand
So Iāll tell you all the story
About the joker and the thief in the nightāŖ Heās always laughing in the midst of power
Are we living in the final hour
There is always sweet and sour
So we are not going homeāŖ Can you see the joker flying over
As sheās standing in the field of clover
Watching out everyday
I wonder what would happen if he took her awayāŖ What you see well you might not know
You get the feelinā cominā after the glow
The vagabond is moving slow
So Iāll tell you all the story
About the joker and the thief in the nightāŖ All the people that you see in the night
Hold their dreams up to the light
The wilderbeast is searching for sight
And we are not going homeāŖ Can you see the joker flying over
As sheās standing in the field of clover
Watching out everyday
I wonder what would happen if he took her awayāŖ I said the joker is a wanted man
He makes his way all across the land
See him sifting through the sand
So Iāll tell you all the story ābout the joker and the thief
I said, Iāll tell you all the story ābout the joker and the thief
I said, Iāll tell you all the story ābout the joker and the thief
In the nightLyrics and Credits: http://bit.ly/2VAmbPp
YouTube: https://youtu.be/ySjXFjLTagQ
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ā« Wide Awake
Parquet CourtsāŖ Iām wide awake
Mind so woke ācause my brain never pushed the brakes
Iām wide awake
Eyes so open that my vision is as sharp as a blade
Iām wide awake
Movinā and groovinā and I aināt ever losinā the pace
Iām wide awake
Mind so woke ācause my brain is as sharp as a blade
Iām wide awake
Iām wide awake
Iām wide awake
Iām wide awake
Iām wide awakeāŖ Iām wide awake
Mind so woke ācause my brain never pushed the brakes
Iām wide awake
Eyes so open that my vision is as sharp as a blade
Iām wide awake
Movinā and groovinā and I aināt ever losinā the pace
Iām wide awake
Mind so woke ācause my brain never pushed the brakes
Iām wide awake
Iām wide awake
Iām wide awake
Iām wide awake
Iām wide awakeLyrics and Credits: http://bit.ly/2H12n4B
YouTube: https://youtu.be/eZXS8Jpkiac
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ā« How Many Times
By Dope Lemon
[ Dope Lemonās āHow Many Timesā plays ][Verse 1]
āŖ Here come the doorway
Itās going down the track
Here come the dope train
Yeah, kill a man for talking back
She got no red lights
Hanging on her door
She cook that blue flame
Sheāll have you on the floor
Begging for more[Chorus]
āŖ How many times does it take
To hear the phone?
To hear the phone?
How many times does it take
To hear the phone?
To hear the phone?[Verse 2]
āŖ See a street fight
A fighter on the ground
It is your walk back
Sheās playing on your mind
She got me blue light
Streaming from her eyes
Beneath them city floors
Her little heart
Her little heart dies[Chorus]
āŖ How many times does it take
To hear the phone?
To hear the phone?
How many times does it take
To hear the phone?
To hear the phone?[Outro]
āŖ Sheās just trying to tease ya, look
Sheās just dying to tease ya
Sheās just dying to please ya
Boy, youāre just dying to please herLyrics and Credits: http://bit.ly/2RHjMDc
YouTube: https://youtu.be/ECSTE8Zaxs0
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ā« Turnunders and Overpasses
By Baptist Generals ā«āŖ Turnunders and overpasses
Directions change and you are different today
What do you want?
What do you want?āŖ Turnunders and overpasses
Directions change and you are different today
Counsel the stars, the arrows go contrary ways
With no turnunders and overpasses
I saw your colors flying over me
Bled all the color of the heart you used to be
What is it like scattering at such a speed
Above thoseāŖ Turnunders and Overpasses
Turnunders and Overpasses
Directions change and you are different today
Oh, what do you want?
Oh, what do you want?āŖ Turnunders and Overpasses
Directions change and you are different today
What do you want for your love?
Oh, what do you want for your love?
Turnunders and Overpasses
Directions change and you are different today
What do you want for your heart?
Well, what do you want for your heart?
Oh, what do you want?
Oh, what do you want?Lyrics and Credits: http://bit.ly/2RCcUHj
YouTube: https://youtu.be/XxT9XFimlBc
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ā¬ļø go to start of 6:1 Dr Hans Koehler
ā« go to top
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āāā End 6:1 Hans Koehler
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š“ Script 6:2 The Corsican (ā 20)
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Program air date: 1/4/2019 in the US
Permalink: https://wp.me/pDKwi-8Pa
Entertainment Weekly Recap: http://bit.ly/2C0y73N
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Director: Kurt Kuenne
Written by: John Eisendrath , Jon Bokenkamp
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ā Script 6:2 The Corsican (ā 20)
Where weāre at: Liz and Lilly (aka Jennifer) have located the foundation of a house in Rehoboth Beach, Delaware, which was the place where the fire happened which Liz remembers in flashbacks and nightmares, of the night on which she as a four-year-old shot and killed their father. They want to learn the true identity of the man who afterwards assumed their fatherās identity, the man we know as Raymond āRedā Reddington. Everyone on the task force now knows that a skeleton was in the duffel bag (chased in Season 5) and Red believes that Liz āhas come to termsā with its identity being one of Redās secrets. Only Liz and Lilly know there was a DNA report with the skeleton identifying it as that of the real Raymond Reddington, matching the DNA sample Cooper took from a 30 year old shirt from a torture scene from which Cooper had rescued the original Raymond Reddington and which linked Liz with that Raymond Reddington as daughter and father. Liz still publicly acknowledges Red as her father, preferring to keep the secret she shares with Lilly from both Red and the Task Force.
Liz and Lilly found a news report of the fire and are attempting to get medical records of anyone treated in a nearby hospital afterwards. At the same time, Red is attempting to erase any traces of who he was in that distant past, beginning with Dr Hans Koehler who performed plastic surgery on him. He offered the case to the task force suggesting that locating Dr Koehler could help them identify the many criminals whose identities Dr Koehler changed.
They discovered that Koehler was being held captive along with his surgical team and required to perform face-altering surgery on an infamous anti-globalism terrorist named Bastien Moreau, nicknamed The Corsican. They arrived too late to save Dr Koehlerās life, but not before Koehler could give Red the key to obtaining his client list. Red turned over the list to Liz but admitted to her he had deleted one record ā his own. Meanwhile, The Corsican has a new face and is on to his next assignment.
Ā
Bastien Moreau: [ On phone ] You donāt know me. You may think you do. You may have heard things, stories, about the way I work, jobs Iāve done, and what Iām capable of.
McMahon: I know your reputation, which is why we hired you. The incident will appear to be part of your political agenda. No one will know its real purpose if you can get it done.
Moreau: Everything is on schedule.
McMahon: I havenāt heard from you in nearly a month. Not a single word.
Moreau: I told you, I couldnāt do your job without making a few changesm. Those changes have been made.
McMahon: Target will only be in town for a day. He knows about the coup attempt.
If he tells anyoneā
Moreau: I told you, itās on schedule.
McMahon:: But you havenāt told me how youāll do it. Will it be on-site? If so, how do you intend on getting past security? How will you get out? Do we have assurances this wonāt get back to us?
Moreau: Are you saying you want me to call it off?
McMahon: No, what Iām saying is that the fate of an entire country rests on you doing your job.
[ CAR BEEPS ]
Moreau: So stop talking. Consider it done.
Ā
[ CAR BEEPS ] [ CAR DOOR OPENS ] [ Moreau gets a in car just as itās owner, Charles Albrecht, a Turkish envoy, is getting in. Moreau points his gun at Albrecht ] [ GUN COCKS )
Charles Albrecht: [ STAMMERING ] What is this? Who are you?
Monreau: Believe it or not, Iām you.
Ā
[ Lizās apartment. Lilly is talking on the phone ]
Lilly: Yes, I only need you to recover the data. And, no, I already told you.I canāt tell you why. Buck, did I ask you questions when you needed me to pretend to be your girlfriend at the last reunion? Yes, Iā Yeah, okay, great. Thank you. Call me back. [ Hangs up ]
Liz: Well? What did he say?
Lilly: He asked a lot of questions.
Liz: But can he recover the medical files Reddington erased, ā tell us what heās hiding ā
Lilly: Look, Liz, I get that weāre on our own and that Reddington canāt find out what weāre doing, but can you explain to me again why we canāt just go to one person in the FBI?
Liz: Itās too riskyā
Lilly: Because you think heāll find out?ā
Liz: He will. Anyone whoās ever gotten close to the truth about who Reddington was before he became Reddington ended up dead. My husband, Dr. Koehler.
Lilly: Ian Garvey.
Liz; Jennifer, trust me. We canāt go to the Bureau, not yet. Weāve got to stick to the plan and see if your friend can restore the medical files Reddington erased.
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[ KNOCK ON DOOR ]
Red: Elizabeth?
[ Liz quickly gathers the files strewn across the coffee table ]
Liz: [ WHISPERING ] Help me pick these up.
Lilly: [ WHISPERING ] You canāt let him in. He canāt see me.
Liz: No, he canāt. No one else is gonna die.
Lilly: The friend who wants to help us is a really good guy. We canāt let anything happen to him, please.
Liz: Okay. No one.
[ Lizzie hides in the front hall closet ]
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[ CREAKS ] [ DOOR UNLOCKS ] [ CREAKING ] [ Red and Dembe enter ]
Red: Bad time?
Liz: No.
Red: May we?
Liz: Hmm?
Red: As a fugitive from justice, I prefer not to linger in public hallways.
Liz: Of course. Come in. Have you lost weight?
Red: Hmm. Five pounds.
Liz: Oh.
Red: Seven pounds when itās in the morning.
[ DOOR CREAKS SHUT ]
Liz: Let me look at you. Well, you look fantastic. Thai chi and spinach suit you.
Red: I feel like a different person.
Liz: Iām sure you do.
Red: I have news about the Corsican.
Ā
[ The Post Office ]
Liz: According to Reddington, Moreau wasnāt deterred by the shootout at Dr. Koehlerās operating room or our near miss at Reagan National. Instead, heās reaching out to arms dealers about an upcoming job.
Samar: What job? Did he have any details?
Liz: Reddington doesnāt have any, but heās reaching out to his contacts now. But if heās right and Moreau is arming up, that means heās going to work.
Aram: Which means people are gonna die.
Cooper: Whatās the latest on Moreau? Any hits from the airport authority or local police?
Aram: Well, weāve scoured CCTV feeds, but he was obviously avoiding the cameras. Nothing clearly shows his face.
Samar: So weāre hunting for a killer, but we have no idea what he looks like.
Aram: Correct, but we do know that he purchased a ticket under the name Dino DiPasquale and was all set to board Premium Sky flight number 206 to JFK. Now, the alias is burned, but ā
Liz: Heās headed to New York.
Ressler: No, heās already there. We put out an alert on his vehicle, the one that he stole from the employee parking at Reagan. Port Authority flagged it passing through the Holland Tunnel just after 6:00 p.m.
Cooper: We may not know who this guy is, but we know who he was ā A nationalist, a hit man who targets globalism in all its forms. Navabi, alert possible targets Wall Street, the media, consulates. Ressler, Keen, get to New York. Thereās an assassin in the city, and we need to find him.
Ā
Albrecht: I donāt know about the others. I only know how it works for me.
Moreau: The first basement.
Albrecht: Yes, the first basement. Itās a door marked āC2,ā northeast side of the building. Once inside, thereās a checkpointā
Moreau: Iām not interested about the first checkpoint. Tell me about the second one, where they check your badges. How do you know that?
Albrecht: Please, why are you asking me these things?
Moreau: Talk to me about the second checkpoint where they check your badge and your access code.
Albrecht: How do you know these things? The one they sent you this morning, I need you to write it down. Now.
[ Moreau hands Albrecht a pad ]
Moreau: [ SHOUTING ] Now!
[ Albrecht writes down a number ]
Moreau: You sure?
Albrecht: Yeah.
Moreau: Now itās time for you to get into the trunk.
Albrecht: What? Please, no. Justā
Moreau: Wait, quick, quick, give me your badge. Now ā Get in the trunk.
Ā
[ Albrecht is in the trunk. Moreau points his gun ]
Albrecht: Wait, no.
[ MUFFLED GUNSHOTS š„š„ ] [ CAR BEEPS ]
Ā
[ Hollywood ]
Aaron: [ On phone ] Are you listening to me? The network cut my license fee in half. Iām paying ICM 10% off the top, and now the studio claims that itās still in deficit? Yes, I want to sue. Now. [ STAMMERING ] Yesterday, if possible. [ CELLPHONE BEEPS ]
[ Red and Dembe enter. Aaron opens his arms ]
Aaron: Finally, people I can trust.
Red: I warned you, Aaron. How many times? The arms business is like Ring Around the Rosie compared with this business you call show.
Aaron: Hand to God, Iād rather my daughter marry Arafat than a network or studio executive. At least he paid you the courtesy of lying to your face.
Red: I once provided transportation for a Chinese cobalt magnate who insisted on funneling his ill-gotten gains into a three-picture deal with Woodman Blake. Huge hits, each one bigger than the last. Careers were made. Awards were won. A single dollar over a billion in net profits, and he stood to double his investment. The movies grossed almost $3 billion worldwide. In anticipation of his windfall, my associate purchased a mansion in Sydney and a yacht in Montenegro. When the studio accountants were finished sharpening their pencils, the net was $999 million to the crooked penny. He went into receivership, and his wife left him for a talent agent. Not that thatās gonna happen to you. I mean, financially, youāre screwed, but look at the bright side. Your wifeās dead, may she rest in peace.
Aaron: [ CHUCKLES ] You said you had a question about Moreau.
Red: Yes, his whereabouts. Iām told he reached out to you recently.
Aaron: Mm, he did, but, umā
Red: Aaron, I wouldnāt ask you to divulge information about a client if it werenāt urgent.
Aaron: I appreciate that, my friend, hmm? From you, I have no secrets. If I knew his whereabouts, youād know his whereabouts, but I donāt.
Red: Oh, then how about the place where youāre sending the material he ordered?
Aaron: He didnāt order any. I had a cache of RPGs, mint condition, no interest. All he wanted was a reference for a contractor.
Red: And who was that?
Aaron: Maxwell Ruddiger. Name mean anything to you?
Red: Like a blast from the past. Hmm.
Ā
[ RADIO CHATTER ] [ A parking garage. Red and Liz get out of separate vehicles ]
Ressler: If youāre good with it, Iām good with it.
Liz: I already told you, Iām good with it.
Ressler: What am I missing? See, I know you, and I know thereās no way that youāre okay with Reddington killing a guy in our custody so he wouldnāt have to identify that skeleton. No, you donāt want to tell me whatās really going on, Iām okay with it. But donāt insult me by saying youāre good with it.
Liz: Thank you.
Ressler: For what? For being okay with it.
Ā
[ The trunk of Charles Albrechtās car is open. His body is inside ]
Liz: What you got for us?
Man: Charles Albrecht. He was a courier for the Turkish consulate. When he didnāt show up for work, the consulate reported him missing.
Liz: [ To Ressler ] They were on alert because we put word out.
Ressler: Did the consulate say whether he was in possession of any privileged or classified documents?
Man: He was carrying a diplomatic pouch that contained classified information.
Ressler: Was.
Man: The pouch is missing, and since the Intel was classified, the consulate wonāt say what it was.
Liz: [ To Ressler, whispering ] Well, we already know what it was. Something Moreauās willing to kill for.
Ressler: Even if it was Moreau. A Turkish courier? How does that fit into his nationalist M.O.?
Liz: [ To the man ] What else can you tell us?
Man: The diplomatic pouch wasnāt the only thing missing. His I.D. was taken, too.
Ā
[ Moreau uses Albrechtās I.D. to get past security ]
Ā
Aram: Okay, I think we have a problem.
Liz: [ On phone ] Aram, what is it? ā Okay, itās about Albrecht.
Aram: Mr Cooper spoke to the ambassador at the Turkish Embassy, who confirmed that Albrecht was headed to a meeting at ā Get this, The United Nations.
Liz: Thatās how it fits his M.O.
Aram: All right, U.N. Security Police says Albrechtās badge was swiped six minutes ago at the first basement level, entrance C2.
[ SIREN WAILS ]
Ressler: All right, Aram, coordinate with security, put that building on lockdown, and see if they canāt get a location on that badge.
[ Lizās CELLPHONE RINGS, BEEPS ]
Ressler: [To Aram ] Weāre on our way.
Liz: Keen.
Red: Elizabeth I have news about the faceless assassin you seek.
[ Red in his plane with Maxwell Ruddiger the bomb maker ]
Liz: Heās headed to the U.N.
Red: Yes, to deliver a bomb.
Liz: A bomb? You know this because?
Red: The device was purchased from one Maxwell Ruddiger. A lush, a scoundrel, an old friend, and a consummate technician of all things explosive.
Liz: Thatās why Moreau targeted the courier. This was about access.
Red: Moreau simply needed a way to get his device into the building.
Liz: Well, the badge will get him in, but not the bomb. Theyāll scan it at security, stop it there.
Red: Unless they donāt. Moreau didnāt choose just anybody with security clearance. He specifically chose someone carrying a diplomatic pouch.
Liz: Which they wonāt seize because itās not subject to search.
Red: Elizabeth, the contraption youāre hunting for is a binary device that contains enough ammonium nitrate and hydrazine to wipe out the entire General Assembly if not take down the building itself, and itās volatile. The slightest bump or jostle could detonate the thing without warning.
Liz: How do you know this?
Red: I know this because Iām sitting with the madman who built the damn thing.
Liz: Maxwell Ruddiger is with you?
Red: Weāre en route to you as we speak. You need to clear the building, locate that device, and find a way to get us to it, but do not let anyone near that widowmaker until I can get Ruddiger there to undo the devil heās created. Understood?
Liz: Yes.
[ SIREN WAILING ]
āā
Red: Max, perhaps you should put down the gin and tonics. You have a job to do, and youāll need steady hands.
Ruttiger: The gin and tonics are exactly what give me the steady hands.
Red: Better have another.
Ā
[ Wireās āŖ āI Am The Flyā plays ]
āŖ Crawling
Over your window
You think Iām confused
Iām waiting for the divergent wasp
To complete my current ruse
[ Moreau walks into an area with small tables. He is carrying a metal briefcase. He puts it down next to a table and whispers something to a man seated there. As he leaves the room, Moreau pulls out a small metal device and engages it. It blinks and BEEPS. The case left at the table BEEPS quietly. The man sitting at the table lifts up the case and places it flat on the table. He flips numbers on the keypad on the top of the case alongside the handle ]
You use a plate-glass screen
To protect my chosen target
But thereās an air-pellet hole
I can crawl through to you
Ā
[ Liz and Ressler are met inside an entrance to the building by security personnel ]
Topperview: Jean Topperwien, head of security.
Ressler: Agents Ressler, Keen, FBI. You need to evacuate this building.
Topperview: We have an evacuation plan, but thereās no guarantee we wonāt lose your unsub in the process.
Ressler: Well, thatās a risk weāre gonna have to take. You have to clear this building.
Liz: Do you have a location on Moreau?
Man: We know where the badge was last swiped.
Liz: Take us there, now.
I am the fly, I am the fly, I am the fly, I am the fly
Fly in the, fly in the ointment
[šØ ALARM BLARES šØ]
Over P.A. š Attention, all personnel, this is an emergency. For your safety, please immediately locate the nearest exit. ā This is not a test.
āŖ Fly in the, fly in the ointment
[ People begin evacuating ]
[ SPEAKING FOREIGN LANGUAGE ]
[ The man sitting at the table continues flipping the numbers on the lock on the metal suitcase ]
[ Moreau joins a group of people leaving the building ]
āŖ I am the fly, I am the fly, I am the fly, I am the fly
Fly in the, fly in the ointment
Liz: Sir! Stop.
[ Liz enters the room where the man with the suitcase is ]
Liz: Put it down. Special Agent Elizabeth Keen, FBI.
āŖ I am the fly, I am the fly
Liz: We have reason to believe that case contains ā an explosive device.
[ The man looks shocked ]
āŖ I am the fly, I am the fly
Liz: I need you to put it down slowly ā and do exactly as I say.
[ One latch of the suitcase flips open ]
āŖ Fly in the, fly in the ointment
I am the fly
Ā
Aram: Okay, uh, all right, I have the feeds up now.
Ressler: All right, Iām putting you on with the head of security now.
šMan over PA: Attention, all personnel
Topperview: Agent Mojtabai.
Aram: Hello.
Topperview Hello, weāre holding evacuees on the north lawn. Iām trying to get you access to those feeds now.
[ Moreau walks past behind Topperview and Ressler ]
Aram: Okay, thank you.
[ šØALARM BLARING šØ]
š Woman over PA: (Speaking in foreign language)
[ š„ GUNSHOT IN DISTANCE ] [ SCREAMING ]
Ressler: Move, move!
šMan over PA: Attention, all personnel
[ Ressler runs up to to man who was shot ]
Man: My gun, heās Heās got my gun.
Ressler: Officer down. Repeat, officer down. North atrium. Suspectās armed and on the move.
Ā
Security Guard: Our evacuation protocol is clear.
Liz: Iāve been authorized to change it.
Security Guard: The FBI has no authority here. Besides, we wonāt evacuate emergency personnel ā During an actual emergency.
Liz: You need to leave, including all UN Personnel, NYPD responders, NYPD bomb squad, HDU, everyone.
[ Security Guard takes phone call; hangs up ]
Security Guard: That was my superior officer. The Secretary General just hung up with Homeland, and theyāve requested we evacuate all emergency personnel. Who are you people? Whatās going on here?
Ā
[ A policeman walks through an emptied hall of the building. He motions to another policeman ]
Policeman: 10-4, weāre clear.
[ Surfounded by guards, Red, Dembe and Ruddiger stroll in ]
Red: [ CHUCKLES ] This is certainly a first.
[ Soul Coughingās āŖ āSuper Bon Bonā plays ]
Move aside, and let the man go through
Let the man go through
Move aside, and let the man go through
Let the man go through
Move aside, and let the man go through
Let the man go through
Move aside, and let the man go through
Ā
[ Ressler searches through the crowd for Moreau ]
Aram: Okay, I think I got him.
Ressler: All right, Aram, talk to me. Which way?
Let the man go through, through
Aram: All right, turn left. No, right. No, no, no, your right. He canāt be more than 20 yards ahead of you, moving west.
If I stole somebody elseās wave to fly up
Ā
Ruddiger: I apologize, itās probably a silly question But why are the police escorting us, again?
Red: The police and I have a special kind of relationship.
Ruddiger: Yeah, but this, they treat you like Elvis.
Red: Yes, except the President gave Elvis a badge, and I donāt really need one.
āŖ Too fat, fat you must cut lean You got to take the elevator to the mezzanine
Chump change
Aram: Okay, I canāt tell.
āŖ And itās on, super bon bon
Aram: Uh Come on. Whereād you go? All right, I, I lost him on the feed.
āŖ Too fat, fat, you must cut lean
Aram: I do not have a visual.
āŖ You got to take the elevator to the mezzanine
Aram: Okay. I just picked him up again. Youāre close.
āŖ Super bon bon, super bon bon
[ Ressler sees a man walking in front of him with a gun ]
Ressler: Drop the weapon, Moreau. Donāt do this.
[ GUN COCKS ] [ Moreau grabs a man, spins around ]
Moreau: Youāve got bigger problems than me inside that building.
Ressler: Iām only worried about you.
Moreau: [ CHUCKLES ] Maybe you should be worried about my hostage.
[ GUNSHOT š„ SCREAMING ] [ The man GROANS, falls ]
āŖ You must cut lean
You got to take the elevator
Ressler: Hang on. Hold on. Hold on.
āŖ Super bon bon, super bon bon Too fat, fat, you must cut lean
Ressler: Hang on. Hang on.
[ Moreau escapes as Ressler assists the injured man ]
āŖ Chump change, and itās on, super bon bon
Super bon bon, super bon bon
Ā
[ Red, Ruddiger and Dembe arrive where Liz is waiting with the metal suitcase ]
Liz: [ To the police escort ] Your men need to vacate the premises.
Red: Funny, itās all so much smaller than Iād imagined. A little tacky. Reminds me of that road trip we took.
Dembe: To Memphis.
Red: Yes, exactly, Graceland. I had the same reaction at Graceland. All rather unimpressive, actually. [ SNIFFS ] It smells kind of funny. How much time before this thing goes off?
Ruddiger: I donāt have a clue.
Red: Elizabeth, maybe we should find someone to get the man a drink.
Ā
[ INDISTINCT CONVERSATIONS ]
Ressler: Tell me about the perimeter.
Cooper: Weāre working with NYPD to set a line from Midtown to the east and 59th down to 42nd to the south.
Ressler: Any sightings?
Aram: Not yet, but Iāve got NYPD analyzing footage of the area as we speak.
Cooper: Pull surveillance, find an image. I want Moreauās face on every TV in the tri-state area.
Any news from Keen?
Ressler: Iām on my way to her now.
Ā
[ Gently, Ruddiger lays the metal suitcase on its side. He pours oil on the latches ]
Red: Ahh, honestly, the suspense.
Liz: [ WHISPERING ] Shh, quiet.
Red: [ SIGHS ] Do I really need to be here?
Ruddiger: [ WHISPERING ] Quiet.
[ Ruddiger prepares a syringe and begins to inject an acid into the locks ]
Red: Ugh, I hate needles.
[ Ruddiger takes a hammer out of his toolbox ]
Liz: Wait, wait, wait. What are you doing?
Red: [ LAUGHS nervously ]
Ruddiger: Iām going to smack the lock. Iām going to whack it to pieces and pray that opens the case without tripping the secondary in-line bypass switch.
Liz: Youāre gonna pray?
Red: Okay, I really donāt need to stay for this part. All of the smacking and the whacking andā
[ Ruddiger INHALES SHARPLY ]
Liz: Are you okay?
Red: What is it?
[ Ruddiger SNEEZES ]
Red: Oh, okay. Ruddiger, if thereās nothing else I can do for you, I think Iāll go exploring.
Liz: Wait, wait. Youāre gonna leave me here with him and the bomb?
Red: You can come to the U.N. any day of the week. For me, this is once-in-a-lifetime. The tug of history and all that. You should be fine.
Liz: Should be? [ DOOR OPENS ] Thatās comforting. [ DOOR CLOSES ]
Ā
[ Sean Roweās āŖ āYou Keep Coming Aliveā plays ]
āŖ Now my bed donāt weigh the same
Change my clothes and wash my name
Does the well go down that low?
[ Red and Dembe find the auditorium where the General Assembly meets ]
Red: [ LAUGHS ]
āŖ Oh, my! Let me breathe, and Iāll let you go
Oh! I knelt down in desperation
I felt around for something real
Thereās a radio station
Playing wrong in my ear
[ Red goes to the podium ]
Red: [ LAUGHS ]
āŖ You keep coming alive, keep coming alive
Keep coming alive, keep coming alive
[ SWITCH CLICKS ]
āŖ You keep coming alive, keep coming alive
Keep coming alive, keep coming alive
Ā
Red: Mr. Secretary General, Mr. President, distinguished members of the General Assembly [ LAUGHS ] I come before you on the 70th anniversary of the Universal Declaration of Human Rights ā
āŖ Now my bed donāt weigh the same
Red: ā Humbled to be the latest in a long line of politically questionable, formerly dashing strong men to address this hallowed hall. Castro, Gaddafi, and my personal favorite ā
āŖ Where your cross and your flowers survive
[ Red takes off his shoe and pounds the podium with it ] [ THUMPING ]
Red: ā [ CHUCKLES ] Ah, Nikita. You may have helped the Soviet Union lose the Cold War ā
āŖ I knelt down in desperation
Red: ā But you did it in style. Today, I want to bring to your attention a topic of great interest to me ā
āŖ Thereās a radio station
Red: And I believe to anyone who cares about this revered institution ā Cary Grant, or, specifically, his acid trips. š [See Note]
āŖ You keep coming alive, keep coming alive ā
Ā
[ Ressler enters the room where Ruddiger and Liz are ]
Liz: Moreau?
Ressler: We lost him. NYPDās blanketing the city as we speak.
Ruddiger: [ INHALES SHARPLY ]
Liz: What is it?
Ruddiger: The gel-cap housing is stuck. I donāt think I can remove it.
Ressler: Which meansā
Ruddiger: I donāt know yet. Here, do me a favor. Hold this.
Ressler: Hold what?
Ruddiger: This white wire. And not the yellow one. Donāt touch that. Please. Steady hands, my friend.
āā
Red: Through five marriages, numerous lovers, allegedly both male and female, and over 70 films, including āNorth by Northwest,ā arguably the greatest work ever produced here, he just kept right on tripping, and why not? Before LSD was weighed down by the counter-cultural baggage of Timothy Leary turning on, tuning in, and dropping out LSD was used to treat addiction, anxiety, and depression.
āā
[ Ruddiger cuts a wire ]
Ruddiger: [ GASPS ] [ EXHALES SHARPLY ]
āā
āŖ Keep coming alive, keep coming alive
Keep coming alive, keep coming alive
Ruddiger: Oh, boy.
Ressler: What do you mean, āOh, boyā?
Ruddiger: That means this is not a good thing.
[ Ruddiger takes a drink from a flask ]
āā
Red: Standing here in the heart of an institution dedicated to diplomacy, I can say, from personal experience, LSD has made me significantly more enlightened, kind, considerate, and loving, and if people are more kind and loving, then the world will be, too.
āā
Ressler: Honestly, do you have any idea what the hell youāre doing?
āā
Red: There will be less crime, fewer acts of terror, more joy, more diplomacy, and far more fun.
āā
Ruddiger: Ha, ha! Ha, ha! [ Drinks from flask ] Mm!
[ Ressler grabs the flasks and takes a drink himself ]
[ Liz runs out ]
āā
Red: Cary Grant once said after a particularly evocative LSD trip, āI imagined myself as a giant penis launching off from Earth ā ālike a spaceship.ā
[ Liz walks in ]
Liz: We lost Moreau, but your weird little German friend did it. He defused the bomb.
Red: Iām not surprised. After all, he did build it.
Liz: Weāve notified NYPD. You got to get out of here before they arrive. [ Pause ] Does it ā Bother you?
Red: What?
Liz: Knowing that a catastrophe at the United Nations was averted, that peopleās lives were saved because of you. That you do ā Good, that no one will ever know.
Red: Did you know that Cary Grantās original name was Archibald Leach? That he was born into poverty, the son of an alcoholic father and a depressed mother, and then reinvented himself as the paragon of WASP virtue and charm? [ Looking up ] Good for you, Archie. Iām a great fan of reinvention.
Liz: Of keeping your true self hidden.
Red: Or of becoming your true self, even if you have to take on a new identity to achieve it. Care to join me and Dembe and Ruddiger at the Red Brau Tavern? Celebrate with a warm pretzel and a cold beer?
Liz: Whatever happened to tai chi and the spinach?
Red: [ SCOFFS ] After saving Manhattan, I feel I deserve a few carbs.
Liz: You go. I got to stay here and figure out how to explain this to EOD.
Ā
Lilly: [ On phone ] Second thoughts?
Liz: I just want to talk about our plan.
Lilly: What weāre doing is the right thing.
Liz: I know. I do. Itās just, um ā Whoever he is, he does do a lot of good.
Lilly: The only thing that you just said that matters is āwhoever he is.ā Thatās the point, we donāt know, and this is the only way weāre gonna find out.
Liz: But we do know who he is. Raymond Reddington. Not the real one, the reinvented one. The one whoās been Raymond Reddington for 30 years, longer than anyone else, and whatever we find out, itās not gonna change that. This man, the one we know, is the concierge of crime. A very bad man capable of an incredible amount of good.
Lilly: Look, I get it. I mean, I mean, I, I donāt get it, but I accept it. Heās part of your life. He drops by unannounced. Heās like family. But being like family isnāt family. We have a plan, and if we stick to it, itās gonna work, but I canāt do this without you. So whatās it gonna be?
Ā
[ Red, Dembe and Ruddiger walk through a park ]
Red: Max, we can fly you tonight, just as long as we are back in the hotel in time for the tennis. I donāt want to miss a moment of the womenās doubles, all right?
[ Max leaves ]
[ Red turns to pause at a pretzel stand ]
Red: [ To Dembe ] Go ahead. Iāll meet you inside.
Dembe: Iāll take mine salted.
Red: As if there was any other way.
Red: [To vendor ] Three salted, two with mustard.
Officer Baldwin: Excuse me, sir. Can I help you? You look lost.
Red: I am, metaphysically, but arenāt we all just a little?
Officer Baldwin: Let me see some ID.
Red: George Murphy, Senior VP at Fine and Clean. We sell shower curtains, curtain rods, liners, the occasional soap dish.
Officer Baldwin: What are you looking at?
Red: Is there a problem, Officer?
Officer Baldwin: Turn around. Hands on the cart. You donāt want me to do that. This is my good side. [ To comms ] 1085, officer needs assistance.
Red: Assistance with what? Deciding whether to go salted or unsalted?
Officer Baldwin: Iām not gonna ask you again.
Red: Fine, salted. Just donāt blame me for the aneurysm.
Officer Baldwin: Hands on the cart.
Red: Isnāt this exactly the kind of harassment that makes people hate the police?
[ Red complies, revealing his gun ]
Officer Baldwin: Are you carrying a weapon?
Red: And here I was hoping to surprise you.
Officer Baldwin: Mr. Murphy, tell me ā Whatās a curtain-rod salesman doing carrying a loaded handgun?
[ Another Officer comes up ]
Second Officer: Curtain-rod salesman?
Red: Shower curtains, mildew-resistant fabrics.
Second Officer: Baldwin, do you have any idea who this guy is?
Officer Baldwin: I know heās a wiseass.
Second Officer: Wiseass? Thatās who you think? This is the most wanted man in America.
[ HANDCUFFS CLICKING ] [ Dembe has been watching from a distance ]
Ā
Liz: Aram, what is it?
Aram: [ On phone ] Heās been arrested.
Ressler: Thatās great news.
Aram: Great? Why would you say that?
Ressler: The guyās a killer.
Aram: I know, but, look. I know theoretically that I should be happy that someone whoās done what heās done has finally been caught, but Iām not. Iām sad.
Liz: Sad, about Moreau?
Aram: Moreau?
Ressler: You just said he was arrested.
Aram: No. We havenāt found Moreau. Weāre still working on that.
Liz: Well, then who are you talking about?
Aram: Mr. Reddington. Mr. Reddington is the one thatās been arrested.
Liz: What? When?
Aram: Less than an hour ago, he was, uh, buying a pretzel. 30 years on the run, and a beat cop picks him up at a pretzel cart.
Ressler: Where is he now?
Aram: NYPD is holding him at the 27th.
Liz: [ STAMMERING ] Well, we have to go get him out.
Ressler: Police precinct, the most wanted man in America? Thereās no getting him out.
Liz: Of course we can. We~ We, the government. We have an agreement.
Ressler: Keen, heās in the system now.
Liz: Does Cooper know?
Aram: Heās in with Panabaker.
Ressler: Sheās not gonna do anything.
Liz: Is that what you know or what you want?
Aram: No one wants that.
Liz: For Reddington to get arrested so we donāt have to work with him anymore?
Ressler: Go ahead, Keen, say it. I know itās what youāre thinking.
Aram: Thinking what?
Ressler: That I called it in. Reddingtonās whereabouts, that they arrested him because of me.
Aram: Thatās crazy. None of us would betray Mr. Reddington like that.
Liz: I donāt believe you did it, but I do believe youāre relieved it happened.
Ressler: Keen, all I do know is that itās over, and nothing Cooper says is gonna change that.
Ā
Cooper: You canāt just walk away.
Panabaker: Actually, Harold, I canāt do anything else.
Cooper: You know the good this Task Force has done.
Panabaker: Yes, I do, and the bad.
Cooper: We knew this was a possibility when we made his deal.
Panabaker: Which is why the government lawyers who papered it were very clear about what our position would be if it did. In the event of Reddingtonās arrest, we disavow.
Cooper: We papered it five years ago. Since that time, thanks to Reddingtonās blacklist, this Bureau has killed or captured over 100 high-value targets and saved a tremendous number of lives in the process.
Panabaker: Harold, I like you, and I admire the way you have milked this mad cow, but you knew from Day One that the government would never publicly acknowledge having an immunity agreement with the number-one man on its most-wanted list.
Cooper: Iām not asking you to go public. He was arrested in New York. If you inform the US
Attorney of the Southern Districtā
Panabaker: The publicity hound who wants to run for governor and, God forbid, president? You have any idea how long sheād sit on that Intel? Weād be in turtle mode for a month of Sundays.
Cooper: There must be something you can do.
Panabaker: There is, and we are very good at it. Absolutely nothing.
Cooper: Cynthia, I know that the Task Force has crossed lines. I know that there has been collateral damage, that Reddington is a criminal who someday must answer for what he has done, but that day is not today. Today, because of Reddington, we stopped a terrorist from bombing the UN. You disavow, and, tomorrow, we may not be so lucky.
Panabaker: And that would be a tragedy, but there is nothing I can do about it.
Ā
[ INDISTINCT CONVERSATIONS IN DISTANCE ]
[ Mug shots, CAMERA SHUTTER CLICKS ]
Officer Baldwin: One driverās license, one watch, Rolex. $2,000 in cash, no wallet, no credit card, no keys, no phone. You travel light.
Red: Trick of the trade.
Baldwin: The soap dish trade.
Red: You know what you fellas always say, that phrase? āWe can do this the easy way or the hard way.ā
Baldwin: Well, thatās up to you, isnāt it?
Red: Actually, itās entirely up to you. One way or the other, Iāll be set free. Indictments and trials are obviously the hard way. The easy way is for you and your family to suddenly become grotesquely rich, buy one of those offensive mega-yachts, and travel the oceans like a nouveau Jacques Cousteau.
Baldwin: Is that a bribe?
Red: A statement of fact. You simply havenāt lived until youāve skinny dipped in the clear blue waters off the coast of La Ciotat.
Baldwin: The ADA is gonna want a statement.
[ Baldwin slides a pen and pad across the table to Red. Red writes something on if and slides it back ]
Baldwin: Hmm. A phone number.
Red: A pot of gold waiting at the end of the rainbow for anyone smart enough to make the call.
Baldwin: Letās try that again.
[ He slides the pad to Red. Red writes on it and slides it back ]
Baldwin: Whatās this?
Red: My autograph, and a short dedication. Something to make it personal. If you insist on being a flatfoot for the rest of your life, you should sell it on eBay, buy some orthotics.
Ā
[ KEYS JANGLING, DOOR UNLOCKS ]
Red: Ah.
US Attorney Holt: Weāll take it from here.
Officer Baldwin: Whoās āweā?
Holt: The prisoner is now in the custody of the federal government.
Baldwin: I made the arrest. Youāre just gonna take my collar away from me.
Holt: Heās facing multiple outstanding federal indictments. That puts us at the head of the line. Youāre a hero, Officer Baldwin. Iāll be sure to mention your name at the press conference.
Red: Wouldāve been a nice boat.
[ DOOR SLIDES SHUT ]
Holt: Let me be clear. You will never be free again. Youāll be tried, convicted, held in a federal prison until we execute you.
Red: As pleasant as that sounds, Iām afraid Iāve made other arrangements.
Holt: This is gonna be fun.
Red: Winning always is.
Ā
Cooper: Miss Holt. Harold Cooper.
Holt: Hi.
Cooper: Thank you for coming.
Holt: Sure. When you asked me to come to your office to talk about Reddington, I assumed you meant the Hoover building. What is this place?
Cooper: A blacksite facility for the Reddington Task Force.
Holt: This is where youāve been hunting him from?
Cooper: Thatās what I wanted to talk with you about. We havenāt been hunting Reddington Weāve been working with him.
Holt: Say that again.
Cooper: Several years ago, the government entered into an immunity agreement with Reddington. Now that heās been arrested, Iāve been instructed to keep that agreement secret, but I thought you should know.
Holt: Has the agreement born fruit?
Cooper: A cornucopia.
Holt: You want to keep it in place.
Cooper: Yes, and I think youāll want to, as well, after you understand just how many casesā
Holt: Will he be an effective C.I. from prison?
Cooper: No.
Holt: You want me to kick him.
Cooper: I want you to know all the facts. I want you toā
Holt: I came here assuming that you were going to help prosecute Reddington. Instead, you want me to conspire with you to let him go.
Cooper: Once you go public, all this goes away.
Holt: Mr. Cooper, I can protect the Bureauās relationship with Mr Reddington for now, but the most wanted man in America, maybe the world, has been arrested in New York City, and I will prosecute him to the fullest extent of the law, immunity agreement or not.
Cooper: So the rumors are true. You are running for governor.
Ā
[ REPORTERS SHOUTING INDISTINCTLY ] [ CAMERA SHUTTERS CLICKING ]
US Attorney Holt: Good evening. Today, I can report to the American people and to the world that earlier this afternoon, Officer Michael Baldwin of the New York City Police Department arrested international fugitive and traitor to the United States ā Mr. Raymond Reddington.
[ INDISTINCT SHOUTING CONTINUES ]
Holt: As of this moment, I cannot speak to the details of his arrest, but I can tell you this, in the coming days and weeks, my office will be exploring all options regarding charges and sentencing against Mr. Reddington. And to the victims of his crimes, I want you to know that this case is my top priority, and I will not rest until Mr. Reddington is held to account for all the pain and suffering he has inflicted on too many for too long.
Ā
Liz: [ To Guard ] Can we have a minute? Heās my father.
[ Liz sits by Red ]
Liz: They wonāt acknowledge the agreement.
Red: I need you to focus.
Liz: Theyāre not gonna release you.
Red: Focus on what happened.
Liz: Theyāre gonna put you on trial.
Red: How it happened.
Liz: How?
Red: This wasnāt an accident. My luck didnāt just run out. Someone tipped them. Someone close.
Liz: What makes you think that?
Red: The cops were tipped off. Not specifically about me. That wouldāve triggered a larger presence, and I wouldāve noticed. Whoever did this told the cops as little as possible. Something about a middle-aged white male carrying a concealed weapon, something a couple of cops could follow up on quietly, discreetly.
Liz: Do you have any idea who it was?
Red: Thatās what I need your help to find out. Forget about the prosecutor and all this. Iāve been a step ahead of them for decades. Iām confident this wonāt change that.
Liz: How can you say that?
Red: I need to find the person who betrayed me.
Liz: So you can kill him?
[ Vision Visionās āŖ āHard Timesā plays ]
āŖ I see hard times coming
Red: Iād say that depends.
āŖ I feel the flood in my veins
I hear a warning in the thunder
I got a sinking in my chest
These thoughts keep running, running, running, running
These thoughts keep running, running, running, running
I see hard times coming
Ohhhh Ohhhh Ohhhh
Ā
[ Red is led in chains to a transport van ]
[ SIRENS WAILING ] [ A police escort transports him from jail to a prison ]
āŖ Ohhhh Ohhhh Ohhhh
I see blood in the river
As the current pulls me down
I slowly fade into the darkness
Ā
Jennifer: I know you were having second thoughts.
āŖ And I scream without a sound
Jennifer: It was the right thing to do.
āŖ These thoughts keep running, running, running, running
Jennifer: Whatās the biggest obstacle standing between us and finding out who he really is? It was him. He deleted his file. He dropped by unannounced. I had to hide in the closet to keep him from seeing me. As long as heās free, weāre never gonna find out the truth.
āŖ Ohhhh Ohhhh
Jennifer: Personally, I think itās cause for celebration.
āŖ Ohhhh Ohhhh Ohhhh
Liz: He asked me to find out who tipped off the police. Itās all that matters to him. Not that heās been arrested or ā
āŖ With all these worries taking over
Liz: That heās gonna be put on trial ā
āŖ Itās getting harder and harder to breathe
Liz: [ VOICE BREAKING ] And face the death penalty.
āŖ I see hard times coming
Liz: All he cares about is finding out who betrayed him.
āŖ I see hard times coming
I see hard times coming
Ohhhh Ohhhh Ohhhh
Liz: I canāt imagine what heāll doā
āŖ I see hard times coming
Liz: āIf he ever finds out that it was me.
āŖ Ohhhh Ohhhh Ohhhh
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⬠go to start of 6:1 The Corsican
ā« go to top
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Episode Songs
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ā« I Am The Fly
By WireāŖ Crawling
Over your window you think Iām confused
Iām waiting for the divergent wasp
To complete my current ruse
You use a plate-glass screen
To protect my chosen target
But thereās an air-pellet hole
I can crawl through to you
I am the fly in the ointment
I can spread more disease
Than the fleas which nibble away
At your window display
Yes, I am the fly in the ointment
I shake you down to say please
As you accept the next dose of diseaseāŖ I am the fly, I am the fly, I am the fly, I am the fly
Fly in the, fly in the ointment
I am the fly, I am the fly, I am the fly, I am the fly
Fly in the, fly in the ointmentāŖ I am the fly, I am the fly, I am the fly, I am the fly
Fly in the, fly in the ointment
Yes, I am the fly, I am the fly, I am the fly, I am the fly
Fly in the, fly in the ointmentāŖ I am the fly, I am the fly, I am the fly, I am the fly
Fly in the, fly in the ointment
Yes, I am the fly, I am the fly, I am the fly, I am the fly
Fly in the, fly in the ointmentāŖ I am the fly
Lyrics and Credits: http://bit.ly/2RyhZQP
YouTube: https://youtu.be/TiufXM6Rcis
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ā« Super Bon Bon
By Soul CoughingāŖ Move aside
And let the man go through
Let the man go through
Move aside
And let the man go through
Let the man go through
Move aside
And let the man go through
Let the man go through
Move aside
And let the man go through
Let the man go through throughāŖ If I stole
Somebody elseās wave
To fly up
If I rose up
With the avenue behind meāŖ Some kind of verb
Some kind of moving thing
Something unseen
Some hand is motioning
To rise, to rise, to rise[āŖ Chorus]
Too fat, fat you must cut lean
You got to take the elevator to the mezzanine
Chump, change, and itās on, super bon bon
Super bon bon, Super bon bon[āŖ Chorus]
Too fat, fat you must cut lean
You got to take the elevator to the mezzanine
Chump, change, and itās on, super bon bon
Super bon bon, Super bon bonāŖ And by
The phone
I live
In fear
Sheer Chance
Will draw
You in
To here[āŖ Chorus]
Too fat, fat you must cut lean
You got to take the elevator to the mezzanine
Chump, change, and itās on, super bon bon
Super bon bon, Super bon bon[āŖ Chorus]
Too fat, fat you must cut lean
You got to take the elevator to the mezzanine
Chump, change, and itās on, super bon bon
Super bon bon, Super bon bonāŖ Super bon bon, super bon bon
Super bon bon, super bon bon
Super bon bon, super bon bon
Super bon bon bon bon(Solo)
āŖ Move up
And let the man go
Let the man go
Move up
And let the man go
Let the man go
Move up
And let the man go
Let the man go
Move up
And let the man go
Let the man go throughāŖ Move aside
And let the man go through
Let the man go through
Move aside
And let the man go through
Let the man go through
Move aside
And let the man go through
Let the man go through
Move aside
And let the man go through
Let the man go throughLyrics and Credits: http://bit.ly/2SGtGCu
YouTube: https://youtu.be/TRqP52c0OLU
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ā« You Keep Coming Alive
By Sean RoweāŖ Now my bed donāt weigh the same
I take my clothes and wash my name
Thereās a [?] down in [?]
Let me breathe and Iāll let you goāŖ I melt down in desperation
I felt around for something real
Thereās a radio station
Iām playing wrong in my earsāŖ You keep coming alive
You keep coming aliveāŖ Now my bed donāt weigh the same
I take my clothes and wash my name
I went down to Allendale Drive
Where your cross and your flowers surviveāŖ I melt down in desperation
I felt around for something real
Thereās a radio station
Iām playing wrong in my earsāŖ You keep coming alive
You keep coming aliveLyrics and Credits: http://bit.ly/2CTl1XL
YouTube: https://youtu.be/b2NDcF8LlHk
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ā« Hard Times (feat. Congratulationz)
By Vision VisionāŖ (unavailable as of 1/8/2019)
Lyrics and Credits: [unavailable]
YouTube: https://youtu.be/TOQ7FioIEuo
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ā¬ļø go to start of 6:2 The Corsican
ā« go to top
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āāā End 6:2 Corsican
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š“ Script 6:3 The Pharmacist (ā 124)
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Program air date: 1/11/2019 in the US
Script Permalink: https://wp.me/pDKwi-8Wq
Entertainment Weekly Recap: http://bit.ly/2REyQBN
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Director: Daniel Willis
Written by: Lukas Reiter
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Ā
ā Script 6:3 The Pharmacist (ā 124)
Ā
Brief (Where weāre at): Red is under arrest! Not by the federal government with which he has an immunity agreement, but by the aggressive Southern District of New York. The fact he just revealed and foiled an attempt to bomb the United Nations looks to hold no sway there. Nor have Cooperās attempts to get Panabaker to step in, or to get the US Attorney for the SDNY to stand down.
Worse, the tip as to Redās whereabouts came from an unlikely source ā Liz. Lilly has convinced Liz that this is the only way they will ever be able to find out who Red really is ā this man who assumed the identity of their father, Raymond Reddington, 30 years ago. But Liz now has grave doubts when she considers all the good Red has been capable of and all the lives he has saved. Redās preoccupation is only with finding out who betrayed him, a task for which he turns for help to ā (wait for it:) Liz.
Ā
[ GRAVEL SCRAPING ] [ A man shuffles slowly and unsteadily toward a large warehouse ]
[ Caught A Ghostās āŖ āFootstepsā plays ]
[ A small wooden window opens in the door ]
Man: Name?
Walter Pruitt: [ BREATHLESSLY ] Walter Pruitt.
[ His name is crossed off a list of five names ]
āŖ Get out the door
And smell the sulfur hanging in the air
Man: Name?
Margaret Hopkins: [ SHAKILY ] Margaret Hopkins.
[ Her name is also crossed off ]
āŖ Get out to work
Turning the page as if thereās nothing there
I often wonder ā
Man: Name?
Dan: [ Shaking and stuttering ] D-D-Dan ā
[ The name Daniel Lloyd is crossed off ]
āŖ If I ever felt another way
Iāve never known another life
There goes another day
Vaguely revolutionary songs and incantations
Ā
[ DOOR CLOSES ]
[ Patients are on gurneys hooked to monitoring equipment. They are arranged in a circle inside a large vinyl enclosure ]
āŖ Fighting battles from the basement
You slept through the alarm
[ Spalding Stark leans on a cane and speaks with a shaky voice ]
Spalding Stark: Thank you all for coming.
āŖ Afraid we got complacent
Stark: I know it wasnāt easy to get here ā
āŖ Micro-managing behaviors
Stark: ā in your current condition.
āŖ Painting shades of gray
Stark: On the bright side, you wonāt be in your current condition for much longer.
āŖ When darkness had an army
Stark: To be clear, the procedure that we suggest today has not been approved by the FDA. In fact, youāll each have to inject yourselves. Itās a crime for us to do it for you. We ask that you administer the treatment at the same time.
[ INJECTORS FIRING ]
āŖ They told you you could have everything
If you just believe
They gave you all the information ā
[ MARGARET LAUGHING ]
āŖ You could ever need
You often wonder if the choice ā
Margaret: Oh! Oh!
āŖ Is even yours to make
[ LAUGHTER ]
āŖ You hear it happens
If you get down on your knees and beg
[ LAUGHING CONTINUES, MONITOR BEEPING RAPIDLY ]
Assistant: Heās seizing.
[ RAPID BEEPING CONTINUES ] [ MEN GROANING ] [ FLATLINING ] [ GROANING CONTINUES ] [ PADDLES WHINING ] [ THUMP ] [ FLATLINING ] [ FLATLINING CONTINUES ]
Ā
[ DOOR SLIDES SHUT ] [ INDISTINCT CONVERSATIONS IN DISTANCE ] [ Liz speaks to Red in his pre-trial detention cell ]
Liz: Cooper talked to the Attorney General this morning. Officially, your Immunity Agreement never existed.
Red: They wonāt let me see Marvin Gerard.
Liz: Iām sure there are other lawyers.
Red: Iām being denied my counsel of choice.
Liz: A public defenderās been assigned for the arraignment. Did you hear what I said? Cooperās been ordered not to inform the court about the Task Force. Theyāre going to prosecute you.
Red: Of course they are. Theyāre political animals. In the short run, justice always loses to politics.
Liz: Arenāt you worried? Youāve been indicted for at least half a dozen capital offenses.
Red: Iām confident Iāll prevail. I want to talk about the news. The Marshals have been watching all morning.
Liz: Yeah, youāve been the top story on every channel.
Red: Iām not talking about me. There was a story about bodies found in a Virginia warehouse.
Liz: I saw that. Some kind of underground medical experiment?
Red: What if I told you I knew who conducted that experiment? His name is Dr. Spalding Stark, and heās the next name on the Blacklist.
Liz: Youāre facing the death penalty, and youāre giving us a case?
āā
[ Spalding Stark speaks with a patient ]
Stark: Rigidity. Bradykinesis. Yes. Iām certain our treatment can help.
āā
Red: Dr Stark presents as as renegade, a biohacker, devoutly dedicated to enhancing human life by hacking our genetics.
Liz: What do you mean he āpresentsā that way?
Red: He approached a company of mine about a year ago, asked for help acquiring some advanced gene-editing equipment. I must say, he was very convincing.
āā
Ames: [ SHAKILY ] Itās just so expensive.
Stark: I know. Iām sorry. But weāre doing this on our own, without the R&D budget of a big pharmaceutical powerhouse.
āā
Red: Some of our most revolutionary scientific achievements come from minds outside the mainstream. I helped him because I thought ā he was quite possibly a visionary.
Liz: And now?
Red: And now there are five dead bodies in a warehouse suggesting otherwise. Now I fear Stark may be the worst kind of charlatan, the kind who preys on the weakest among us for his own financial gain.
āā
Ames: My- My daughterās pregnant. I want to see my grandchild. [ BREATHING SHAKILY ] I can get you the money.
Stark: Hm.
Ā
[ Courthouse ] [ DOOR CREAKS ]
Court Clerk: All rise! United States versus Raymond Reddington. C-R 18-3656. Magistrate Judge Roberta Wilkins now presiding.
Sima: Morning, Your Honor. Assistant US Attorney Michael Sima ā for the United States.
Lonnergan: Jerome Lonnergan from the Office of the Federal Public Defender for the accused.
Uh, waive reading of the rights and charges, ā but not the rights thereunder.
Judge Wilkins: So waived.
Sima: Your Honor, given the defendantās history, the government asks that he be remanded.
Judge Wilkins: Yeah, Iām gonna calendar this for a month from today.
Lonnergan: A month from today would be just perfect, Your Honor. Thank you.
Red: Y-Your Honor, may I be heard?
Judge Wilkins: I donāt recommend it, Mr. Reddington. You have an attorney. I strongly suggest you let him do the talking.
Red: And I would, Your Honor, no question, but given how quickly things are proceeding, I get the distinct impression that Jerry here has a bus to catch.
Judge Wilkins: Iām sorry. Are we moving too fast for you, Mr. Reddington?
Red: [ CHUCKLES ] Iām just saying there are important matters to discuss.
Judge Wilkins: Such as?
Red: Well, for starters, Your Honor hasnāt really considered the issue of bail.
Judge Wilkins: Sir, you have been a federal fugitive for nearly three decades, the FBIās Number One Most Wanted. You are the textbook definition of a flight risk and a danger to the community.
Now, let me be clear ā even if you were prepared to submit every last dollar in circulation on the planet, I still wouldnāt grant you bail, ever.
Red: Okay. I, for one, feel better knowing it was considered.
Judge Wilkins: Anything else?
Red: Iām afraid so. May we approach?
Judge Wilkins: Carefully.
Red: You hang here, Jerry. This will only take a sec.
Judge Wilkins: Look at my face, Mr. Reddington. Iām not amused.
Red: And I assure you, neither am I. But the fact remains the prosecution has intentionally failed to inform the court of a critical factor in this case.
Judge Wilkins: And that is?
Red: My Immunity Agreement with the federal government, an agreement that expressly covers the charges before you and protects me from overzealous beavers like Mr. Sima and his bosses.
Judge Wilkins: Good Lord. Youāre a confidential informant. Mr. Sima?
Sima: I-If If thereās an agreement, I havenāt seen any evidence to prove it.
Judge Wilkins: Thatās hardly a denial. Mr. Reddington, is there anything you can offer this court to support the existence of an Immunity Agreement?
Red: Assistant Director Harold Cooper of the FBI is here. He may be able to shed some light on the matter.
Judge Wilkins: Assistant Director Cooper, step up, please. Sir. Mr. Cooper, Iām going to ask you this once and only once. To your knowledge, is there currently an Immunity Agreement in place with this defendant? Yes or no?
Cooper: Yes.
Judge Wilkins: Chambers, all of you, now!
[ GAVEL POUNDS ]
Ā
[ DOOR CREAKS LIGHTLY ]
Judge Wilkins: [ SIGHS ] You. Talk.
[ DOOR CLOSES ]
Cooper: I run a task force. Officially, it doesnāt exist. Its purpose is to arrest high-priority targets using intelligence obtained from Mr. Reddington.
Judge Wilkins: So, Main Justice made a deal with the devil himself?
Red: [ LAUGHS ] Shouldnāt judges at least pretend to be impartial?
Sima: Your Honor, as I said, if such a deal existsā
Red: Oh, it exists. Harold and I have been at this for over five years now. Of course, some of the people who originally approved it are either dead or have moved on, leaving Director Cooper to deal with the cover-their-asses crowd, who, by the way, are perfectly happy to milk this cow all the way to the slaughterhouse. Iām sure the first question they asked in response to my arrest was whether I could still continue to be an effective asset while locked up in jail ā am I right, Harold?
Judge Wilkins: Mr. Cooper, you tell your superiors at Main Justice that I just ordered a hearing on the scope of the agreement, and I want a copy of it on my desk today. I canāt rule on a contract I havenāt seen. Understood? Good. Weāll reconvene in the morning. Mr. Reddington, you have an attorney sitting out there who has no idea what heās gotten into. I suggest you fill him in.
Red: Actually, I donāt think thatāll be necessary.
Judge Wilkins: Why is that?
Red: Because after careful consideration of the circumstances, I feel it more prudent to represent myself.
Ā
[ Aram is at the Post Office talking to Samar and Ressler in their vehicle ]
Aram: His name is Spalding Stark. This guy is, like, a total icon in the biohacking community.
Samar: There are icons in the biohacking community?
Aram: Oh, yeah. Iāve been reading about this guy for years. I saw a live stream in 2009 where he injected himself with a homemade malaria vaccine.
Ressler: Why would he do that?
Aram: To prove that it was safe. The FDA wouldnāt authorize human trials without a ton of red tape. So ā get this ā the plan was to inject himself with the vaccine, then let an infected Anopheles mosquito bite him ā live.
Samar: And it worked?
Aram: No. He suffered a catastrophic hyper-immune response. Paralyzed half his face along with his left arm and leg.
Ressler: And that makes him an icon?
Aram: Yeah. He put his body on the line to to improve the human condition.
Samar: Well, he didnāt stop there. If Reddingtonās right, he just killed five of his patients.
Ressler: You really think thatās why he gave us this case?
Aram: Meaning you donāt?
Ressler: Heās in federal prison about to start the legal fight of his life. I donāt know why this guyās a priority, but I guarantee weāre not getting the whole story.
Ā
[ Culpepper County VA ]
[ RADIO CHATTER ] [ VEHICLE DOORS OPEN ] [ VEHICLE DOORS CLOSE ]
Ressler: Officer Flynn? Agents Ressler and Navabi.
Officer Flynn: Captain said youād be coming down.
Ressler: Bodies still inside?
Flynn: Yes, sir. And we also kept the building owner on site, just like you asked.
Ressler: Excuse me, Warren Kirby? We understand youāre the one who called 911?
Warren Kirby: Yeah. Yes, sir. Sorry, still a little shaken up by what I saw in there.
Samar: What can you tell us about what happened?
Kirby: [ SIGHS ] Not much. I mean, I-I donāt really know. I own the building. Itās a storage space. Generally, I rent it out month-to-month.
Ressler: So it was rented?
Kirby: Several days ago by a guy named Stark. I never met him. Just called the office and booked it. Said he wanted to store medical equipment. I came by this morning to check on things, make sure everything got loaded in okay, and [ SIGHS ] nobody was here. The front door was unlocked. I went in, and thatās when I saw the bubble and the bodies.
Ā
[ Inside the storage facility ]
Ressler: Dr. Maguire. What have we got?
Dr. Maguire: Well, we still have to I.D. two of the bodies, but the others were suffering from end stages of MCDD. Itās, uh, Motor Cortex Degenerative Disease.
Ressler: So these people were already dying.
Dr. Maguire: Yes, but the question is, what were they injected with, and whyād they all die so fast?
Ā
[ Spalding Starkās office ]
Stark: Youāre all set, Mr. Ames. We received your wire transfer. Our preliminary exams all indicate that youāre an excellent candidate for my new treatment.
Ames: How does it work exactly?
Stark: Your disease is caused by multiple chromosomal defects. I identified them and created a viral payload that has all of the genetic material [ CLEARS THROAT ] in its corrected order.
[ Starkās assistant, Dr Ethan Webb, beckons to Stark ]
Stark: [ To Ames ] Excuse me.
[ They step aside ]
Stark: [ WHISPERING ] What?
Dr Ethan Webb: [ WHISPERING ] Look, I know you want to continue, but afterā
Stark: Iām not stopping. Last time was my mistake. I pushed too far. We can make adjustments.
Ā
[ At the storage facility ]
Dr McGuire: Ohh! Looks like somebody forgot something. Looks like part of a jet injector. The force of his weight must have broken it apart.
Samar: Is that how Stark administered the medication?
Dr McGuire: Yes, but I donāt think Iāve ever seen one quite like this. Itās custom. Itās very sci-fi.
Samar: I can show it to Aram, see if he knows someone who can help figure out where it came from.
Ressler: Iāll reach out to an expert on MCDD. We really need to know what weāre dealing with here.
Ā
[ Cooperās office ] [ DOOR OPENS ]
Liz: Are you really gonna give her a copy of the agreement?
Cooper: Judge Wilkins is waiting. Iām not sure I have much choice.
Liz: Donāt.
Cooper: If I donāt, Reddington goes to prison. Maybe worse. And this is just step one. I have to testify tomorrow, convince the court heās worth saving.
Liz: He used you. Your decency. He knew you wouldnāt lie about the Immunity Agreement. He knew youād rather violate a direct order and damage your own career instead.
Cooper: Liz, the Reddington deal exists. The kind of government willing to pretend it doesnāt, to deny facts and make reality whatever it says is reality I rejected, and I wonāt be part of it. Iām just going to tell the truth.
[ DRAMATIC MUSIC PLAYS ] [ DOOR OPENS, CLOSES ]
Ā
[ Crown Life Pharmaceuticals ]
CEO Pascal: Parkinsonās, Alzheimerās, ALS, lymphoma, rheumatoid arthritis you name it. Chances are, we have a substantial market share of the drugs sold to treat it.
Ressler: And that includes Motor Cortex Degenerative Disease.
Pascal: Crown Lifeās the leading manufacturer of Sensiprex, what most neurologists would call state-of-the-art when it comes to MCDD treatment.
Ressler: So itās effective?
Pascal: To a degree. Nobodyās discovered a cure yet. All we can do is manage the symptoms.
Ressler: Iām sorry, but have you ever heard of a biohacker named Spalding Stark?
Pascal: Donāt think so. Why?
Ressler: We think heās out there, telling end-stage MCDD patients heād made some kind of a breakthrough.
Pascal: Patients get desperate. Theyāre willing to believe anything. You got no idea how many crazy characters are trying to push the envelope.
Ā
[ HORN HONKS IN DISTANCE ] [ Samar and Aram climb the steps to a residence ]
Samar: So, who is this guy again?
[ DOORBELL BUZZES ]
Aram: Uh, just a friend. We trade ideas sometimes online. Oh, um donāt stare at his head. He hates that.
[ DOOR OPENS ]
Biohacker: Buddy, you made it! Come on in. We just ordered hot wings.
Aram: Oh, no way. Um, this is, uh, Samar. Uh, Agent Navabi.
Biohacker: Sheās staring at my head. I hate that.
Samar: Iām sorry. You have aā
Biohacker: NFC chip in my forehead, yeah. And two more in my hands. Turns on my lights, computers, and has my credit-card info.
Aram: So, what are you guys working on?
Biohacker: Uh, Gruberās still trying to edit his own DNA, increase his muscle tone. Itās a work in progress. Uh, these two guys are using CRISPR, playing around with a viral attack for leukemia. Also we got, like, 20 minutes before āAmerican Ninja Warrior.ā
āā
CEO Pascal: Weāre in a new stage of research. Itās not just Big Pharma and top academics anymore. Amateurs are cloning DNA, editing genomes. Teenagers are getting centrifuges for Christmas. Got labs in their bedrooms. Itās terrifying.
āā
Biohacker: Damn right Big Pharmaās terrified. They should be. Weāre the cutting edge now, and they know it.
āā
Pascal: They think theyāre cutting edge, but thereās no oversight and no regulation.
āā
Biohacker: Regulation? What about innovation? How many brilliant minds have been stifled by the FDAās onerous requirements? We are the future. I mean, maybe not anyone in this room, but you get the idea. [ Offers some hot wings ] Here. Help yourself.
Aram: Sweet. Um, actually, uhā we gotta run. I, uh I just came by to, uh, see if you had anything for us on that broken injector gun. You got that photo I sent, right?
Biohacker: Yeah, itās a pretty distinctive model. I-I think I know who sells it. A company called NexHack. Um. [ THUMPS LIGHTLY ] [ BEEPING ] ā [ KEYS CLACKING ] ā Yeah, here we go.
Itās fairly new. These are the founders and the guys who funded development.
Samar: Oh, my God. Thatās Warren Kirby.
Aram: Who?
Samar: Heās the owner of the storage facility. He found the victims and called 911. He lied to us.
Ā
Judge Wilkins: For the record, I have reviewed the Immunity Agreement. The courtroom has now been cleared to protect the defendantās role as the confidential informant. This hearing is sealed in accordance with the Classified Evidence Protection Act. Mr. Reddington has called Assistant Director Harold Cooper to the stand. The witness has been sworn in. Mr. Reddington, Iām ready if you are.
Red: Thank you. Hello, Harold. Thank you, by the way.
Cooper: For what?
Red: Being honest. I regret I had to rely upon your integrity just to get this hearing. I wish thereād been an easier way.
Asst US Attorney Sima: Objection.
Red: I havenāt even asked anything yet.
Judge Wilkins: Something tells me thatās the objection. Do you have a question for Director Cooper?
Red: Just one, Your Honor, and itās this. Would you do it again?
Cooper: Excuse me?
Red: The deal we made ā my cooperation in exchange for my freedom. As the man who oversaw the arrangement in all its grand and often gory detail, would you do it again?
Cooper: Yes.
Red: Why? Sorry, I had two questions.
Cooper: Because it saved lives. I donāt know how many since we started. Maybe thousands.
Sima: Objection! Move to strike.
Red: Oh, for goodness sake.
Sima: Your Honor, I fail to see how this witnessās subjective assessment of the agreement has any relevance to its scope as a matter of law.
Judge Wilkins: Overruled.
Red: Objection.
Judge Wilkins: On what grounds? I just ruled in your favor.
Red: Your Honor, I object to almost everything about him, beginning with his power tie ā and ending with his general demeanor.
Judge Wilkins: Enough.
Sima: Objection.
Judge Wilkins: Mr. Reddington, if you are going to insist on representing yourself, you will conform yourself to the rules of the court.
Sima: Thank you, Your Honor.
Judge Wilkins: Same goes for you, Counsel. Let the witness speak.
Cooper: We made this deal for one reason ā so you could help us find those criminals we never knew existed. And youāve done that. Violent people, evil people are dead or in prison because of you. In some cases, we recovered dangerous weapons or avoided catastrophic outbreaks.
Sima: Your Honorā
Cooper: Let me finish! A few years ago, we learned some of those criminals were inside our own government ā the Attorney General, a National Security Advisor, the very people our country depends on to maintain law and order. To be clear, none of that would have happened without Mr. Reddington. So, would I do it again? Youāre damn right I would.
Red: Nothing further, Your Honor.
Ā
Ressler: You lied to us, Mr. Kirby. You said you never knew Mr. Stark.
Kirby: Thatās the truth.
Samar: So, itās a coincidence that Stark was using a jet injector made by a company that youāre invested in?
Kirby: Okay, look. M-Maybe I do know him. But I swear, I wasnāt there whenā
Ressler: If you were working with him, conning those people out of their money, youāre an accomplice, and that means youāre gonna be charged with five counts of murder.
Kirby: No, no, no, no. You donāt understand. I wasnāt in this for money. This was personal. I was diagnosed with MCDD almost 11 years ago. Stark was my pharmacist at Greene Drugs, and I used to see him when Iād go in to get my meds. He could see I was getting worse. My body wasnāt responding to the existing treatments anymore. One day, he asked if I might be open to a more experimental approach.
Samar: Youāre saying that Starkās treatment cured you?
Kirby: He came to me a few weeks ago. Asked me to lend him my warehouse so he could expand his work. When I went to the warehouse and saw what happened ā Stark was already gone. [ SIGHS ] I didnāt know what to do. Iām telling you, Spalding Stark isnāt a con man. He documented my case. I have copies of the files. I can show you. Heās the only reason Iām alive.
Ā
Sima: You are aware that the defendant has been indicted on multiple counts of treason?
Cooper: I am.
Sima: For selling this nationās most highly-classified secrets, ā for betraying our country?
Cooper: Yes.
Sima: Youāre aware that, for almost 30 years, heās maintained a vast criminal empire ā that the charges against him as the ā [ PAPERS RUSTLE ] so-called āConcierge of Crimeā are so extensive and so heinous, they occupy a unique place in our countryās history?
Cooper: Iām aware of the allegations.
Sima: Iām sorry. Allegations? Is it your position that the defendant is innocent?
Cooper: Until proven guilty. Or is it your position that I should ignore the Constitution?
Sima: My position, sir, is that some people are irredeemable, that a deal granting immunity to a man like Reddington is beneath the dignity of a country that prides itself on the rule of law.
Red: Objection. Heās arguing with the man, and, frankly, being incredibly self-righteous.
Judge Wilkins: Sustained the first part, the arguing. Move on, Counsel.
Sima: [ To Cooper ] Sir, is there no one you wouldnāt make a deal with? If not this defendant, is anyone too offensive to be given a free pass by your standards?
Red: Well, now heās just being insulting.
Judge Wilkins: I said move on, Counsel.
Cooper: To be clear, nobody gave Mr. Reddington a free pass. He has to earn his freedom. There are rules he has to abide by.
Judge Wilkins: I see. And does he abide by them?
Cooper: Yes.
Judge Wilkins: Really? So, to your knowledge, he hasnāt committed any crimes since becoming your informant.
Cooper: I wonāt discuss specific cases. What we do is classified and often involves matters of national security.
Sima: Okay, Your Honor
Judge Wilkins: You opened the door to this, Director Cooper. Does he abide by the rules or not?
Sima: Iāll ask you again. To your knowledge, has Raymond Reddington committed any unsanctioned crimes since becoming an informant for your task force?
[ DRAMATIC MUSIC PLAYS ] [ Flashes to: Red shooting Diane Fowler, Mr Kaplan, Sutton Ross ~ (Note: These are from Redās perspective, not Cooperās) ]
Cooper: I have no direct knowledge that he has. No.
Ā
Ressler: Is there any idea which way Wilkins is leaning?
Cooper: [ INHALES DEEPLY ] Could go either way. I thought sheād rule after my testimony yesterday, but she wants to hear arguments first.
Liz: The courtroomās been cleared. We canāt even watch.
Cooper: Itās up to Reddington now, which means weāre back and free to lend a hand on Stark.
Samar: So far, we know that Stark worked as a pharmacist in one of the Greenes here in D.C. Thatās how he met Kirby. Itās also how he established contact with the five victims from the warehouse.
Ressler: Greene is a national chain. Stark was accessing its database and reaching out to patients with advanced MCDD.
Cooper: Iām guessing those five werenāt the only ones. Letās follow up, see how many people he contacted. Thereās a chance heās done other experimental trials. We could have more bodies out there.
Liz: Iāll do it. Iām going crazy ā waiting to hear about Reddington.
[ FOOTSTEPS ] [ Aram enters ]
Aram: Guys, guys. I went through Kirbyās files. Everything he told us is true.
Ressler: But Starkās treatment works?
Aram: It all started with his own injuries. That malaria vaccine he developed? It damaged his motor cortex, which is why he started studying all this stuff in the first place. And he documented everything ā how he mapped out the multi-allelic defects, how he developed a viral payload designed to produce hybrid cells with corrected genomes.
Samar: You honestly believe he cured Kirbyās condition?
Aram: He reversed it, no question.
Liz: So, Reddingtonās first impression was right. Starkās a visionary.
Cooper: If thatās true, what happened at that warehouse?
Aram: I had the same question, so I went down to the forensics lab and got a copy of the preliminary tox report. You wonāt believe what they found.
Ā
Kirby: Sabotage?
Samar: This is the treatment formulation used by Stark on you. This is the one that was used on the five victims from the warehouse.
Ressler: Theyāre identical. Except for one key component, an extremely rare nerve agent called āCylovex.ā
Kirby: A nerve agent?
Ressler: Thatās what killed those people. And whoever put it in there didnāt expect the toxicology lab to find it, and for good reason.
Samar: Normally, Cylovex wouldnāt be on anyoneās radar, but with all the news of the Russians allegedly using Novichok in England, the FBI lab is on high alert for anything like it now.
Kirby: Stark has a partner. His name is Ethan Webb. He synthesizes all of Starkās formulations, including mine. Ethan wouldnāt do it. Never.
Samar: Why not?
Kirby: I just told you, theyāre partners. Theyāre also friends. I-I donāt believe Ethan would kill those people.
Ā
Asst US Attorney Sima: Can you imagine ā immunity for Raymond Reddington? Immunity for a man who betrayed America, for Number One on the Most Wanted List, thousands of crimes, and how many victims? I-I canāt even guess. This wasnāt a deal. It was a conspiracy. An unjust and illegal conspiracy to deprive the American people of justice. There is nothing this defendant can do now that will erase the memory or the impact of what heās already done. Your Honor, this court has the power and the obligation to reject government conduct that shocks the conscience, conduct so outrageous, it offends the ācanons of decency and fairnessā that define our civilized society, and thatās exactly what this agreement does. This agreement should be void as a matter of public policy. Throw it out. Tell the defendant no more. Justice demands no less.
Ā
[ KEYS CLACKING ]
Aram: All right, thatās him ā Dr. Ethan Webb, and according to his profile, heās a synthetic biologist and a molecular virologist. And guess where he used to work.
[ KEYS CLACKING ]
Ressler: Crown Life. Thatās the company that I just met with. Theyāre the leading manufacturer of MCDD medication.
Samar: He used to work for Big Pharma?
Aram: Until about two years ago when he was fired and left the company in disgrace.
Cooper: Fired for what?
Aram: Stealing proprietary data. They suspected he was working on a cure on his own. That must be when he partnered up with Stark.
Samar: I donāt understand. If they were working together, why would he sabotage their progress?
Ressler: If there is a cure, itās gonna be worth a lot of money, so maybe Webb wants it all to himself.
Cooper: Somethingās off. I still feel like weāre missing something.
Ā
[ Courtroom ] [ Red pours himself a glass of water ] [ LIQUID POURING ] [ Slowly, he takes two sips, then stands ]
Red: [ EXHALES DEEPLY ] [ CLEARS THROAT LIGHTLY ] [ BREATHES DEEPLY ] This decision was made many years ago. The fact is, a small group at the Department of Justice did their due diligence, and with the blessing of the Attorney General and Legal Counsel at the White House, they concluded that the benefit that law enforcement and, consequently, the American people would gain from my assistance would exceed that of the rather abstract benefit of seeing a man of my alleged infamy being punished in a public fashion.
āāThere can be no question they were legitimately exercising their prosecutorial discretion. They made a judgment call. One that apparently offends Mr. Sima, and, clearly, heās not alone. Iād imagine there are any number of people from prosecutors to plumbers who, despite knowing virtually nothing about me or the events of the last five years, nonetheless would find my arrangement with the government wildly unacceptable, and to be clear, thatās fine. Debate and disagreement are at the core of any true democracy. Argument is necessary. Perfectly reasonable juries will often differ.
āāOn a side note, I once went fly fishing for a cutthroat trout in the Roaring Fork Valley, where, inexplicably, I stumbled upon uh, Justice Antonin Scalia may God rest his soul and, boy, did [LAUGHING] we have some real barn burners. My word, that man could argue. Six hours, hip deep in whitewater, and with all the yelling, neither of us got so much as an alevin.
Sima: Objection, Your Honor. Whatās the point of all this?
Red: The point, Mr. Sima, is that your outrage doesnāt concern me. What concerns me is that the powerful men and women who made this deal and those who reaped the benefits of it for years actually considered it an option to deny its existence. They decided to say that what happened never happened.
āāThe sad fact is, the facts have never mattered less than they do today. Weāre living in a time when truth has been so diminished in value that even those at the top of government are quite comfortable with truth being whatever they can convince people to believe. That is what I find wildly unacceptable. The truth certainly matters, Your Honor, in rooms like this most of all. And the truth is, whether you or he or anyone else likes it or not, that Immunity Agreement exists.
Ā
Liz: Guys, we got a problem. I did what you said, followed up to see if Starkās contacted any other patients using the Greene Drugs database.
Aram: Donāt tell me heās done this before.
Liz: No, I donāt think he has done it before, but he is definitely about to do it again. Heās reached out to a handful of late-stage MCDD patients over the past few days. Heās conducting another trial. I talked to one of the patientās wives. Itās happening today in a storage facility in Highland Park.
Cooper: Get there, the three of you. Agent Mojtabai, notify local PD. If Webb sabotaged those doses, all those people are about to die.
Ā
[ The storage facility in Highland Park ]
Spalding Stark: Thank you all for coming.
[ Von Greyās āŖ āPoison In The Waterā plays ]
āŖ Poison in the water
Danger in the well
Do not wander, shepherdās daughter
[ Stark steps aside to speak with Dr Webb ]
Dr Webb: Almost done.
Stark: Ethan. I know you didnāt want to do this.
āŖ Poison in the water, serpent in the garden
Stark: I know youāre only here because of our friendship.
Dr Webb: You donāt have to.
Stark: No, I do.
āŖ Guard the citadel
Stark: I-I want you to know ā how much I value our partnership.
āŖ Fruit is rotten
Stark: How much I appreciate you standing by me, no matter what.
āŖ There is a Judas among us
Dr Webb: I just need a minute to finish.
[ Stark leaves. Dr Webb reaches into his lab coat and takes out syringes and vials with the poison ]
āŖ There is a Judas among us
Nobody here we can trust
There is a Judas among us
Ā
[ TIRES SCREECH ]
Ressler: FBI. What do we got?
āŖ Poison in the water
Officer: No visuals, no movement in or out. Tacticalās getting ready to blow the loading bay doors.
āŖ Danger in the well
Ressler: Do it now.
[ WEAPONS COCK ] [ The TAC squad runs toward the building ]
āŖ Do not wander, shepherdās daughter
Poison in the water
Ā
Stark: As discussed, we need you to inject yourselves. We ask that you administer the treatment ā
āŖ Lead the lamb to slaughter
Stark: ā at the same time.
āŖ Poison in the water
[ Patients begin to shoot their njection guns ]
[ š„ EXPLOSION š„ ] [ The TAC team storms in ]
āŖ Poison in the water
Danger in the well
ā Letās see your hands!
āŖ Danger in the well
ā Everybody, show me your hands!
āŖ Do not wander, shepherdās daughter
Ressler: FBI. Everyone, freeze!
āŖ Poison in the water
Samar: Put those down now.
āŖ Poison in the water
[ MONITOR BEEPING RAPIDLY ] [ A patient begins to seize ]
[ Dr Webb runs. Ressler chases him ]
āŖ Danger in the well
Danger in the well
Do not wander, shepherdās daughter
[ The patient seizing falls off his gurney. Samar goes to him ]
Samar: [ Over comms ] Aram, we were too late.
āŖ Poison in the water
Samar: We have a patient down.
āŖ There is a Judas among us
There is a Judas among us
Nobody here we can trust
There is a Judas among usāŖ Poison in the water
[ Ressler catches up with Webb in a stairwell. They struggle ] [ GRUNTING ] [ Fighting escalates ]
āŖ Careful, shepherdās daughter
[ Webb tries to inject Ressler with the poison ] [ INJECTOR FIRES ] [ The injector gun misses Ressler ] [ GRUNTS ] [ The grappling continues until Webb tumbles down the stair well ] [ Ressler looks at the injector gun in his hand ]
āŖ Lead the lamb to slaughter
Poison in the water
Ā
[ DOOR OPENS ] [ Cooper enters the courtroom and sits behind Red ]
Cooper: Judge Wilkins cleared us to be present for the ruling. Elizabeth is on her way.
Red: Thank you, Harold.
Court Clerk: All rise.
Judge Wilkins: So, here we are at the end of a hearing nobody wanted me to have about an agreement nobody wanted me to see. Itās times like these Iām grateful that federal judges are appointed for life. Iām not as brave as Director Cooper. I agree with Mr. Sima. There are certain actions that fall beneath the standard our citizens have the right to expect from a country that prides itself on the rule of law. I honestly donāt know whether Mr. Reddington is guilty of the multitude of crimes with which heās been charged. Heās never been tried. That is the problem.
To deem this deal the abomination that Mr. Sima would have me believe, Iād have to first accept that Mr Reddington is the monster heās alleged to be. Our Constitution requires otherwise. I donāt like this deal. But like it or not, the federal government has benefited from it for over five years. They canāt pretend they havenāt, and neither will I. Accordingly, this court finds Mr. Reddingtonās Immunity Agreement legally binding.
[ An assistant whispers to Sima ]
Sima: Objection, Your Honor.
Red: Thank you, Your Honor. We really should do this again some time.
Sima: Your Honor? May I be heard, Your Honor?
Judge Wilkins: Mr. Sima, your objection is noted. The agreement stands.
Sima: Then he violated it.
Judge Wilkins: Excuse me?
Sima: The agreement bars us from prosecuting the defendant unless he violated it. Under the terms, we would then have a right to declare it null and void.
Red: Oh, please. Violated it how?
Sima: The gun. When you were arrested, you had an unregistered weapon in your possession.
Red: But thatās a state crime.
Sima: Yes, right up until someone scratched the serial number off of it. That made it a federal offense.
Judge Wilkins: Heās right, Mr. Reddington. I donāt imagine this agreement lets you walk around with a defaced firearm. If you violated your obligations under the deal, youāve forfeited its protections.
Red: To prove that, the gun would have to be admissible in evidence.
Judge Wilkins: Why wouldnāt it be?
Red: Because the officer who seized it was conducting an unreasonable search and seizure.
Judge Wilkins: I see. I take it, then, that you are moving to exclude the gun and request a suppression hearing?
Red: I am, a-and I do.
Judge Wilkins: Granted. Well, look at that. Your wish came true. It seems we will get to do this again soon.
Ā
[ Liz and Cooper are outside Redās jail cell ]
Liz: The gun hearing is in a week. You have to argue that the officer that searched you didnāt have probable cause.
Red: Where are they taking me?
Liz: If the search was bad, the gun will be suppressed, and they canāt say you violated your deal.
Red: Elizabeth, Iāll be fine. Will you do me a favor and ask one of the Marshals where Iām being transported?
[ Liz leaves ] [ METAL DOOR OPENS, CLOSES ]
Red: Harold? What happened yesterday on the stand ā
Cooper: Itās done.
Red: You testified because you value the truth. I know it couldnāt have been easy.
Cooper: I protected myself and my team.
Red: Yes, well ā a lucky confluence of interests. I admit, for a moment, I thought you might decide that our time together should end.
Cooper: I considered it. You should know I gave Agent Keen that option, and she asked that we continue.
[ METAL DOOR OPENS ] [ FOOTSTEPS ]
Liz: The gun hearingās in two weeks. [ METAL DOOR CLOSES ] Until then, theyāre gonna transfer you to Colton. For security, they want you in an actual prison and not pre-trial detention.
Red: We can talk more once Iām settled.
Liz: I havenāt told you about Stark.
Red: You got him?
Liz: You were right about him. Apparently, heās brilliant. He was being sabotaged by his partner, a guy named Ethan Webb.
Red: And this Webb, he confessed?
Ā
[ An interrogation room ] [ Webb, bruised and battered, looks up from the table at Ressler ]
Ressler: I gotta say Iām kind of glad you pulled that injector gun. Means I get to add attempted murder of a federal agent to the homicides youāre gonna be charged with. Yeah, thatās right. We know about the Cylovex.
Ā
[ A second interrogation room ]
Spalding Stark: You donāt have to believe me, but I was trying to help them.
Samar: I do believe you, Mr. Stark. Those people didnāt die because of your error. They were poisoned.
Stark: Poisoned?
Samar: By a nerve agent called Cylovex. Dr Webb betrayed you. [ Struggling for words ] He, um ā He ā Not subverted. He, um ā intentionally undermined your research.
Stark: Ethan wouldnāt. Why would he do that?
Ā
Dr Webb: Because he was never my partner.
Ressler: You two started working together after you were fired by Crown Life.
Dr Webb: I wasnāt fired from Crown Life. That was a lie ā a smokescreen designed by my bosses to enhance my credibility with the biohacking community. Make them believe I was a kindred spirit.
Ressler: You targeted Stark.
Dr Webb: I want a deal. If you expect me to testify against the company ā
Ressler: Any deal is gonna have to be approved by the US Attorney. Now, you tell us the truth, Iāll make sure they know you cooperated. Itās the best I can do.
Ā
[ Ressler has joined Samar and Stark ]
Stark: He was assigned to befriend me?
Ressler: Crown Life knew that you were working on MCDD. They were concerned that you might make a breakthrough.
Stark: So, they sent Ethan to sabotage my research and steal my ideas so they could mass market a cure.
Ressler: Crown Life doesnāt want to market your cure. They want to bury it. The company makes billions providing the drugs to treat MCDD. They can make 10 times as much treating it over years as they can selling a one-time cure. Iām gonna go get a warrant for the company. Webb gave us the names of everyone involved.
[ Ressler leaves ] [ DOOR CLOSES ]
[ Gregory Alan Isakovās āŖ āWhere Ya Gonna Goā plays ]
Stark: Am I being sent to prison?
Samar; Probably, but not for long. Youāll have to answer for the bodies left at the warehouse, but, otherwise, your part in this wasnāt criminal.
Stark: Ethan and I were a good team. He had me so fooled.
Samar: Iām sorry. Sometimes itās the people closest to you you have to watch out for.
āā
[ Liz and Red talk through the bars of Redās cell ]
āŖ Where you gonna go
Like that
With the holes in you?
Ā
[ At Crown Life Pharmaceuticals, Ressler enters with a team of police. Mr Pascal stands ]
Ressler: Mr. Pascal. We meet again.
[ Pascalās ankles are shackled ]
Ā
āŖ With the holes in you
Where you gonna go
[ Red is being transported ]
āŖ Like that
With the holes in you?
With the holes
Ā
[ Liz is musing at her desk ] [ KNOCK ON DOOR ] [ Itās Dembe ]
Liz: Oh, hey, come in.
Dembe: Cooper told me about the gun hearing. I donāt understand. You know Raymond always carries a weapon.
Liz: That doesnāt make it legal. Around here, when it comes to Reddington, we kind of see what we want to see. Are you okay?
Dembe: Iām confused.
āŖ With the holes in you
Dembe: Someone betrayed us, and I havenāt been able to figure out who.
āŖ Jump the gun
Liz: If thereās anything I can doā
Dembe: Actually, there is something. Mr. Stark ā I need to speak with him privately for Raymond.
āŖ Run
Dembe: It cannot be recorded.
Liz: He always has his own agenda. What is it this time?
Ā
[ DOOR OPENS ] [ DOOR CLOSES ]
Dembe: Mr. Stark, we donāt have much time.
Stark: Dembe, how did youā
Dembe: I go where Mr Reddington sends me. Heās very concerned. He made a significant investment into your research. If you are unable to deliver on scheduleā
Stark: No, no. Tell Mr. Reddington Iām making progress. My situation here wonāt interfere.
āŖ Where you gonna go ā
Dembe: I certainly hope not. Mr Reddington is counting on you.
āŖ ā like that
With the holes in you?
With the holes in you
[ Samar is at her desk writing her report, with help from a thesaurus ]
Samar: Sabotage.
āŖ Where you gonna go ā
Samar: He sabotaged your research. Dr Webb betrayed you.
āŖ ā like that ā
He sabotaged your research.
[ Aram enters ]
Aram: Hey. Everything cool?
āŖ ā with the holes?
Samar: Yes.
Aram: Letās get out of here. I am starving.
Ā
[ METAL CLANGS ] [ Prison gates open. Transport vehicles enter ] [ ENGINE STOPS ]
[ RADIO CHATTER ]
MAN: Confirm yard recall.
MAN #2: Uh, 2-1-2 transport is in the lead.
MAN #3: We have another team over on ā
[ The door of the transport van opens ] [ Red gets out, squinting ]
Prison Official: Mr. Reddington, welcome home.
Ā
⬠go to start of 6:3 Pharmacist
ā« go to top
Ā
Ā
Ā
Episode Songs
Ā
ā« Footsteps
By Caught a GhostāŖ get out the door and smell the sulphur hanging in the air
get out to work turning the page as if thereās nothing there
I often wonder If I ever felt another way
Iāve never known another life, there goes another dayāŖ vaguely revolutionary songs and incantations
fighting battles from the basement
you slept through the alarm
afraid we got complacent micro managing behaviors
painting shades of grey
when darkness had an armyāŖ see the foolish ones still standing on the sides
see your schoolmates filing into different lines
but youāre a soldier, serve and protect with your heart
you hear the footsteps of evil boots on the marchāŖ itās an explosion but weāve got nothing to fear
when itās all over, weāll be still standing right hereV2
āŖ they told you you could have everything if you just believe
they gave you all the information you could ever need
you often wonder if the choice is even your to make
you hear it happens if you get down on your knees and begāŖ vaguely revolutionary songs and incantations at the devilās coronation
you slept through the alarm
afraid we got complacent photographing our vacations
playing with the light when darkness had an armyāŖ see the fools all lines up by the flashing lights
see your schoolmates all buying into different lies
but yourāre a soldier serve and protect with your heart
u hear the footsteps of evil boots on the marchāŖ itās an explosion but weāve got nothing to fear
when itās all over, weāll be still standing right hereLyrics and Credits: https://tinyurl.com/4wmjh272
YouTube: https://youtu.be/tCrW5lJTNcc
Ā
ā« Poison in the Water
By Von GreyāŖ Poison in the water
Danger in the well
Do not wander,
sheperdās daughter
Poison in the water
Serpent in the garden
Guard the citadel
Fruit is rotten,
move with caution
Serpent in the gardenāŖ There is a judas among us
Nobody here we can trust
There is a judas among usāŖ Poison in the water
Danger in the well
Do not wander,
sheperdās daughter
Poison in the water
Blood on the horizon
Blood along the tracks
Shadows rising, organizing
Marching in the night
Poison in the water
Careful shepherdās daughter
Lead the lamb to slaughter
Poison in the waterLyrics and Credits: http://bit.ly/2RoOYIl
YouTube: https://youtu.be/z4PgwzX6pAU
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ā« Where Ya Gonna Go
By Gregory Alan IsakovāŖ Where you gonna go
Like that
With the holes in you
With the holes in youāŖ Where you gonna go
Like that
With the holes in you
With the holes in youāŖ Summer sun wonāt come
With the holes in you
With the holes in youāŖ Jump the gun
Run, run, runāŖ Where you gonna go
Like that
With the holes in you
With the holes in youāŖ Where you gonna go
Like that
With the holes in you
With the holes in youLyrics and Credits: http://bit.ly/2HiuIDg
YouTube: https://youtu.be/JG90PD6j_Lo
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ā¬ļø go to start of 6:3 Pharmacist
ā« go to top
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āāā End 6:3 Pharmacist
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Ā
Ā
Ā
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š“ Script 6:4 The Pawnbrokers (ā 146-147)
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Program air date: 1/18/2019 in the US
Permalink: https://wp.me/pDKwi-8ZN
Entertainment Weekly Recap: http://bit.ly/2AWo0gP
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Directed by: Lin Oeding
Written by: Carla Kettner
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ā Script 6:4 The Pawnbrokers (ā 146-147)
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Brief (Where weāre at): After the Department of Justice ordered Cooper to keep the Reddington Task Force and Redās Immunity Agreement under wraps, Red stood before Judge Roberta Wilkins and declared he would be representing himself. He immediately called on Cooper about the Agreement. Under oath, Cooper had to affirm that the Agreement existed. A copy was provided to the judge. Against a withering condemnation of Red by the prosecuting attorney, Asst US Attorney Michael Sima, Cooper provided a positive account of the many criminals rounded up and crimes averted with Redās help. In the end, the judge observed that, although Red had been accused of many crimes, he had never stood trial or been convicted, and therefore according the Constitution, he remains innocent until proven guilty. Therefore she was ready to uphold the Immunity Agreement.
Ā
However, the prosecutor then pointed out that Red had violated the terms of the Immunity Agreement by carrying an unregistered firearm from which the serial number had been scratched off, a federal crime. But Red claimed that the gun was inadmissible as evidence because it had been confiscated during āan unreasonable search and seizure.ā
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So Red will appear in court again, to examine the circumstances under which he was detained and his firearm seized. He believes someone tipped off the police. The new court case should give him a chance to delve into why he was arrested during the innocent act of buying a pretzel from a pretzel cart and bring him closer to determining who is was that betrayed him. In the meantime, he has been transferred to Colton Prison.
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[ Colton Prison ]
[ Redās mug shot is taken ] [ CAMERA SHUTTER CLICKS ] [ He is finger printed ]
[ Delta Raeās āŖ āBottom of the Riverā plays ]
āŖ Hold my hand
Ooh, baby, itās a long way down
A long way down
[ Red, in prison uniform, is given towels and soap and led on the catwalk over the dining area ]
āŖ If you get sleep or if you get none
The cockās gonna call in the morning, babyāŖ Hold my hand
Ooh, baby, itās a long way down
A long way down
[ Most inmates ignore Red, except one, who scowls. Red seems to recognize him ]
āŖ Oh, oh, oh
Oh, oh, oh, oh
Oh, oh, oh ā
Oh, oh, oh, oh ā
[ The guard opens Redās cell and Red enters ]
Red: Do you smell that?
Guard: Sewer line.
Red: Would you be so kind to reach out to facilities? Iād like to put in a repair request.
[ The guard locks the cell door ]
Guard: [ Smirking ] Yeah.
āŖ Hold my hand
āŖ Oh, oh, oh
Oh, oh, oh
[ Red lies on his cot, looking up. Under his head is a thin pillow and a blue cotton knit blanket, folded up. A broken pipe is in the corner of the room. Red watches a rat scurry along the edge of the room and disappear into the pipe ]
āŖ Hold my hand, oh, baby
Itās a long way, hold on, now
Hold my handāŖ Ooh, baby, itās a long way down, a long way down
Ā
[ Red enters the dining area. He picks up his meal and sits down across from a skinny young black guy. The black guy starts to get up ]
Red: No, no, no. Please stay. Iām happy for the company. Raymond Reddington. Awaiting trial.
Vontae Jones: Right. For treason. And like 200 murders.
Red: [ CHUCKLES ] Such hyperbole. I donāt know whether to be flattered or horrified. Whatās your name?
Vontae: Jones. Vontae Jones.
Red: Hello, Vontae. Nice to meet you.
Vontae: Is it true they, uh, put you in The Bunker?
Red: Ha! āThe Bunker.ā Is that what they call it? Iāve always wanted a home with a name. So much more evocative than a simple address. Fallingwater, the Dibble House, Sinking Spring Farm. I must say, The Bunker compares rather favorably to a Malagasy cave I once had the misfortune of inhabiting.
Vontae: Donāt know what youāre talking about.
Red: The Bunker.
Vontae: Ah. Warden left it for troublemakers. Smells like a dung hole.
Red: Whoās the warden speaking with?
Vontae: They call him Quantum. You ever need a hit, heās your guy.
Red: And if my tastes run in other directions?
Vontae: Burrito ā Man over here ā do you a roll for a deuce of meat sticks and a bag of chips. And, uh, Waxer, face tats, he can fix you up with smokes, cigars, candy. He sometimes even gets cinnamon toothpicks.
Red: Oh, I love cinnamon toothpicks.
Vontae: Yolked dudeās Baldomero. Yeah, they call him the Teflon Con ācause heās been killing and thieving for years. Awaiting trial for knocking over a Brinks truck. Killed both guardsā
Red: Iām familiar with the incident.
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[ Baldomero walks over to Red and Vontae. He reaches down to Vontaeās sandwich, takes off the top piece of bread, removes the lunch meat and stuffs most of it in his mouth ]
Baldomero: [ To Red ] Long time. Itās gonna be good having you here. Maybe we could settle up, get square for Iztapalapa.
Red: Thatās not your lunch meat.
[ Baldomero stuffs the rest of the lunch meat in his mouth and returns to his place in the room, a couple of tables away ]
Ā
[ Red takes a sip from his tea, puts the cup down, gets up and heads toward Baldomero ]
Vontae: [ SIGHS ] Yo. No, Iām cool with a mustard sandwich, man. Just leave it. Yo. Yo!
Baldomero: [ To his men ] Easy, easy, easy.
Red: You must not have heard what I said. I said that wasnāt your lunch meat. Heās just a kid. Maybe you can cut him some slack. Just a thought.
Baldomero: Yo. Iāll feed you my lunch meat tonight, old man.
Red: [ CHUCKLES ]
Baldomero: Gobble, gobble.
[ LAUGHTER ]
Baldomero: This aināt Mexico City. You got no muscle, no weapon. All you got is that mouth, and God knows it can run, but it canāt run in here.
Red: If you so much as look at Vontaeās pimento loaf again, youāre gonna end up with your teeth sticking out the back of your head and sipping your dinner through a bendy straw.
[ Red heads back toward his table ] [ Baldomero jumps him and throws Red to the concrete floor, pummeling his face repeatedly until itās smashed and bloody ]
[ INDISTINCT SHOUTING ]
Warden: Enough! Boys, I said enough! Mr. Reddington, I donāt believe weāve had a chance to meet.
Red: [ Looking up, COUGHS ]
Warden: My name is Warden Macatee. Welcome to Colton. Think youāre gonna like it here.
Red: [ WEAKLY ] So far, so good.
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[ DOOR BUZZES ] [ INDISTINCT CONVERSATIONS ]
[ Liz sits at a table across from Red. His face is badly bruised, his lip cut ]
Liz: Who did this to you?
Red: An old acquaintance.
Liz: I canāt believe this is happening.
Red: Getting caught after 30 years? The odds were, Iād be caught after three. Itās no oneās fault, least of all yours. Besides, I welcome the vim and vigor of prison life, the law of the jungle. I am the lion, after all.
Liz: You donāt look like one.
Red: [ CHUCKLES ]
Liz: I need to talk to the warden, get you out of general population.
Red: Thatās a terrible idea.
Liz: Okay, then since you insist on representing yourself ā also a terrible idea ā why not petition the court for protective custody?
Red: Elizabeth, Iām the one who petitioned to be put into the general population. I need to be treated like the criminal I am. Anything that may hint at any involvement with your Task Force is a liability I cannot afford.
Liz: Well, then, thatās quite a balancing act, because while youāre getting your butt kicked as a criminal, you also have to demonstrate to the judge your value as an asset.
Red: Which is why I need you to get Rod and Delaine Uhlman.
Liz: You have a case?
Red: Itās time to go to work.
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[ The Post Office ]
Liz: Rod and Delaine Uhlman married, no children, long-time members of the Methodist church, and owners of Kwik Money Gun & Pawn in Cherry Hill. Itās an unassuming neighborhood shop that specializes in fronting massive amounts of cash to criminals in exchange for high-value, ill-gotten gains.
Cooper: How does it work? They function like a regular pawn shop?
Liz: Yes, if you fail to reclaim your collateral, the Pawnbrokers will resell it.
āā
[ Flashover to thd pawn shop ]
Tom Hardekopf: A friend told me to come seeā said you had a first edition of āTreasure Island.ā
[ Rod Uhlman, sitting some distance away, looks up ]
Delaine Uhlman: Sure. Iāve got it in the back. Itās in perfect condition. Follow me.
āā
Ressler: Makes sense canāt go to a bank to finance crime, so might as well go to grandma and grandpa for a loan.
Aram: Theyāre so cute. They sort of remind me of this couple that used to babysit me in Delaware, the Gambalas. Uh, Rita- Rita. She used to make these oatmeal cookies that, um Iām sorry. [ Trailing off ] Thatās, uhā Thatās irrelevant.
Liz: These cuties facilitated an array of international crimes, including the poisoning of a former Russian Intelligence Officer, the raid of a transport vessel off the coast of Peru, and a casino heist that left eight dead in Monaco. As enchanting as they may seem, they have made possible some very real and deadly crimes.
Samar: And Reddington believes this will, what, demonstrate his value while incarcerated? Reddingtonās probably paying off the judge.
Ressler: Heās fine.
Liz: Heās not fine. You didnāt see him. Heās been hurt. Iāve never seen him like that before.
Cooper: Ressler, Keen, I want you on that storefront. Coordinate with Aram to run the background of anyone who enters into their shop. One of their clients is bound to raise a red flag, and I want us to be there when they do.
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[ CAMERA SHUTTER CLICKING ] [ Sitting in an unmarked vehicle with Ressler, Liz snaps a photo of a woman leaving the pawn shop ]
Liz: Aram, heads up. Weāve got another.
Ressler: Weāre uploading it now.
[ COMPUTER BEEPS ]
Aram: [ Over comms ] Okay, got it. Got a license-plate number for me or any other details?
Ressler: No, the photoās gonna have to do.
Aram: Okay. Give me a little time.
Liz: Thatās, what, six customers in five hours? Weāre gonna be here for weeks.
Ressler: Can I ask you something? You really worried about Reddington?
Liz: I am. He looked ā weak.
Ressler: Heās fine. He can handle himself.
Liz: Out in the world, yeah, but prisonā Itās different.
[ CELLPHONE VIBRATING ] [ Liz checks the incoming number: Lilly (aka Jennifer) ]
Liz: Sorry. Give me a minute.
[ VIBRATING CONTINUES ] [ Liz gets out of the vehicle ]
Liz: Itās not a good time.
Lilly: I got a message from my friend Buck.
Liz: Whatād he say?
Lilly: He said heās done what he can to decrypt Reddingtonās file from the plastic surgeon. I told him to come to your place right away.
Liz: Iām at work. I canāt.
Lilly: Liz, you have to. This could be the big break weāve been hoping for.
Liz: All right. Iāll figure something out.
[ Ressler raps on the window ] [ CELLPHONE BEEPS ] [ Liz gets back in ]
Ressler: Hey, Aram, sheās back. Say that again.
Liz: Did you I.D. the woman?
Aram: No, not the woman. The kid with the red backpack from earlier this morning ā Tom Hardekopf.
Liz: The MIT grad working at a tech firm?
Aram: Yeah, except heās not just an MIT grad working at a tech firm. Turns out, he also has a TS-SCI-level clearance with the U.S. government.
Ressler: Meaning what? Does his firm have some kind of government contract?
Aram: Yeah, with the NSA.
Ressler: All right, send us everything you can on this kid ā cell records, financials. Weāll reach out to the NSA. [ CELLPHONE BEEPS ]
Liz: I-I canāt.
Ressler: Why not?
Liz: That was the warden at Colton. Iāve been hounding him about putting Reddington in a safer wing, and he finally agreed to meet with me, so I got to do this. Itās important.
Ressler: Okay. Iāll look into Hardekopf, see what the hellās going on.
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[ A casino high rollersā table ]
Woman: Gentlemen, this is Mr. Hardekopf. Heās been vetted and has made a buy-in of $200,000. Have a seat.
[ She sets down a large stack of chips ]
Hardekopf: Okay. Letās make some money.
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[ Vontae enters Redās cell, where Red is tugging at string from the blue cotton knit blanket ]
Vontae: Okay, Mr. Reddington, you and me ā we got a situation.
Red: Shh, shh, shh, shh. Iāve been trying to free this ornery thread for nearly an hour.
Vontae: W-Whatever that is, itās gotta wait.
Red: I finally got a good hold on the little rascal.
Vontae: Are you listening?
[ The string breaks off ]
Red: Ah, damn it.
Vontae: Baldomeroās gonna kill you ā said he wants to finish what he started, get even for Iztapalapa.
Red: Heās still stuck on that?
Vontae: Heās telling everyone. Says he and his dogs are gonna jump you during yard time. Day after tomorrow.
Red: Day after? Whatās wrong with tomorrow?
Vontae: Manās got woodshop.
Red: [ LAUGHING ] Oh, come on. Itās like high-school fisticuffs.
Vontae: Are you hearing me? This is serious, man. Itās no time to mess around with bed sheets, all right? We got to get you a weapon, give you a chance.
Red: Maybe you could find me a pen.
Vontae: Yeah, there you go. Thatās good. Make a shiv. Iām gonna find you a pen.
Red: Vontae, one other thing. I wonder if youād be willing to find out whoās playing that music. I hear music, and Iām certain thatās a record. If someone has a phonograph on the block, I would love to borrow, rent, or buy it.
Vontae: [ SIGHS ] Okay.
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[ Cooperās Office ]
Cooper: Sophia Quayle, Agents Ressler and Navabi. Miss Quayle directs Cryptologic Exploitation Services for the NSA.
Ressler: So youāre a code breaker.
Samar: Is that what Hardekopf pawned ā one of our codes?
Sophia Quayle: Hardekopf was working on developing a decryption algorithm, one that we believe may now be operational.
Ressler: An algorithm to decrypt what exactly?
Quayle: In recent years, thereās been an unprecedented number of breaches by Chinese intelligence. Weād hoped that the cypher would allow us to decrypt Chinese diplomatic cables sent to Beijing from their embassy in D.C. Accessing that would help us to identify the source of the leak.
Cooper: And the names of any Americans who may have been turned by the Chinese.
Quayle: As well as what intel the traitors provided. This is a once-in-a-decade breakthrough, and now youāre telling me that itās in the hands of, what, some pawnbroker?
Samar: Our source says that there is honor among these particular thieves. Clients are given 30 days to reclaim the items theyāve brought to the brokers. After that, theyāre put up for sale. For the moment, the codes are safe.
āā
[ The casino ]
Hardekopf: All in.
[ The huge stacks of chips are moved forward ]
āā
Quayle: Weāve spent four years working to break this code. If word of this leaks out, the Chinese will change their encryption, and weāll be back at square one.
Ressler: So, is there any idea why Hardekopf did it?
Quayle: I donāt know or care. We went through his desk. A hard drive is missing. You need to get it back.
āā
[ Hardekopfās poker hand comes up short. He wipes his face with both hands and leaves empty-handed ]
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[ Lizās apartment ]
Buck: Iām sorry. I-I tried everything.
Lilly: But youāre supposed to be this genius.
Buck: The information on the drive wasnāt just deleted. It was erased from the unallocated portions of the diskā
Lilly: Well, then reallocate it, undelete it.
Liz: I think what my sister is trying to say is thank you for trying.
Buck: Iām really very sorry.
Liz: I think you should go.
Buck: [ Leaving ] Does this mean Iām not invited to the BeyoncĆ© concert?
Liz: Go.
[ DOOR OPENS, CLOSES ]
Lilly: All of these patient files, everybody who got reconstructive surgery ā from Dr. Koehler.
Liz: Jen ā
Lilly (aka Jennifer): There has to be a way to connect one of them to Reddington.
Liz: Itās done.
Lilly: Somebody from the O.R., somebody who was there when he went. ā I
Liz: ā He won.
Lilly: [ SIGHING ] How can you accept that?
Liz: I donāt. But Iām not gonna let it or him control my life. Besides, it wasnāt all for nothing. If it werenāt for Reddingtonās secret, we wouldnāt have each other.
Lilly: Itās not enough.
Liz: [ INHALES DEEPLY ] I think it has to be.
Ā
[ Vontae enters Redās cell. Red is peering down the pipe. Vontae has procured a pen ]
Vontae: Hey. I found it. Yo, this wasnāt easy. I had to bribe the librarian said I was homesick and needed to drop my mom a note. You know how that makes me look, right?
Red: Like a good son. Be proud.
Vontae: You want to tell me whatās up with you and this string thing?
Red: Did you bring the meat?
Vontae: [ SIGHS ]
[ Vontae gives Red a wrapped piece of lunch meat ]
Red: Ah, perfect ā right there. [ Indicates where to put the meat down ]
Vontae: You know Iām busting my butt to get you a weapon, and youāre playing with string like a kitty cat.
Red: I found myself with something of a rodent situation.
Vontae: Baldomeroās gonna plant you in the ground, okay, and if he kills you, heāll certainly kill me.
Red: Vontae, might I offer you a bit of unsolicited advice?
Vontae: No.
Red: Fear is a liar.
Vontae: [ SIGHS ]
Red: It activates the enemy. All we can do is what we can do, and right now, what you can do is help me tie more of this string. Careful. It tangles easily.
Vontae: [ SCOFFS ]
Ā
[ Outside a house ]
Hardekopf: I need the drive back.
Delaine: Of course. Itās yours. All we need is the loan plus interest.
Hardekopf: I donāt have it.
Rod: Tell us about your precautions to get here. Did you switch cars as instructed? I had a debt from gambling. I had a way out, but it didnāt work the way I thought, andā
Delaine: You mean you pawned classified intel to try to win back a gambling debt?
Hardekopf: I need the drive.
Delaine: You canāt just have it.
Hardekopf: The intel I gave you can never come out. It would be like committing treason.
Delaine: Well, youāve got 30 days to make sure that doesnāt happen.
Hardekopf: I lost the money! I was one card away, and I lost everything. Just give me the drive, and Iāll find a way to pay. Iāll figure it out.
Rod: Tell me about the cars.
Hardekopf: Why do you keep asking about the damn cars?
Rod: In our experience, clients in your situation tend to draw attention to themselves ā the kind of attention we canāt afford.
Hardekopf: I wasnāt followed, okay? Weāre alone. Which means weāre gonna come to a new understanding.
Delaine: Yes. I believe we are. [ She shoots him ] [ GUNSHOT š„ ]
Rod: Iāll get the fuel.
Ā
[ Ressler and Samar are at the site of a burning vehicle ]
Samar: Itās Hardekopf.
Ressler: We got witnesses? Forensics?
Samar: None, and if there were any forensics, the liquid hydrogen burned them away.
Ressler: Well, we had a team on the Pawnbrokers. They lost them. Now we know why.
Samar: As long as Hardekopf was alive, we had 30 days until our intel hit the open market.
Ressler: Looks like our time just ran out.
Ā
[ Albert Lennard, Ty Ardis and Noah Jacksonās āŖ āMy One And Only Aā plays ]
[ Red sits on the floor of his cell with a small piece of lunch meat on his thigh as the rat that has visited his cell many times sniffs the air ]
āŖ Youāre my one and only
My one and only
Youāre my one and only
My one and only
Girl, I owe it all to you
[ The rat approaches and crawls up Redās leg ]
Red: Thatās it. Come on ā
āŖ Youāre my one and only
My one and only
Youāre my one and only
My one and only
[ At last, Red is able to scoop up the rat. He strokes its nose ]
Red: [ CHUCKLES ] Hello, there, little fella. Weāve got a lot of work to do.
Ā
[ Red enters the prison dining room followed by Vontae. He heads toward Baldomeroās table ]
Red: Aah, thereās a spot.
Vontae: [ HUSHED ] What? Mr. Reddington, no. No.
[ Red sits across from Baldomero. Vontae sits separately ]
Red: Greetings, gentlemen. Please donāt get up. I come in peace. Iāve heard rumblings on the wire that youāre planning some sort of school-yard ambush, and I thought it prudent to see if we can work things out over a meal, break bread, settle our differences. Pimento loaf isnāt really my thing. In fact, when I get out of here, my very first stop will be Augustine in Manhattan for a simple omelet. Yum. What about you?
Baldomero: Iāll be at the Blue Lounge in Armistead, toasting your grave.
[ Baldomero pours his milk on Redās sandwich ]
[ MAN LAUGHS ]
Red: You must be the one with that record collection I envy so dearly.
Vega: Yeah. I also got the blade thatās gonna carve you like a pumpkin.
Red: Jack-oā-lantern.
Vega: Huh?
Red: A pumpkin is a gourd. A jack-oā-lantern is the carved pumpkin. Either way, it doesnāt matter. I knew what you meant. I still envy your record collection. Baldomero, what do you say we call this whole thing off? What happened in Iztapalapa was a terrible mistake. I regret it dearly, and I had no idea she was your mother.
Baldomero: You were in my bed. There was a picture of me on the nightstand.
Red: Okay, in our defense, it was incredibly dark, and weād been drinking heavily. Honestly, [ CHUCKLES ] I regret the entire weekend. Of course, donāt tell your mother that.
Baldomero: Iām gonna gut you like a fish. The guards have been paid off, which means I got 20 minutes with you, and I wonāt need 10 to take out you and the boy.
Red: A Romani fortune teller once gave me an astonishingly accurate peek into my future, and Iām gonna do the same for you. You and I are never gonna see each other again after tomorrow, but when you do walk out of this calaboose, I promise you this within 24 hours of your release, youāll be lying on the floor with a blade in your belly, gurgling my name and begging to die. Okay, then. Good talk. Get some rest, fellas. Itās gonna be a big day.
[ Vontae follows Red out ]
Vontae: Yo, what the hell was that? You trying to get us killed? Please tell me that was a part of some bigger plan.
Red: The plan is a bit of a work in progress.
Ā
[ Cooperās office ]
Cooper: One person is dead, classified intel is missing, and you donāt want us to arrest the Pawnbrokers?
Quayle: You have nothing connecting them to Hardekopfās death. And thereās no way that theyāre gonna keep that drive on site. Until you know where that drive is, arresting them will only guarantee we never get it back.
Ressler: Well, with Hardekopf dead, theyāre free to sell that intel on the open market ā as soon as they have a buyer.
[ Aram enters ]
Aram: They already have one.
Cooper: You have confirmation of that?
Aram: Well, I went to their website and noticed they have a great deal on this ā 4K ultra, super slim, 65-inch with ā wait for it ā a built-in camera to video-chat with friends via Wi-Fi.
Samar: Which we hacked into.
Cooper: You have eyes on the store?
Aram: Well, thereās no audio, but 10 minutes ago, we saw this.
[ Video shows ]
Samar: We cross-checked his image with the Bureauās database on foreign agents. His name is Niu Quaing. Heās a member of the Chinese intelligence service MSS.
Cooper: If the Chinese know whatās on that drive, then they know the NSA hacked their codes. Theyāll change them.
Quayle: And years of work will be for nothing.
Ressler: But the Chinese donāt already know. The Pawnbrokers would never tell them, and if they did, the Chinese would just change the codes and the drive would be worthless, which is the last thing that the Pawnbrokers want. Now, if theyāre good at their job, theyāll tease them, bid the price up. But until the Chinese actually buy that drive, they wonāt know exactly what they have.
Aram: Meaning, we have to buy it first.
Quayle: Iām sorry. Youāre expecting them to sell us back our own intel?
Samar: Not us. Mossad.
Ā
Vontae: You know, I risked my neck getting you a pen, and instead of making a shank, youāre writing a letter.
Red. Vontae, any chance youāve heard of William Floyd Collins?
Vontae: Collins? No. Whatās he in for?
Red: Heās not an inmate. He was a cave explorer in Kentucky around the turn of the last century. He explored Kentucky because of the hundreds of miles of interconnected underground caverns. But in the winter of 1925, while trying to find a new entrance to Crystal Cave, Collins became trapped in a narrow crawlway 55 feet below ground. But itās rumored that, in order to find an escape, Collins lit a candle, held it up, and let the smoke draft point him toward an exit. Here. Hand me the rat.
[ Vontae retrieves the rat, gives it to Red ]
Vontae: [ SIGHS ] You know, thatās a cute story, but this aināt no cave, so whatās it got to do with me and you getting killed in the yard?
[ Red ties the note on the rat ]
Red: If this little fella found his way in, I bet he can find his way back out, like a draft of smoke or a carrier pigeon.
Vontae: Some note on a rat? A-are you insane? Aināt no message-in-a-bottle nonsense gonna work.
Red: Well, either way, weāll likely be dead by Friday.
[ Red sends the rat down the pipe ]
Vontae: So long. Bring us some luck, William Floyd Collins.
Red: [ CHUCKLES ] Collins actually died in the cave ā thirst and hunger compounded by exposure, hypothermia ā after 14 days in a cave?
Vontae: [ SIGHS ]
Ā
[ MONITOR BEEPS ]
Aram: All right, Agent Navabiās transmitter is up. Sheās approaching now.
[ Samar enters the pawn shop. Ressler and Liz surveill from a vehicle outside ]
Ressler: All right. We have eyes. Sheās on site.
Cooper: Agents Ressler and Keen, hold your positions. You only move in if we have a situation.
Quayle: I donāt like sending a Mossad agent to acquire classified NSA data.
Aram: What are you worried about?
Quayle: Divided loyalties.
Cooper: My instructions were clear. Agent Navabi knows to purchase that drive and to bring it to me directly.
Quayle: And the Mossad?
Cooper: Itās a closed loop. Only people who know about this operation are you and the members of this Task Force. No one else, including the Mossad.
Ā
[ Inside the pawn shop ]
Samar: Delaine Uhlman?
Delaine: Yeah, youāve got something you want to pawn?
Samar: No, youāve got something Iād like to buy ā a hard drive containing classified data for the NSA.
Delaine: Iām afraid I donāt know what youāre talking about.
Samar: Well, thatās funny, because a few hours ago, you agreed to sell it to a member of the Chinese MSS. Iām here to outbid him.
Delaine: Maāam, Iām sorry. There must be some mistake. This is a pawn shopā
Samar: That in the last two years has pawned everything from anthrax to poppy fields in Afghanistan.
Delaine: I didnāt catch your name.
Samar: Samar Navabi. I work with Mossad. Iām here to pay you a lot of money, if youāre smart enough to take it.
Ā
Liz: I donāt like letting her go in there without a wire.
Cooper: We canāt risk her being searched.
Aram: [ To Quayle ] She doesnāt have any.
Quayle: Whatās that?
Aram: Divided loyalties.
Quayle: Weāll see.
Aram: We donāt have to see. We already know.
Ā
[ In a back room of the pawn shop, Delaine Uhlman opens the cover of āTreasure Island.ā Inside is an electronics screen ]
Delaine: Index and middle finger.
[ Samar places her fingers on the small screen in the book ]
[ SCANNER BEEPS ] [ BEEPS ]
[ On Delaineās large computer screen, Samarās Mossad photo and ID comes up ]
Delaine: Chinese fellow offered 2 million.
Samar: Well, if youāll take 2 million, youāll surely take 4.
Ā
[ Outside the prison walls, a pest exterminer is working ] [ LIQUID SPRAYING ]
[ The exterminator notices a string connected to a rat in a live trap ]
Exterminator: Hey, buddy.Whatās going on?
[ He notices the note tied to the rat ]
Exterminator: Whatās this?
[ The exterminator removes the note and unfolds it. On the note is written: āCALL 206 555-0119 AND YOU WILL RECIEVE $10,000ā ]
Ā
[ Delaine walks with Samar down a corridor. Delaine talks on her cell ]
Delaine: Yeah, I know we had a sale, but, sheās with me now. Rod, damn it, donāt back-talk. Just get the pledge, meet me at the place. Iāll explain later.
[ She hangs up ]
Samar: Where are we going?
Delaine: In our business, we have learned to take precautions. We want to make sure that weāre not being watched.
Ā
Liz: Aram, weāve got no movement. Are you seeing anything in the store?
Aram: It looks likeā It looks like they moved to a back room.
Quayle: I donāt like this.
Ā
[ Liz and Delaine get into a car ]
Samar: Well, for what itās worth, you have quite the reputation.
Delaine: [ CHUCKLES ] Like they say, love what you do.
Samar: The Mossad knows what you do, just not why you started doing it.
[ ENGINE STARTS ] [ CAR DOOR SHUTS ]
Ā
[ Delaine driving ]
Delaine: Rod and I bought the store in ā76. We didnāt have any business sense at all. I remember if somebody came in to pawn a bicycle, Rod would check the registration number. [ CHUCKLES ] But then the ā80s came, the downturn. We almost lost the business, thatās for sure. We didnāt really have any choice. We had to take more collateral risk.
Ā
Aram: Okay, guys, I think we have a problem. Agent Navabiās transponder just started moving.
Cooper: Ressler, Keen.
Liz: [ On phone ] She hasnāt left.
Quayle: Did you lose her?
Aram: Okay, guys, there must be a secondary exit because I have her moving north on Martin Luther King Boulevard.
Liz: They gave us the slip.
Ressler: Weāre on the move.
[ ENGINE STARTS ]
āā
[ Quayle steps aside to make a call ]
Quayle: Hey, itās me. Put me through. We have a problem here.
āā
[ Cooper also makes a call ]
Cooper: Yes, Harold Cooper. We have a developing situation in Baltimore, and I need you to scramble unmarked units. Aram, location?
Aram: Okay, she just turned east on Bentonhurst. Approaching Colfax now.
Cooper: Ressler, Keen, weāre dispatching unmarks to you now. Aramās gonna vector you toward that vehicle.
Ā
[ A large stack of $50 bills are in a duffel bag in the exterminatorās van ]
Dembe: Feel free to count it.
Exterminator: No, no. Iām- Iām good. I-I donāt understand. Why are you giving me a bag of money? I-Is this legal?
Dembe: You found the note, you called the number, and I came. You did nothing wrong. There are many cameras here. Maybe you should finish your work.
Exterminator: Yeah. Okay. Sure. Thanks. Thanks.
āā
[ RAT SQUEAKING ] [ Dembe goes to the live trap with Redās rat in it. He was brought a spool of tough string. He kneels and writes a note ]
Ā
Delaine: One day, youāre pawning a Toshiba console, the next itās a stolen painting. [ CHUCKLING ] Shoot. Pretty soon, itās a block of C4. I guess we got a reputation for doing things a little differently.
Ā
Aram: Okay, the vectorās currently showing a location at Park Street. All right, Agent Ressler, do you have eyes on that vehicle?
Ressler: Yeah, we tailed them to a parking structure at the corner of Park and 16th.
Aram: All right, good DMV record shows a ā92 Buick Estate Wagon registered to their business.
Cooper: Agent Keen, Iāve got a skeleton SWAT unit on their way to you now.
Ressler: Keen, are you seeing this?
Liz: On my way. West stairwell.
Ā
[ The two Uhlmans and Samar meet in the parking structure. They donāt know several FBI teams are waiting in the shadows for the transaction to take place. Rod produces the briefcase with the decryption software but holds it back ]
Delaine: Funds first. Thatās how it works.
Samar: If Iām going to pay, I have to see it.
Delaine: I said funds first.
[ She produces a phone preprogrammed for a Wire Transfer ]
Delaine: Account number there. Wire transfer there.
āā
Aram: Agent Keen, building security is sending me their feeds now, and it looks like you are in a civilian area. Also, there is a van moving your way from two stories above.
Ressler: All units stand down till I can confirm that Agent Navabi has that drive in hand.
āā
[ BRIEFCASE UNLATCHES ] [ LAPTOP BEEPS ] [ The computer screen shows the files ]
Delaine: Pleasure doing business with you.
[ Rod gives the case to Samar ]
Cooper: Sheās got the case.
Ressler: Breach. Go. Now. Breach. FBI! Hands in the air!
Liz: Hands! Hands!
[ Delaine and Rod put their hand up ]
[ SIRENS WAILING, TIRES SQUEALING ]
[ The black van approaches ]
Aram: Agent Keen. Agent Keen! Watch out!
[ The van opens with automatic fire š„š„š„ š„š„š„ ] [ Delaine is hit. Others take cover ]
[ TIRES SCREECH ]
Rod: Delaine!
[ š„š„š„ Gunfight ā¼ļøš„š„š„ ]
Liz: Weāre under fire! Weāre under fire!
Quayle: What the hellās going on?
[ š„š„š„ GUNFIRE CONTINUES š„š„š„] [ INDISTINCT SHOUTING ]
[ A man jumps out of the black van and grabs the case ]
Man: Got it now.
[ TIRES SCREECH, ENGINE REVS ] [ TIRES SCREECH ]
[ Ressler shoots the man with case ] [ GUNSHOTS š„š„ ] [ The case is thrown free ]
[ TIRES SCREECH ] [ š„š„š„ ]
[ Another man jumps out of the van and grabs the case. He gets back in ]
[ Ressler and Liz shoot at the van š„š„š„ š„š„š„ but it escapes ]
Ressler: All units, we got an 11-54. Repeat. Black van. 11-54.
[ Rod goes to Delaine ]
Rod: Delaine!
Samar: Iāll call 911.
Rod: Help! Please! God, help!
[ SOUNDS DISTORTS ] [ Samar dials. On Samarās phone LINE RINGING ]
Automated voice: If youād like to make a call, pleaseā
Liz: All units, 10-71! Officers down!
[ Samar dials again ]
Samarās phone: If youād like to make a call ā
Liz: I repeat, officers down!
Samarās phone: ā please hang up and try again.
[ Samar looks at her phone. It says āRECENTS 119 (2)ā ~ Samar has dialed the wrong number, twice ]
[ LIZ SHOUTING INDISTINCTLY ]
Samarās phone: If you need help, hang up and then dial your operator.
Rod: Help is on the way. Itās going to be okay.
[ SIRENS WAILING IN DISTANCE ]
Ā
[ Redās cell ]
[ Red pulls in the string that was attached to his trained rat. At the end is a mini liquor bottle with a rolled up note inside. He removes and unrolls the note. On it is written: āWhat can I do? Dā ]
Red: Ah.
Ā
[ In the parking ramp, the dead and wounded are being evacuated ]
Liz: They mustāve found out the hard drive was sold to the Israelis. Maybe Uhlman told the Chinese a new buyer was in the picture.
Samar: According to him, the Chinese donāt know what was on the drive.
Liz: Well, they knew enough to know it was valuable.
Ressler: Thank you. Aram just I.D.ād the guy that I shot. Suspected MSS agent here on non-official cover. Liz: We need to put eyes on the airport.
Samar: They donāt need to get to the airport.
Ressler: All they have to do is get to the embassy.
Ā
[ Inside the black van, a man has the briefcase on his lap ]
Man: [ In Chinese ] Arriving now. Alert Beijing.
[ The black van approaches the gate of the Chinese Embassy ]
[ BRAKES SQUEAK ]
[ The gatekeeper emerges with a clipboard ] [ BUZZES ] [ The gate begins to open ]
[ VEHICLE APPROACHING ] [ ENGINE REVS ] [ A black SUV ā”ļøcrashesā”ļøinto the black van ]
[ Ressler, Liz and Samar jump out of the SUV ]
[ The gatekeeper runs to a phone ] [ DIALING ]
[ GROANING ]
Ressler: Hands! Show me your hands!
Samar: Donāt move.
[ Samar retrieves the briefcase ]
Ā
[ Cooperās office ]
Cooper: Excellent news. Our agents were able to intercept the Chinese. We recovered the drive.
Quayle: I have to admit, your Task Force, whoever they are, theyāre good.
Cooper: Iād trust any one of them with my life. It does still bother me, though ā the meeting.
Quayle: The meeting?
Cooper: The one sabotaged by the MSS. How did the Chinese know? Wasnāt the Pawnbrokers. Theyād already sold out to the Mossad, and it wasnāt Agent Navabi. Her loyalties are clear.
Quayle: Director Cooper, you assured me this op was a closed loop.
Cooper: I also assured you that I would deliver this drive to you without accessing its contents. Turns out, I was unable to accommodate your request.
Quayle: If your team accessed data from this driveā
[ Quayle reaches for the drive. Cooper stops her ]
Cooper: We did. That Hardekopf kid He was pretty smart. His decryption algorithm worked. Our analysts are busy sifting through Chinese cables sent between Beijing and their U. S. embassy. But it turns out the breach is extensive, as is their network of informants. Your name is all over the cables. You argued against us executing a warrant to arrest the Pawnbrokers because you wanted to give the Chinese time to get that disk before we could. You told them about our op. You were never assisting the FBI. Youāre working for the Chinese.
Quayle: You have no authority to access this drive. Any information you have is a breach. Itāll never hold up in court.
[ Marshals appear ]
Cooper: The less you say, the better.
[ The marshals escort Quayle away ]
Quayle: [ SIGHS ]
Ā
[ Rod Uhlman sits at a table in an interrogation room. Ressler and Samar observe from the other side of the one-way glass ]
Samar: Is he going to talk?
Ressler: Not yet, but he will. Told the Baltimore PD officer on the car ride over that heās got a warehouse filled with elicit items over on Monument Street, everything from, uh, narcotics to stolen art to military-grade weapons to counterfeit currency.
Samar: So ā what are you waiting for?
Ressler: Just trying to figure out how to tell him his wife just died. [ SIGHS ]
[ DOOR OPENS, CLOSES ]
[ Samar watches from outside as Ressler breaks the bad news to Rod Uhlman. Rod covers his face and sobs. Samar looks on, wide-eyed ]
Ā
[ A double line of inmates heads toward the prison yard. Vontae catches up to Red ]
Vontae: Yo, Mr. Reddington, hey, look, Iāve been thinking about this this thing, this dispute, and how it all started over my lunch meat.
Red: [ CHUCKLES ] Thatās a lovely sentiment, Vontae, but Iām afraid this conflict predates out acquaintance.
Vontae: Just let me finish what Iām trying to say. You had my back. You had it like nobody ever has ā not my father, not my friends, certainly none of these fools in here. Nobodyās ever given two dumps about me, but you did ā over some stupid pimento loaf. So I want you to know I got you out there, okay? No matter what happens, just remember, Vontae Jones got your back.
Red: Thank you, Vontae. Just donāt get in the way of anything sharp.
Baldomero: Over here, anciano.
Red: [ To Vega ] Whereās my record player?
Vega: You are one dumb son of a bitch.
Red: Any last words, Baldomero? Iām sure weād all like to hear them.
Baldomera: Go ahead. You first.
Red: My accomplishments are an open book, but you ā I donāt know. Coming clean might be good for your soul.
Baldomera: Whatās that mean?
Red: Well, surely, your prison-yard playmates would love to hear the truth that youāre awaiting trial for and bragging about a crime you didnāt commit? Well, itās true, isnāt it? Donāt get me wrong. You deserve to be incarcerated for any number of ungodly crimes, but you didnāt heist that armored truck.
[ Baldomero stands. The other inmates move closer to hear Red ]
Vega: How do you know he didnāt do it?
Red: I know because Ziggy Chapman and his kid brother Tip stole the rig to pay off a debt they owed me. I refused the cash, of course, as it was unlaundered and the boys were way too hot, what with the dead guards. The brothers had to pawn the damn truck along with its contents.
Baldomera: You talk too much.
Red: Listen, at least youāre in here telling lies with your buddies instead of on the street, looking over your shoulder for Anunzio Ross. Why you did him dirty, I have no idea. Anunzio has a long memory and a passion for vengeance, which is, presumably, why youāre not trying particularly hard to get out of here. Am I wrong?
[ Baldomera YELLS and lunges at Red. But Vontae trips him and none of the other inmates come to Baldomeraās aid ]
Red: That acrid scent lingering in the air is bull feces, the stench of a man whoās in prison for a crime he didnāt commit but takes credit for because heās afraid of Anunzio Ross.
[ Baldomeraās knife is lying free. Red picks it up and throws it over the fence ]
[ Baldomera SCREAMS once more and is about to jump Red ]
[ GUNSHOT š„ ]
[ The prisoners fall to their knees, hands behind their heads ]
Warden: Thatās it! Weāre done! Break it up! Your lucky day, Baldomero.
Baldomera: Yeah? Whyās that?
Warden: Your lawyerās here. Something about you getting out.
Red: [ CHUCKLES ] Well, what do you know?
[ Baldomero glares at Red. Red nods at him ]
Ā
[ Liz and Red talk in the visitors room ]
Liz: Well, I hope it was worth it.
Red: What? I gave you the Pawnbrokers. I thought youād be happy.
Liz: You gave us the Pawnbrokers knowing we would raid their warehouse and find evidence that proves Alfonse Baldomero was innocent of the crime he was being held for.
Red: Is that why he was released?
Liz: You know it is.
Red: I know I did what I had to do to stay alive long enough to win my freedom back.
Liz: You really think youāre gonna get out of here?
Red: I assume that was a rhetorical question.
Liz: Iām glad youāre safe, but now a dangerous criminal is walking the streets.
Red: That may be. But life is often surprising. And death is even more so.
Ā
[ A seedy drinking establishment]
[ Robbie Nevilās āŖ āAll Eyes On Youā plays ]
ā Baldomero, congrats.
ā Glad youāre back, bro.
[ DANCE MUSIC BLARES IN DISTANCE ]
[ Baldomero stumbles into the menās room to take a leak. Another man follows him in ]
Man: Baldomero, hey, good to see you out.
Baldomero: I donāt know you.
Man: Nah. But I know you.
[ The man flicks open a switch blade šŖ and stabs Baldomero multiple times ] [ GRUNTING ]
[ Baldomero sinks to the floor ]
Man: Anunzio Ross says hello.
āā
[ RINGS, CLICKS ]
Man: [ On phone ] Hey, itās me. Please tell Mr. Reddington thank you. Mr. Ross is square with Baldomero.
Dembe: Iāll pass that along. [ BEEPS ]
Ā
[ Red enters the dining room. Heads turn. Vontae walks proudly a few steps behind Red ]
Older inmate: Heard old-man Ross finally got square with Baldomero. Aināt life a bitch?
[ INDISTINCT TALKING ]
āŖ What do you got to do?
Watch the man, watch the manāŖ Smokeyās got his eye on you
Change the plan, got to change the planāŖ How you gonna walk the streets?
Head up high, head up high
Ā
[ Lights are dim at the Post Office. Samar sits at her desk. She is reading something on her computer, an entry on āAphasia.ā Portions blur away but several come into focus: ]
āAphasia is the inability to comprehend language due to damage to specific brain regions. This damage is typically caused by a cerebral vascular accident (āstrokeā) or head trauma ⦠To be diagnosed with aphasia, a personās language or speech must be significantly impaired ā¦
āThe difficulties of people with aphasia can range from occasional trouble with finding words to losing the ability to speak ⦠or write; intelligence, however, is unaffected.ā
Samar moves to: āSigns and Symptomsā:
āPeople with aphasia may experience the following signs and symptoms ā¦
ā Inability to comprehend language
ā Inability to pronounce, not due to muscle paralysis or weakness
ā Inability to speak spontaneously
ā Inability to form words ā¦
Under āProgressive aphasias,ā Samar sees:
Primary progressive aphasia (PPA) is a neurodegenerative focal demenā ⦠dementia/Pick Complex Motor neuron ⦠Gradual loss of language function occurs in the context ⦠Symptoms usually begin with word finding problems ā¦
Ā
[ Vega comes to Redās cell. He holds his phonograph with records on top ]
Vega: Mr. Reddington.
Red: Ah, Vega. Look at you, bearing gifts. Come in, come in. Ah.
Ā
[ Lizās apartment ]
Liz: [ CHUCKLES ] That man is capable of anything. Heās gonna get the immunity agreement upheld. Itās only a matter of days before heās out.
Lilly: Then this should help.
Liz: What is it?
Lilly: A big break. Buck felt so bad he couldnāt recover Reddingtonās file that he went back and tried again. Itās not the data, but it turns out the file names were coded using patient-intake dates. October 3, 1991.
Liz: The date Reddington was admitted?
Lilly: Mm-hmm.
Liz: So you think if we find a surgery on or around this date, that patient might know something?
[ Lilly shows Liz a folder on a man ]
Lilly: Klepper, Gerald Todd. Visited Dr. Koehler in December of ā91. Thatās two months after Reddington wouldāve been there.
Liz: Maybe thatās close enough. They mightāve crossed paths.
Lilly: You know him?
Liz: I donāt. But weāre gonna find him.
Ā
[ The phonograph plays ]
āŖ Baby, youā
Vontae: Mr. Reddington.
Red: Vontae, you look excited.
Vontae: Ah, well, Baldomeroās cell is free and nice. Itās got a window even. Smells nice, too.
Red: I heard. I spoke with Officer Frye. I think youāre gonna be a lot happier in there.
Vontae: Wait. What about you?
Red: Iāve grown rather fond of my dark, little corner.
Are you a fan of champagne, Vontae?
[ Red pulls three mini bottles of champagne through the pipe ]
Vontae: I donāt really know.
[ Red pops the top off one and gives it to Vontae ]
Red: [ CHUCKLES ] Well, letās give it a shot.
[ Vontae drinks and smiles ]
Red: To the small things in life.
Red: [ CHUCKLES ]
[ Another CORK POPS ]
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⬠go to start of 6:4 The Pawnbrokers
ā« go to top
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Episode Songs
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ā« Bottom of the River
By Delta RaeāŖ Hold my hand
Ooh, baby, itās a long way down to the bottom of the river
Hold my hand
Ooh, baby, itās a long way down, a long way downāŖ If you get sleep or if you get none
(The cockās gonna call in the morning, baby)
Check the cupboard for your daddyās gun
(Red sun rises like an early warning)
The Lordās gonna come for your first born son
(His hairās on fire and his heart is burning)
So go to the river where the water runs
(Wash him deep where the tides are turning)āŖ And if you fallā¦
And if you fallā¦āŖ Hold my hand
Ooh, baby, itās a long way down to the bottom of the river
Hold my hand
Ooh, baby, itās a long way down, a long way downāŖ The wolves will chase you by the pale moonlight
(Drunk and driven by a devilās hunger)
Drive your son like a railroad spike
(Into the water, let it pull him under)
Donāt you lift him, let him drown alive
(The good Lord speaks like a rolling thunder)
Let that fever make the water rise
(And let the river run dry)āŖ And I said
āŖ Hold my hand
Ooh, baby, itās a long way down to the bottom of the river
Hold my hand
Ooh, baby, itās a long way down, a long way down
Hold my hand
Ooh, baby, itās a long way, a long long long way
Hold my hand
Ooh, baby, itās a long way down, a long way downāŖ Hold my hand
Hold my hand
Hold my hand, long way down, to the bottom of the
Hold my hand, itās a long way down, a long way down
Hold my hand, ooh baby, itās a long way down
Hold my hand, ooh baby, itās a long way down
Hold my hand, ooh baby, itās a long
Hold my hand, ooh baby, itās a long way down, a long way downLyrics and Credits: http://bit.ly/2sBbuPq
YouTube: https://youtu.be/bimam2j2gEg
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ā« My One And Only A
By Albert Lennard, Ty Ardis and Noah JacksonāŖ (unavailable as of 1/18/2019)
Lyrics and Credits: (unavailable as of 1/18/2019)
YouTube: https://youtu.be/l4X6FhOhl6Q
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ā« All Eyes On You
By Robbie Nevil[Verse 1]
āŖ Looking for attention
Someone turn up the lights
But come the main attraction
You can do whatever you like[Chorus]
āŖ You know you got
All eyes on, all eyes on you
You know you want
All eyes on, all eyes on you[Verse 2]
āŖ Smiling for the cameras
Now they know who you are
Set the world on fire
Everybody knows youāre a star[Chorus]
āŖ You know you got
All eyes on, all eyes on you
You know you want
All eyes on, all eyes on you[Post-Chorus]
āŖ You got the world
I think you know itās you
And youāre the best at everything you do
You know you got
All eyes on, all eyes on you[Bridge]
āŖ Iāll say, let it show
Got the smile but never let it go
You make everyone
Stop and stare, a love affair, you wonder one[Verse 3]
āŖ Center of attention
Someone do it right
When youāre the main attraction
You get to show whatever you like[Chorus]
āŖ You know you got
All eyes on, all eyes on you
You know you want
All eyes on, all eyes on you[Post-Chorus]
āŖ You got the world
I think you know itās you
And youāre the best at everything you do
You know you got
All eyes on, all eyes on youLyrics and Credits: http://bit.ly/2MiNKZe
YouTube: https://youtu.be/X9Db4rNETQk
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ā¬ļø go to start of 6:4 The Pawnbrokers
ā« go to top
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āāā End 6:4 Pawnbrokers
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š“ Script 6:5 Alter Ego (ā 131)
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Program air date: 2/1/2019 in the US
Script Permalink: https://wp.me/pDKwi-93f
Entertainment Weekly Recap: http://bit.ly/2BedrWG
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Director: John Terlesky
Written by: Sean Hennen, Lukas Reiter
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ā Script 6:5 Alter Ego (ā 131)
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Brief (Where weāre at): Red has ruled the block at Colton Prison, but Liz and her half-sister Lilly (Jennifer) have taken the time of his incarceration to have a geek friend mine the contents of the file of Dr Koehlerās plastic surgery patients. They want to find out who Red was before he took on the identity of their dead father, the real Raymond Reddington. The information on Red, however, has been thoroughly erased (by Red) ā except for the file names which were coded using patient-intake dates. For Red, this was October 3, 1991. They have found the file of someone who had a procedure done a couple of months later, Gerald Todd Klepper, who visited Dr. Koehler in December of 1991. They plan to track down this person to see if he crossed paths with Red.
Also outstanding is the question Red is bent on answering. He thinks someone may have tipped off the police. He was arrested for possessing an unregistered and defaced firearm (the serial number had been scratched off). This is a federal crime. If he is found guilty of this, his entire Immunity Agreement will be invalidated and he will face the death penalty. However, he maintains the arrest was an āunreasonable search and seizure,ā protected under the Fourth Amendment. At face value, he was simply buying pretzels at a pretzel stand. But ā did someone call in a tip? If so, Red is determined to find out who. The problem is ā it was his beloved Liz.
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[ Billionnaire Harris Van Ness meets with Dembe ]
Van Ness: Dembe, I trust Raymond. I do. He and I go back decades. But what the hell is going on? I wake up this morning, make an espresso, open the paperā
[ Van Ness slaps down a newspaper. There is a large photo of Red being led in handcuffs, with the headline: Fugitive Criminal Sees Day In Cā ]
Dembe: Itās under control.
Van Ness: We have hundreds of millions of dollars invested in Reddington.
Dembe: Which have always returned a handsome profit.
Van Ness: Your boss is looking at the death penalty. What happens if he cuts a deal?
Dembe: Do you believe that Raymond would cut a deal with the FBI?
Van Ness: My partners do. Carlo Androssani thinks we should cut ties with Reddington, insulate ourselves from any of the, uh, fallout.
Dembe: Is that a threat?
Van Ness: He called for a vote.
Dembe: Can Raymond count on your support?
Van Ness: Iām the least of his problems.
Dembe: Does he have your vote?
Van Ness: Yes. But you prepare for war. Carlo and the others are out for blood.
Ā
[ Harris Van Ness arrives home from work and greets his pet dog ]
[ Vera Lynnās āŖ āWeāll Meet Againā plays on a phonograph ]
āŖ Weāll meet again
Donāt know where
Van Ness: [ To dog ] Hey! Hello, honey! Good to see I missed you all day. Letās go see Mom.
āŖ I know weāll meet again some sunny day
[ Van Ness goes to the kitchen ]
Van Ness: [ SIGHS ] [ Loudly, to his wife who must be elsewhere ] Oh, boy, that smells good, whatever that is! Are the Clarks here yet?!
[ DOG BARKING ]
Van Ness: Daisy, be quiet! [ Loudly ] Hey, I found that Slovenian wine you wanted ā this Rebula
[ CHUCKLES ] I-I had to go all the way up to, uh, the Crestview, uh, winery to findā
āŖ Drive the dark clouds far away
[ Van Ness enters the dining room. Three people are seated at the table, but they are motionless, their heads thrown back, their mouths gaping. He rushes to his wife ]
Van Ness: Cyn? Cyn? Oh, my God. Cyn, can you hear me? Cynthiā Please, honey! Open your eyes! Opā
[ FLOORBOARD CREAKS ] [ Van Ness sees a man ā wearing an ape mask and holding a gun ]
āŖ I wonāt be long
Theyāll be happy to know
That as you saw me go
I was singing this song
[ Threatening with his gun, the man opens a thermos of steaming liquid, pours it in a cap and beckons Van Ness to drink it ]
āŖ Weāll meet again
Donāt know where
Donāt know when
But I know weāll meet again
Some sunny day
[ Two other people wearing identical ape masks appear ]
āŖ Weāll meet again
Donāt know where
Donāt know when
But I know weāll meet again
Some sunny day
[ Van Ness throws the cup of steaming liquid at the man in the mask with the gun and runs into the kitchen ]
Man: Aah!
āŖ Keep smiling through
Just like you always do
Till the blue skies
Drive the dark clouds far away
[ The three disguised people wrestle him to the floor and force the liquid down. One of them has long black hair ]
[ GRUNTS, GURGLES, COUGHING ]
āŖ So, will you please say hello
To the folks that I know
Tell them I wonāt be long
[ Once Van Ness is unconscious, the three position him in a dining chair like the others ]
āŖ Theyāll be happy to know
That as you saw me go
I was singing this song
[ In the kitchen, one of the three turns on the gas burners without lighting the flame ]
[ BURNERS CLICKING ]
āŖ Weāll meet again
Donāt know where
Donāt know when
[ The three leave the house, running. The little dog barks at them through the window. ] [ DOG BARKING ] [ BEEPING ]
āŖ But I know weāll meet again
Some sunny d-a-a-ay
[ There is an š„š„š„ Explosion š„š„š„ and flames engulf most of the house ]
Ā
[ Federal Courtroom, Southern District of New York ]
Judge Roberta Wilkins: This case is calendared for a 12(B) hearing. The defendant is challenging the constitutionality of a search that led to the discovery of an unregistered, defaced firearm seized from his possession. Is that correct, Mr. Reddington?
Red: Yes, Your Honor, on the grounds that the search was unreasonable and therefore a violation of the Fourth Amendment.
Judge Wilkins: So you are familiar with Fourth Amendment jurisprudence?
Red: One of my favorite Amendments. Top three. Maybe five.
Judge Wilkins: Feel free to make light, Mr. Reddington, but this is serious business. If you lose and I allow that gun to be admitted into evidence against you, the Government will consider that a violation of your immunity agreement. And without immunity, you will be facing multiple capital offenses.
Red: Your Honor, please. Iām on pins and needles as it is, and youāre not helping the matter.
Judge Wilkins: I want you to hire an attorney.
Red: And I appreciate your concern.
Judge Wilkins: Itās my obligation to let you know what youāre up against. A motion to suppress involves a complex legal analysis, one that should be done by someone with a legal education.
Red: Which I have.
Judge Wilkins: Youāll need to explain that.
Red: Weāre both legal professionals. Your business is to apply the law. Mine is to break it. You studied your profession. Why would you assume I havenāt studied mine?
Judge Wilkins: So youāre familiar with the legal standard Iāll be using to evaluate Officer Baldwinās search?
Red: If youāre referring to the reasonable-suspicion standard as articulated by Justice Warren in Terry v. Ohio, I am.
Judge Wilkins: Fair enough, Mr. Reddington. Though it may literally be your funeral, letās proceed.
Red: A-Apologies, Your Honor. If I could request a brief recess.
Asst US Atty Michael Sima: Oh, here we go.
Red: Iām sorry. Did you say something?
Sima: Let me guess. Your suit isnāt quite pressed to your liking. Or did you prefer sparkling water instead of still?
Red: Michael, really. The process is brutal enough. Iām doing my very best despite my feelings about you. You could at least make the effort to be civil.
Judge Wilkins: Denied. I see no reason to break this early, unless itās some kind of emergency.
Red: That it is. I need to meet with the FBI about a time-sensitive case. My immunity agreement may be in jeopardy, but while it remains intact, I intend to live up to its obligations.
Ā
[ The holding cell where Red stays during the court proceedings ]
Liz: You canāt just pause the legal proceedings to give me a case.
Red: I have a situation.
Liz: The judge is furious!
Red: Ever since word of my capture hit the press, certain associates are looking to kick me to the curb.
Liz: I know youāve got a lot of enemies out there, but right now your biggest enemy is in that courtroom.
Red: Harris Van Ness.
Liz: What if you lose this hearing and they throw out your immunity agreemā
Red: Do you know who Iām talking about?
Liz: Harris Van Ness? The billionaire big in cargo freighters, died in a fire last week.
Red: Van Ness was murdered because of his business affiliations with me.
Liz: Youāre being paranoid. It was an accident.
Red: [ CHUCKLES ] There are no accidents around me. Not unless theyāre on purpose.
Ā
[ The Post Office ]
Liz: Reddington claims the explosion was a targeted hit aimed at Van Ness because heās supporting Reddington in ongoing business dealings.
Cooper: What business?
Liz: Van Ness is one of a group of associates, some of whom want to sever ties with Reddington because of his arrest.
Ressler: A one-percenter gets knocked off for being in league with Reddington, and now he wants us to find his killer?
Samar: And Reddington has no idea who did it?
Liz: Heās got a lot of enemies who want a piece of his empire.
Ressler: Lucky for him, heās got the FBI to protect it.
Cooper: As for protecting Reddington, heās our C.I. Should he ever get out of prison, weāre gonna want him to be as powerful as possible.
Liz: Letās start with the family. My guess is a man of his wealth is gonna have a lot of people coming out of the woodwork.
Ā
[ A man (Roger Price) leads Ressler and Liz down a corridor to the room where Van Nessās will is to be read ]
Ressler: How many people were given notice?
Roger Price: 32. Mr. Van Ness had many bequests.
Liz: We understand that the reading of the will can be emotional. Weāll do what we can to respect that.
Ressler: Iām sorry. Whatās your name? We might have some questions after we talk to the family.
Roger Price: I donāt know why youād have any questions. Paper said it was an accident.
[ Roger Price opens the door ] [ INDISTINCT CONVERSATIONS ]
Roger Price: These are good people. You want to respect them? Let them mourn in peace.
Ashton Hirsh (officiating): [ Reading ] ā$10 million each to Human Rights Watch, the NAACP, and Brown University. The remainder of my estate I leave to my son, Timothy Peterson.ā
[ ATTENDEES MURMURING ]
Ressler: [ Low voice ] I didnāt think Van Ness had kids.
Liz: Uh, apparently neither did anyone else.
Ashton Hirsh: Harris wanted this letter read along with his will. āTimothy, forgive me. I loved your mother, but I didnāt have the courage to stay with her. I know this is an awkward way to introduce you to your extended family, but itās the only way I know how to make amends. Take the fruits of my labor and do great things. Love, your father.ā
[ ATTENDEES MURMURING ]
[ Ashton Hirsh walks down the center aisle and hands the letter to Timothy Peterson ]
Ā
[ Redās holding cell ] [ CELL DOOR CLICKS ] [ Dembe is let in to talks to Red through the bars ]
Red: Ah! [ LAUGHS ] What a pleasant sight.
Dembe: My friend.
Red: Thank goodness for the prison chaplain.
Dembe: He said you designated me to provide spiritual advice.
Red: Oh, it had the dual benefit of getting you in here and also being true. Van Ness is dead. Without him, I donāt have the votes to prevent Androssani from cutting me off. I need you to reassure Androssani. Reason with him. And if that doesnāt work, kill him. That should scare up a vote or two.
Dembe: Then what?
Red: Weāll see.
Dembe: And then what?
Red: You do know I didnāt really ask you here to give me spiritual advice, right?
Dembe: Iām going to give you some anyway. Be honest.
Red: I need that vote.
Dembe: Tell Elizabeth the truth.
Red: Everything rests on this.
Dembe: Money rests on this. Power. Not peace of mind.
Red: Something has to be done.
Dembe: It is. You are fighting for your freedom. Every day I pray that you get it. For now, you must leave the rest to fate.
Red: I make my own fate.
Dembe: Not from here.
Red: [ BREATHES DEEPLY ] Iām asking you to do this.
Dembe: And I am trying to save your soul.
Ā
[ At work, Samar is watching a video of a therapist on her computer. On another screen is a Scrabble game ]
Therapist: Uh, thereās signs. The inability to recall prepositions is a common symptom of aphasia. Recommended therapies include word games, rote repetition, uh, either on your own or in a individualized, ā one-on-one, or group-therapy format.
Samar: [ Softly ] Under. Above. Following.
Therapist: The important thing is to start early.
Samar: To. Unto. Despite. Without.
[ Aram comes up behind her ]
Aram: āQuetzals.ā That is the national bird of Guatemala and, weirdly, one of its monetary units.
Samar: Good to know.
[ Samar closes the game ]
Aram: No, wait, wait, wait, wait. No, no. If you put the Q and the S on the triple word score, itās worth over 300 points.
Samar: Did you find out about Timothy Peterson?
Aram: Right. Work.
[ Aram walks away ]
Ā
[ Aram briefs the task force ]
Aram: As of the reading of his fatherās will, Tim Peterson is the 511th-richest man in America and, Iām fairly confident, the only billionaire working in a bowling alley and living in a trailer park. Ressler: Looks like that apple fell a few, uh, light-years from the tree.
Aram: Oh, thatās putting it mildly. His credit score is 580, heās $62,000 in debt, and he has got a criminal record.
Cooped: Unpaid speeding tickets, public intoxication, a bar fight that got him thrown in jail for a week.
Liz: It seems like more of a slacker than a killer.
Samar: His inheritance came as a complete surprise. Then what motivation would he have to kill his father if he didnāt know about it?
Aram: Well, letās say he did know. How does a kid living in a trailer park outside Arlington connect in any way to Mr. Reddington?
Ressler: And if he doesnāt, why are we even on this case?
Cooper: Because something doesnāt add up, and I want to know why. Navabi, the people in his posts, I want to know everything about them. Ressler, Keen, talk to Peterson. Find out what he knew about his old man and when he knew it.
Ā
[ Liz and Ressler track Tim Peterson to an elegant hotel where a large group of rowdy, casually dressed young people are gathered outside, drinking beer ]
Ressler: Well, it didnāt take him long to spend the old manās money.
Liz: Sure beats the trailer park.
[ ROCK MUSIC PLAYING ]
Ressler: Iāve been to my share of Irish wakes, but this is ridiculous.
[ MAN cracks a beer and GRUNTS ] [ Ressler walks up to him ]
Ressler: Hate to interrupt Miller Time, but whereās Tim Peterson at?
Man: [ Yells over ] Hey, Tim! Hide your cash! The IRS is already here. [ CHUCKLES ]
Ressler: Tim Peterson. Agents Ressler, Keen. FBI.
Tim Peterson: [ Drunkenly ] FBI? Donāt worry. The hotel suite is bought and paid for.
Ressler: We just have a few questions surrounding your fatherās death.
Tim: You and me both.
[ PEOPLE CHANTING āCHUGā ] [ CHEERING ]
Ressler: When was the last time you spoke with him?
Tim: Far as I can recall, I never spoke to him. I didnāt even know he was my father till the lawyer called, told me to come to the reading of the will.
Liz: What questions do you have?
Tim: Why didnāt he get in touch with me when he was alive? What kept him from wanting to get to know me? And most importantly, whyād he leave me all this dough?
Ressler: You donāt seem too upset about him dying.
Tim: Itās just DNA. Like I said, I never met the man.
[ An attractive Asian-looking woman appears and snuggles up to Tim ]
Deidre: Tim, who are the late arrivals?
Tim: Hey, princess. These are my new friends from the FBI.
Deidre: Hi, new friends from the FBI. Iām Deidre. Iām Timāsā
Tim: Sheās my shooting star.
Deidre: Aww.
[ They kiss ]
Deidre: Can I get you a drink? What would you like?
Liz: Answers to a few questions.
Deidre: [ Quickly, mockingly ] I swear to tell the truth, the whole truth, and nothing but the truth so help me God. [ Smiles ] We met at the bowling alley.
Tim: [ LAUGHING ] It only took her three frames to get her shoe stuck in the ball return.
Deidre: I had to press the little āhelpā button, and he came and got my shoe back. But Iāll be damned if he didnāt steal my heart in the process. I teach second grade in Bedford. Guess I love being around kids ācause I come from a big family. Seeing as he didnāt know much about his, I encouraged him.
Tim: I got my birth certificate, found out my mom had died. She moved to California after she had me, got married, had another kid. Deidre held my hand, I pick up the phone ā Next thing, I had a sister.
āā
Helen Litke: I always thought I was an only child. When Mom passed, I didnāt have anyone but Marcus.
Marcus Duncan: And when we heard that Helen had a brother, I didnāt know what to think.
Helen: We flew across the country to meet him. And I gave him a big hug. Probably talk once a day on the phone now. Uh, when Tim called to tell me who his father was and what had happenedā
Marcus: We were happy for him. How could you not be?
Helen: But Iām just glad I have a brother. Thatās what matters to me.
Ā
[ The Courtroom ]
Judge Wilkins: Mr. Reddington. That recess was anything but brief. Any further delays? Or might we finally get this show on the road?
Red: Iām finished serving the public good for the moment, Your Honor. So, yes, the Government may once again go about its business of trying to execute me.
Judge Wilkins: Wonderful. Mr. Sima?
Sima: Sir, please state your name for the record.
Officer Baldwin: Officer Michael Baldwin. Shield 21561. Iām a patrol officer with the 27th Precinct.
Sima: On the day in question, the 16th of this month, were you in fact on patrol ā in the 27th Precinct?
Baldwin: Yes.
Sima: Did you make any arrests that afternoon?
Baldwin: One. I arrested that man there, in the navy-blue suit.
Sima: May the record reflect the witness has identified the defendant.
Red: Uh, o-objection.
Judge Wilkins: Grounds?
Red: Thatās not entirely correct, Your Honor. The suit is actually a prunelle weave blue with a subtle overlay of red. So in the right light, it goes quite plum.
Judge Wilkins: Denied. So reflected.
Sima: Officer Baldwin, how did you come to arrest the defendant?
Baldwin: I received a radio run of a man with a gun on West 4th Street near the vicinity of the Red Brau Tavern. Dispatch described the individual as a white male, 50s, in a tan suit and hat. I approached the location on foot where I observed the defendant standing at a pretzel cart in a conversation with the vendor.
Sima: What drew your attention to the defendant?
Baldwin: It was the only suit in the area wearing a fedora-style hat.
Sima: I see. And did you arrest the defendant at that point?
Baldwin: No, sir. I approached Mr. Reddington in an effort to assess the situation. I requested ID, and he gave me a fake driverās license and name.
Sima: Who did he say he was?
Baldwin: A shower curtain salesman named George Murphy.
Sima: How did he seem?
Baldwin: Nervous. His eyes were darting. I got the feeling that he was possibly being evasive. At one point, he turned and looked towards the tavern, which I interpreted to be a furtive gestureā
Red: Furtive? Is that what it was?
Judge Wilkins: Youāll get your turn, Mr. Reddington.
Baldwin: I asked him to turn around, and he refused, made a joke about it not being his good side. Thatās when I noticed a bulge in his jacket, at his waistline.
Red: Objection.
Sima: Y-Your Honor.
Red: No. A bulge at my waistline? Iād prefer that the witness leave my bulges out of this entirely.
Judge Wilkins: Youāllā Mr. Reddingtonā Thatās more than enoughā
Red: I want that struck from the record. Itās embarrassing.
Judge Wilkins: Sit down, or I will have someone sit you down! Officer, please continue.
Baldwin: I had the defendant put his hands on the cart, and I conducted a pat-down of his person. Thatās when I recovered a Browning semi-automatic pistol from a holster in the small of his back.
Sima: Your Honor, permission to approach the witness.
Judge Wilkins: Granted.
Sima: Do you recognize this weapon?
Baldwin: Thatās the one I recovered. As you can see, the serial numberās been scratched off.
Sima: Your Honor, the Government moves to enter Exhibit 1 into evidence. Thank you, Officer. Thatās all for now. Your witness.
Ā
[ The Post Office ]
Aram: Hey. Guys. Petersonās story checks out. He was given up by his birth mother, raised in foster care, and has an alibi for the night Van Ness died. Cameras at the bowling alley show show him working that night.
Ressler: So this guy really is the luckiest half-wit in history.
Samar: Or the biggest mark.
Cooper: What did you learn about the company he keeps?
Samar: Helen Litke, Marcus Duncan, Deidre Mori ā his sister, brother-in-law, and girlfriend. Weāre still waiting on background information for Litke and Duncan, but the girlfriend told you she was a second-grade teacher in Bedford? The Virginia school system has no record of her.
Aram: Driverās license and Social Security number registered to Deidre Mori are less than 12 months old.
Liz: She said she met Peterson a year ago.
Cooper: Keen, Ressler, time to have a little chat with Miss Mori. Or whoever she really is.
Ā
[ Courtroom ]
Red: That radio run ā According to your arrest report, it was based on an anonymous tip.
Baldwin: Thatās correct.
Red: So someone called 911 and said that a white man in his 50s wearing a suit and a hat was in the vicinity of the Red Brau Tavern ā and that man had a gun.
Baldwin: Yes.
Red: And this tip came from someone you never spoke to, someone who also refused to give his or her name ā to the police operator.
Baldwin: Yes.
Red: Completely anonymous, not a trusted source known to have been reliable in the past.
Baldwin: Thatās true, but I didnāt arrest you based only on the tip. I conducted my own investigation.
Red: What investigation was that?
Baldwin: I asked for identification.
Red: Which I provided immediately.
Baldwin: A false ID.
Red: [ CHUCKLES ] No, you didnāt know that at the time. That license was created by the preeminent document forger in the world. Not in this country. On the planet. Thereās not a chance you could have known it was a fake.
Baldwin: You looked nervous. Furtive.
Red: Officer Baldwin, Iāve been evading the police and law enforcement for almost 30 years. Iām the most wanted man in the world. At the time of our encounter, I was armed with a Browning 9-millimeter semi-automatic with a round in the chamber and the hammer cocked. Do you really expect this court to believe that a marshmallow disguised as a patrol officer, a comic figure in an ill-fitting uniform, could possibly make me nervous?
Sima: Objection!
Judge Wilkins: Sustained.
Baldwin: You think this is funny?! Youāre a real smart guy, huh?! Well, weāll see how smart you are!
Red: [ LAUGHS ] There he is. Thereās the real Officer Baldwin. You didnāt search me for looking nervous. The truth is I was disrespectful.
Baldwin: No.
Red: I was disrespectful, you got angry, and you decided right then and there to show me you were in charge.
Baldwin: Thatās not true.
Red: I was a wise ass. You said as much to your fellow officers at the scene. Tell you what ā Iāll apologize for my behavior if you apologize for the illegal pat-down that has exposed me to the death penalty. No? Think about it. No further questions, Your Honor.
Ā
[ HORN HONKS ] [ An outdoor wedding venue ]
Ressler: Aram, do me a favor and confirm the trace on Moriās cell.
Aram: [ On comms ] Corner of Trenton and Willoughby. I canāt get any more specific than that, but sheās there.
Ressler: Along with 50 other people.
Liz: Now we know why she isnāt answering.
Ressler: This is gonna be a mess.
[ OFFICIANT SPEAKING INDISTINCTLY ]
Ressler: Did I tell you my, uh, cousin in Idahoās getting married next week?
Liz: Youāve got a cousin in Idaho?
Ressler: Yeah. Perp-loving cop hater. There. Now youāve met him.
Liz: I donāt see her among the guests.
Officiant: You may kiss the bride.
Ressler: Thatās ācause sheās not one of them.
[ The bride in the ceremony is Deidre! ]
[ APPLAUSE ]
[ The groom walks Deidre to a white limo and she leaves without him ]
Ressler: Does this make any sense to you?
[ Liz picks up a wedding program ]
Liz: No. Deidreās now āHiraki.ā
Ressler: Iām guessing Hirakiās no more real than Deidre.
Liz: Heās got to be in on it, right? Helping her con Peterson?
Ressler: Maybe sheās conning them both.
Ā
[ Ressler and Liz corner the āGroomā (Henry Tanaka) inside a building ]
Henry: I told you, I donāt know where she is. She left.
Liz: She left her own wedding reception?
Henry: Can we talk about this somewhere else? My parents think that Hirakiās back thā
Ressler: No, we know her nameās not Hiraki.
Henry: Shh! Please, not here.
Liz: Wait. You know her nameās not Hiraki?
Henry: Yes, but my family has no idea. Whatās this about?
Ressler: Why donāt you tell us? Whyād she leave?
Henry: Thatās all I could afford.
Liz: You paid her? To marry you?
Henry: Through a service. Well, for today ā for my family. My parents, they have public lives, and theyāre very traditional. And this, the wedding, Hiraki and I ā itās a dream that they want to believe ā to save them from the shame.
Liz: What shame? Why on Earth would you lie to your family about your marriage?
Henry: Because Iām gay. And in their world, that remains unacceptable.
Ressler: Wait. This service. Whatās it called?
Henry: Alter Ego.
Liz: Whatās that?
Ā
Jeff Gregg: Here at Alter Ego, our artists provide clients with an immersive experience. Not a performance. An experience that is unabridged. Itās unpredictable. Itās very close to real life.
Samar: So, Iām sorry. Your firm, you rent humans?
Jeff Gregg: We fill vacancies. We provide the relationships that are missing in our clientsā lives.
Samar: For example?
Jeff Gregg: A young professional wants to take the āwifeā that he doesnāt have to his high-school reunion. Or a single mother wants to introduce her young 6-year-old to the father that she never had, and so she creates a new, more healthy narrative with a āfatherā whose story line she can write and control.
Samar: These people are paid to lie.
[ CELLPHONE BEEPS ]
Jeff Gregg: The actors may be counterfeit, but the roles and the emotional support they provide are very real.
Samar: A billionaire dies, leaving his fortune to a son that no one knew he had, and the actress playing his loving girlfriend is conning him. Do you recognize her? Does she work for your company?
Jeff Gregg: Uh, she doesnāt look familiar, but that doesnāt mean anything. We have hundreds of artists on staff.
Samar: Youāre going to have to find her.
Jeff Gregg: Our employees do not con clients. If someone has taken advantage of a role or a scenario, then Alter Ego had nothing to do with it.
Samar: You can go a long way to proving that by giving me Deidre Moriās real name.
Ā
Judge Wilkins: Mr. Reddington. The Government has rested. The ballās in your court. If you intend to testify or call a witness, now would be the time.
Red: I want to hear the tape.
Judge Wilkins: Excuse me?
Red: Of the anonymous call.
Sima: We havenāt offered the tape into evidence.
Red: Exactly. How do I know it even exists? How do I know youāre not fabricating the entire call as a way to justify the search?
Sima: Should I even ask if you have any foundation for that?
Red: Oh, come on. The government pretended my immunity agreement didnāt exist. How do I know youāre not pretending the tape does?
Judge Wilkins: Under the circumstances, thatās a fair question, Mr. Sima.
Sima: This hearing is about Officer Baldwin and whether he had a reasonable suspicion that this defendant was carrying a weapon.
Red: Yes, and he relied on the information that was relayed in that call.
Sima: No. He relied on the information relayed by his dispatcher.
Red: I was targeted. I want to know why.
Sima: The why is irrelevant. What you want to know is who. You want to hear the voice on that tape.
Red: I have a Sixth Amendment right to confront my accusers.
Sima: Something tells me youāre interested in more than just confrontation. Your Honor, given this defendantās historyā
Red: What history? I havenāt made any threats. And in case youāve forgotten, Iām in federal custody.
Sima: Oh, right, and Iām sure if you recognized the voice youāre not gonna put a bullet in that personās head!
Judge Wilkins: Enough! Now, I agree, as a matter of law, what matters is what the officer believed at the time he conducted the pat-down, period. That said, given the governmentās penchant for dishonesty where this defendant is concerned, I think itās more than reasonable to wonder if the police are playing fair.
Red: Thank you, Your Honor.
Judge Wilkins: Oh, donāt thank me just yet. I am ordering Mr. Sima to produce the tape, but for my ears only.
Red: Objection.
Judge Wilkins: Overruled. Iām not giving you that tape, Mr. Reddington. But I will confirm that it exists and that it says what they claim. Best I can do. Back in an hour.
[ GAVEL BANGS ]
Ā
[ The Post Office ] [ Elevator DOOR SLIDES OPEN ]
Aram: Hey. How was Alter Ego?
Samar: Very strange. But I got copies of all of the employee files. Could tell us who the girlfriend really is.
Aram: Great. Iāll print them out. And, by the way, I downloaded Word Splurge.
Samar: Why?
Aram: So we can play against each other.
Samar: I donāt think thatās a good idea.
Aram: Okay. If youāre worried about crushing me ā and my rather minuscule egoā
Samar: Itās not that.
Aram: ābe warned Iām highly competitive at word games.
Samar: Aram.
Aram: Andā Uh, what?
Samar: I donāt want to play.
Aram: But you do play.
Samar: On my own. And Iād like to keep it that way.
Aram: Why?
Samar: Because I do. Can you just print out the files, please?
Ā
Ressler: Actors being hired to play fathers, mothers, brides. How can someone lie about a thing like that?
Liz: The groom we talked to did it to please his mother.
Aram: Hiding the truth that your marriage is fake? I donāt know how long that can last. In a relationship, the truth always comes out.
Liz: [ Reading ] MaryAnn. 35. Registered nurse. [ LAUGHS ] Special skills ā marijuana distributor with an intuitive understanding of supply and demand. [ To Ressler: ] This would be the perfect date for your cousinās wedding.
Aram: Wait. What? I love weddings. Wait. If you need a plus-one, Iām totally down to go.
Liz: Iām only half-kidding. I mean, we all know how amazing you are, but youāre pushing 40 with no prospects. Why let your cousin in on that?
Ressler: Because itās the truth, the part about me being amazing.
Liz: Sheās fluent in Spanish and French.
Ressler: Iām not gonna lie about being someone Iām not.
[ Samar holds out the photo of ā āDeidreā ]
Samar: Unlike our blushing bride ā Jan Chuckerman.
Liz: Does it say who hired her? Sister or brother-in-law?
Aram: I highly doubt it, because theyāre fake, too.
[ He lays down photos of the others ]
Samar: Theyāre all actors?
Ressler: This tells us the who, but not the how. Peterson was the illegitimate son no one knew about. How did they?
Liz: They had someone on the inside. [ Holds out a photo of Roger ] Recognize him?
Ressler: Thatās the kid from the estate hearing, the one who didnāt give us his name.
Liz: And now we know why.
Ressler: He had all the information. Must be his op. I say we bring him in. Heās an actor. Letās see how well he performs under pressure.
Ā
[ Tim Peterson stumbles through the lobby of the hotel with a bottle of champagne ]
Tim: [ SLURRING ] Thanks. Put this on the room, too. And 50% for you. Cheers.
āā
[ In the suite, Deidre is being beaten by Marcus ]
Deidre: [ GROANS ] Okay.
Helen: Stop!
[ ELEVATOR BELL DINGS ]
Helen: God. Stop. Sheās had enough.
Deidre: No! Do it again. One more.
[ Marcus punches Deidre again ] [ SMACK ] [ GROANS ]
āā
[ Tim gets off the elevator ] [ DEIDRE GROANS IN DISTANCE ]
[ Tim enters the bedroom. Deidre has taken another blow and is on the floor, her face bruised ]
Marcus: Hey, Tim. Youāre early.
Ā
[ Samar and Ressler are in an interrogation room with Roger. On the table are photos of the four people killed in the attack on the Van Ness home ]
Samar: Look familiar? They should. You killed them.
Roger: I want a lawyer.
Ressler: How ābout we start with the senior partner at your firm? Ashton Hirsh. Want to know what he told us? That Harris Van Ness had a heart attack last year, that he amended his will after that to include his son.
Samar: He also said that you were his personal assistant and that you filed the amendment.
Roger: I was doing my job. Thatās not a crime.
Ressler: What about Tim Petersonās will? Did you have access to that, as well? See whether or not he changed it to make sure that his loved ones were taken care of?
Samar: Except theyāre not his loved ones, are they, Roger?
Roger: I donāt know what youāre talking about.
Samar: Theyāre actors. Just like you.
Ressler: We know about Alter Ego, that youāre hired out to play parts, that you figured out how these three play the part of a lifetime ā the family that Tim Peterson never had.
Samar: It was a clever plan getting into Petersonās life a year ago, making sure he trusted them before you murdered his father.
Roger: I didnāt kill anyone.
Samar: Sounds like you know who did.
Roger: No one was supposed to die. I made that clear from the beginning. Van Ness was sick. It was just a matter of time. But Marcus ā He was getting antsy. He wanted his cut, and I told him to wait. He wouldnāt listen. Not about Van Ness or or about Tim.
Ressler: Heās not gonna wait to bleed Tim dry, is he?
Roger: No. Heās working, uh, much faster than that.
Ā
Tim: Deidre, what is he doing to you?
Marcus: [ To Helen ] Go get the pills.
Helen: Theyāre in my room.
Marcus: Then donāt just stand there like a post! Go get āem!
Tim: Talk to me! Hey! No oneās going anywhere! ā Just ā
[ Tim grabās Helenās arm ]
[ GUN COCKS ] [ Marcus points the gun at Tim ]
Marcus: Helen, go get the damn pills.
[ Helen leaves ]
Tim: What is this? Why are you doing this?
Marcus: For the money.
Ā
[ Liz and Ressler arrive at the hotel ]
Bellhop: Petersonās on the 16th floor, in the penthouse suite.
Ressler: Iāll go up. You secure the building.
Liz: [ To the Bellhop ] Iām gonna need you to take me to your head of security.
Ā
Marcus: Tell him.
Tim: Tell him what?
Marcus: Tell him.
Deidre: Iām pregnant.
Marcus: Itās yours, Tim-bo. A real-life bun in the oven. Congratulations.
Deidre: Sorry, babe, but how else do you think weāre gonna get that cash? Hereās how it works.
You found out about the babyā
Marcus: You didnāt take the news so well. Of course youāve been drinking. And along with the pillsā
Deidre: We fought, you got violent.
Tim: No.
Marcus: No choice but to defend herself. She got her hands on that gun of yours youāve been traveling with ever since you got rich and paranoid.
Tim: Nobodyās gonna believe you.
Deidre: Honestly? Tim ā A kid from a trailer park ā drunk and high on pills is killed by his pregnant girlfriend whoās only trying to defend herself?
[ Helen returns ]
Helen: Got āem. Here you go.
āā
[ ELEVATOR BELL DINGS ] [ Ressler exits the elevator ]
āā
Tim: Youāll never get the money. I donāt have a will, an estate plan.
Deidre: But you have a kid, and with you dead, the inheritance goes to your only living next of kin ā your child. And guess who gets sole custody of our child, hmm? [ CHUCKLES ] Tim?
Marcus: Howās that for a plan?
[ Tim lunges at Marcus. They struggle for the gun ] [ GRUNTING ] [ The gun goes off GUNSHOT š„ but no one is hit ] [ GRUNTING ]
[ Ressler arrives ]
Ressler: FBI! Hands. Show me your hands!
[ Helen glances at the gun on the floor ]
Ressler: Donāt even think about it.
[ Deidre slips out ]
Ressler: Damn it.
[ CELLPHONE BEEPS ] [ CELLPHONE BEEPS ]
Liz: Keen.
Ressler: I got Peterson and two of the preps, but Deidreās on the move.
Ā
[ ELEVATOR BELL DINGS ] [ The doors open. Deidre is inside. Liz and Deidre fight and struggle for Lizās gun. It goes off but misses both ] [ GUNSHOT š„ ] [ā”ļøFighting continuesā”ļø]
āā
[ An elderly couple waits for the elevator ]
Wife: We shouldāve called the bellhop, told him to bring the cart.
Husband: We donāt need the cart.
Wife: You say we donāt need the cart, then I carry the bags! We need the cart!
Husband: Okay, next time, Iāll get the cart.
āā
[ ELEVATOR BELL DINGS ] [ The doors open and Deidre tumbles out ]
[ Liz points her gun at Deidre ]
Liz: Donāt move! I said donāt move! Not you, sir. Maāam, can you please hold the door? ā [ To Deidre: ] You. Get up! [ Liz grabs Deidre and throws her back into the elevator ) [ GRUNTS ]
[ The elevator doors close ]
āā
Husband: This place doesnāt get our business anymore.
Wife: [ GASPS ]
Ā
Judge Wilkins: Uh, welcome back.I want to make a brief record. First to establish my findings, but also to preserve the facts for Mr. Reddingtonās inevitable appeal. I have listened to the recording provided by the prosecution. The call is in sum and substance exactly as the resulting radio run describes. I find no compelling justification for forcing the Government to put the recording in evidence at this proceeding. Mr. Reddington, if you have any final argument, Iām ready to hear it.
[ Red stands ]
Red: What did he have, Your Honor?
Judge Wilkins: What did who have?
Red: Officer Baldwin. A tip from a source who refused to give their name. No explanation as to how their information was acquired, no prior history of reliability, no compelling reason to believe the tip was even credible. And the details? A white man in his 50s wearing a suit and hat? On a busy street in New York City? I couldnāt possibly have been the only one.
āāAnd how did the caller know I was carrying a concealed weapon? It was concealed, for Godās sake. In what stretch of the imagination could this kind of tip justify this search? Officer Baldwin obviously knew that when he got there, which is why he didnāt just throw me up against a wall. He knew that what he had didnāt amount to reasonable suspicion under the law. So what did he do? He investigated. Please excuse my drip of sarcasm, but Officer Baldwin asked for some identification, and I gave him a false ID so magnificent, even I started to believe my name was George Murphy.
āāHe said I looked around nervously. The truth is, I made fun of the man. I refused to give him the respect he somehow believed he deserved. It happens. I get impatient. I make a comment I might regret. Itās one of my biggest issues in therapy, along with some residual anxiety from childhood and a sexual fascination Iād prefer to discuss in chambers.
āāBut the point is the tip gave him next to nothing, and his own observations didnāt change things one iota. I know it, you know it, and even he knows it, which is saying a lot since Iām pretty sure all he cares about is reading his name in the papers and the whiff of his bossās backside. Ah! You see? There I go again. I promise I will work on this with my therapist just as soon as you kick the gun and let me get the hell out of here. Thank you.
Ā
[ INDISTINCT CONVERSATIONS ] [ Liz sits with Tim ] [ Deidre, Marcus and Helen are led past them by police ]
Tim: How could I have been so stupid?
Liz: [ SIGHS ] You wanted the fantasy to be real. You wanted a family.
Tim: All that time. All those lies.
Liz: I know what itās like to be fooled by people who you think are family. I know how painful that is.
[ Dembe enters ]
Liz: What are you doing here?
Dembe: I need to speak with him.
Liz: Why? This doesnāt have anything to do with Reddington.
Dembe: I only need a minute.
[ Liz steps aside ]
Dembe: Mr. Peterson.
Tim: Who are you?
Dembe: I work for the man who saved your life. Iām here to ask you to do him a favor in return.
Ā
[ Dembe visits Red in the holding cell ]
Dembe: Harris Van Ness was murdered for his money. His death had nothing to do with you.
Red: Heās still dead. When he expired, so did his vote.
Dembe: It didnāt expire. It was transferred to his heir.
Red: Van Ness doesnāt have an heir.
Dembe: As fate would have it, he does.
āā
[ A board room ]
Tim: My father would have voted with Reddington. In his absence, I vote with Reddington.
āā
Dembe: You tasked the FBI to find an enemy, and in doing so, you found a friend.
Red: What a pleasant surprise.
Dembe: Sometimes you make your own fate. Sometimes fate makes you.
Red: Mm.
Ā
[ The Courtroom ]
[ DOOR OPENS. Judge Wilkins enters ]
Judge Wilkins: All rise. Let me be clear. Reasonable suspicion can be based upon a tip given to the police, but only if the information provided has what the Supreme Court calls āan indicia of reliability.ā Now, to make that judgment, the courts look at the sourceās veracity, reliability, and basis of knowledge. The officer knew none of those things. All he had was a small amount of predictive detail. White male, right age, wearing the right suit and hat. Mr. Reddington is correct. Alone, itās not nearly enough.
āāBut thereās more. The officer made his own observations. In his view, the defendant seemed nervous. Whatever looks the defendant gave, he interpreted as furtive. The defendant resisted his instruction to turn around. Is that enough? It probably wouldnāt have been for me. But the issue is not whether I would have patted Mr. Reddington down. The issue is, was the decision to do so manifestly unreasonable? I find that it wasnāt. Accordingly, the defendantās motion to suppress the gun seized from his possession is hereby denied.
Sima: Your Honor, in light of your ruling, itās our position that the defendant violated his immunity agreement.
Judge Wilkins: Upon conviction for the gun possession at trial, that agreement will be nullified.
Sima: We intend to pursue all of the outstanding indictments against the defendant and seek the death penalty.
Judge Wilkins: One step at a time, Mr. Sima. Mr. Reddington, you made a good case. For what itās worth, it wasnāt an easy decision.
Red: So, I guess Iāve got that going for me.
Ā
[ Samar practices prepositions ]
[ Radical Faceās āŖ āSummer Skeletonsā plays ]
āŖ We were sun-burned and shoeless kids
Samar: [ Mutters ] With. For.
āŖ We were skipping stones ā
Samar: Into. Of. To. Despite.
āŖ In the failing light I smelled the fireplace
Although we were miles away
We were infinite
There was no time in those days
[ Samar sends a message from Aram inviting him to play a word game ]
[ CELLPHONE BEEPS ]
[ Seated at a desk nearby, Aram receives the message and smiles ]
āŖ When all we knew wasnāt stolen
There was nothing real to lose
Ā
[ Ressler visits Alter Ego ]
Receptionist: Welcome to Alter Ego. What is it that you wish for?
Ressler: I have a wedding to go to, and, uhā
Receptionist: Youād like to bring someone.
Ressler: Yeah. I mean, yes. Iād like to bring someone. I hear you guys can help with that.
Ā
āŖ When regrets were nowhere
[ DOOR of the holding area OPENS ]
Liz: I came as soon as I heard. Can you appeal the ruling, get it overturned?
Red: I was wrong about Van Ness. I was so sure my enemy was out there when he was in here all the time. I must be getting old. Either that, or Iām facing a particularly worthy adversary.
Liz: The gunās been admitted. Theyāll throw out your immunity.
Red: I was set up.
Liz: What are you talking about?
Red: Thereās a recording of the person who tipped off the cops.
Liz: Have you heard it?
Red: What goes on in court ā yeah, there are rules, people play their parts. Your enemies are known. Itās a fair fight. And despite losing today, itās only just begun.
Liz: Have you heard the recording?
Red: No.
āŖ You barely talked, and I didnāt mind
Red: [ INHALES DEEPLY ] ā But I intend to. And when I do, Iāll know who betrayed me. And at that moment, no matter where I am ā on the street, in solitary confinement, or on the receiving end of a firing squad ā at that moment, whoever set me up ā his fate will be sealed.
āŖ Ohh-ahhh, ohh-oh-oh-oh
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⬠go to start of 6:5 Alter Ego
ā« go to top
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Episode Songs
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ā« Weāll Meet Again
By Vera LynnāŖ Weāll meet again
Weāll meet again,
Donāt know where,
Donāt know when
But I know weāll meet again some sunny day
Keep smiling through,
Just like you always do
Till the blue skies drive the dark clouds far awayāŖ So will you please say āHelloā
To the folks that I know
Tell them I wonāt be long
Theyāll be happy to know
That as you saw me go
I was singing this songāŖ Weāll meet again,
Donāt know where,
Donāt know when
But I know weāll meet again some sunny dayāŖ Weāll meet again,
Donāt know where
Donāt know when.
But I know weāll meet again some sunny day.
Keep smiling through
Just like you always do,
āTil the blue skies
Drive the dark clouds far awayāŖ So will you please say āHelloā
To the folks that I know.
Tell them I wonāt be long.
Theyāll be happy to know
That as you saw me go,
I was singinā this song.āŖ Weāll meet again,
Donāt know where,
Donāt know when
But I know weāll meet again some sunny dayLyrics and Credits: http://bit.ly/2S2WLvv
YouTube: https://youtu.be/cHcunREYzNY
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ā« Summer Skeletons
By Radical FaceāŖ We were sun-burned and shoeless kids
It was the dead of July
We were skippinā stones in the failing light
I smelled the fire place
Although we were miles away
We were infinite
There was no time in those daysāŖ When all we knew wasnāt stolen
There was nothing real to lose
When our heads were still simple
Weād sleep beneath the moon
You were something
That would always be around
When regrets were nowhere to be foundāŖ Lost out among the trees
Our hands scraped the bark
You still had bloody knees
From your spill in the dark
We were both laughing then
While carving bad words in the wood
We had no need to speakāŖ Night, down by the shore
We were down by the shore
When the skies opened up
And all the stars fell into the lake
When the water was warm
Walked in over my head
But you pulled me out by the collar of my shirtāŖ Dirt in our ears, sun in our eyes
Shirts hung in rags, head in the clouds
Our fears had no teeth, hearts were still blind
You barely talked and I didnāt mindLyrics and Credits: http://bit.ly/2G6uu0C
YouTube: https://youtu.be/L1v74PvPBQ8
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ā¬ļø go to start of 6:5 Alter Ego
ā« go to top
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āāā End 6:5 Alter Ego
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š“ Script 6:6 The Ethicist (ā 91)
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Program air date: 1/8/2019 in the US
Permalink: https://wp.me/pDKwi-95k
Entertainment Weekly Recap: http://bit.ly/2t1UXEa
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Director: Bill Roe
Written by: Taylor Martin
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ā Script 6:6 The Ethicist (ā 91)
Ā
Brief (Where weāre at): Despite Dembeās attempts to run interference, cracks are beginning to show in Redās business alliances, now that he is being held in prison awaiting trial. The story is being widely covered in the media. Worse, Redās first attempt to gain his freedom has failed, with the judge ruling that the unregistered firearm he was carrying when arrested is admissible as evidence. The serial number was scratched off of the weapon, making it a federal crime. If the ruling stands on appeal, this is a felony that will invalidate his Immunity Agreement with the Department of Justice and he will have to stand trial for numerous crimes meriting the death penalty. The Judge has refused to let him personally listen to the tape recording of the tip the police received that led to his arrest. He is determined to access the recording to find out who made the call and betrayed him. (Hint: It was Liz.)
Liz and her half-sister Jennifer (aka Lillian Roth) plotted to have Red detained so they can learn his true identity. Red has no idea that they found out that the skeleton he thought was gone forever belonged to their father, the real Raymond Reddington. They intend to contact a man who shared the same plastic surgeon who changed Redās identity 30 years ago when he assumed the identity of their father. The manās name is Gerald Todd Klepper. Itās possible he remembers Red and can help unveil the mystery of Redās true identity.
Ā
[ The scene of a car accident. There is a broken windshield with blood on it ]
[ Dominic Halpinās āŖ āEverything is Fineā plays ]
āŖ When I feel the rain coming down on me
I just brush my coat and everythingās just fine
[ A man pulls a body from the road into the brush. He comes back and picks up a broken bicycle and loads it into the trunk of his car, along with a childās shoe. A liquor bottle lies on the floor of the trunk. In the driverās seat, the man looks around nervously ]
āŖ Big holes in my pockets where some coins, they should be
[ CHUCKLES ] Hey, Iām not rich
But everythingās just fineāŖ Sometimes I talk with Mr. Blue
Ā
[ The man from accident scene, Digby Tamerlane, addresses an auditorium of people ]
Tamerlane: Iāve been accused of being a lot of things.
[ MUSIC FADING ]
āŖ But I donāt want ā him to stay
Tamerlane: [U]nemotional, cold, a risk-inclined agitator whose own board sometimes feels heās a liability.
āŖ He soon goes on his way
Audience: [ LAUGHTER ]
Tamerlane: Truth is, Iāve made my share of mistakes.
āŖ Tomorrow I may wake to find
[ DRAMATIC MUSIC PLAYS ]
Tamerlane: [B]ut it is no secret that our e-commerce market share is expanding much faster than anticipated. That means fulfillment is the bottleneck for real growth, which is why I am here to announce that Chione will be opening a brand-new, state-of-the-art distribution facility in Malaysia by the end of next year.
[ AUDIENCE MURMURING ] [ Applause ]
Ā
[ People are lined up for autographs and to have their photos taken with Digby Tamerlane ]
[ CAMERA SHUTTERS CLICKING ]
Tamerlane: [ Greeting people ] All right. Oh, hey.
[ CAMERA SHUTTER CLICKS ]
Tamerlane: All right.
Gerald Todd Klepper: Mr. Tamerlane? Itās a pleasure.
Tamerlane: Oh, thank you very much. Would you, uh, like a photo together?
Klepper: Oh, eh, itās okay. Iām here on business. Itās about that incident near Rock Creek Park.
[ Tamerlane flashes back to the accident scene ]
Tamerlane: Uh [ CHUCKLES ] ā Iām sorry, your name was?
Klepper: Iām not the only one who knows. Iām afraid thereās some real legal jeopardy coming your way ā a credible witness, a grand jury.
Tamerlane: Who the hell are you? How do youā
Klepper: Please, letās not talk here. Uh, just come see me alone.
[ Klepper gives Tamerlane a card reading āNate & Tedās RV Parkā ]
Klepper: I think I can be of assistance.
Ā
[ Federal Courtroom in the Southern District of New York ]
Judge Roberta Wilkins: We are on record this morning in the matter of The United States v.
Raymond Reddington on charges of treason in connection to the sale of classified data to Russian Intelligence. Is the government ready to proceed to trial?
Asst US Attorney Michael Sima: We are, Your Honor.
Judge Wilkins: And the defense?
Red: We are not. Uh, the royal āweā ā me. I am not.
[ HORN HONKS IN DISTANCE ]
Judge Wilkins: Dare I ask why?
Red: Like it or not, I have to be open to the idea that there may be certain mental abnormalities that are the cause of my criminal conduct.
Sima: As delighted as the government is that Mr. Reddington has stated on the record that his conduct is criminal, whether mental disease caused his crimes is a question for a jury to decide if and when he raises an insanity defense. I donāt see what possible connection that has to whether heās prepared to move to trial.
Red: Well, I cannot proceed to trial until I know how to [ CHUCKLING ] defend myself, or whether I can even self-advocate in an effective way.
Judge Wilkins: You know the facts. Thatās generally a good start.
Red: And if the facts indicate that Iām not competent to stand trial?
Sima: Defense counsel succeeded in convincing Your Honor to uphold his Immunity Agreement. H-He may be crazy like a foxā
Red: [ LAUGHS ]
Sima: ābut heās not crazy.
Red: While Iāve come to appreciate the innate facility Mr. Sima has with the obvious clichĆ©, Iām sure the Court is aware that, on the subject of my mental health, his opinion is just that ā his opinion. Iād prefer to take the Courtās recommendation and base my defense on the facts.
Judge Wilkins: The only relevant fact is that there is no motion concerning the defendantās mental health before the court.
Red: I am making that motion now, as is my right under the Federal Rules of Criminal Procedure. Therefore, I ask for the courtās indulgence because I appear before you in pro per, and also possibly mad as a hatter.
Judge Wilkins: Talk about your obvious clichƩ.
Red: [ LAUGHS ] Guilty as charged. Or not ā if I really am mad. How about giving us all a chance to find out?
Ā
[ Phone conversation ]
Lilly/Jennifer: What do you mean heās taking a trip?
Liz: The judge granted his request for a psychiatric evaluation, so as a federal prisoner heās being sent to the Federal Medical Center in Springfield, Missouri.
Lilly: Does Reddington really believe anyoneās gonna think that heās incompetent?
āā
[ Liz visits Red In jail ]
Red: I didnāt request the evaluation ā so Iād be evaluated.
[ BUZZER, DOOR CLANKS ]
Red: I did it because I no longer have an Immunity Agreement, and I need leverage to get a new one.
Liz: How does a psych eval get you that?
Red: Because it gets me to Missouri. Thereās a man I need to see there.
āā
Lilly: A man? What man?
Liz: I donāt know, and I donāt care. All I care about is that he didnāt give me a case, so we can work on ours.
Lilly: Ours is at a dead end.
Liz: What are you talking about? Weāve IDād the man who was Koehlerās patient right after Reddington was. He might know his real identity.
Lilly: Yeah, and if could find him, maybe heād tell us, but we canāt.
Liz: Weāre stuck, but if I could get the Task Force to help usā
Lilly: [ SCOFFS ] I thought we couldnāt go to the FBI. If we did, Reddington would find out.
Liz: We canāt give them a case, but Reddington can.
Lilly: I thought he didnāt have one.
Liz: They donāt know that.
Ā
[ The Post Office ]
Liz: Gerald Todd Klepper was a doctor in Newark who murdered 17 patients.
Aram: Terminally ill patients. Cops think it was euthanasia.
Liz: They think, but they donāt know. By the time the police realized Klepper was responsible, he was gone. And in the 28 years since, no oneās found him because, according to Reddington, he had his appearance altered by everyoneās favorite plastic surgeon to the criminal elite ā Dr. Hans Koehler.
Ressler: Iām sorry. So, Reddington wants us to track down one of Dr. Koehlerās patients?
Cooper: Thanks to him, we already acquired a list with their names on it. The Bureau has assigned a team to track them down.
Liz: He says Klepper is a very special case. And, no, he didnāt say why.
Samar: And we canāt ask him because he hoodwinked his judge into sending him to Missouri for a psych eval.
Cooper: What do we know about this āAngel of Deathā?
āā
[ Digby Tamerlane KNOCKS AT DOOR of Gerald Klepperās RV ]
āā
Liz: Letās start with what we donāt know ā like his current ID, what he looks like, and where he lives.
āā
[ The door of Klepperās RV opens ]
Tamerlane: You said you could be of assistance.
āā
Liz: What we do know is that, according to Koehlerās medical file, prior to his operation, Klepper was on dialysis.
Cooper: Our only lead is a 28-year-old medical condition?
Liz: Thatās the only lead the police have. But the victimsā families hired a P.I. to follow up, and what he found, we donāt know.
Cooper: And you need to talk to him. We know who Klepper was ā maybe this guy can tell us who he is.
Ā
[ Private Investigatorās office ] [ The P.I. lays out photos of the victims on a table ]
Private Investigator: Cindy Kobata was fighting leukemia. Jim Franklin had a wife and two kids. Bethany Ray had cystic fibrosis. Sheād just turned 21 when Klepper killed her.
Ressler: How longāve you been working this case?
Private Investigator: The families came to me in ā94. I wish I couldāa been more help, but Klepper stayed off the grid ā no citizenship, no taxes, no footprint, nothing.
Liz: Is there anything you can tell us about him now?
Private Investigator: I can tell you the cops had it all wrong. They said he was all about putting people out of their misery, but these people were demanding aggressive treatment. They werenāt targeted because they wanted to die ā they were targeted because they wanted to live.
Ressler: Now, why would he do that?
Private Investigator: Because by fighting to stay alive, they used up resources that he thought were better used on healthier patients.
Ressler: You make him sound like an actuary.
Private Investigator: Hmm. Most people think life is priceless. Not Klepper. He did a cost-benefit analysis on these people, figured that the cost outweighed the benefits, and killed them because of it.
Ā
[ Inside Gerald Klepperās RV ]
Klepper: You killed someone. For that, most people would believe you belong in prison. Their belief is based on a Judeo-Christian tradition of justice. Mine is more algebraic. Thereās a constant and a variable. The constant is the work you do. It has value, and it will be compromised with you behind bars. The variable is what economists call the VSL ā the value of statistical life. In this case, the value of your life versus the value of the life of the witness whose testimony will put you behind bars.
Digby Tamerlane: Okay, I can make it worth their while not to say anything.
Klepper: The authorities have identified her. She was walking home that night and saw what she saw. Sheās made a preliminary statement. At this point, a bribe has a low probability of success. Iām afraid my equation is premised on a more permanent solution.
Tamerlane: Killing her.
Klepper: If her VSL is lower than yours.
Tamerlane: You canāt put a price on a life.
Klepper: Nearly every department in our government has a VSL. The EPAās is $10 million. The FDAās is $7.9 million. The Department of Transportation is $6.4 million. The annoying beep that goes off when the people in the front seat donāt put their seatbelts on? Ever wonder why there was no beep for the people sitting in the back? It would cost the auto industry $325 million a year and save 44 lives. 325 divided by 44 is 7.4 meaning that the value of each life that would be saved is $7.4 million. But since DOT values each life at only $6.4 million, no beeps in the back.
Tamerlane: Those are statistical models to determine the cost of a life, not to decide the value of one life over another.
Klepper: Organ recipient protocols. What a teacher makes versus a hedge fund manager. We make comparative values all the time, and Iāve done it for you and Miss Carter. A bus driver versus a titan of industry. A volunteer at a local boysā club versus a man who employs 12,000 people. Iāve circled the relevant numbers.
[ EXHALES SHARPLY ] [ PENCIL TAPS ]
Tamerlane: Well, according to this, she comes out ahead.
Klepper: Smaller carbon footprint. Works with at-risk youth. You give people paychecks. She gives them hope.
Tamerlane: [ EXHALES DEEPLY ] Iām not a murderer.
Klepper: Thatās why you need me.
Tamerlane: [ EXHALES SLOWLY ] How do I tip your scales?
Klepper: Youāre building a plant in Malaysia. I want it built in Detroit. My coefficient for America First is very high.
Tamerlane: No, thatās impossible. Iāve already put $100 million into that plant.
Klepper: I never said killing hope would be cheap, just ethical.
Tamerlane: How can murder ever be ethical?
Klepper: How can 44 people die each year because they werenāt warned to put on their seatbelts? Some lives have more value than others. Move the plant, your life will have more value than the woman set to testify against you. Itās nothing personal. Itās just math.
Ā
[ The Post Office ]
Aram: So, Iāve been thinking about The Angel of Death and trying to figure out why a digital nomad who never stops moving would stop in one place for nearly three months. The answer? His kidney.
Cooper:You think this has to do with his dialysis treatments?
Aram: Not the treatments, the cure.
Samar: A transplant.
Aram: I pulled the rolls of every kidney transplant recipient in Philadelphia in 2010. And after removing the patients [ KEYS CLACKING ] that were the wrong age, sex, or race, I was able to narrow it down to a list of 14 men, one of which is this guy.
Samar: Cameron Morella.
āā
[ Klepper KNOCKS AT DOOR of a hotel room ]
āā
Aram: Heās he right age, and before 2010, ā he was non-existent.
Samar: Because he was someone else.
[ KEYS CLACKING, COMPUTER BEEPS ]
Cooper: Gerald Todd Klepper.
Aram: Iām telling you I think this is our guy.
āā
[ The hotel room door opens ]
Klepper: Miss Carter? Eric Price. Iām here on behalf of the District Attorney to review your testimony. May I have a minute?
āā
Cooper: So he has a new face but still needs a kidney.
Samar: Did you run him through the database ā license, credit cards?
Aram: I did, and it appears heās in D.C. His last purchase was for a hotel room ā near 4th and E Street. [ KEYS CLACKING ] And that ā that was under an hour ago.
Cooper: Notify Ressler and Keen. Have them pay Mr. Morella a visit.
Ā
[ Inside her hotel room ]
Kelly Carter: I thought the lady at the DAās Office said that I wouldnāt be giving a statement until later today.
Klepper: Yes. About that ā The truth is, I donāt work for the DAās Office. Iām here on behalf of Mr.
Tamerlane.
Kelly Carter: What? You lied to me?!
Klepper: Miss Carter, please. Calm down. [ SIGHS ]
Kelly Carter: And youāre here to what youāre here to what try and buy me off? Is that what this is? He thinks he can just pay me off and make me lie about what I saw him do to that poor girl?!
Klepper: Itās not quite that simple.
[ LATCHES of briefcase CLICK ]
Kelly Carter: Who are you? What are you doing? Help! Help! Ohh! Help me! Let go of me! No!
[ Klepper forces Kelly Carter into the bathroom, then cracks ā”ļø her head against the sink ]
[ THUDS ] [ GROANING ] [ Blood spreads from Kellyās head across the ceramic tile floor. She is paralyzed but still conscious ]
Klepper: According to the CDC, accidents are the leading cause of death among women 25 to 34. [ INHALES DEEPLY ] It only accounts for 18% of deaths among black women.
[ Klepper turns on the shower ] [ HANDLE CREAKS, WATER RUNNING ]
Klepper: But at 36.9%, itās number one with a bullet among white women like yourself [ EXHALES SHARPLY ] Tragic slip and fall coming out of the shower, and, sadly, youāll be just one more statistic in the CDCās annual report on health equity.
[ Klepper begins unbuttoning Kellyās blouse ]
Klepper: As Mark Twain said, thereās three kinds of lies: lies, damned lies, and statistics.
Ā
[ At the Federal Medical Center in Springfield, Missouri, Redās psych evaluation begins ]
Dr Grey: So, we are here to evaluate whether youāre competent to stand trial.
Red: This is a comfy chair.
Dr Grey: Do you understand what that means?
Red: Itās comfy?
Dr Grey: Competency means you are capable of understanding the characteristic and consequences of the proceedings against you. Based on what Iāve read in the trial transcript, ā you seem quite capable.
Red: And yet I donāt [ INHALES DEEPLY ] understand why Iām there in court. I donāt know what Iāve done wrong.
Dr Grey: You donāt?
Red: Not really, no.
Dr Grey: Have you killed people?
Red: Polluting rivers kills people, good people killed ā for profit. Raising the speed limit kills people ā to save time. The death penalty. Unjust wars have killed so many people. Whatever Iāve done, Iāve done because I thought it was just. So, do I really understand the proceedings against me? No, I donāt.
Dr Grey: Iām going to administer a series of diagnostics tests.
Red: If theyāre designed to see whether I can distinguish between the behavior the system defines as criminal and that which I deem appropriate ā I canāt.
Dr Grey: Letās start with the Rorschach test.
Red: Ah. Inkblots. I must warn you, they all look like genitalia to me.
[ Dr Grey shows Red an inkblot ]
Red: [ LAUGHS ] There you go.
Ā
[ POLICE RADIO CHATTER ]
ā Copy. Walking them in now.
Liz: Agents Ressler and Keen, FBI. Whatās going on here?
Officer: Got a call about 20 minutes ago. Housekeeping found a DOA female in the room. Looks like a slip and fall.
[ Kelly Carter is dead on the floor. The blood from her head is diluted with water from the shower ]
Liz: Thatās no slip and fall.
[ Ressler shows the Officer a photo of Klepper/Morella ]
Ressler:This guy Cameron Morella, heās our suspect. Heās on the move. Lock it down. Search the building.
Ā
[ DOOR CREAKING, THUDS SHUT ]
[ Red enters the general patient area at the Federal Medical Center. Some patients play board games; others just sit staring. There is a large aviary with brightly feathered birds inside ] [ BIRDS CHIRPING ]
[ Red makes his way to one patient in particular. The patient stares at the aviary. Red sits down next to him ]
Red: Hello, Atticus. Itās been a while. I was sorry to hear about all the tomfoolery in Cincinnati, but Iām confident itāll all blow over and youāll be acquitted soon. I came here because I need a favor.
[ CHIRPING CONTINUES ] [ Atticus does not respond ]
Red: Itās about our mutual acquaintance. I need to find him. Iām in trouble, and I need to find him. If anyone can help me, itās you. This is important, Atticus.
[ CHIRPING CONTINUES ] [ Atticus does not respond ]
Red: Itās a matter of life and death.
[ Atticus still does not respond ]
[ A Nurse wheels a medication cart over ]
Nurse: You can talk at him all day, but he aināt gonna say much.
Red: Iām sorry?
Nurse: Mr. Rodrick. They got him on a cocktail of antipsychotics and mood stabilizers that have most men counting worms. Itās for the best, though. Heās a bear if he doesnāt get his meds every three hours ā yeah, just like the Incredible Hulk.
[ Atticus takes the small paper cup of pills ]
Ā
[ Red makes a purchase from a vending machine in the patient area ]
[ MACHINE WHIRS ] [ BEEPS ] [ BIRDS CHIRPING IN DISTANCE ]
[ LOCK DISENGAGES ] [ DOOR CREAKS OPEN ] [ DOOR THUDS SHUT IN DISTANCE ] [ Red tears open the bag of Skittles he bought ] [ CHIRPING CONTINUES ]
[ Red leaves several Skittles on the table by one of the patients ]
Red: Knock yourself out.
[ CHIRPING CONTINUES ] [ The Nurse has stopped with her med cart next to Atticus Rodrick ]
[ Red points at a bird in the aviary ]
Red: Jiminy Christmas!
Nurse: What?
Red: For the love ofā Please tell me thatās not a Vermilion Flycatcher.
Nurse: What are you talking about?
Red: That little fella right there. What the hell are you people doing with a Flycatcher in your aviary? Theyāre endangered. That little guy should be in an open habitat or desert scrub, at the very least.
[ The Nurse looks in the aviary. As she does, Red swaps out Atticusās meds for some Skittles ]
Nurse: Look, I donāt know nothing about birds and desert scrub and all that.
Red: You know what? Never mind. I am absolutely dead wrong. That is a Red Factor Canary. Probably domestically bred. Heās perfectly fine.
Nurse: Good to know.
[ Red sits next to Atticus ]
[ BIRDS CHIRPING ]
Red: One thing at a time, Atticus. Iāll get you sober, and then you can tell me how to find your friend.
[ INDISTINCT CONVERSATIONS ] [ CHIRPING CONTINUES ]
Ā
[ Liz talks by phone with Samar and Cooper at the Post Office ]
Samar: Weāre not seeing any images of Klepper on hotel security or area CCTV. His credit cards are dark, his cellphoneā
Liz: MPDās swept the building. Heās gone.
Cooper: What about his hotel room?
Liz: He never entered it. We think he only purchased it to get access to the victimās floor.
[ Ressler walks over to Liz ]
Ressler: I just had an interesting chat with the U.S. Attorneyās Office for the District of Columbia.
Liz: What do they have to do with this?
Ressler: Theyāre paying the bill for the dead womanās room. Turns out sheās the key witness in a case against Digby Tamerlane.
āā
[ Over phone ]
Aram: The Chione founder? That guy is like a gazillionaire.
Ressler: Yeah, well, heās also being investigated by a grand jury for the hit-and-run death of a 12-year-old. Now, without her testimonyā
Liz: Their case doesnāt exist.
Aram: Iām sorry, I think Iām confused. What is a-a-a deceased witness in a hit-and-run case have to do with The Angel of Death killer?
Liz: The P.I. said he decided who to kill based on some cost-benefit analysis.
Ressler: Or maybe he thinks that the, uh, benefits of a gazillionaireās freedom are worth more than a witnessās life.
Cooper: Tamerlane clearly benefits from this supposed āaccident.ā Press him. Letās find out what else heās hiding.
Ā
[ BIRDS CHIRPING ] [ Red sits next to Atticus ]
Red: Everyoneās favorite superpower is flying like a bird. [ CRUNCHING candy ] Iād prefer mind control. Although, at this point, maybe just X-ray vision.
[ CHIRPING CONTINUES ]
Atticus: [ SLOWLY ] Reddington?
Red: Hello, Atticus. Welcome back.
Atticus: What are you doing here?
Ā
Dr Grey: Please answer yes or no.
Red: Why?
Dr Grey: As Iāve already explained, your answers will help me evaluate your competency to stand trial.
Red: Whether Iām easily awakened by noise?
Dr Grey: The MMPI-2 is an effective diagnostic tool, as is my assessment of your willingness to cooperate.
Red: [ SIGHS ] When I sleep, I sleep.
Dr Grey: āI wish I could be as happy as others seem to be.ā
Red: Yes.
Dr Grey: āMy father was a good man.ā
Red: Good? No.
Dr Grey: āIf people werenāt out to get me, I would have been more successful.ā
Red: Not necessarily.
Dr Grey: āI donāt always tell the truth.ā
āā
Red: [ To Atticus ] I need to find your colleague.
āā
Dr Grey: āI am an important person.ā
āā
Red: Itās important that I find him.
[ CHIRPING CONTINUES ]
Atticus: [ Still groggy ] Iād like to fly.
āā
Dr Grey: āI get angry sometimes.ā Yes or no. āI get angry sometimes.ā
Red: No. I get even. [ Pause ] Is that a look of concern or keen interest?
Dr Grey: You show no signs of depression, paranoia, or social introversion. No hypochondriasis, no hypomania.
Red: Keen interest, then.
Dr Grey: On the other hand, you clearly have a psychopathic deviate conflict as in regards to societyās rules.
Red: Is that it? After all your inkblots and questions about my digestive tract, thatās the depth of your analysis, that I deviate from societal norms? Given that my life depends on your learned evaluation, I hope you have something slightly more insightful on that notepad.
Dr Grey: [ PEN TAPS LIGHTLY ] Youāre masquerading. Leading a double life, pretending to be someone youāre not. If youāre divorced from social norms, itās because youāre divorced from a side of yourself I canāt see because youāre terrified of letting people see it. Why, I donāt know. But whatever pathologies you have I think they can be traced to the fact that, while most people see you as a, uh, iconic bad guy, youāre really just an imposter.
Ā
[ An interrogation room. Liz questions Digby Tamerlane. Ressler watches from outside ]
Liz: You expect me to believe you?
Tamerlane: [ LAUGHS ] I told you three times, Iāve never seen the man before in my life.
Liz: Then it should come as a surprise that heās a suspect in the murder of Kelly Carter.
[ CELLPHONE CLATTERS ]
Tamerlane: I donāt know that name.
Liz: Oh, sure you do. Sheās the woman who saw you in Rock Creek Park trying to bury that 12-year-old you ran over.
Tamerlane: Okay, I want my attorneyā
Liz: Thatās why she was in D.C., to give her statement to the grand jury.
Tamerlane: Okay, listen, lady, my lawyers areā
Liz: Your lawyers have no idea that Cameron Morella is a serial killer, the one the press dubbed āAngel of Death,ā or that his real name is Gerald Todd Klepper and that heās responsible for the murders of Cindy Kobata, Jim Franklin, Bethany Ray, or that heās wanted for taking 17 innocent lives, or even if heās still alive, but I do. I also know that the two of you are in business together. And when I tie you to Klepper, youāre not only looking at a conspiracy to commit murder, but Iām gonna do everything in my power to drag you down with him.
Tamerlane: [ Pause ] He approached me backstage after our Malaysian launch. He told me about the witnesses ā Miss Carter ā said he could make it go away.
Liz: How did you communicate?
Tamerlane: I had to go to him at his place a campground near Groveton.
Liz: Is that the only way?
Tamerlane: No. He gave me a phone number.
Ā
[ DOOR OPENS ] [ INDISTINCT CONVERSATIONS ]
Liz: [ EXHALES SHARPLY ] We have a lead. Tamerlane coughed up Klepperās number.
[ Liz gives Ressler a slip of paper ]
Ressler: I heard. Iāll get local PD en route to that RV park now.
Liz: Have Aram run a trace on that number. We find Klepperās phone, we find Klepper.
Ressler: And maybe weāll find out why Reddington gave us this case.
Liz: Maybe itās because, for once, heās a bad guy.
Ressler: You honestly believe that?
Liz: Tell me what Aram finds out.
Ā
[ CELLPHONE BEEPS, LINE RINGS ]
Liz: You need to call your friend Buck.
Lilly: Why? What did you find out?
Liz: [ EXHALES SHARPLY ] Iāve got a number I need him to trace. Ready?
Lilly: Yeah.
Liz: (202) 555-0170. Gerald Klepperās new identity is Cameron Morella. Thatās his number. Call me as soon as Buck traces it.
Lilly: Wait, why do we need Buck? I-I thought we were working with the FBI. Canāt they just run the trace?
Liz: They are, but we need to get to Klepper before they do, ā so I gave them the wrong number.
Lilly What?! I wā Theyāre gonna find out. What happens when they do.
Liz: Iāll deal with that later. For now, we just need to get to Klepper and see if he can tell us who Reddington really is.
Ā
[ The Federal Medical Center ]
Red: Atticus. Atticus, look at me ā
Atticus: Whatās going on?
Red: Youāre in a hospital awaiting trial. They have you on a strong cocktail of antipsychotics.
Atticus: Springfield?
Red: Yes, youāre in Springfield.
Atticus: That doctor ā
Red: Yā Lisā Listen to me. Itās very important that I locate your colleague.
Atticus: Heās gone.
Red: No, yes. I know heās gone. I need to find him.
Atticus: [ WHISPERING ] That damn doctor.
Red: Fā Atticus, forget the doctor. Can you help me find him?
Atticus: Yā
[ Dr Grey appears ]
Dr Grey: Mr. Reddington, what are you doing? We have a session. We have much to cover, and youāre late.
Red: I am so sorry, Doctor. I abhor tardiness, but if you could just give me one moment.
Atticus: [ Whispering angrily ] That bitch. I- I told her I didnāt want those little red pills. I told her no.
Red: Calm down.
Atticus: Iām gonna kill that lady.
Red: Thatās enough, really.
Atticus: Iām gonna rip that tongue right out of her mouth.
Red: Atticus, calm down.
Atticus: And once I rip that tongue outā
Red: Atticusā
Atticus: [ Yelling ] āIām gonna shove it down her damn throat!
[ Atticus leaps up and lunges at Dr Grey ]
ā Security! Security! Security!
[ Red grabs Atticusās shoulders and tries to pull him back off Dr Grey ]
[ GRUNTS ] [ STRAINING ]
Red: No! No!
[ GRUNTING ]
Atticus: [ YELLS ] Iām gonna rip your tongue out! Iām gonna rip your tongue out! [ YELLING ]
[ Red tries to hold Atticus back until Medical Center staff manage to pull Atticus off Dr Grey and restrain him on the floor ]
Ā
[ Lilly calls Liz at work ]
Lilly: Buck is a god.
Liz: He traced the phone?
Lilly: He bounced the signal off of Venus or Mars ā I donāt know ā but he has a location. Itās a parking lot at 3rd and Sycamore.
[ Ressler enters ]
Ressler: Phone number was a dead end.
Liz: [ On phone to Lilly ] I gotta go.
Lilly: What are you gonna do? Are you- Are you gonna go there? Should I meet you?
Liz: Iāll call you back. [ CELLPHONE BEEPS ]
Ressler: Evidently, local PD couldnāt find Klepperās RV. [ KEYS JANGLING ] Cooper wants us to get out there, see if anyone at the campground has information on where he might be.
Liz: You go.
Ressler: What ā you got someplace better to be?
Liz: Yeah, I think Iām gonna try to talk to Reddington, ā see if he knows anything.
Ressler: Heās in the federal psych hospital.
Liz: And this is a life-or-death situation. I think theyāre gonna let me talk to him.
Ressler: Now, thereās a phone call Iād like to be on. Iāll get Navabi to go out to the RV parking lotā
Liz: No, no, no, no, no, no, no. I mean, y-youāre welcome to listen in if you want, but, with Reddington, you catch more flies with honey, and you are definitely more sour than sweet.
[ KEYS JINGLING ]
Ressler: How do you do it?
Liz: What?
Ressler: Put up with him. I canāt stand how much he hides from us, and Iām not even his kid. I donāt know how you deal with it.
Liz: Itās not easy.
Ressler: You make it look like it is.
Liz: [ SCOFFS ]
[ Ressler leaves] [ CELLPHONE DIALING ]
Liz: Iāll let you know what I find out.
Ressler: Iāll do the same.
[ Lilly places a call; LINE RINGING ]
Ā
[ Liz arrives at the RV Park and gets out of her car ]
[ Car DOOR CLOSES ] [ BIRDS CHIRPING ]
[ Liz raps on the door of Klepperās RV and stands to the side ]
Liz: Cameron Morella! FBI! Open the door. Mr. Morella, open the door, or a tactical team will storm your vehicle!
[ Klepper (aka Cameron Morella) opens the RV door ]
Liz: Hands where I can see them.
[ Klepper puts his hands up and peers around outside ]
Klepper: Whereās the cavalry?
Liz: In my hand. Now back up.
Ā
[ At the Federal Medical Center, the Nurse gives Atticus an injection ]
Red: Well, I guess there wonāt be much more from him, now, will there?
Nurse: Thatās the idea.
[ INDISTINCT CONVERSATIONS ] [ The Nurse leaves ]
[ Red taps Atticusās chest lightly ]
Red: Atticus. Atticus. We donāt have much time.
[ Red slaps his face lightly ]
Red: Hey. Hey. Your friend has a job. Itās an assassination. Look at me. He knows the FBI is looking for him, so it has to be done quietly.
Atticus: [ Dreamily ] Iād like to fly.
[ Red slaps Atticusās face again ]
Red: Hey, hey. Hey. Your friend ā who would he turn to to get a job done as quietly as possible? Atticus, who would he turn to?
Atticus: [ Sleepily ] General Shiro ā
Red: Ge- General [ STAMMERING ] Whoās that? I-I donātā General Shiro? Hey, where can I find him?
Atticus: Would you like to fly? Oh. I would.
Ā
[ Klepper sits at the table inside the RV as Liz keeps her gun trained on him ]
Liz: I know who you are, Mr. Morella. I know you murdered Kelly Carter to prevent her from telling a grand jury that she saw Digby Tamerlane trying to hide the body of a young girl he killed in a hit-and-run.
Klepper: I donāt know what youāre talking about.
Liz: I also know who you were, Dr. Klepper.
Klepper: I donāt know that name.
[ KNOCK ON DOOR ] [ DOOR CREAKS ] [ Liz lets Lilly in. She has Klepperās file ]
Lilly: Is that him?
[ DOOR CLOSES ]
Liz: He says no. But I think this should change his mind.
[ Liz shows Klepper the file ]
Liz: Look familiar? It should. Itās a picture of you in Dr. Hans Koehlerās medical file, complete with a list of every time he chiseled you or injected you, shaved you down or puffed you up.
Klepper: I donāt recognize this person.
Liz: Well, Koehler did a remarkable job of changing your appearance. But we both know that he canāt change your DNA. And that when we do take it, itās gonna match up to his. Isnāt it, Doctor?
Klepper: I like to make calculations.
Liz: Like deciding who should live and who should die?
Klepper: Thatās one calculation, yes.
Liz: Have you made it often?
Klepper: Often enough. And itās a surprisingly easy one. Others are considerably more difficult. Like why the FBI sent only one agent and one ā Iām not sure what.
Lilly: We know who you were before Dr. Koehler changed your identity. What we want to know is who Raymond Reddington was.
Liz: According to Koehlerās records, you and Reddington were patients at approximately the same time.
Klepper: And you think, what, we bonded in post-op? Compared scars? [ CHUCKLES ] The whole point of going to Koehler was to become anonymous. I never saw him. He never saw me.
[ CELLPHONE VIBRATING ] [ CELLPHONE BEEPS ]
Ā
[ Liz steps out of the RV to take a call, leaving Lilly with the gun ]
Liz: Whatcha got?
Ressler: A guy at the RV park gave us a description of Klepperās vehicle. Aram tracked it to a parking lot at 3rd and Sycamore.
Liz: How far away are you?
Ressler: About 10 minutes out.
Liz: Lemme know what you find when you get there.
Ressler: What about Reddington?
Liz: Reddington?
Ressler: Well, did you talk to him?
Liz: Oh. Yeah. He didnāt know anything.
Ressler: For once we know more than he does. All right, Iāll, uh, call you when we find something.
[ CELLPHONE BEEPS ]
Ā
[ Liz goes back inside the RV ]
Klepper: I have a gun. In that cupboard. On the top shelf.
[ Liz opens the cupboard ]
Liz: About Reddington If you didnāt see him, who did?
Klepper: A nurse. She saw all the patients before and after. She could tell you who Reddington was.
Liz: Whatās her name?
Klepper: Your colleagues are on their way. And for some reason, you didnāt tell them you were already here.
Liz: What is her name?
Klepper: I donāt randomly decide whoās gonna live or die. I do it based on whose life has more value. Take us, for example. Iām gonna spend the rest of my life in prison. You could have a long and productive career. By any reasonable standard, your life has more value, which is why you should get my gun.
Liz: We need a name.
Klepper: And Iāll give it to you once I get you to understand that you have to kill me.
Liz: What are you talking about!?
Klepper: I donāt know why you want to know who Reddington was, but clearly youāre willing to risk a great deal to find out. Your career, all the good and productive things youāll do that makes your life more valuable than mine, but it only has that value if your colleagues never find out you were here. And the only way thatās gonna happen is if Iām dead when they arrive. Like I said, itās a surprisingly easy calculation.
Lilly: Weāre not gonna kill you.
Klepper: Of course not.
Liz: [ Pause ] Youāre gonna kill yourself. Thatās what you do ā You stage killings and make them look like accidents.
Klepper: Or suicides. My gun. You donāt have much time. Either I die here or I spend my life behind bars. In some ways, itās a mercy killing.
Lilly: [ To Liz ] Youāre not actually considering ā
Liz: Wait in the car.
Lilly: You canāt do this.
Klepper: The gun for the name. If she wants the name, she has no choice.
Liz: Go.
Lilly: This isnāt right.
[ Lilly leaves. Liz picks up Klepperās gun using a towel and places it on the table in front of him ]
Klepper: Marguerite Renard. Find her, youāll find out who Reddington was. Itās the ethical thing to do.
[ Liz leaves the RV ] [ DOOR CREAKS ] [ DOOR THUDS SHUT ]
[ BREATHING HEAVILY, Liz gets into the car with Lilly ] [ SIREN WAILING IN DISTANCE ] We should go. [ ENGINE STARTS ]
Ā
[ Calexicoās āŖ āWorld Undoneā PLAYS ]
[ Ressler, Samar and other agents arrive at the scene of Gerald Klepperās suicide in the RV ]
āŖ Youāre waiting for tenderness to come
Crying for three days
[ Ressler retrieves the cell phone from the floor next to Klepperās foot ]
āŖ Now your eyes are red and tired
You canāt sleep for three days
Now youāre waiting for tenderness to come
Youāre waiting for tenderness to come
Ā
[ Liz goes up to Ressler at the Post Office ]
Liz: I heard about Klepper. He mustāve heard you were coming and decided killing himself was better than a life in prison. [ SIGHS ] Is that how you figure it?
Ressler: Not exactly, no. I, uh found Klepperās burner ā in the RV.
āŖ With a red bird on the branch
Ressler: Thatās the number forensics pulled off it. And this is the number that you gave me. So, the way I āfigure it,ā is that you gave us a fake number so that weād run in circles while you ran a trace on the real one so that you could get to Klepper first. See, first-thought theater was that you were doing it for Reddington. I mean, heās not around, so youāre carrying his water for him.
āŖ Now your worldās coming undone
Ressler: But then I checked. Since heās been in Missouri, he hasnāt been allowedā
āŖ Now your worldās coming undone
Ressler: āany calls in or out.
Liz: I can explain.
Ressler: He doesnāt know anything about this case, does he? This is your Blacklister, not his.
Liz: [ QUIETLY ] Itās a good explanation. I canāt tell you now, but Iāll tell you some day. For now, I just need you to trust me.
Ressler: Did you kill Klepper?
Liz: [ Insistently ] No. [ Pause ] But I didā let him kill himself.
Ressler: Why?
Liz: Because he convinced me the benefit outweighed the cost. The same way Iām trying to convince you not to tell Cooper what Iāve done.
Ressler: [ SCOFFS ] Because the benefit outweighs the cost.
Liz: [ SIGHS ] [ VOICE BREAKING ] I think so. Thatās a decision youāre gonna have to make for yourself.
[ Liz walks away ]
āŖ Oo-oooo-oo-oooo-oo-oooo-oo-ummm
Undone
Oo-oooo-oo-oooo-oo-oooo-oo-ummm
Now youāre waiting for tenderness to come
Ā
Ressler: Sir? Autopsyās in on Klepper. All indications are it was a suicide.
Cooper: We found evidence in Klepperās RV thatād heād made these sort of āethical decisionsā before. He killed 14 others. That we know of.
Ressler: [ SIGHS LIGHTLY ]
Cooper: You seem disappointed.
Ressler: Doesnāt it bother you thatās thereās always an ulterior motive? Some reason we were given a case thatās never fully explained?
Cooper: Not really, no. The way I look at it is, because of us, a serial killer is dead. No one will ever suffer because of him again. As far as Iām concerned, the case is closed. Unless thereās something Iām missing. Is there?
Ressler: No, sir. Itās case closed.
Ā
[ Liz talks to Lilly on the phone ]
Liz: Marguerite Renard. The nurse. Weāve got to find her.
Lilly: Before he found you, could you have done it ā what you did in the RV?
Liz: She canāt be hard to locate. And when we find her, we find out who Reddington really is.
Lilly: Could you have done it?
Liz: I donāt think so. No.
Lilly: So he did this to you.
Liz: What difference does it make? Weāre so close!
Lilly: The difference that it makes is that Iām worried that heās gonna do it to me.
Liz: That wonāt happen. It wonāt.
[ Lilly picks up a pen to write ]
Lilly: Okay. Marguerite Renard. What do we know about her?
Ā
[ The Federal Medical Center, Dr Greyās Office ]
Dr Grey: Your friend, Mr. Rodrick. Heās why youāre here?
Red: Please tell me youāre going to be administering the Szondi test. Iām absolutely fascinated by repressed impulses.
Dr Grey: There will be no more tests, Mr. Reddington. Our work is finished here.
Red: That seems premature.
Dr Grey: I saw all I needed to see today with your friend, Mr. Rodrick.
Red: You keep calling him my friend. Heās not my friend.
Dr Grey: Well, whoever he is, he was intent on killing me. I think he said he was going to, uh, ārip my tongue out.ā But your reaction was everything.
Red: My reaction?
Dr Grey: You came to my defense. You saw that Mr. Rodrick was intent on causing me harm, and although you donāt know me, you made the very conscious decision to stop him, which, to my mind, is a ā is a wonderful demonstration of your ability to distinguish between right and wrong.
Red: Iām not so sure of that.
Dr Grey: Yeah, but youāre not the doctor. Before I submit my decision, I have one more question.
Red: Iām an open book.
Dr Grey: What exactly is it you want from Mr. Rodrick?
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[ The courtroom in the SDNY ]
Judge Roberta Wilkins: I have reviewed the results of the psychiatric evaluation conducted at the defendantās request, and it is Dr. Greyās professional opinion that, while one with a criminal history like Mr. Reddington would likely have to be insane, itās clear his criminal proclivities do not rise to the level of legal insanity. It is the doctorās professional opinion that the defendant does understand the charges leveled against him and is, therefore, fully mentally competent to assist in his own defense. Mr. Reddington, youāve been provided with a copy of Dr. Greyās findings.
[ Red waves his copy ]
Judge Wilkins: Are you objecting to her conclusions?
Red: No, Your Honor. Iām prepared to accept the finding of competency.
Judge Wilkins: Wonderful. Then weāre clear to proceed. Mr. Sima?
Asst US Atty Sima: Your Honor, of the indictments that are before the court, the prosecution has elected to proceed with the charge of treason as our first case against the defendant.
Judge Wilkins: Very well. Weāll move to jury selection immediately.
[ GAVEL BANGS ]
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[ Itās lockup time at Colton Prison. Red is back in his cell with the messenger-rat system between himself and Dembe ]
[ DOOR CREAKING, THUDS SHUT ] [ KEYS JINGLE, LOCK ENGAGES ] [ INDISTINCT CONVERSATIONS ] [ LOCK DISENGAGES ] [ DOOR CREAKS OPEN ]
[ Red pulls the string that runs through the broken pipe into his cell. He pulls out a burner phone wrapped in plastic ] [ PLASTIC RIPS ] [ CELLPHONE BEEPS ] [ LINE RINGING ] [ CELLPHONE RINGS, BEEPS ]
Dembe: You got the phone.
Red: Yes, thank you, and not a moment too soon.
Dembe: Why? Whatās wrong?
Red: I spoke with Atticus Rodrick.
Dembe: Was he any help?
Red: He gave me a name ā General Shiro. I need you to find out everything you can about him.
Dembe: General Shiro?
Red: Yes. Heās the next name on the Blacklist.
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Episode Songs
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ā« Everythingās Just So Fine
By Dominic HalpināŖ When I feel the rain coming down on me
I just brush my coat and everythingās just fine,
Big holes in my pocket where some coins they should be
Hey, Iām not rich but everythingās just fine,āŖ Sometimes I talk with Mr. Blue, I donāt want him to stay,
I just show him my grin and donāt let him in,
he soon goes
on his wayāŖ Tomorrow I may wake to find,
a friend whoās true and a friend whoās kind,
But Iām so happy everythingās just fineāŖ Sometimes I talk with Mr. Blue, I donāt want him to stay,
I just show him my grin and donāt let him in,
he soon goes
on his wayāŖ Tomorrow I may wake to find,
a friend whoās true and a friend whoās kind,
But that wonāt keep me from my sleep.youāll never catch
me counting sheep because of baby
everythingās just fineāŖ I know Iām fine ācause Iām breathing
Lyrics and Credits: http://bit.ly/2X8TARM
YouTube: https://youtu.be/TO_0SkPIMb0
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ā« World Undone
By CalexicoāŖ Crying for three days
Now your eyes are red and tired
You canāt sleep for three days
Now youāre waiting for tenderness to come
Youāre waiting for tenderness to come
Now youāre waiting for tenderness to comeāŖ With a red bird on the branch
And a cactus wren in the thorns
Red bird on the branch
Now your worldās coming undone
Youāre waiting for tenderness to comeāŖ Canāt trust in this anymore
Still waiting on the fence
So many times before
What keeps you here anymore
When things fall apart
Now your worldās coming undone
Now your worldās coming undoneāŖ Now youāre waiting for tenderness to come
Lyrics and Credits: http://bit.ly/2tfaXTs
YouTube: https://youtu.be/yF7TCZlwzvk
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ā¬ļø go to start of 6:6 The Ethicist
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āāā End 6:6 Ethicist
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š“ Script 6:7 General Shiro (ā 116)
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Program air date: 2/15/2019 in the US
Script Permalink: https://wp.me/pDKwi-96w
Entertainment Weekly Recap: http://bit.ly/2BxbGDU
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Director: Kurt Kuenne
Written by: Jonathan Shapiro, Lukas Reiter
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Ā
ā Script 6:7 General Shiro (ā 116)
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Brief (Where weāre at): Red convinced the judge for his upcoming trial for treason to send him to a federal medical center for a psychiatric evaluation. His hidden purpose was to connect with Atticus Rodrick. When he got there, he found that Atticus was under heavy sedation, so he substituted Skittles for Atticusās meds. Off his meds, Atticus attacked the psychiatrist and Red instinctively intervened, which convinced the psychiatrist that Red could indeed tell right from wrong. However, she also discerned that Red was an āimposterā:
āYouāre masquerading. Leading a double life, pretending to be someone youāre not. If youāre divorced from social norms, itās because youāre divorced from a side of yourself I canāt see because youāre terrified of letting people see it.ā
What Red wanted from Atticus was the name of someone who could perform a āquiet assassination.ā Atticus gave him a name: āGeneral Shiro.ā
Meanwhile, Liz used Redās absense to enlist help from the FBI to track down another patient of Dr Koehler (Blacklister #33 the doctor who changed Redās identity). The patient, Gerald Todd Klepper, turned out to be an MD turned serial killer (Blacklister #91 The Ethicist). Liz then crossed a line by going ahead of the FBI to confront Klepper with only her half-sister Lilly (aka Jennifer). So far, no one on the Task Force knows that Liz and Lilly are on a mission to find out who Red really is and why he took on the identity of their father Raymond Reddington 30 years ago.
Klepper (who was living under the alias āCameron Morellaā) confronted Liz with a devilās bargain: he would give her the name of Dr Koehlerās nurse ~ but only if she would let him have his gun so he could commit suicide. She gave him the gun and and he gave her the nurseās name: Marguerite Renard. Liz and Lilly left the scene before the FBI arrived, but Ressler found out from Klepperās cell phone that Liz gave the FBI the run-around. When he confronted Liz, she begged Ressler to ātrust herā and keep the secret from Cooper.
Ā
[ Bob Lockemy wakes up in a panic, breathing heavily and coughing. There are several prescription medication bottles on his nightstand ]
Bob Lockemy: [ COUGHING ] Damn it. Merriam!
[ He sees a large black beetle on the table. He grabs a newspaper and smashes the beetle ]
āā
[ Lockemy stumbles into the kitchen. A woman and girl are frosting a cake ]
Bob Lockemy: [ COUGHING ] Rosa, where the hellās Merriam?
Rosa: You okay, Mr. Bob?
Bob Lockemy: No, Iām not okay. I need my inhaler.
[ Merriam Lockemy enters ]
Merriam: Whatās going on?
Rosa: Heās having trouble again.
Bob: I donāt know what the hellās wrong. I canāt get my breath. [ COUGHING ]
Merriam: Is it your chest?
[ A large black beetle crawls on a wooden spoon by the side of the cake ]
Girl: Rosa, I found another one.
Bob Lockemy: Itās that feeling again, that damn scratching, like my breath [ GAGS ] I feel ā
[ He looks like he is about to vomit, but when he opens his mouth, another large black beetle appears and flies out. They all look on in horror ]
[ Erdem Baatarās āŖ Mongolian Throat Singing No. 7 ]
āŖ [ MAN VOCALIZING ]
Bob Lockemy: I canāt ā
[ Bob Lockemy collapses ]
Merriam: Oh, no! Bob!
Ā
[ Bob Lockemy is wheeled on a gurney down a hospital corridor ]
Nurse #1: Heās in respiratory distress. Obstruction of the lower airway.
Nurse #2: Weāve ruled out anaphylaxis? Correct.
ā No known medical allergies.
ā Wife said he was ill with shortness of breath.
ā Tell O.R. 8 weāre on our way.
āā
OR Nurse: Nasotracheal intubation?
Doctor: We donāt have time. We need to establish an airway.
ā SpO2 approaching 80%.
Doctor: Letās open his cricothyroid. I want to avoid his cervical spine.
[ The doctor cuts into Lockemyās neck to open an airway. First one, then dozens of the black beetles crawl out of the incision ]
[ MONITOR BEEPING, FLATLINE ]
āŖ [ VOCALIZING CONTINUES ]
[ The beetles take to the air as the medical staff looks on aghast ] [ BEETLES BUZZING ]
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[ Liz visits Red at his holding cell in the courthouse in the Southern District of New York (SDNY) where he is awaiting jury selection ]
Red: Yesterday morning, a bio-tech company executive met a gruesome death.
Liz: Yeah. Iām not playing this game.
Red: Iām giving you a case.
Liz: Youāre giving me a lead ā for you ā so that you can keep on doing whatever it is youāre doing.
Red: Iām picking a jury of my peers. Wouldnāt that be a colorful lot.
Liz: You gave us The Pharmacist so that Dembe could get five minutes alone with him. You asked for a psych eval so youād be sent to a mental-health facility where someone you needed to see was a patient.
Red: If youāre accusing me of using the Task Force to assist me in avoiding the hangmanās noose, ā guilty as charged.
Liz: I want to help you, but I canāt if you donāt tell me what it is youāre doing.
Red: Iām fighting for my life. And you are helping more than you know.
Liz: Why canāt you just be honest with me?
Red: You remind me so much of your mother. I donāt remember if Iāve ever told you that before, have I?
Liz: There are a lot of things you havenāt told me.
Red: Iām here because someone betrayed me, someone close. Under the circumstances, itās hard to know who to trust.
Liz: Okay. Tell me about the case.
Red: What do you know about entomological warfare?
Ā
[ At the Post Office, Liz briefs the Task Force ]
Liz: For over 1,000 years, human beings have been weaponizing insects. In the 12th century, wasps nests were catapulted into enemy towns. During the Cold War, the Pentagon developed plans to produce 100 million yellow fever-infected mosquitoes per month. And the most notorious Japanese war criminal in World War II was General Shiro, who bred bubonic plague-carrying insects that killed tens of thousands of Chinese.
Samar: Did Reddington give you a case or a history lesson?
Liz: A bit of both. A year ago, a patent attorney was found suffocated in his office. Why? An infestation of deadly beetles had eaten the lining of his lungs.
Aram: Ew.
Liz: And six months ago, it was a chemical manufacturerās turn, and yesterday, the head of a bio-tech company.
Ressler: Eaten from the inside by killer beetles.
Liz: Apparently, and according to Reddington, they were put there by a modern-day General Shiro.
Cooper: Am I right in assuming this case has something to do with his defense?
Liz: Yes, but he wouldnāt tell me why.
Cooper: Our immunity deal with Reddington has been invalidated. He stands accused of treason.
Samar: Is this your periodic reminder that by working with him, we may be viewed as aiding and abetting?
Cooper: Itās a possibility, especially if we pursue cases in which his agenda is, to be polite, obscure.
Aram: Weāre all in, if thatās what youāre asking.
Cooper: Samar, Aram, look into what connects the victims. The man who died yesterday ā
Liz: Bob Lockemy, founder of Lockemy Technology.
Cooper: Go to the M.E., see what he can tell you about the weaponized insects that killed him.
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[ Federal Courtroom in SDNY ]
Asst US Attorney Michael Sima: Your Honor, we agree with Mr. Reddington. Jury questionnaires can be sent to potential jurors prior to jury selection, but he wants to ask 382 questions, most of which require essay answers. It would take jurors days to complete.
Red: Iām sorry if you find the process of selecting a fair jury to be inconvenient, Mr. Sima, but you are trying to kill me for a crime I didnāt commit.
Sima: The problem is not inconvenience. Itās relevance. Example ā Question 133. I quote, āCompare and contrast the role of memory in the works of Proust and Dickens, with examples.ā
Red: How can I sensibly judge oneās character if I donāt know their views on great literature?
Sima: This is absurd.
Red: In case you havenāt read a newspaper recently, Mr. Sima, all of our lives are playing out in the theater of the absurd these days. Your Honor, I believe the prosecution wants to intentionally dumb down the jury questionnaire because he wants to attract dumb jurors because Mr. Sima wants a jury of unsophisticated, unthinking sheep who will blindly convict me of treason out of some misguided notion that itās the patriotic thing to do. I, on the other hand, want astute jurors, people who can understand the somewhat complicated evidence I plan to present, capable of evaluating not only my motives, but also those of the government.
Judge Roberta Wilkins: The literature question is stricken.
Red: Excellent. That sort of bias will only aid in my appeal should the government win in this round of play.
Sima: We also object to question 134, āWho is your favorite classical composer?ā
Red: Okay, I will not be judged by anyone who likes Schumann. I refuse to be sent to my death by Philistines.
Judge Wilkins: I love Schumann. āFantasie in C Majorā was played at my motherās funeral this past summer.
Red: Iām sorry for your loss.
Judge Wilkins: Mr. Reddington, 40 questions should be sufficient. No essays, keep it simple, and donāt waste my time.
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[ Medical Examinerās ]
Ressler: Dr. Maguire, thanks for meeting with us. So, what do you have?
Dr Maguire: It appears that your victim suffocated.
[ Maguire sloshes a bottle with blood in the bottom and black beetles crawling in it ]
Liz: On insects?
Dr Maguire: Best I could tell, some kind of water beetle. Apparently, theyāre scavengers and fierce predators, but what I donāt understand is how the larva were able to survive in his digestive enzymes and stomach acids.
Liz: Iām sorry. I thought you said he suffocated.
Dr Maguire: That is the official cause of death, but I found larval remnants in his stomach wall and digestive tract, which suggests that he may have ingested them. These creatures were literally feeding on him, eating from the inside out. My guess is that they migrated into his bronchial tubes and lungs, and the incision in the neck, well, that simply provided an escape hatch. Just a guess. Iām not an expert in insects. You probably should talk to an entomologist.
Ressler: Know anyone you can recommend?
Dr Maguire: Not personally, but I do know that Dr. Jonathan Nikkila, he worked at the same company as your victim. If thereās anyone who can help you find the person who did this, well, Iām sure he can.
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[ Erdem Baatarās āŖ Mongolian Throat Singing No. 7 ]
āŖ [ MAN VOCALIZING ]
[ In a lab are glass cages containing black beetles. A manās fingers drum. The man, his face obscured, takes a beetle from one of the containers and inserts a long needle into it ]
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[ INDISTINCT CONVERSATIONS ] [ At the bar of a restaurant, a manās fingers drum. The man, his face obscured, pours a small packet of whitish liquid into a glass of red wine ]
āŖ [ VOCALIZING CONTINUES ]
[ A man is seated at a table in the restaurant. He is served the glass of red wine and takes a drink of it ]
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[ At Redās holding cell at the courthouse, Red and Dembe review the completed jury questionnaires ]
Red: āThe government wouldnāt spend the time charging someone with treason if they were innocent.ā āInnocentā is misspelled, by the way, and the apostrophe is misplaced in āwouldnāt.ā None of these answers instill me with great confidence in our jury pool.
Dembe: Weāll find the right people.
Red: Thanks. Why is it that spiritual advisers such as yourself are always so insistently optimistic? Just once Iād like to hear a man of the cloth say, āYep, this sucks.ā Dembe, we need a juror I can count on, one person capable of convincing the others to vote not guilty.
Dembe: The jurors are chosen randomly.
Red: Yes, from the registered voter logs, the IRS, and the Department of Motor Vehicles. Fortunately, we have a friend at the DMV.
Ā
[ KNOCK ON DOOR ] [ Glen āJelly Beanā Carter is eating a meatball sub ] [ DOOR OPENS as Dembe lets himself in ]
Glen: Dembe! Come in. Good to see you, old friend.
[ They fist bump ]
Glen: Ah! Iād shake, but I got āsandwich hands.ā [ CHUCKLES ]
Dembe: Thank you for seeing me.
Glen: No sweat off my sack. Anything for you and the Old Man. Howās he holding up, anyway?
Dembe: Itās not good.
Glen: Is it the food? Gulping down government cheese and dishwater stew ā Egh. Itās enough to make a man want to go vegan.
Dembe: We have a situation you may be able to help us with. Itās the jury pool. Raymond needs people who would be agreeable to him.
Glen: I could go to jail for that.
Dembe: If heās found guilty, theyāll try and put him to death.
Glen: [ SIGHS ] When you say it like that ā
Dembe: You have access to the voter logs via the DMV records. Raymond needs to know if you can access the logs, put a friend on the panel. Can you make that happen?
Glen: Iāve got friends. Little Robbie Funkhauser in the Big Apple office. Uh, thereās Yaling in I.T., who carries a bit of a torch for me. [ SNIFFS ] Let me poke around a bit, see what I can do.
Dembe: Do it quietly.
Glen: What about me, Dembe? This is just ābetween friends.ā Tell the Big Man to hang in there, hmm? Jelly Beanās got his back. Serious.
Ā
Liz: Thank you for helping us.
Dr Nikkila: Of course. Bob was like a mentor to me. I am devastated by the news.
Ressler: Did you have a chance to look at what the M.E. sent over?
Dr Nikkila: I have, and itās terrifying.
[ They look at a projected image of the black beetle ]
Dr Nikkila: You are looking at a genetically modified version of a predacious diving beetle known as the Dytiscidae.
Liz: Predacious?
Dr Nikkila: Predatory. There are over 4,000 types of carnivorous beetles.
Ressler: But none that prey on humans?
Dr Nikkila: Not naturally, no, but nothing about what happened to Bob was natural. The gestation period of the Dytiscidae is at least a week, and thereās no reason the larvae shouldāve survived inside his body for that long after the eggs had hatched.
Liz: But thatās what the medical examiner said happened.
Dr Nikkila: I canāt explain it. All I know is that someone made alterations. Those are its jaws. By my math, they are four times normal size.
Ressler: Talk about weaponized.
Liz: But why go to the trouble to make a super bug? I mean, there are easier ways to kill people.
Dr Nikkila: Well, not if you want to be ironic. He sent a bug to kill a bug killer.
Ressler: Lockemy Technologies made pesticides.
Dr Nikkila: Powerful ones. Like Hexapene, which I developed when I worked there. It was designed for use after natural disasters like hurricanes when the standing waters left behind could breed potentially disease-infected insects. Some people thought it was too powerful, so it was not approved for commercial use, but I still got death threats.
Ressler: For killing diseased bugs?
Dr Nikkila: You sound very rational, but in the environmental world, that type of thinking is in short supply.
Liz: So you think someone from the environmental community targeted Lockemy?
Dr Nikkila: I was a lowly technician. Bob was the CEO. If I got death threats, Iām sure he did, too.
Ressler: Weāve been led to believe that our killer fashions himself as a latter-day General Shiro. Does that mean anything to you?
Dr Nikkila: General Shiro was a war criminal, but his knowledge of how to weaponize the insect world was so great that instead of executing him, the Allies hired him to teach us how to wage bio-war. If the man you are looking for fashions himself after Shiro, it means to get his point across, he doesnāt care how many people he kills.
Ā
[ The Post Office ] [ Photos of three men are projected above ]
Samar: Hexapene is what connects the three victims. Lockemy ran the company that developed it, Steiner was the attorney he hired to patent it, and Helfrich was the chemist he used to manufacture the pesticide.
Liz: Nikkila told us Hexapene wasnāt approved for commercial use.
Aram: Not yet, but according to a recent SEC filing, Lockemy was lobbying Congress and the FDA for approval.
Cooper: And now someoneās killed everyone involved in making that happen.
[ Ressler enters ]
Ressler: I got something. This is Lockemyās calendar. Business meetings, speeches, lunches heād scheduled, including one he had a week ago with Dick Kendel.
Aram: Wait. The clean air guy?
Ressler: The clean air guy, the clean water guy. In the environmental community, he is the guy, and his current crusade ā leading the fight to ban pesticides like Hexapene.
Cooper: Kendel is a lobbyist. Maybe he had lunch with Lockemy so he could lobby him to change his mind.
Ressler: Maybe, but he did have lunch with him a week ago.
Samar: So?
Liz: So Dr. Nikkila told us the gestation period for these bugs is a week.
Ressler: Which means a week ago, our killer found a way to get Lockemy to eat or drink their way into his system.
Aram: What better way to do that than at a power lunch on K Street?
Cooper: Find Kendel, bring him in. Looks like we found our latter-day General Shiro.
Ā
[ Glen Carter and Dembe are in Glenās office going through computer lists and printed profiles looking for potential jurors ]
Glen: What about this broad? Fay Macmannis. Sheās a registered Libertarian. Theyāre always āhear no evil, see no evil.ā
Dembe: Put her in the maybe pile. What about Marlene Sucha?
Glen: Carnegie Hill address. Salmon pants territory. Blue blazers, family crests, trƩs law and order. Pass.
[ Long pause; Glen SIGHS ]
[ Voice in distance on loudspeaker ]
Woman: D-22. Window W.D-22. Window W to your right.
Dembe: What?
Glen: I was thinking, with your access to the Big Manās finances, uuuuuhā You know, never mind. Bad idea.
Dembe: Whatās a bad idea?
Glen: Doesnāt matter. Itās stupid. [ Pause. Leans forward ] What if we leave him?
Dembe: Leave who?
Glen: Reddington. I mean, let him rot. With your access to his money and my connections, we could clean him out, vanish.
Dembe: Thatās a terrible idea.
Glen: Unless itās not. We let him think we tried, did everything we could, but it didnāt work. Reddington takes a ride on the pale horse, we abscond with the dough, 50/50 split. 40/60, whatever you think is fair. Point is, you and I are great togetherrrr. You can feel that. I know you caaaan. Like brothers from another mother. The White Stripes. The Black Keys. African-American. Dembe, you and I could do great things together. [ Pause ] [ LAUGHS ] Iām screwinā with you. You think Iām nuts? Heād kill us both. You shouldāve seen your face.
Dembe: We have to find someone.
Glen: Yeah, yeah, after lunch. I am starving. Dying for one of those teriyaki bowls, extra cabbage. You want one?
Dembe: Didnāt you just eat?
Glen: Donāt worry. Weāll figure it out. Unless you want to let the old man rot. Iām only kiddiiiiing! But not really. Either way, think about it. Iāll get an extra teriyaki bowl. Youāll thank me later.
Ā
[ Outside a house with solar panels ] [ INDISTINCT CONVERSATIONS, LAUGHTER IN DISTANCE ]
[ Ressler knocks ]
Ressler: Mr. Kendel, FBI. Open up, please.
[ BEETLE BUZZES ]
Liz: Do you hear that? What is that?
Ressler: I donāt hear anything.
Liz: [ Knocks ] Mr. Kendel? Hello?
Ressler: Maybe weāre too late. Maybe he killed Lockemy and fled.
[ A black beetle lands on Lizās shoulder ]
Liz: Maybe not.
[ Ressler kicks in the door and they enter ]
Ressler: Mr. Kendel?
[ BEETLES BUZZING ] [ Beetles are swarming on the floor ]
[ They enter a room where a man lies face up, dead, covered with the beetles ]
Liz: So much for finding our killer.
Ā
[ Liz and Ressler phone in to the Post Office ]
Liz: This doesnāt make any sense. Lockemy, Steiner, and Helfrich lobbied to make Hexapene legal. Kendel lobbied to keep it illegal.
Aram: Why would someone who kills people because he hates the pesticides they make kill someone who hates pesticides?
Samar: Did the M.E. establish a time of death?
Ressler: Both men died within an hour of each other.
Samar: So, we thought Kendel poisoned Lockemy at lunch, but it turns out someone else poisoned them both.
Cooper: Weāll worry about why later. Right now, all that matters is who. Our only lead is the restaurant. Get there and see what you can find.
[ CELLPHONE BEEPS ]
Ā
[ The courtroom in the SDNY ]
Judge Wilkins: Written answers having been given, we will now proceed to in-person interviews. Given this is a death-penalty case, each side has 20 peremptory challenges. Does defense counsel understand the nature of such challenges?
Red: Yes, Your Honor. It means that by the time the jury is seated, there wonāt be a Schumann lover in the bunch.
Judge Wilkins: This should be fun.
āā
Cab Driver: Treason is pissing on our flag, going against our own people. Anybody who does that deserves to die, in my opinion. Iād pull the trigger myself.
Red: Weāll certainly keep you in mind for that.
āā
Sima: So, youāre a professor of criminal psychology. Are you confident that you could be impartial in assessing the evidence in this case?
Professor: I am. In fact, I have been before.
āā
Sister of Victim: My sister was the victim of a violent crime.
āā
Veteran: Yes, Iām a veteran. Two tours in Iraq.
Red: Thank you for your service.
āā
Factory Worker: If a manās broken a law, heās broken a law. Aināt no way around it. Itās why we got laws, anyway.
āā
Sima: But you could bring back a verdict without fear or prejudice?
Sister of Victim: Of course I could, yes.
Red: Your Honor, Iād ask that this juror ā be dismissed for cause.
Judge Wilkins: Grounds?
Red: A close member of her family was victimized by crime. I think itās reasonable to question her ability to be impartial.
Sima: She just said she could be fair-minded.
Red: And Iām sure she believes that.
Judge Wilkins: Your motion to strike for cause is denied. If you have concerns, you can use one of the few peremptory strikes you have left.
Red: No, thank you, Your Honor.
āā
Cab Driver: Itās simple. If more people were executed, maybe the death penalty would work the way it should work and criminals just might think twice.
Red: Your Honor, Iād give a dozen strikes to dismiss this juror.
āā
Veteran: I put my life on the line to defend this country. Friends of mine have died for it. So, yeah, if this guyās guilty of betraying the U.S., I think capital punishment is appropriate.
Red: Respectfully, I move to strike for cause.
Sima: Because heās a veteran?
Red: No, because it appears he already thinks Iām guilty.
Sima: He said āifā youāre guilty.
āā
Professor: How long have I been with the ACLU? 28 years. Iām a card-carrying member. Would you care to see the card?
Red: That wonāt be necessary. Your Honor, this juror is acceptable to the defense.
Sima: But not the prosecution. Peremptory strike, Your Honor.
āā
Red: Move to strike.
āā
Sima: Your Honor, please strike.
āā
Red: Strike, Your Honor.
āā
Anarchist: Truth is, I detest any form of political correctness, conventional wisdom, or government intrusion.
Red: Do you believe in the rule of law?
Anarchist: The best and the brightest should rule, not the law.
Red: Your Honor, the defense accepts and welcomes this juror.
Sima: Move to strike.
[ GAVEL BANGS ]
Ā
[ Jury selection proceeds to a woman wearing a sweater decorated with pugs ]
Red: So you like pugs.
Pug Lady: No, I love pugs.
Red: Even with all the scratching and the wheezing, the drooling and the gassiness?
Pug Lady: That is a myth. Pugs donāt sufferā
Red: I think you love them because they suffer. Perhaps because you suffer.
Judge Wilkins: This is jury selection, Mr. Reddington, not group therapy.
Red: Your Honor, this juror said she favors the death penalty and that her husband was a cop. With all due respect, she certainly qualifies as an obvious dismissal on my part.
Judge Wilkins: Iām aware of that. Iām also aware that you are out of peremptory challenges. You may strike subsequent jurors for good cause only, and loving pugs isnāt cause.
Red: Ah, well, you see, but it is. Itās cause for hope. Only people with a healthy dose of empathy are capable of caring for beasts with such deficits.
Pug Lady: Did you just call my pugs beasts?
Red: Thatās what some people see. You clearly see something else.
Pug Lady: I know what I see, and I donāt like it.
Red: Give it time. Iāve been known to wheeze and scratch. I prefer not to discuss the drool and the flatulence. Your Honor, this juror is acceptable to the defense.
Judge Wilkins: Good to know, because Iām seating her. Maāam, you may be excused. Call the next juror.
[ DOOR OPENS ] [ Glen enters ]
Glen: Okay, here I am. Ready to serve! Ahh! Okay, whoās got questions?
Red: Y-Your Honor, weāve been at this for several hours now. Might we take our mid-morning break? Iām feeling a little unwell. Just 15 minutes till I get my legs back.
Judge Wilkins: Very well. We shall be in recess.
[ GAVEL BANGS ]
Ā
Restaurant Manager Schmock: Poisoned? While eating here? ā
Samar: We believe so, yes.
Aram: They had lunch here a week ago.
Schmock: Yeah, I-I donāt remember them. But there was an incident in the kitchen.
Aram: What kind of incident?
Schmock: A stranger wandered in. One of the busboys followed him out. I mean, nothing was taken, so I didnāt give it another thought.
Samar: Is the busboy here today? Weād like to speak to him.
Schmock: You know, Iām afraid that wonāt be possible.
Aram: He may be able to I.D. the killer.
Schmock: Look, I-I want to cooperate with you and I-Iām sure he does, too, but youāre with the FBI, ā and heās ā
Samar: Undocumented.
Schmock: And in the current climate, people are understandably reluctant to talk to law enforcement, even about murder.
Samar: Weāre not looking to report anyone. Weāre just looking for some answers.
Ā
[ Samar and Aram sit down with Schmock and the busboy, Tony Montez ]
Aram: Me llamo Aram. Mucho gusto. [ CHUCKLES ] Uh, yeah, thatās thatās the extent of my Spanish. It was a first period in high school and Iāve never really been much of a morning person. Right. Okay, uh, hereās the thing. [ To Tony ] My parents were refugees.
[ Schmock translates for Tony who speaks in Spanish ]
Aram: Agent Navabi was a-a political refugee herself. Tell him that we both believe in amnesty. And that weāll go as soon as he tells us what he knows.
Schmock: He saw a man in the kitchen. And he asked him what heās doing here. He took off. He chased him down the block. Where he saw him get into a taxi in front of Hotel Macon.
Aram: Muchas gracias.
Samar: Thank you.
[ Tony smiles a little, warily ]
Ā
[ Outside on the sidewalk near the Hotel Macon ]
Samar: āWe both feel that wayā?
Aram: Well, I wanted him to feel comfortable. I didnāt think trying to convince him that youāre actually a lovable Zionist was the way to do it.
āā
Samar: [ To Valet ] Agents Navabi and Mojtabai, FBI. We need to speak with your head of security about any surveillance footage you might have of the cab stand.
āā
Samar: The license plate on the cab is yours.
Abdul Kedir: My cab, my crazy passenger.
Aram: You remember him?
Abdul Kedir: Sure. Guy jumps in, tells me this insane story about being chased by a jealous husband, and that I should drive as fast as I can.
Samar: Drive where?
Ā
[ FBI break down a door ]
ā FBI! Show me your hands!
ā FBI! FBI!
ā Clear!
Samar: Clear.
ā Room clear!
[ Aram and Samar enter a large room with glass cages, one crawling with larvae ]
Aram: Oh, this is disturbing.
Samar: What is it?
Aram: Beetle larva. All of which has probably been genetically modified.
Samar: How much do you think it takes to kill someone?
Aram: Oh, a thimbleful, if that.
Samar: Looks like he plans to kill again.
Aram: Yeah, it does. Again and again and again.
Ā
[ DOOR to holding cell area OPENS ]
Red: What the hell happened?!
Dembe: I donāt know.
Red: Glen?! Honestly. Glen?
Dembe: We only found three names.
Red: And if it isnāt bad enough, now my fate rests in the hands of Jelly Bean Carter!
[ CELLPHONE RINGING ]
Dembe: This is him.
Red: Iām not talking to him.
Dembe: Raymond, youāre operating in the dark. See what he knows.
[ RINGING CONTINUES ] [ Dembe hands Red the phone ]
Red: What the hell are you doing here? And where are the people I asked for?
Glen: I couldnāt risk putting your fate in the hands of strangers.
Red: Stra-! Glen, Dembe gave you very specific instructions.
Glen: I can do this, boss, trust me.
Red: D-Donāt call me boss, and you cannot do this.
Glen: You want to second-guess me, go right ahead. Haters gonna hate. Thatās what they do.
Red: I-I donāt even know what that means.
Glen: I wonāt let you down. Not today, not tomorrow, not no how, not no waaaay, and that, my friend, is the name of that tune.
[ LINE CLICKS ] [ CELLPHONE CLOSES ]
Red: I might as well just ask the judge to let me go lie down in traffic. [ SIGHS ]
Ā
[ Courtroom ]
Sima: Mr. Carter, have you followed any of the media coverage regarding this case?
Glen: News? Never watch it. I like the show with those ladies. You know, the wives?
Sima: What about social media?
Glen: Bullies and porn. Donāt care for one, donāt need the other.
Sima: Have you ever heard of Raymond Reddington?
Glen: Canāt say that I have.
Sima: Have you formed an opinion of the defendantās guilt or innocence?
Glen: Knew a Fred Reddington once. Had four nipples.
Judge Wilkins: As fascinating as that may be, please just answer the question.
Glen: I donāt judge a book by its cover, if thatās what youāre asking.
Sima: What is your feeling about the death penalty?
Glen: I get pre-judged plenty. I try not to return the favor.
Sima: If you were asked to imposeā
Glen: Guess you could say Iām not unlike that blindfolded beauty, Dame Justice, up there in her silky robe. No bias, no prejudice. I donāt discriminate.
Sima: Or apparently, follow simple instructions.
Glen: Except against cats! I hate cats. Besides that, Iām good. Iām sorry. What was your question?
Sima: Exactly. Move to dismiss the juror, Your Honor.
Red: On what grounds? That heās open-minded? That the abuse thatās been heaped upon him as a result of his decidedly unpleasant personality has made him reluctant to do unto others as they have so often done unto him? This isnāt a popularity contest. Mr. Simaās dismissiveness is, Iām sure, an all too familiar event in this manās life. Heās odd and annoying and clearly incapable of following instruction.
[ Glen frowns at Red ]
Red: I think itās safe to say that even those who know him best, perhaps ā especially those who know him best ā probably hold him in remarkably low regard. But the lamentable characteristics that make him an outcast are the very ones that make him perfectly suited to sit on this jury. Beholden to no one because no one likes him.
[ Glen frowns ]
Red: Capable of making up his own mind because heās incapable of listening to anyone else. He is an outcast. Maybe even deservedly so, but if heās able to administer blind justice in this case, I think we should give him a chance with the blindfold.
Sima: Whatever justice this juror may have been intending to administer will hardly be blind after defense counselās stirring remarks on his behalf.
Judge Wilkins: Iām not so sure he was damning with faint praise or praising with faint damnation. Either way, if the juror insists heās impartial, Iām inclined to take him at his word.
Glen: So I made the cut?
Judge Wilkins: You did, Mr. Carter. Thank you in advance for your service.
Glen: [ Bowing ] Thank you, Your Majesty. And may I say, uh, unlike my last judge, you are a tall drink of water.
Sima: Your last judge? In your questionnaire, you said you hadnāt served on a jury before.
Glen: I wasnāt on the jury. I was the defendant. I won a hundred K at a craps table in Reno. Casino took me to court for sliding dice.
Judge Wilkins: And did you slide dice?
Carter: [ CLEARS THROAT ] Six boxcars in a row.
Judge Wilkins: So youāre a convicted felon?
Red: Or a parable for our times the common man forced to do something uncommon to make ends meet.
Glen: I bought a sweet condo, thatās for sure. [ CHUCKLES ]
Judge Wilkins: Mr. Reddington, as moving as your apparently boundless empathy for this man may be, a convicted felon may not serve on a jury. Mr. Carter, youāre dismissed.
Glen: For what? Leveling the playing field? Odds of rolling a pair of sixes is 36-to-1. House only pays 31-to-1, and you think Iām the crook here? What about a jury of his peers, huh? You canāt just have a bunch of pocket protectors! This is Raymond Reddington weāre talking about!
Sima: I thought you didnāt know who he was.
Glen: I donāt. Not in a Biblical sense. Thatās not how I roll.
Judge Wilkins: Mr. Carter, I think you should roll on out of here.
Glen: Agh.
Ā
[ Post Office ]
Aram: We had it all wrong about Lockemy and Kendel being on opposite sides. It turns out they both wanted to legalize Hexapene.
Samar: Files from the Blacklisterās lab indicate that Lockemy paid Kendel to support legislation being considered by Congress.
Aram: Paid his organization $3 million to do an independent analysis.
Ressler: I guess for that kind of money, itās hard to stay independent.
Cooper: Have you been able to I.D. the Blacklister?
Liz: Not yet. Weāve looked through the tax records on the property, but itās owned by a holding company. TAC teamās on site now, but he hasnāt showed up.
Samar: Kendel sold out and paid for it with his life. Lockemy, Steiner, and Helfrich were killed for being true believers.
Ressler: Dr. Nikkilaās not only a true believer ā he invented Hexapene.
Cooper: Navabi, reach out to him. Get him a security detail and somebody to monitor what he eats and drinks.
[ DIALING ]
Aram: We also found a copy of a press release that Kendelās organization was scheduled to release today in support of Hexapene.
Liz: Why today? A press release is usually tied to a news event.
Aram: The legislation that Congress is considering to legalize Hexapene, the Committee on Energy and Commerce is holding a hearing on it today, and the Blacklister had the date circled in his calendar.
Ressler: Weāre on our way.
Ā
[ Phone conversation between Liz and Ressler in vehicle and Post Office ]
Samar: We found Dr. Nikkila.
Liz: Thatās a relief.
Aram: Not where we found him, it isnāt.
Samar: The committee hearing youāre on your way to, Dr. Nikkila is the star witness.
Liz: Weāve contacted Capitol Police, but we donāt have a description of the unsub.
Cooper: Were they willing to postpone the hearing?
Ressler: Shut down Capitol Hill over a toxic beetle larva? Itās not gonna happen.
Cooper: Have you reached out to Dr. Nikkila?
Liz: Heās not answering. Weāve left messages, phone and text.
Cooper: Everything we know suggests this man will strike again at the hearing. When does it start?
Liz: Five minutes ago.
Ā
[ Hearing of Committee on Energy and Commerce ]
Dr Nikkila: Good morning. My name is Dr. Jonathan Nikkila. I want to begin by thanking you for inviting me to testify. I am confident that before the hearing concludes, you will agree with me that the question of whether or not to legalize Hexapene is, quite literally, a matter of life and death.
[ MAN COUGHING ]
Dr Nikkila: Yes, I personally developed the pesticide in question, Hexapene, so I can vouch for its efficacy. There are some environmentalists who worry about its effect on people, and itās true that like all pesticides, Hexapene can have negative effects on humans, but that is not really the point.
Committee Chair: Harm to humans isnāt theā [ COUGHING ] Iām sorry. I was asking isnāt harm to humans the whole point?
āā
[ POLICE RADIO CHATTER ] [ Liz and Ressler get out of their SUV ]
Liz: Agents Ressler and Keen, FBI.
Talbert: Yes, Officer Talbert, Capitol Police. We spoke. EMTās en route.
Ressler: Dr. Nikkila. Can you take us to him?
āā
Dr Nikkila: The real threat Hexapene poses is to the insects, not humans. It decimates insect populations. Not just the insects it targets ā all insects. It is not the only one. Pesticides are causing cataclysmic die-offs of insects throughout the world. It is not just honeybees. Congressman: I think weāre getting off topic. The issue is the harm caused to humans.
Dr Nikkila: Our land can live without humans, thrive even. The Earth dies without insects.
Thereāll be no pollination, no crops, no food, no way to remove rotting flesh, dead vegetation. Without insects, the Earth will become a deep, dark graveyard because we killed off its most important inhabitants.
Committee Chair: In that case, why didnāt you protest the making of Hexapene in the first place?
Dr Nikkila: Because I trusted my colleagues. I was assured by them that Hexapene would only be used in the wake of a natural disaster, but then I found out Mr. Lockemy misled me. He intended to sell Hexapene everywhere, and he was lobbying you to allow it.
āā
[ Liz and Ressler walk through halls with Capitol Police ]
āā
Dr Nikkila: I begged him to reconsider. He thought I was being hysterical, ā but I felt and feelā
Committee Chair: [ COUGHS ]
Dr Nikkila: āthat people who poison the planet present a mortal danger that must be eliminated as an act of global self-defense and justice. That, sir, is why you cannot stop coughing. You have been poisoned. Not by me, but by the insects.
ā What is he talking about?
ā Did he say poisoned?
Dr Nikkila: They are genetically modified Dytiscidaes, to be precise predacious diving beetles, and they have been growing inside you since I dosed your wine at Rubyās. By now, they have hatched and are trying to escape via your airways.
Committee Chair: [ COUGHS ] [ A black beetle comes out of his mouth. It flies through the room over the heads of the spectators ]
[ SPECTATORS GASP ]
Congressman: Security, detain Mr. Nikkila.
Dr Nikkila: You donāt need security, you need an ambulance, and this cause needs attention, which is exactly what you are going to give us.
[ Ressler and Liz arrive ]
Ressler: Jonathan Nikkila. FBI.
Dr Nikkila: These people are poisoning the planet. The insects can save us!
Ressler: Youāre under arrest.
[ The Committee Chair collapses. Paramedics arrive. Ressler escorts Dr Nikkila away ]
Ā
[ Red talks on the phone with Glen ]
Red: You were on the jury! Youād been picked! All you had to do was stop talking!
Glen: What do you want me to say? Iāve never been picked for anything before. It went to my head. And FYI, Iām not the one that said hurtful things in there.
Red: No, what you said was catastrophically stupid.
Glen: āUnpleasant personality, odd, annoying, beholden to no one because no one likes him.ā You cut me, man. You cut me bad.
Red: I cut you?
Glen: [ Panged ] Without an apology, I donāt know where we go from here.
Red: [ Grimaces; SIGHS ] Iām sorry.
Glen: Dude, Iām messing with you! Being odd and annoyingās my stock and trade. So, tell me [ CLEARS THROAT ] whatās the contingency plan?
Red: You were, Glen.
[ Cellphone slaps shut ]
Dembe: This sucks.
Red: On second thought, I prefer insistent optimism.
Dembe: Weāve been through worse. The Nkana mine explosion in Zambia. The typhoon on the trawler. 40 people, 3 life vests. If we found our way out of those situations, we can find our way out of this one.
Red: That case I gave the Task Force ā have they identified General Shiro?
Dembe: Yes. His name is Dr. Jonathan Nikkila.
Red: I need you to get into his lab, get to his files.
Dembe: What am I looking for?
Red: An address for my get-out-of-jail-free card. I believe Nikkila must have sent him some of his toxic bug juice. And without Glen, he is the last rabbit in my hat. The only way out of this situation is to find him, and the way to find him is somewhere in Nikkilaās lab.
Dembe: If thereās an address, Iāll find it.
Red: Thank you, Dembe. I donāt care if itās insistent optimism or false hope. At this point, Iāll take either one.
Ā
[ POLICE RADIO CHATTER ] [ Dembe approaches Liz ]
Dembe: The jury has been picked.
Liz: And?
Dembe: Raymond is in trouble. He needs help.
Liz: W-What can I do?
Dembe: Take me to Dr. Nikkilaās lab.
Liz: And give you five minutes alone with him like I gave you with The Pharmacist?
Dembe: Itās important, Elizabeth.
Liz: Itās also a sealed crime scene.
Dembe: Then you need to unseal it.
Ā
[ An interrogation room ]
Samar: You should know that Robert Carson, the Committee Chair, passed away an hour ago.
Dr Nikkila: You really donāt understand the scientific process. Thereās no biological benefit to revenge. None of those people were my victims. They were my experiments.
Samar: Experiments? For what?
Dr Nikkila: The insects, of course. My crime was to create a pesticide that kills them off. The least I could do was help them fight back by giving them the tools and traits they need to survive. But I had to test it, verify. I needed to prove my hypothesis that insects could fight back, and my six experiments proved that they could.
Samar: You modified the insects. You took traits from different species to make them lethal.
Dr Nikkila: Mm. That will be my legacy. I will not be remembered as a destroyer of their world, but their savior.
Samar: You said six experiments. There was Lockemy, Steiner, Helfrich, Kendel, the Congressman. Who was the sixth? ā
[ Samar calls through the door ]
Samar: Call an ambulance! Did you hear me? Call a medic, now!
Dr Nikkila: [ COUGHING ] [ He spits out a beetle ]
Samar: You knew you would get caught, but you donāt care because you know youāre not going to prison. [ Shouting ] Did you hear me? Get a medic in here now!
Aram: Paramedics are on their way.
Dr Nikkila: Thatās okay. Tell them not to rush. You can leave for this part if that would make you more comfortabā [ GAGGING ] [ COUGHING ] [ Dr Nikkila coughs up dozens of beetles ]
[ Aram and Samar leave ] [ Door THUDDING ] [ They watch from outside the room. Flying beetles swarm against the one-way glass ]
Dr Nikkila: [ SPITS ] [ COUGHING ] [ GROANING ] [ BEETLES BUZZING ] [ GROANING ]
Ā
[ Cooper stops by Redās holding cell ]
Red: What a nice surprise. Oh, if Iād known you were coming, I wouldāve baked a cake. Donāt suppose you have one on you, perhaps with a file or a blowtorch in it?
Cooper: No such luck, Iām afraid.
Red: Ah, pity.
[ Cooper flicks a lighter ]
Cooper: Itās not a blowtorch, but I thought it might, uh, calm the nerves.
[ Cooper produces two cigars ]
Red: [ Claps his hands and LAUGHS ] Grab a chair.
āā
[ LOCK DISENGAGES ] [ Dembe lets himself into Dr Nikkilaās lab and looks around with a flashlight ]
āā
Red: I was thinking earlier about the time Dembe and I were on a trawler that capsized during a typhoon off the Philippines. We were running guns to the Moro Islamic Liberation Front.
[ Red inhales the cigar smoke, blows it out ]
Cooper: Itās interesting. How you always seem to side with the underdog.
Red: I find desperation pays well.
Cooper: The overdog always pays better.
Red: [ LAUGHS at Cooperās joke ] The boat was too full to begin with, so when the storm caught up with us, we didnāt stand a chance. Of the 40 people on board, 24 were lost right away. Another 11 didnāt last the night. There was no life raft. The militia leaders took the three available life vests.
āā
[ Dembe opens a drawer and takes out a file labeled āTracking Noticesā ]
āā
Cooper: Leaving you and Dembe.
Red: [ CHUCKLES ]
Cooper: How did you survive?
Red: I didnāt. I drowned that night. I saw the other side. It was ā so different.
āā
[ Dembe finds the page heās looking for and removes it ] [ BINDER CLICKS ]
āā
Red: And then I was back. How he did it ā Found a wooden door, held me to it, pounded the water out of my lungs and the life back in. Dembe saved my life that night. Dembeās always saved my life.
[ Red leans back, inhales the cigar smoke, exhales ]
Ā
Liz: Did you find what you came for?
Dembe: I did. Thank you, Elizabeth.
Liz: He said I reminded him of my mother. Thatās what he said when I asked him why he gave us this case.
Dembe: Heās right. You remind me of her, too.
Liz: You know everything.
[ Communist Daughterās āŖ āKeep Movingā plays ]
āŖ Keep your head down
Liz: Donāt you?
āŖ Keep moving
Liz: Everything about him. All the answers Iām looking for.
āŖ Listen for a sound
Dembe: I do.
āŖ Keep moving
Theyāll never pin you down
[ Liz slowly walks past Dembe to the door ] [ LOCK ENGAGES, KEYS JINGLE ] [ Liz looks back at Dembe ]
āŖ If you keep moving
Ā
[ The courtroom ]
Judge Wilkins: Do you and each of you solemnly swear that you will well and truly try and a true deliverance make between the United States and Raymond Reddington a true verdict rendered according to the evidence, so help you God?
Jurors, together: I do.
Judge Wilkins: With the jury in place, trial is set to commence Tuesday morning at 8:00 a.m. I will see you all then.
[ Red and Sima rise to leave ]
Red: Thatās a smug little grin.
Sima: Iāve been a prosecutor for 18 years. I have empaneled over 300 juries. Itās usually a flip of a coin as to which way theyāre gonna lean, but this group This is a two-headed coin, my friend. Your fate is sealed.
Red: Weāll see about that.
Sima: I respect the false confidence, but you and I both know ā youāre a dead man walking.
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Episode Songs
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ā« Mongolian Throat Singing No. 7
By Erdem BaatarāŖ [ Vocalization only ] Wikipedia: Tuvan throat singing, Khoomei, Hooliin Chor (in Mongolian, āthroat harmonyā), or Mongolian throat singing is one particular variant of overtone singing practiced by people in Mongolia, Inner Mongolia, Tuva and Siberia. In 2009, it was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO, under the name Mongolian art of singing, Khoomei.In Mongolian throat singing, the performer produces a fundamental pitch andāsimultaneouslyāone or more pitches over that. The history of Mongolian throat singing reaches far back. Many male herders can throat sing, but women are beginning to practice the technique as well. The popularity of throat singing among Mongolians seems to have arisen as a result of geographic location and culture. The open landscape of Mongolia allows for the sounds to carry a great distance. Ethnomusicologists studying throat singing in these areas mark khoomei as an integral part in the ancient pastoral animism that is still practiced today. ā¦
Lyrics and Credits: [ None ] Wikipedia: http://bit.ly/2Ndz5z6
YouTube: https://youtu.be/1qUEzvIC_Jw
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ā« Keep Moving
By Communist Daughter[Verse 1]
āŖ Keep your head down, keep moving
Listen for a sound, keep moving
If youāre [?], gotta keep moving
Iāll never pin you down, if you keep moving[Chorus]
āŖ I wonāt look above me ātil I fall, ātil I fall
I wonāt let you love me ātil I fall, ātil I fall
āTil I fall[Verse 2]
āŖ Worry never wins, just keep moving
Now itās sinking in, you gotta keep moving[Chorus]
āŖ I wonāt look above me ātil I fall, ātil I fall
I wonāt let you love me ātil I fall, ātil I fall
āTil I fall[Outro]
āŖ Keep your head down, keep moving
Keep your head down, keep movingLyrics and Credits: http://bit.ly/2X5BKPQ
YouTube: https://youtu.be/FY3pTlrOebI
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āāā End 6:7 General Shiro
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š“ Script 6:8 Marko Jankowics (ā 58)
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Program air date: 2/22/2019 in the US (7pm CT) [ First of Two Episodes ]
Script Permalink: https://wp.me/pDKwi-99y
Entertainment Weekly Recap: http://bit.ly/2IoctNn
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Directed by: Bill Roe
Written by: Lukas Reiter
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ā Script 6:8 Marko Jankowics (ā 58)
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Brief (Where weāre at): Red has come up short in his attempt to plant a sympathetic juror on the jury and his trial for treason is set to begin. In a final gambit to secure a āget-out-of-jail-freeā card, Red has had Dembe go to the files of the last Blacklister (#116 General Shiro) to get the address of a person Red is sure must have been sent some of General Shiroās deadly ābug juiceā (deadly genetically-altered beetles, eggs or larvae).
Meanwhile, Liz and Lilly/Jenniferās next step in their search to find out Redās true identity is clear: to locate the woman, Marguerite Renard, who was the nurse of plastic surgeon Dr Hans Koehler (Blacklister #33) around the time he changed Redās appearance to assume the identity of their father, the real Raymond Reddington. Liz got the name of the nurse from Gerald Todd Klepper (Blacklister #91 The Ethicist) in exchange for letting him commit suicide. Ressler wised up to the fact Liz had done an end-run around the Task Force and confronted her about Klepperās death. Liz begged Ressler not to tell Cooper but to ātrustā her that āthe benefit outweigh[ed] the cost.ā (So far, the Task Force is in the dark about the fact that Liz and Lilly found out that Red isnāt the real Raymond Reddington.)
Dembeās centrality to the mystery of Redās identity came into sharper focus in a tale Red told to Cooper about how Dembe saved his life when a trawler capsized in a typhoon in the Philippines. (āDembe saved my life that night. Dembeās always saved my life.ā) Also, Liz was surprised to learn that Dembe remembers her mother:
Liz: He [Red] said I reminded him of my mother. ā¦
Dembe: Heās right. You remind me of her, too.
Liz: You know everything. Donāt you? Everything about him. All the answers Iām looking for.
Dembe: I do.
Ā
[ An airport ) [ INDISTINCT CONVERSATIONS ] [ A young couple, the woman looking to be about nine months pregnant, wait in line to be processed through customs ]
Customs Agent: Sir, maāam, come with me, please.
Russell Chambers: Excuse me?
Customs Agent: Step out of line and follow me.
Angela Chambers: Weāve been in line for nearly an hour.
Russell: Follow you where? Is there a problem?
Customs Agent: I can help you right here.
Angela: Oh, my Goā [ CHUCKLES ] Oh, my God! Thank you. Oof!
Customs Agent: Yeah, my wifeās due in two weeks. So Iām sure youāre ready to get out of here and of your feet.
Angela: Seriously, we may have to name the baby after you.
Customs Agent: [ CHUCKLES ] So, we have Angela [ DEVICE BEEPS ] and Russell Chambers of Montreal. What brings you to the nationās capital?
Angela: Weāre on our babymoon.
Russell: Gonna see her sister here in D.C. and then drive up to New York City.
Customs Agent: Mmm. Welcome back to the United States.
[ The Customs Agent stamps a passport ]
Ā
[ Angela gets out of a car and hurries into a medical building. She is met by two men in green surgical outfits ]
Surgeon: You look like youāre about ready to pop. Any problems on the way?
Angela: None. Just get it out.
[ MONITOR BEEPING ] [ Angela lies down on a surgical table. A mask is put over her face. The surgeon slices into her abdomen and removes ā a large, pliable plastic container. He cuts through the thick plastic and takes out a packet which he opens. It is full of large, clear crystals. He holds one up to the light and makes a phone call ] [ KEYPAD BEEPING ] [ RINGING ]
Surgeon: Sarkany. Hey. Itās a boy.
[ Marko Jankowics (aka Sarkany) walks up the staircase of a large mansion ]
Marko Jankowics: Another flawless delivery. Iāll celebrate tonight. Like a proud papa. [ CHUCKLES ]
Ā
[ Red sits on the floor of his cell at Colton Prison while Vontae Jones, his young acolyte, stands watch. Red has rigged a broken pipe with a string system for exchanging messages and contraband with Dembe ]
Red: [ GRUNTS SOFTLY as he pulls a packet through the pipe ]
[ INDISTINCT CONVERSATIONS in the halls ]
[ Red unwraps the packet; it contains a burner phone ]
[ Red makes a call ] [ KEYPAD BEEPING ]
Dembe: [ On phone ] Raymond.
Red: I got your message. Whatās the news?
Dembe: Dr. Nikkilaās files. I got an address to where the stuff was sent.
Red: An address, not a name?
Dembe: Michael Falkirk. An alias. But I have an address in London.
Red: You need to go there.
Dembe: What do you want me to do with him?
Red: Nothing, not until we know what he plans to do with the toxin. Iād love to have something to trade the government in exchange for my freedom.
Dembe: Will the target be that important?
Vontae: [ HUSHED ] Guards!
[ INDISTINCT SHOUTING ]
Red: [ To Dembe ] I have to go.
[ INDISTINCT SHOUTING ] [ Guards run, locking cells, while fighting between inmates erupts ]
[ SHOUTING, PUNCHES LANDING ] [ Red and Dembe watch ]
Vontae: Things are getting worse. You just watch. Weāre gonna have a riot in here.
Ā
[ Lizās living room. Liz slaps down photos of a blonde woman on the coffee table ]
Liz: I found her. Marguerite Renard. The nurse who used to work for Dr. Koehler walking her dog in an upscale neighborhood no nurse practitioner could possibly afford.
Lilly/Jennifer: Did you talk to her?
Liz: She used to help criminals get new identities. I doubt she wants to chat about it with a perfect stranger, especially one who works for the FBI.
Lilly: Okay. So what do we do?
Liz: Well, since we canāt go to the Bureau, we got to get her ourselves, get her to talk.
Lilly: You mean like kidnap her?
Liz: She was in the room when the man we know as Reddington changed his face.
Lilly: Thatās what you mean. You mean, like, physically get her.
Liz: She knows who he was. She knows everything.
Lilly: Thatās crazy! I canāt- I canāt do that!
Liz: You got to remember why weāre doing this. We had a plan, and it is working. Sideline Reddington so we can get to the truth. Marguerite Renard has the answers. Our answers.
Lilly: Okay. So what do I have to do?
Liz: Nothing. Iāll handle it. All you got to do is drive.
Ā
[ CLASSICAL MUSIC PLAYING ] [ Redās cell ]
Warden Macatee: I think maybe you and I got off on the wrong foot.
Red: You think?
Warden Macatee: Since then, I feel Iāve been quite accommodating. In exchange, Iām hoping you might accommodate me.
Red: Is this connected, perhaps, to that little dust-up earlier?
Warden Macatee: We got a potential war brewing. A situation between two rival groups.
Red: You say āgroups,ā but you mean gangs.
Warden Macatee: Oneās a motorcycle club. Runs drugs between New York and Baltimore. They call themselves āThe Cyclops.ā
Red: How unfortunate.
Warden Macatee: One of their young members, Oscar Sandoval, did some gambling with a soldier from a group of southern inmates called the Rock River Crewā
Red: Whatās the plural of Cyclops anyway? āCyclopsesā? Or is it like ādeerā? Singular and plural? Not to mention a cyclops is an epically tragic figure. Blinded by the hero with some flaming stick. Homer, Euripides?
Warden Macatee: Unfortunately, the Rock River soldier refused to pay his debt.
Red: So the winner is forced to punish the infraction or risk making his own gang look weak.
Warden Macatee: If someone doesnāt mediate, more people are gonna die.
Red: Iād like to help, but as you can see, Iām preparing for trial. Soā
Warden Macatee: Iām letting you listen to this crap and take books out of the law library, all this nice stuff. You need to make a call for peace. Those groups, they respect you.
Red: Iām respected because I mind my own business, and I intend to keep it that way.
Warden Macatee: Fine. But ā [ MUSIC STOPS ] if youāre not gonna give [ CLEARS THROAT ] youāre not gonna get.
[ VINYL RECORD SHATTERS ]
Warden Macatee: I feel I think better in the silence. Donāt you?
Ā
[ Itās dark ] [ ENGINE IDLING ] [ Liz and Lilly are parked near Marguerite Renardās apartment ]
Liz: You okay?
Lilly: I will be. When itās over.
Liz: Weāre just gonna talk to her.
āā
[ Marguerite Renard is walking her dog. Liz walks up to her ]
Liz: Excuse me. Weāre looking for 95 North?
Marguerite Renard: Oh, go up to Fort Avenue and make a right and then a left on Hanoverā
[ Liz pushes Marguerite Renard into the car ]
Liz: Get in.
Marguerite Renard: What is this? Who are you?! Where are you taking me?!
Liz: Drive.
[ TIRES SQUEALING ] [ The car takes off but is blocked by a van. Men get out ]
Bodyguard: Out!
ā What the hell is happening?
Bodyguard: Out of the van! Now!
[ A bodyguard smashes one of the car windows ā”ļøand pulls Lilly out and into the van ] [ SCREAMING ]
[ Marguerite Renard also gets into the van ]
[ Liz struggles with another bodyguard until she is able to shoot him ] [ GUNSHOT š„ ] [ TIRES SQUEAL as the van leaves ]
Ā
[ Liz knocks on Resslerās door. There is blood on her hands ] [ The door opens ]
Ressler: Keen.
Liz: I need to show you something.
[ Ressler sees the blood on Lizās hands ]
Ressler: Jesus. Are you all right?
Liz: Itās not mine, but I am in trouble. Will you come outside?
[ Hannah appears from inside Resslerās apartment ]
Hannah: Don. Who is it?
Ressler: Uh- Hannah, Liz. Uh, Liz is my partner.
[ Hannah sees Lizās hands )
Hannah: Oh, my God.
Ressler: Itās okay.
Hannah: āItās okayā? Sheās covered in blood.
Ressler: I-Itās not hers, though.
Hannah: Itās someone elseās blood?
Liz: I shouldnāt have come, so ā
Ressler: No, no, no, no. Itās fine. Liz has to show me something outside. Itās just gonna be a minute.
Liz: Itās gonna take longer than that.
Ressler: Let me get my jacket. [ To Hannah ] Iāll be back as soon as I can.
Hannah: Okay, uh, justā Be careful.
[ Door closes ]
Ressler: Keen, whatās going on?
Liz: First of all, I got a stolen van parked downstairs.
Ressler: Okay, thatās not so bad.
Liz: Yeah, well, the thing is ā thereās a dead body inside the stolen van.
Ā
[ Liz and Ressler talk in a vehicle ]
Ressler: Iām sorry. Iām just Iām trying to run my head around all this. So Reddingtonās not Reddington. Heās ā
Liz: An imposter.
Ressler: ā Who you turned in. I mean, heās in prison, facing the death penalty because of you.
Liz: If I had gone to the FBI, then he would have found out that Jennifer and I know.
Ressler: And youāre sure he hasnāt?
Liz: The only thing Iām sure of is that heāll do anything to keep anyone from knowing the truth. Remember Hans Koehler?
Ressler: Sure, the plastic surgeon to the criminal elite.
Liz: Heās the one who transformed the imposter into Reddington, and by giving us that case, Reddington got ahold of Koehlerās files.
Ressler: Which he gave to us.
Liz: Yes. Every file except his.
Ressler: And all of this connects to the dead guy in the van how?
Liz: Jennifer and I were able to track down Koehlerās nurse, the one person who may know the truth, and by the time we got to her, we were attacked by two armed guards. One of them took the nurse and Jennifer, and the other oneās in the back.
Ressler: So the bones in that duffel bag, the truth that Kaplan knew, the one that got Tom killed ā is that Reddingtonās an imposter.
Liz: Yes. He stole my fatherās identity, ruined his name, and lied to me about who he really was. All I want to know is the truth, but in trying to find it, I lost my sister.
Ressler: Weāll find her.
Liz: How?
Ressler: Same way we always do. [ GRUNTS ] [ Takes fingerprints from the body ] Evidence.
Ā
[ Itās still night, but Red and Liz are at the Post Office ]
[ Ressler watches a computer screen as fingerprints roll by RAPID BEEPING ]
[ Liz walks up ]
Liz: Jenniferās on a plane.
Ressler: How do you know that?
Liz: I was tracking her cellphone, and the signal died at around 21,000 feet, headed north over Vermont.
Ressler: Thatās good. At least we know sheās probably alive.
Liz: Iām pulling the flight plans for every private plane that left BWI, Martin State, and Tipton over the last few hours.
Ressler: This nurse, the one who worked with Reddingtonās surgeon ā
Liz: Marguerite Renard.
Ressler: You said that she had guards on her. You think that was Reddington?
Liz: I donāt think so. If he suspected me, Iād have known.
Ressler: But you donāt think that he knows that you suspect him? [ COMPUTER BEEPS ] Maybe he didnāt. Check this out. Our dead guard ā Tristan Benedek. Thirty, Hungarian. According to his rap sheet and the Bureau file, heās a known associate of Marko Jankowics. A few years ago, there was a joint DEA/Bureau task force dedicated to Jankowics. They never caught him. He specializes in LSD. Pure crystals. One gram has a street value of almost $15,000. Thatās $7 million a pound.
Liz: And Jankowics is also Hungarian?
Ressler: LSD is not easy to make. You have to have access to a type of fungus called ergot alkaloid, which, in the U.S., is nearly impossible to buy. But in Eastern Europe, the restrictions are a lot looser. And according to this, our best intel says he ships to Canada, more than likely Montreal, and then he gets it across the border with mules.
Liz: It says here heās also known as āSarkany,ā some kind of multi-headed dragon in Hungarian folklore.
Ā
[ In Marko Jankowicās mansion, Lilly (Jennifer) sits tied to a chair. Her face is bruised ] [ SOBBING, BREATHING HEAVILY ] [ Jankowic sits in a chair in front of Lilly ]
Jankowics: Who are you? Surely you wonāt withhold a first name. One wave of my hand, and my men will have you begging to tell me your life story.
Lilly: [ BREATHING HEAVILY ] My nameā My name is Jennifer.
Jankowics: Who do you work for, Jennifer? Itās not DEA.
Lilly: I donāt know anything. I swear to God. I donāt know anything.
Jankowics: Youāre better off staying silent than lying to me.
Lilly: Iām not an agent. I swear.
Jankowics: The woman who has my man ā what is her name?
Lilly: [ STAMMERING ]
Jankowics: You donāt have to tell me.
[ Jankowic shows that he has her cell phone ]
Lilly: [ BREATHING HEAVILY ] Oh. Oh, God.
Jankowics: I wonāt believe you anyway. We have your phone that should prove very informative.
Lilly: Please! Please! I swear to God, I donāt know who you are! Whatever you do, it has nothing to do with me! I swear to God!
Ā
[ The Post Office ]
Ressler: I found the only four photos the Bureau had of Jankowics.
Liz; Thatās her. Marguerite Renard.
Ressler: Sheās his girlfriend.
Liz: Now we know why she was being guarded so closely.
Ressler: And how she could afford that penthouse apartment.
Liz: When she was Koehlerās nurse, she was working around some of the worldās most dangerous criminals. I guess she likes the type. Now what?
Ressler: Well, if Jankowics has ties to Montreal, thatās where that jetās headed. Itās got to be across the border. Jennifer could be anywhere.
Liz: I got to call it in, tell Cooper.
Ressler: Should have went to Cooper from the get-go, but now, uh, itās way past that. Now you only have one move left.
Liz: Go to Reddington?
Ressler: Heās gonna want to help. Jenniferās his daughter.
Liz: Jennifer is not his daughter, because he isnāt Raymond Reddington.
Ressler: Well, whoever he is, he runs a criminal empire, and if anyone can find Jennifer, itās Reddington.
Liz: [ SCOFFS ] What am I gonna say? I canāt tell him the truth.
Ressler: Lie. Youāve been doing it for months, and no oneās the wiser.
Liz: Well, Iāll take that as a compliment.
Ressler: Look, Reddington may not be your father, but he cares about you. You ask him for help, heāll give it.
Ā
[ Colton Prison. Red is sleeping ]
Guard: Reddington! You got a visitor.
āā
[ HINGES CREAKING ]
Red: Thank you.
[ Red sits down across a table from Liz in the visitors area ]
Red: I have no earthly idea what would bring you here at 3:00 a.m., but I was in the midst of a glorious dream with two mermaids, a sea cucumber, and an octopus.
Liz: I need your help.
Red: Whatās wrong?
Liz: Itās Jennifer. Sheās been taken. Jennifer was kidnapped by guards working for a man named Marko Jankowics.
Red: I didnāt realize you and Jennifer were still in contact.
Liz: Weāre not. I hadnāt heard from her in months, and then she called me last night, crying. I could barely understand what she was saying, something about being scared and on the run.
Red: From a drug dealer like Sarkany?
Liz: You know him?
Red: Does Jennifer use drugs?
Liz: I donāt know. She said she was stranded in Federal Hill in Baltimore. She hadnāt even started thanking me for picking her up, and SUVs blocked my car and two armed guards got out. I killed one, but by the time I had, Jennifer was gone. And the print from the guard I shot showed that he was muscle for Jankowics.
Red: What are you not telling me?
Liz: Nothing. Thatās all I know.
Red: Sarkany is an Eastern European purveyor of LSD. Even if she was using something, Jennifer would not be worth the time and effort to get nabbed. There must be more to the story.
Liz: If there is, I donāt know it.
Red: I generally practice willful ignorance when it comes to the drug trade. On the other hand, this place is crawling with inmates who donāt share my reservations. Iāll ask around.
Liz: You think theyāll know where to find him, ā how to reach him?
Red: I hope so, for Jenniferās sake, as well as my own. Iām having a bit of a tug-of-war with the warden over Beethovenās violin sonatas. This might be just what I need to return the maestro to his rightful place.
Ā
Warden Macatee: The sun isnāt up. This better be good.
Red: Iāve decided our interests are aligned.
Warden Macatee: I thought you might.
Red: Oscar Sandoval. Maybe a meeting in the mess hall.
Warden Macatee: Right now?
Red: Well, Iād just hate to have the day get away from us.
āā
[ HINGES CREAK, DOOR CLOSES ]
Oscar Sandoval. Is this about the money?
Red: In part, yes. As I understand it, your brothers arenāt being very brotherly toward you.
Sandoval: They sent you? That what this is?
Red: You know who I am.
Sandoval: To warn me I gotta kill Salinas for not paying what he owes? Well, let me tell you what I told my brothers. I sling. š [See Note] Iāve been doing it a long time. But ending a dude? I got two years left on a six bid. I want to do my time and get out. I want a life, a family. But if I kill Salinas, Iām never walking out of here.
Red: Itās a simple question. Do you know who I am?
Sandoval: Everyone knows.
Red: No one sends me anywhere. As I said, Iām here in part because of your problem, but also because that I have a problem of my own. You help me solve mine, and Iāll help you solve yours.
Sandoval: Youāre gonna help me?
Red: Talk to a few of the managerial members of your group. Help me to find the man they call Sarkany. My information puts members of his organization in Federal Hill in Baltimore. Maybe someone you know can pick up the trail from there.
Ā
[ Marko Jankowicsās mansion ]
Lilly: [ GASPING ]
Jankowics: I told you not to lie to me.
Lilly: I didnāt.
Jankowics: I traced your phone to an Elizabeth Keen. Sheās FBI.
Lilly: She is an agent. Iām not. Weāre sisters. Weāre looking for information about Raymond Reddington.
Jankowics: Why?
Lilly: Because heās our father.
Jankowics: Reddingtonās in jail. The Bureau is not looking for him anymore.
Lilly: We were looking for information about who he was before your girlfriend helped change his identity. She was a nurse working for a plastic surgeon named Hans Koehler.
Jankowics: My girlfriend? No. Youāve got the wrong lady.
Lilly: No, itās her. She helped him with a number of surgeries.
Jankowics: Stop lying to me!
Lilly: [ INHALES SHARPLY ] Iām not. But it seems your girlfriend has.
[ Jankowic slugs ā”ļø Lilly in the face ] [ SCREAMS ]
Ā
[ Colton Prison ]
Sandoval: Sarkany owns a place in Federal Hill, but he doesnāt live there.
Red: Who does?
Sandoval: His woman.
Red: Whoās she?
Sandoval: French lady. Fancy French name. Margorā
Red: Marguerite. Marguerite what?
Sandoval: Rennerd? Renard.
Red: What else did you find out?
Sandoval: If I solve your problem, how do I know youāre gonna solve mine?
Red: Because based on what youāve already told me, Iām deeper in your debt than you could ever be in mine.
Ā
[ SIREN WAILS IN DISTANCE ]
[ Dembe scales the emergency stairs to Michael Falkirkās apartment in London, He enters through a window ] [ He turns on the computer ] [ COMPUTER BEEPS ] but it requires a password. He is photographing the files on the desk ā CAMERA SHUTTER CLICKING ā when Falkirk jumps him. They wrestle. A gun goes off ] [ GUNSHOTš„ ] [ Falkirk is hit in the leg SCREAMS ] [ Falkirk escapes ]
Ā
[ Dembe is flying back from London in Redās jet ]
Dembe: I photographed his files. There was a Blockchain Wallet ID. I sent it to Tadashi. He accessed the account. Five million was sent to Axion Cryptosolutions.
Red: Heās converting the cash to untraceable cryptocurrency.
Dembe: I can look into the company.
Red: Later. I have something more urgent for you to handle.
Dembe: More urgent than finding a way to restore your immunity agreement?
Red: Elizabeth knows. She knows I was once someone else. She doesnāt know who, but she is looking for someone who can tell her. Marguerite Renard. We need to get to Renard before she does.
Dembe: How does she learn about Renard?
Red: I donāt know. And we donāt have time to find out, because after I tell you how to locate Renard, Iām also gonna tell Elizabeth.
Dembe: Why would you do that?
Red: Because sheās looking for her sister, Jennifer, who was kidnapped and possibly taken to a place where Renard is located. Telling Elizabeth may be the only way to save Jenniferās life.
Dembe: Youāre doing the right thing.
Red: That may be. You just get to Renard first so I donāt regret it.
Ā
[ Prison BUZZER SOUNDS ] [ Red talks to Liz across a visitors table ]
Red: To find Jankowics, youāll have to start with one of his couriers. Iām told sheās a young woman, white, with red hair.
Liz: Where can I find her?
Red: Sheās arriving later today at Dulles on a plane registered to FarTide Holdings coming from Montreal.
Ā
[ Dulles Airport ]
[ Customs agent stamps Alexandra Iversās passport ] [ STAMP CLICKS ]
Liz: There. Two oāclock.
Ressler: Excuse me. Miss?!
Liz: Maāam?
[ Trying to hurry away, Alexandra trips and falls ] [ GASPS ]
[ Ressler and Liz catch up. Liz helps Alexandra up ]
Alexandra: Itās okay. Itās fine.
Ressler: Agents Ressler, Keen, FBI.
Liz: We have to ask you a few questions, but before we do, I need to make sure youāre okay.
Alexandra: Iām fine.
Liz: How far along are you?
Alexandra: I said Iām fine.
Ressler: In that case, youāre under arrest.
Ā
[ Ressler and Liz take Alexandra to Resslerās apartment ]
Alexandra: Whaā W-What is this place? Where are we?
Liz: Sit down.
[ Alexandra sits heavily ] [ GRUNTS ]
Alexandra: Who are you? ā [ BREATHING HEAVILY ] Youāre not the FBI. Whereās your arrest warrant? Why are we in some apartment?
Liz: Jankowics. I need you to tell me where he is.
Ressler: Come on. Answer the question.
[ DOOR OPENS ] [ Hannah enters ]
Hannah: Hey, I thought that was your car. I thought I would bring you lunch, make sure youāre oā
Ressler: Hey.
Hannah: Oh, Iām sorry.
Ressler: Itās okay.
Hannah: Obviously, itās a bad time. I shouldnātā
Ressler: No, no, I can explain.
Alexandra: Uh [ GROANS ]
Liz: What is it? Is it the baby?
Alexandra: Itās not the baby. The babyās fine.
Hannah: Why do you have a pregnant woman zip-tied in a chair?
Ressler: Hannah, itās, uh, work. Uh, my job.
Hannah: Iām not stupid, Don. Whatever that is, Iām pretty sure youāre not that is not in the Bureau manual.
Liz: [ To Alexandra ] Jankowics. The one they call Sarkany. Heās holding someone, a woman named Jennifer.
Ressler: [ To Hannah ] Itās not what you might think it is.
Hannah: Oh, really? āCause what I think is I should call the police.
Alexandra: [ To Liz ] Look, I donāt know who you think I am. Iām a grad student at[ā
Liz: Yeah, right. Youāre not a grad student. [ Reads ID ] āAlexandra Ivers.ā You were sent to deliver Sarkanyās product.
Ressler: This woman has information, and if we get it, we could save someoneās life. Thatās what this is.
Liz: Your boss is holding my sister, my family. If anything happens to herā
Alexandra: Youāll what? Youāve got nothing. I lawyer up, Iāll be released on my own recognizance before you can spell āROR.ā
Liz: Oh, yeah, you sound like the average student to me. SAY CHEESE. [ Takes photo ]
Hannah: Whatever you say, youāre still interrogating a pregnant woman in the living room.
Ressler: Iām not interrogating a pregnant woman. Iām interrogating a witness in the living room.
Hannah: [ SCOFFS ] Deal with whatever youāre dealing with and call me when itās over.
[ DOOR SLAMS ]
āā
Liz: Thereās only one number saved to speed dial. Itās got to be his, right? If Sarkany trusts her to make deals, heāll probably trade her for Jennifer. Hey. Sheāll be okay.
Ressler: Sheās definitely not gonna be okay. Letās talk about this trade.
Ā
[ A guard leads Marguerite Renard into the living room by the arm where Marko Jankowics is waiting with Lilly. Lilly has been severely beaten, one eye swollen shut ]
Marguerite: Get your hands off of me! Marko, what is going on? Who is she? Did she tell you why they tried to take me?
Jankowics: Did you ever work for Hans Koehler?
Marguerite: [ Frightened ] Yes. I-It w- It was a lifetime ago.
Lilly: Then you know about Reddington. His client. Who he was before.
Marguerite: How did you find me?
Jankowics: She didnāt find you. The FBI did. Which means they found me, too.
Marguerite: Uh-
[ CELLPHONE RINGS ]
Jankowics: Itās Alexandra. You better hope the FBI didnāt find her, too.
[ He walks away to take the call ] [ FOOTSTEPS DEPART ]
āā
Marguerite: [ To Lilly ] I never spoke to Mr. Reddington. Or the woman who arranged for him to have the procedure.
Lilly: A woman? What woman?
Marguerite: Some Russian. I donāt know her name.
Lilly: W-Was it Katarina Rostova? Was that it? Was it Katarina Rostova who took Reddington to Dr. Koehler?
Ā
Jankowics: [ On phone ] Alexandra.
Ressler: Alexandra canāt come to the phone right now. Sheās been arrested.
Jankowics: Who is this?
Ressler: You took a friend of mine, I took one of yours. Now Iām calling to suggest a trade.
āā
Liz: [ To Alexandra ] Youāre burning up. Somethingās wrong. We got to get you to the hospital. Youāre probably going into labor.
Alexandra: Itās not the baby.
Liz: You donāt know that.
Alexandra: There is no baby.
Liz: [ GASPS ] Oh, my God. Youāre not carrying a child. Youāre carrying drugs?!
Alexandra: I fell at the airport. I think maybeā [ GRUNTING ] Maybe the package ruptured.
Liz: Youāre overdosing.
āā
Ressler: Okay, a vacant lot. Yeah. No, weāll find it.
Liz: [ From across the room ] Ressler!
Ressler: All right. Put Jennifer on the phone.
Jankowics: I donāt think so.
Ressler: Thatās a deal-breaker.
āā
Alexandra: Get it out of me. Get it out now.
Liz: Iāll call 911.
Alexandra: Listen, lady! I am carrying 8 pounds of LSD. That is 10 million doses, maybe more. Iāll be dead before EMTs arrive. You need to cut it out.
Liz: Absolutely not.
Alexandra: Please! Iām gonna die!
āā
Ressler: Weāre not swapping your girl for Jennifer until we know sheās alive.
Jankowics: [ On phone ] Trust me, my friend, sheās alive.
āā
Liz: Ressler, you need to get in here now!
[ Ressler rushes over ]
Ressler: What the hellās going on? Is she having the baby?
Alexandra: Open the stitches and [ GASPS ] pull it out.
Liz: Pull what out?
Alexandra: Itās a plastic bladder.
Ressler: Whatās going on?
Liz: Sheās ODāing. They implanted a prosthetic. It ruptured. You gotta get it out.
Alexandra: [ GASPING ] [ VOMITS ]
Ressler: All right. Hold her down. Hold her down.
[ He cuts into her abdomen ]
Ressler: Come on, come on. Hang on.
Alexandra: [ GROANING ]
Ressler: Okay. All right. Okay. Hang on.
Alexandra: [ GROANS ]
[ Ressler pulls out the package ]
Ressler: Okay.
Liz: Okay.
Alexandra: [ GASPING ]
[ KEYPAD BEEPING ]
Dispatcher: 911. Whatās your emergency? Hello? Hello? Are you there?
[ Alexandra has gone limp. Ressler and Liz exchange bummed out looks ]
[ CELLPHONE BEEPS ] [ CELLPHONE THUDS ]
Ā
[ Colton Prison dining room ]
Vontae: Okay, heās coming over here. Now, donāt ask me how he pulled it off.
Red: Howād you pull it off?
Vega: Cost me three bags of Red Vines.
Vontae: The point is heās coming, and I told him you were cool, so, you know ā be cool.
Red: Thank you, Vontae. Vega.
Anton Wyndham: You asked to see me.
Red: I did. I understand youāre the Grand Poobah of Rock River.
Wyndham: If you want something, itās best to spit it out.
Red: This ugliness between your boys and the dreadfully named motorcycle boys ā I need that to stop.
Wyndham: Thatās got nothing to do with you.
Red: Vontae here says youāre a reasonable man. No doubt thatās why youāve risen to the highest rank in your organization. So your decision to support your soldier whoās refused to pay a legitimate debt is confounding. Your man owes money. I want him to pay it.
Wyndham: Iāll see what I can do. Smart kid.
Red: Very.
Ā
[ Ressler and Liz wait in a vehicle for Jankowics. Alexandraās lifeless body is in the back ]
Ressler: There was nothing else we could have done.
Liz: Only a monster would use a woman like that. That monster has Jennifer.
Ressler: We have $50 million worth of his product. Heāll give us Jennifer to get it back.
Liz: Tell me about Hannah.
Ressler: Donāt worry, Keen. You didnāt come between me and true love ā even if you brought over a dead guy and a fake-pregnant, convulsing drug mule.
Liz: She had a key to your apartment. It seemed pretty serious.
Ressler: We chased Reddington for a decade, and not only didnāt I catch him, but now I know that it wasnāt even really him that I was chasing. So things arenāt always as they seem.
Liz: Tell me about it. I thought Reddington was my father. I thought Tom was just a teacher.
Ressler: I paid Hannah to be my girlfriend.
Liz: Say that again.
Ressler: She works at Alter Ego, a place that hires actors out to, uhā
Liz: Play parts, yeah. No, I remember. Brothers, sisters, brides [ GASPS ] You took her to your cousinās wedding.
Ressler: As I recall, someone pointed out that I was pushing 40 with no real prospects.
Liz: [ CHUCKLES ] You make it sound like I said you were a loser. I distinctly remember saying that you were an amazing loser.
Ressler: [ LAUGHS ]
Liz: And I saw the way she looked at you. I mean, clearly, she saw the amazing part.
Ressler: Well, I appreciate you saying that.
Liz: That, or she was an amazing actor.
Ā
[ An SUV pulls up ]
Ressler: Weāre gonna get her back.
[ Jankowics gets out. So do Ressler and Liz ]
Jankowics: I make it a habit to avoid the FBI. But I get the impression you donāt want your colleagues to know about this any more than I do.
Liz: Whereās Jennifer?
Jankowics: You have Alexandra?
Liz: There has been a situation. The prosthetic you implanted ruptured. We tried to save her life.
Jankowics: The rest of my product?
Ressler: We have it. $50 million. Youāll get it when we get Jennifer.
Jankowics: [ To his men ] Bring her.
[ Two guards bring her out. Liz and Lilly hug ]
Liz: Get in the car.
Jankowics: Get Alexandraās body. Put it in the car.
[ Lilly SOBS ]
[ Ressler gets the package of drugs, hiding a gun underneath it ]
Jankowics: Iām a pretty good judge of character. But on the off chance that youāre planning on telling your colleagues about me, Iām afraid I canāt let that hapā
[ Jankowics fires. The LSD crystals go flying, Ressler shoots Jankowics š„ Liz and Ressler take out the guards š„š„š„ ]
Ā
[ INDISTINCT CONVERSATIONS ] [ As Red walks toward the dining area, violence breaks out ]
[ KNIFE PLUNGES ] [ Oscar Sandoval is stabbed and falls to the floor ]
Guard: Everybody move! Down! Get down!
Red: [ To Cyclops leader Matt Quill ] What the hell did you do?
[ ALARMS RINGING ]
Matt Quill: We take out our own trash.
Red: I handled it. They were gonna pay. It was done.
Matt Quill: No one asked you to handle nothing. It was his job to do, and he failed. He brought disrespect. I canāt have other crews thinking they can disrespect us and get away with it. I gotta look out for all my people.
Vontae: This is nuts.
Matt Quill: [ To Vontae ] Watch yourself.
Red: No, I think youāre the one who needs to watch yourself. In fact, Iād keep all three of your eyes open. You never know when youāre gonna to run into a hero with a flaming stick.
Guard: This table. Single file! Move! ā Now!
ā Letās go!
[ ALARMS RINGING ]
ā Second table, letās go!
ā Yeah, all right.
Ā
[ Ressler loads the package of LSD into the car trunk ]
Lilly: [ To Liz ] I talked to Marguerite Renard. She refused to say anything about Reddington, but she said there was a woman who arranged the surgery.
Liz: What woman?
Lilly: A Russian. She wouldnāt confirm it.
Liz: Katarina Rostova? She was there. My mother? Why was she there?
Lilly: That doesnāt- I donāt- I donāt und- I donāt know, but this that woman, that nurse ā She knew the name. I could see it in her eyes.
Liz: That doesnāt make any sense. Why would my mother help some imposter ā become Raymond Reddington?
Lilly: I donāt know. But Renard does. She knows more than sheās saying. You have to get her. And I can get us there.
Ā
[ Ressler drives with Liz and Lilly to the mansion ]
Lilly: Thatās it. This is the place. There were guards there before.
Liz: Not anymore.
Ressler: Wordās out on Jankowics. And this nurse, Renard, where was she?
Lilly: She was in a bedroom in the back.
Liz: Once we do this, weāll know the truth. Itāll be over.
Ressler: All right. Letās go.
Lilly: I never got to say thank you.
Ressler: Donāt thank me yet.
[ VEHICLE DOOR CLOSES ] [ Ressler and Liz walk toward the house ]
āā
[ Inside the house, there is no sign of Marguerite Renard ]
Liz: Ressler? Weāre too late. Sheās gone.
Ā
[ CLASSICAL MUSIC PLAYING ]
[ Redās cell has been nicely reappointed with fresh linens, a desk and new phonograph records ]
Warden Macatee: As I said, you accommodate me, I accommodate you.
Red: You asked me to try to stop a young manās murder and heās dead.
Warden Macatee: You met with Anton Wyndham, got him to do the right thing.
Red: Oscar Sandovalās still dead.
Warden Macatee: You lost the battle ā you stopped the war. In my book, thatās a win.
Red: You could prosecute his killer.
Warden Macatee: Why would I do that? Matt Quillās already doing life with no parole.
Red: Nothing if not pragmatic. In any case, thank you for the amenities.
Warden Macatee: Is there anything else you need?
Red: As a matter of fact, there is. Iāve been considering a new work detail, maybe something in the kitchen.
Warden Macatee: Consider it done.
[ HINGES CREAK, DOOR SLAMS, LOCK ENGAGES ]
Ā
[ Lizās apartment ]
Lilly: So itās not over.
Liz: Without Jankowics, she doesnāt have the resources to run.We can find her again.
Lilly: I donāt think so.
Liz: We can do this.
Lilly: I donāt mean that. I mean me. I-I donāt think I can do this. I spent my whole life running from Reddington because I didnāt want his world bleeding into mine.
Liz: We are so close.
Lilly: Yeah, but to what? To becoming him? I was always so afraid of what he might do to me and my mother, and now Iām equally afraid of what heās making me want to do to him.
Liz: I understand how youāre feeling. Believe me, I do. But youāre like me. You will find a way toā
Lilly: To do what? To get used to it?
Liz: I was gonna say survive.
Lilly: [ SIGHS DEEPLY ] Iām sorry, Liz. I really am.
Liz: Where are you gonna go?
Lilly: Iāve got a friend with a place on Long Island. Itās peaceful there this time of year. I could use peaceful.
Liz: [ SIGHS DEEPLY ]
[ Angus & Julia Stoneās āŖ āPaper Aeroplaneā plays ]
Liz: This will end. And when it does, Iāll find you.
[ They hug ]
Ā
[ A bar at night. Hannah and Ressler sit in a booth ]
Hannah: [ SIGHS ] Itās my fault. I broke my own rule. I should never have gotten involved with a client. This really isnāt gonna work out.
Ressler: Thereās a perfectly reasonable explanation.
Hannah: Mm.
āŖ I spilled the ink
Ressler: Iām just not allowed to talk about it.
Hannah: [ CHUCKLES ] I know all about secrets, Don. I work for a company that creates the illusion of authentic relationships. But Iā [ SIGHS ] I have all the lies I can handle in my work life.
āŖ It wonāt fly the seven seas to you
Hannah: I canāt have them in my personal life, too.
āŖ āCause it didnāt leave my room
But it awaits the hands of someone else
The garbage man
[ Hannah leaves Resslerās key on the table, gets up and leaves ]
Ā
[ Itās early Monday morning. At the Post Office, Liz and Ressler are having bagels ]
Liz: Well, that was a fun weekend. My sister left me, and your girlfriend left you.
Ressler: Well, guess weāre not as likable as we thought.
Liz: You think weāre ever gonna find that nurse?
Ressler: My gut says no, but if you want to look, Iām ready to help.
āŖ Got to say, mm
[ ELECTRICITY HUMS ] [ The lights come on ] [ Aram arrives at work ]
Aram: Oh, hey. You guys got here early. Bagels. Happy Monday. Oh, my gosh. I gotta tell you a funny story. I had the craziest weekend. You are not gonna believe this. Um, hang on. Are these gluten-free?
Ā
[ In Redās airplane, Dembe is on the phone. Marguerite sits with her dog at the far end of the plane ]
āŖ Got to say, mm
Dembe: I acquired the package.
Red: [ On phone ] Did she say anything before you got there? To Jennifer?
Dembe: Yes. That Katarina arranged the procedure. Nothing more.
Red: Thatās more than enough. You know what needs to be done.
Dembe: There are alternatives.
Red: There were before, not now. Not when she mentioned Katarina. Now Elizabeth will stop at nothing. Wherever we put Renard, sheāll be found, and sheāll talk. Iād do it myself if I could, but I canāt, and it must be done.
Dembe: I understand.
[ CELLPHONE SNAPS SHUT ]
Ā
[ Willis Earl Bealās āŖ āToo Dry To Cryā Plays ]
[ Dembe walks to the other end of the plane, scratches the dogās head and sits down ]
Dembe: [ INHALES DEEPLY ] [ SIGHS, smiles pleasantly ] Have you ever been to Scotland?
Marguerite: No. But Iāve always wanted to go.
Dembe: Itās a beautiful place to be.
Ā
[ Red stirs soup in the kitchen at Colton prison ]
āŖ Tweed jacket, trucker hat
Cup of tea Iām just sittinā at the table
Thinkinā about me
Like a tearless drone
I am the deep down clown
You better throw me a bone
[ Matt Quill gets up to get something to drink from the self-service counter ]
āŖ āCause I know
Donāt leave me hanginā like a spider with no fly
Red: I donāt know where the hell Dell is. Iām gonna go wipe down his tables.
[ Red grabs a bucket of water and towel ]
āŖ Iām too dry to cry, no, no
Donāt leave me hanginā like a spider with no fly
[ Red walks up behind Matt Quill. He quietly plunges a meat thermometer into his chest and walks away. Quill falls to the floor. Other inmates gather around Quill. Red has moved on, wiping down tables ]
āŖ āCause Iāve been banginā on the walls
āCause Iām too dry to cry, oh, no, no
No no
Donāt leave me hanging
Ow no
Donāt leave me hanging
No no
Donāt leave me hanging
Ow no
Donāt leave me hanging
No no (fade out)
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⬠go to start of 6:8 Marko Jankowics
ā« go to top
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Episode Songs
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ā« Paper Aeroplane
By Angus and Julia StoneāŖ I spilled the ink across the page trying to spell your name
So I fold it up and I flick it out
Paper Aeroplane
It wont fly the seven seas to you
Cause it didnt leave my room
But it awaits the hands of someone else
The garbage manāŖ Got to say mmm mmm mmm [x2]
āŖ So he opens it up and reads it out to all his friends
Amongst the crowd a heart will break and a heart will mend
He walks on home tired from work
The letter falls from his hand
He reaches out only to catch the sky
Its gone with the windāŖ Got to say mmm mmm mmm [x2]
āŖ I spilled the ink across the land
Trying to spell your name
Up and down there it goes
Paper Aeroplane
It hasnt flown the seven seas to you
But its on its way
It goes through the hands
Then to someone else
To find you girlāŖ Got to say mmm mmm mmm [x2]
Got to say mmmLyrics and Credits: http://bit.ly/2ThFkHG
YouTube: https://youtu.be/Ly0fz0T_lQE
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ā« Too Dry To Cry
By Willis Earl Beal[Verse 1]
āŖ Tweed jacket, trucker hat, cup of tea
Iām just sitting at the table thinking about me
With my moccasins on and waiting by my phone
With my half-masked eyes like a tear-less drone
I am the deep down clown, you better throw me a bone
Cause Iāll be making that sound, when they leave me alone
With the pots and pans, my voice and my hands
And my spoon drumstick, with this innocuous trance
You got to give me a chance to advance this romance
So when I pick out my āfro I have a place I can go
[Hook]
No no, donāt leave me hanging like a spider with no fly
Cause Iāve been banging on the walls cause Iām too dry to cry
(x2)[Verse 2]
āŖ Photocopied Xerox pictures of dames
With two dimensional faces make me feel ashamed
So I keep āem tucked away in a folder thatās red
But I donāt need to look at them, cause theyāre stuck in my head
Theyāre what I sniff when I tell you to come right along
In my one-room shack, you know we canāt go wrong
I got nine hard inches like a pitchfork prong
So honey lift up your dress and help me sing this song
[Hook x2]
No no
Ow no
Donāt leave me hanging (repeat, fade out)Lyrics and Credits: http://bit.ly/2T8tD62
YouTube: https://youtu.be/JmBayI4VKBU
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ā¬ļø go to start of 6:8 Marko Jankowics
ā« go to top
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āāā End 6:8 Marko Jankowics
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š“ Script 6:9 Minister D (ā 99)
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Program air date: 2/22/2019 in the US (7pm CT) [ Second of Two Episodes ]
Script Permalink: https://wp.me/pDKwi-99J
Entertainment Weekly Recap: http://bit.ly/2Tdlmhf
Ā
Directed by: Michael Caracciolo
Written by: Noah Schechter, Jonathan Shapiro
Ā
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ā Script 6:9 Minister D (ā 99)
Ā
Brief (Where weāre at): Liz and Lilly (Jennifer), determined to find Marguerite Renard, the nurse for Dr Hans Koehler (Blacklister #33) at the time Redās identity was changed to that of Raymond Reddington, discovered more than they were looking for. They stumbled into an LSD-trafficking ring run by Marko Jankowics (Blacklister #58). Jankowics used young women as drug mules by having large quantities of the drug sewn into their abdomens, thus mimicing pregnancy. In a fudged attempt to abduct Marguerite, the drug ring took Lilly captive instead. Though beaten mercilessly by Jankowics, Lilly was able to find out from Marguerite that although she did not know Redās true identity, that his surgery had been set up by a Russian woman, very likely Katarina Rostova.
Liz turned to Red for help finding Jankowics in order to save Jennifer. In the process of asking inmates in Colton Prison (where he is still awaiting trial), Red too found that out that Jankowicsās girlfriend was Marguerite Renard, so now Red knows for certain that Liz is trying to find out about his past. In order to save Lilly, Liz also turned to Ressler and confided in him the fact that Red is not the real Raymond Reddington, but an imposter. Ressler and Liz were able to rescue Lilly on a tip from Red and take out the drug dealers, but Dembe, at Redās direction, got to Marguerite before she could spill any more beans and, one way or another, Marguerite is unlikely to be heard from again.
After being rescued, a nerve-wracked Lilly decided she had had enough of the wild life and headed off for a quieter existence on Long Island, leaving Liz and her new co-conspirator Ressler to continue to pursue the secrets of Redās past. Oh. Did I mention that Red ended a gang war inside the prison? Thereās also that.
Ā
[ In a room lined with shelf upon shelf of archived audio tapes, a man works a complex array of 1980s-era recording equipment, including a switchboard, moving tape drives and a manual typewriter. The man has a deep, irregular scar on his left cheek. He moves quickly between recorded conversations ]
Paul: No. This is ridiculous. Just come home.
Deborah: I called a lawyer, Paul. He said we shouldnāt be talking.
Paul: A lawyer? No, Deb. Iām sorry.
Deborah: I know youāre sorry, Paul.
[ CLICK ]
Woman: Mrs. Evans? This is Wendy from E.I.C.Trust. Iām following up on our previous conversation. Good news. It appears you are not overdrawn.
[ CLICK ]
Woman #2: Over my dead body, Susan.
Susan: [ SIGHS ] Mom, itās a retirement community.
Woman #2: Iām not gonna play bingo all day just to have someone wipe myā
[ CLICK ]
Woman #3: a fever and wonāt be able to go on theā
[ CLICK ]
[ MAN SPEAKING SPANISH ]
[ CLICK ]
Children: Hi, Grandpa!
Man: Oh, hey, there, lovelies.
[ CLICK ]
WOMAN #4: Afternoon. Do you have time to take a liā
[ CLICK, BEEP ]
[ RINGING ]
Mikela: Hey, I got your message. Is it true?
Peter: Yeah. Came today. $2.2 million. Iāve never seen a check that big.
Mikela: [ SIGHS ] Then itās done, right? This is great. We should celebrate.
Peter: No, no. Not yet. Uh, listen, I think we might have a situation.
Mikela: What situation?
Peter: Itās about the body.
[ The man with the scarred face leans forward ]
Ā
[ Redās holding cell at the federal courthouse in NYC ] [ Red is also listening to a recorded conversation ]
Red: Play it again.
[ Dembe is in a car. He holds a recorder up to his phone ]
[ BEEP ]
Operator: 911. Whatās your emergency?
Woman: I saw a man with a gun! On West Fourth near the Red Brau Tavern.
Operator: Can you describe him?
Woman: White guy in his 50s. Heās wearing a suit. Tan suit and a hat.
[ CLICK ]
Dembe: Our contact in the department says the caller didnāt identify herself.
Red: Someone identified me to the caller. We both know who and why.
Dembe: You have no proof it was Elizabeth.
Red: No. And I hope Iām wrong, but sheās hunting for my past. And putting me here makes it more likely sheāll find it.
Dembe: Raymond, youāre facing the death penalty. She would never put you in that position.
Red: Try to identify the person on the tape. And please reach out to the Task Force. I have a case.
Ā
[ Liz visits Red in his holding cell ]
Liz: Minister D?
Red: A serial blackmailer. He takes his name from the villain in Edgar Allan Poeās āThe Purloined Letter.ā However, unlike his namesake, this manās never been identified.
Liz: Why now? Today of all days?
Red: Because Iām innocent. And he can prove it.
Liz: How?
Red: The explanation will be obvious once youāve found him. But as my trial begins within the hour, Iād appreciate it if you would investigate now and ask questions later.
Liz: You say this Minister D can prove your innocence. Can he also prove whoās guilty?
Red: Yes.
Liz: So you know who the real traitor is?
Red: Someone I trusted. As is the traitor who turned me in to the police.
Liz: Have you found out who that is yet?
Red: Someone close. Traitors always are.
Liz: Tell me about Minister D.
Ā
[ The Post Office ]
LIz: According to Reddington, Minister D gathers incriminating information and then uses it to extort people. In 2004, he discovered an insider trading scheme and used the information to extort $4 million from a pair of traders at Koji Analytics. Six years ago, he blackmailed Senator Constance Holsted after finding proof of a kickback scheme between the senatorās husband and a major real estate developer.
āā
[ Minister D listens and types on an old-fashioned manual typewriter ]
Peter: Itās about the body.
Mikela: What are you talking about? Where we put it isnāt safe.
āā
Cooper: Did Reddington say how Minister D collects his intel?
Liz: No. But he made it seem as if he has compromising information on just about everyone.
Samar: Which is why Reddington brought us the case.
Aram: What do you mean?
Samar: Minister D gathers information to extort people. With Reddington about to go to trial, it stands to reason that he wants to extort members of the jury or the judge. Maybe he thinks the Minister can help with that.
Ressler: Itās a risky move if he believes heās innocent.
Samar: Which we all know heās not.
Ressler: Do we?
Samar: You think Reddington is innocent?
Ressler: I think this guy could be.
Samar: This āguyā?
Liz: I think what Ressler is trying to sayā
Samar: Yes, please translate.
Liz: āis, we wonāt know the truth until we find the Minister.
Cooper: Did Reddington give any indication where to start?
Liz: Yes. With Sayantan Shah.
Cooper: The Taxi Tycoon?
Liz: In 2006, Reddington loaned him money to pay off a blackmailer he believes was Minister D.
Cooper: Talk to Shah. See what he knows.
Ā
Sayantan Shah: He loaned me money. I paid him back. Is that a crime?
Ressler: To do business with a wanted fugitive and not report it? Yeah. Thatās a whole lot of crimes.
Shah: I was being blackmailed. I didnāt have the money. What was I supposed to do? I canāt just walk into a bank.
Liz: Relax, Mr. Shah. Weāre not here to arrest you.
Ressler: Or to ask you to cooperate against Mr. Reddington. We donāt need your help to make a case against him. What we do need is your help to make a case against the man who blackmailed you.
Liz: Weāll ignore your business with Raymond Reddington if you tell us about your business with Minister D.
āā
[ A delivery man enters an office and hands an envelope to a secretary ]
Delivery man: Delivery for Peter DeReamer.
āā
Shah: And the reasons I was being blackmailed ā Youāll ignore those, too?
Ressler: Our interest is Minister D. If you help us, weāll look past your little indiscretions.
[ CHAIR CREAKING ]
Shah: I came to my office one day after lunch, and there was this envelope.
āā
[ Peter DeReamer enters his office and picks up the envelope left on his desk and opens it. Inside is a typed transcript ]
āā
Shah: Inside was a transcript of a phone call I had made detailing certain business arrangements that might have been misunderstood by my partners.
Ressler: Or the IRS.
Shah: A few days later, I get a call instructing me to deliver $400,000 in cash. That transcript was word for word. I hired a team. They found this buried in the phone lines of my apartment building.
[ Shah shows them a photo on his cell phone ]
Liz: Itās a tap. He was listening.
āā
[ Peter DeReamer reads, in addition to the transcript, a neatly handwritten note: āI know you killed your wifeā ]
Ā
[ Courtroom ]
Judge Roberta Wilkins: Good morning. Unless the parties have any last issues they wish to address, Iāll ask the clerk to bring down the jury.
Red: As youāre kind enough to inquire, I do have an issue that compels me to ask for a continuance.
Judge Wilkins: And what, pray tell, is that?
Red: A key piece of evidence has not yet materialized. I expect it to shortly. I have investigators working to locate it as we speak.
Asst US Atty Michael Sima: By āinvestigators,ā I can only assume defense counsel means his very own team of FBI agents.
Judge Wilkins: Is that true?
Red: My cooperation agreement continues on a voluntary basis. Iāve steered the Bureau in the direction of a wanton criminal. Mr. Sima may not appreciate that an ancillary benefit of catching said criminal is that he is in possession of information that will prove my innocence, but anyone with an actual interest in the truth would, Iām sure, see a continuance as a prerequisite for a just outcome.
Sima: A just outcome would have been the defendant accepting our settlement offer of life in prison.
Judge Wilkins: The government was willing to take the death penalty off the table, and you rejected it?
Red: Yes. As any innocent man would.
Judge Wilkins: Mr. Reddington, your motion for a continuance is denied. If exculpatory evidence surfaces, you can introduce it at trial, or, if necessary, on appeal. Weāll bring the jury in for opening arguments after lunch.
[ GAVEL BANGS ā”ļø ]
Ā
[ The Post Office ]
Cooper: What do we have?
Aram: Okay, so, the device Agents Keen and Ressler identified was some kind of splitter. It duplicated the signal from Shahās phone, sending one signal to the number Shah dialed and another to a different location.
Liz:Some sort of listening post.
Aram: Now, I couldnāt trace the calls, but we did find similar devices. [ KEYS CLACKING ] And get this ā They were all monitoring landlines and cell towers operated by the VeraCom Phone Company.
Samar: According to VeraComās files, only a handful of individuals serviced the sites where we discovered taps.
Aram: Three joined the company after the first reported incident, one left the country to do missionary work in 2013, and another died of a heart attack just eight months ago.
Liz: Which leaves?
Samar: Elijah Bailey.
Aram: The nameās an alias. Taxes filed under a stolen Social. Engineering degrees also forged.
Ressler: What about a location?
Samar: An address in Arlington.
[ DOOR CLANKS ] [ Assistant US Attorney Sima steps out of the elevator ]
Liz: Whatās he doing here?
Cooper: Heās here to see Agent Ressler. Keen, Navabi, run down that Arlington address. Ressler, come with me.
Ā
[ Cooperās Office ]
Ressler: So, whatās this about?
Sima: I need to prep you for trial. Iām calling you as a witness.
Cooper: The work of the Task Force remains classified.
Sima: I wonāt be asking about it. Back when the FBI was hunting Reddington instead of working for him, you ran point on the investigation.
Ressler: Heās on trial for acts of treason he allegedly committed long before I took over that investigation.
Sima: We all know theyāre not alleged. And I wouldnāt be asking you if I had anyone else to ask, but your predecessors have all passed. Youāre the ranking officer.
Cooper: Whyād you wait so long to let us know?
Sima: Because I donāt trust you. I know youāre working a case to help him at trial. You know how I know? He told us in court. Agent Ressler, once I put you under oath, your loyalty will be to the truth, not Reddington. Perjure yourself even once, and I will make sure you join your boss in prison.
Ā
[ The FBI raids Minister Dās house ]
[ DOOR SLAMS OPEN ]
ā FBI!
[ INDISTINCT SHOUTING ]
ā Clear!
ā Clear here!
ā Clear over here!
ā Clear here!
[ Liz and Samar descend the basement steps to Minister Dās āstudio.ā They shine their flashlights on the shelves of archive audiotapes ]
Samar: [ SIGHS ] There must be 10,000 tapes in here.
Ā
[ Dembe searches for the woman who made the 911 call ] [ HORN HONKS IN DISTANCE ]
[ Lomaās āŖ āWhite Glassā plays ]
[ Dembe locates the payphone from which the 911 call was made ]
[ BEEPS ] [ CELLPHONE DIALING ] [ LINE RINGS ] [ TELEPHONE RINGS ]
[ He gets out of his car and investigates on foot ]
[ RINGING CONTINUES ] [ BEEPS ] [ HORNS HONK IN DISTANCE ]
āŖ Iām a blackbird singing on a riverbank
Iām a vulture hanging in the wind
[ Dembe enters a barber shop ] [ BELLS JINGLE ]
Barber: Hey there. How you doing, papito? Need a shave?
Dembe: Iām looking for a woman. She made a call from that payphone. It was a few weeks ago. I have a date and time to check your security cameras.
Barber: Memoryās deleted every 48 hours.
Dembe: Maybe somebody saw something?
āā
Homeless Man: Donāt know. Maybe. I aināt seen nobody on that phone in the time I been here.
āā
Woman: I can ask around, but no promises.
āā
Barber: Look, man, like I told you, I donāt know anything.
Dembe: Thanks for listening.
Barber: Yeah, no problem.
[ BELLS JINGLE ]
Ā
[ Dembe is sitting in his car. Someone peers in the car window. Reflexively, Dembe pulls his gun and points it at the window. When he sees it is only a young homeless woman, he puts his gun down and lowers the car window ]
Homeless Woman: You the one been asking about that girl? One who made the call?
Dembe: I am. Did you see something?
Homeless Woman: If I did, whatās in it for me?
Dembe: Maybe I could pay you.
Homeless Woman: Maybe you could give me the money first. And maybe then I talk.
[ SIRENS WAILING IN DISTANCE ]
[ Dembe gives her a small wad of bills ]
Dembe: Did you see who made that call?
Homeless Woman: Yeah. I did it.
Ā
Liz: You cannot go to jail to protect his secret.
Ressler: Sima may not ask anything that requires me to lie.
Liz: But if he does ask you to confirm that Raymond Reddington is the defendant, ā you canāt say āyes.ā
Ressler: If I say āno,ā if I tell the truth, heās gonna know that we know, and heāll do everything he can to keep us from learning his true identity.
Liz: If the only way for me to find out who he really is is for the most honest person I know to commit perjury, I donāt want to know.
Ressler: If Reddington justā If he admitted that he was the imposter, the charges would be dropped. I mean, heās facing the death penalty, and, still, he says nothing. If heās okay with that, so am I. Besides, Iām not that honest.
Liz: I said you were the most honest person I know. The barās pretty low.
Ressler: [ CHUCKLES ] Look. You deserve an answer. And Iām not gonna be the one who says something that keeps you from getting that.
[ Ressler places his hand reassuredly on Lizās shoulder ]
Liz: But if something were to happen to you because you did that, I would never forgive myself.
Ā
[ INDISTINCT CONVERSATIONS IN DISTANCE ]
[ KNOCK ON DOOR ] [ Aram enters Samarās office ]
Aram: Hey. He uses a manual typewriter.
Samar: Mm, who does?
Aram: Our guy. The listener. Are you sitting in the dark?
Samar: I had a migraine.
Aram: Oh. I didnāt know you got migraines.
Samar: I didnāt. Before.
Aram: You okay?
Samar: [ SIGHS ] Uh, you were saying?
Aram: Right, um ā anyway, have you ever used a manual typewriter? Yeah, itās impossible. Just to make a mark, you have to slam on each key. [ Grins broadly ]
Samar: Do you have a point, or are you just being pointlessly adorable?
Aram: All right, by slamming on each key, you leave a mark on the paper and the ribbon. And after the ribbon is hit, it spools. So if you unspool it, you can see the last thing Minister D typed.
Samar: So youāre saying you know who his next target is?
Ā
[ Aram briefs the Task Force ]
Aram: The next target is Peter DeReamer, who cheated on his wife with a Mikela Pariente.
Liz: He blackmailed him over an affair? How original.
Aram: Not the affair. The insurance. $2 million in his wifeās name, which paid out when they killed her. Yesterday, Bailey recorded this.
Mikela: Hey, I got your message. Is it true?
Peter: Yeah. Came today. $2.2 million. Iāve never seen a check that big.
Mikela: [ SIGHS ] Then itās done, right? This is great. We should celebrate.
Peter: No, no. Not yet. Uh, listen, I think we might have a situation.
Mikela: What situation?
Peter: Itās about the body.
Mikela: What are you talking about?
Peter: Where we put it isnāt safe. She could be found.
Cooper: DeReamer. Where is he?
Aram: The building manager at Mikelaās apartment saw him arrive 20 minutes ago.
Cooper: Keen, Navabi, get there. Take them both into custody. See if they can lead us to Bailey.
Ā
[ Redās trial for treason ]
Asst US Atty Sima: Agent Ressler, did you once lead an FBI Task Force dedicated to killing or capturing Raymond Reddington?
[ Red stands ]
Red: Your Honor, Iām happy to stipulate that Agent Ressler was the FBI agent who spent the prime years of his career engaged in a futile game of whack-a-mole.
[ Ressler smirks ] [ Red sits ]
Judge Wilkins: Mr. Sima, we can dispense with the foundational questions. Proceed.
Sima: As the ranking officer on that Reddington Task Force, were you familiar with an incident that occurred involving the U.S.S. Gideon in March of 1990?
Ressler: I was. Yes. The U.S.S. Gideon was an Ohio-class submarine sunk by the Soviet Navy while on a secret mission in the Barents Sea. 134 men were on board. They all died.
Sima: You say it was a secret mission. How did the Soviet Navy find out about it?
Ressler: Because Raymond Reddington told them.
Sima: Was the defendant the only one who knew about the mission?
Ressler: Raymond Reddington was one of 16 people who were aware of it. 12 Naval officers and four CIA operatives on the Russia desk.
Sima: If 16 people were aware of the mission, how can you be sure the defendant was the informant?
Ressler: Two days before the sub was attacked, the Gideonās captain changed course to avoid weather. The change was communicated to an intelligence officer who was assigned to the mission. He was the only one of the 16 who knew the coordinates of the sub on the day in question.
Sima: Who was that intelligence officer?
Ressler: Raymond Reddington.
Sima: So, the defendant was the only one who knew the location of the submarine. That doesnāt prove he told the Russians how to find it. Why are you so certain that he did?
Ressler: Because a secure KGB communiquƩ we intercepted indicated that Raymond Reddington provided the Russians with the exact coordinates where the submarine was torpedoed.
Sima: Mr. Ressler, Iām showing you a document that has previously been admitted as Government Exhibit 9. Is this the communiquĆ©?
Ressler: It is.
Sima: Please read it for the jury.
Ressler: āLamprey indicates target diverted. Prior intel no longer actionable. New coordinates received.ā Do you want me to read the coordinates?
Sima: That wonāt be necessary. Are you familiar with the code name āLampreyā?
Ressler: Yes. āLampreyā was the code name the KGB assigned to Raymond Reddington.
Sima: For the defendant?
Ressler: For Raymond Reddington.
Sima: And- And ā Is Raymond Reddington in the courtroom today?
Ressler: ā
Sima: You- Your Honor?
Judge Wilkins: Agent Ressler. The man referred to in the communiquƩ. Is he in this courtroom or not?
Ressler: [ Pause ] Yes, Your Honor. He is.
Ā
[ The FBI storms Mikela Parienteās apartment ]
[ DOOR SLAMS OPEN ]
ā FBI!
ā Donāt move!
ā Freeze!
Mikela: Donāt shoot!
Samar: FBI. Hands where we can see them.
Liz: Mikela Pariente, youāre under arrest for the murder of Janice DeReamer.
Samar: Peter DeReamer. Where is he?
[ Mikela motions toward the window ]
[ Liz arrests Mikela ] [ HANDCUFFS CLICK ]
Mikela: [ SIGHS ]
[ Samar pursues Peter DeReamer. He runs up the emergency escape stairs ]
Samar: FBI! Stop! Stop!
[ Peter is about to try to leap to the emergency stairs on the next door building, about 8 feet distance ]
Samar: You wonāt make it!
[ Peter jumps, grabs on to the railing for a second, but canāt hold on ] [ GRUNTING ] [ SCREAMINGā¼ļø ] [ Peter falls to his death ] [ THUD ā ļø ] [ Samar BREATHING HEAVILY ]
Ā
[ Inside the apartment ]
Liz: We heard the tapes. We know you and Peter killed his wife and that Baileyās blackmailing you. If you ever want to get out of prison, youāre gonna help us find him.
Mikela: He told us to put $200,000 in my purse and take it to the Harkins Museum. Wanted me to put it in a gift-shop bag and leave it near a bench at 3:20.
Liz: Okay, then. Thatās exactly what youāre gonna do.
Ā
[ The courtroom. Red cross-examines Ressler ]
Red: Agent Ressler. My goodness. After all these years, I feel as if we actually know each other.
Ressler: [ CHUCKLES ] I know the feeling.
Red: Have you ever heard of Katarina Rostova?
Ressler: Yes. She was a KGB officer.
Red: Would it surprise you to learn that she and I had quite a complicated history? Sex, drugs, rock ānā roll. Did I say āsexā? Sex.
Ressler: Almost nothing you do surprises me.
Red: How about that Katarina hid the fact that she was a KGB agent, stole the coordinates for the submarine U.S.S. Gideon, and passed them on to her superiors? That she, in fact, was responsible for the deaths of those brave young men?
Sima: Objection. What surprises Agent Ressler is not relevant.
Judge Wilkins: Sustained. Move on, Mr. Reddington.
Red: Agent Ressler, was I a good intelligence officer?
Ressler: Raymond Reddington was one of the best.
Red: Sorry? Raymond Reddington was?
Ressler: Yes.
Red: Hated by the KGB?
Ressler: Very much so.
Red: Would they have liked to see him disgraced?
Ressler: Definitely.
Red: Enough to forge a communiquƩ?
Sima: Objection. The witness cannot possibly know what the KGB would or wouldnāt do.
Judge Wilkins: Objection sustained. Move on.
Red: Mr. Sima asked you if I was a traitor. You hesitated with your answer. Why?
Ressler: What difference does it make?
Red: Is it because youāre uncertain? Or aware of mitigating circumstances that have given you a different opinion of me? About who I am today as opposed to who I once was?
Ressler: I donāt think you want me to answer that.
Red: Oh, but I do.
Judge Wilkins: I donāt. Counsel will approach. You may be excused for the moment, Agent Ressler.
[ Red comes forward ]
Judge Wilkins: [ CLEARS THROAT ] I do not like tricks played in my courtroom. Especially dirty ones.
Red: He hesitated for a reason.
Judge Wilkins: The reason is that you work together ā a fact that is not admissible at this trial. Or have you forgotten that your cozy relationship with the FBI is a deep, dark, and regrettable secret?
Red: Thereās something else.
Judge Wilkins: Well, I hope for your sake that it doesnāt involve Rostova. Because that fishing expedition is over.
Red: I need more time.
Judge Wilkins: Clearly. But you donāt have it.
Ā
[ Dembe gets into his car where the Homeless Woman is waiting ]
Dembe: A winter coat, a pair of warm shoes, and $3,000.
Homeless Woman: [ GASPS ] Who are you?
Dembe: It is yours whether you can help me or not.
Homeless Woman: It was a white woman. Dark hair. She didnāt give me her name. Just 100 bucks to call 911 and to say I seen a man with a gun. A man wearing a suit and hat.
[ Dembe shows her a photo of Liz ]
Dembe: Is this the woman?
Homeless Woman: Thatās not her.
Dembe: Take your time. Are you sure?
Homeless Woman: She gave me 100 bucks to make a phone call. Iām never gonna forget her face. Just like Iām never gonna forget yours.
Ā
[ The courtroom ]
Sima: Please state your name and occupation.
Nuss: Lawton B. Nuss. Iām a retired forensic accountant with the FBI.
Sima: When you were with the Bureau, did you discover that the Russians paid Raymond Reddington for information leading to the sinking ā of the U.S.S. Gideon?
Nuss: Yes, sir.
Red: I would object, but I so enjoy a good yarn.
Sima: Describe how the money was handled.
Nuss: A month before the incident, a corporate account was opened in a Cypriot bank known to work with Soviet intelligence. The only person with the power to withdraw funds was the company president.
Sima: And who was that?
Nuss: Raymond Reddington.
Sima: Iām sure many accounts were opened in the weeks prior to the tragedy of the Gideon. What makes you think the activity in this account was connected to it?
Nuss: Because a front company for the KGB wired $3 million into the account a day before the incident, and another $3 million the day after it. One week later, the entire amount was withdrawn.
Sima: By Reddington?
Nuss: Yes. Using fingerprints and a password.
Sima: Thank you. No further questions.
[ Red stands ]
Red: Was the withdrawal made in person?
Nuss: No. It was a wire transfer.
Red: You said the withdrawal required fingerprints and a password.
Nuss: It was done remotely.
Red: So if someone had a copy of my fingerprints and knew the password, they could have made the withdrawal, and no one at the bank, nor yourself, would have known the difference?
Nuss: I, uh, suppose thatās possible.
Red: Yes. You know what else is possible? That I was framed by Katarina Rostova, which I could prove if Your Honor would grant me even the shortestā
Judge Wilkins: All right, the court will stand in recess. During which time I will consider whether your willful disregard for my instruction suggests that while you are clearly competent to stand trial, you may be incompetent ā to represent yourself.
Red: Iām innocent. How can trying to prove that suggest incompetence?
Judge Wilkins: It doesnāt. But not following the rules does. And so far, you havenāt come close to doing that. Weāre back in 15.
[ GAVEL BANGS ā”ļø ]
Ā
[ At the Harkins Museum, Samar and Liz watch as Mikela Pariente walks to a bench and leaves the shopping bag with the purse inside, as instructed by Minister D. She then walks off ]
Liz: All right, sheās on the move.
[ A janitor appears pushing a cart. A baseball cap obscures his face ]
Samar: Hold on. Whoās this?
[ The janitor picks up the bag and wheels his cart to the Information Desk ]
Samar: Heās taking it to the Information Desk. Lost and found.
[ The janitor leaves the cart and exits through a door ]
Liz: The janitor. I got him.
Samar: I got the bag. Excuse me. FBI. I need to see that bag, right now. [ To Liz, over comms ] The purse is gone. The janitor has it. Thatās him.
[ Liz follows the janitor but he has a lead. He stops to check the contents of the purse ]
[ š¦POPš¦ ] [ Blue paint splatters all over him ]
Janitor: Aah! [ SPITS ]
[ He runs, leaving the purse behind ]
Ā
[ Liz is able to follow tracks of blue paint. A blue handprint shows her that the āJanitorā entered a menās room ]
[ DOOR CREAKS ] [ DOOR CREAKS SHUT ]
[ Liz goes from stall to stall, gun ready, pushing the doors in ]
[ DOOR CREAKS LIGHTLY ] [ DOOR SLAMS ] [ DOOR CREAKS LIGHTLY ] [ DOOR SLAMS ]
[ Before she can push the last stall door, the man rushes out and attacks her. The gun is thrown free ]
[ GRUNTS ] [ THUD ]
[ They fight until Samar appears and slugs the ājanitorā ]
āJanitorā: Aah!
Samar: [ To Liz ] Are you okay?
Liz: Uh, yeah, thanks.
Ā
[ Cooper visits Red in his holding cell ]
Red: Harold.
Cooper: We found Minister D.
[ DOOR THUDS SHUT, LOCK CLICKS ]
Red: If you found his archives, I need the tape of a phone call he recorded on December 7, 1990.
Cooper: If he has it, weāll find it. But I wonāt give it to you so you can leverage the judge or the jury.
Red: If that was my plan, I wouldnāt need your help. Iām quite capable of bribing jurors on my own. I didnāt give you this case to get an acquittal.
Cooper: Then why did you give it to us?
Red: To prove my innocence.
Ā
[ The courtroom ]
Judge Wilkins: Members of the jury, I have been on the bench 23 years, and I have never had a defendant represent himself in a death penalty case. Mr. Reddington made the choice, and, after careful consideration, I have decided to allow him to continue down that path. As heās acting as his own counsel, he may testify in a narrative form. Mr. Reddington, Iām giving you the benefit of the doubt. Donāt make me regret it. Please.
[ Red crosses the courtroom, enters the witness stand ] [ Door CREAKS, THUMPS ]
Court Clerk: Do you swear to tell the truth, the whole truth, and nothing but the truth, so help you God?
Red: I do.
Ā
[ At the Post Office, the Cooper, Samar and Aram go through Minister Dās audio archives ]
Samar: I donāt see it anywhere. Is it possible he got the date wrong?
Cooper: Reddington told us to look for a very specific needle in this haystack. A recording taken on December 7, 1990.
[ Liz walks over ]
Liz: Bailey isnāt talking. Please tell me you found something.
Samar: We did. Just not what we were looking for.
Aram: Elijah Bailey is an alias. We matched his DNA to a Jordan Loving, a retired corporal in the Army Corps of Engineers. Now, he disappeared from a hospital four days after he made the recording that Mr. Reddington says will clear his name.
Cooper: Loving was admitted with severe burns after an explosion at his house injured him and killed a man identified as Zachary Tempkin. We found this picture at Baileyās.
Samar: It canāt be a coincidence that Reddington is looking for a recording made on December 7th, and, on December 11th, an assassin injures Bailey and murders a man who appears to have been his lover.
Liz: Maybe he used the tape to try and blackmail someone who didnāt take kindly to being blackmailed.
Cooper: But who? And how the hell is it connected to Reddington?
Ā
[ The Courtroom ]
Red: 35 years ago, a Naval intelligence officer working for the U.S. government fellā fell into a relationship with a beautiful Russian woman. Unbeknownst to his superiors, that relationship, which started as guarded attraction, quickly evolved into passion, which resulted in pregnancy.
āāThey had the child. A girl, whom they both loved.
āāWhat the Naval officer didnāt know, but certainly should have suspected, was that the Russian woman was a KGB officer that Katarina Rostova had been assigned to get close to Raymond Reddington and steal classified information from him.
āāWhat Reddington could never have suspected was that though she was a KGB agent, Rostovaās real handlers were members of a secret criminal organization, a multinational cabal working in the shadows to manipulate world governments, economic markets, trade, and international alliances.
āāWhen Reddington discovered this, he confronted Rostova, who warned him that if he threatened to expose them, the Cabal would destroy his reputation, discrediting him so he could not discredit them.
āāAnd thatās what happened. With the help of the Cabal, Rostova framed Reddington with the very evidence youāve heard in this courtroom. To prevent him from protecting his country, she made it appear as if he had betrayed it.
āāAs a result, the Cabal remained in the shadows, Rostova disappeared, and Raymond Reddington became a completely different person. A man who has done many brutal, scary, illegal things, but not a single one ā ever ā that was treasonous.
Ā
[ The Post Office ]
Samar: Thatās it every box, file, and tape.
Liz: We must have missed something.
Cooper: Or itās not here.
Liz: We have to start over.
[ Samar accidentally knocks the framed photo from the table ] [ CLATTERS, GLASS SHATTERS ā”ļø]
Aram: I think itās too late for that.
Liz: Itās gotta be here somewhere.It has to be.
Cooper: Weāll start over.
[ Samar picks up the shattered photo. The paper backing has ripped open. inside is a mini-audio tape labeled āK. R. Dec 7, 1990ā ]
Samar: Uh, I donāt think we have to. December 7, 1990.
Cooper: Notify Ressler. Tell him we have the tape Reddington was looking for.
Ā
[ The courtroom ]
Sima: Let me just get this straight ā You were framed by a āsecret criminal organizationā?
Red: Iām sorry. I misspoke. Thanks to me, the Cabal is no longer secret.
Sima: āA multinational cabal working in the shadows to manipulate world governments.ā
Red: Iām sure they have a Wikipedia page if you care to look.
Sima: Do you have any evidence to support this conspiracy theory?
[ Ressler enter, makes eye contact with Red ]
Red: I do.
Judge Wilkins: That you can present at this time?
Red: Yes. Though, for the life of me, I donāt understand what the rush is all about. Everyone seems so anxious to kill me. Makes you wonder. [ To Judge Wilkins ] Perhaps you could enlighten me over a cocktail after my acquittal which is inevitable now that the evidence has arrived.
Sima: Permission to approach?
Judge Wilkins: I thought youād never ask.
Sima: Whatever evidence his FBI lackey just stepped and fetched for himā
Red: Itās a tape recording.
Sima: That we havenāt had the chance to authenticate.
Red: Then letās get Agent Ressler to hop on the stand, cross his heart, hope to die, and do just that.
Judge Wilkins: I agree. Mr. Sima, you will have the chance to cross-examine the witness and authenticate the tape. Mr. Reddington, it appears that all your eggs are in this basket. You better hope they donāt crack.
Red: Mm. [ To Sima ] That loud whooshing sound is the wind blowing out of your case.
Ā
[ At the Post Office ]
Aram: The court needed the tape copied to a flash drive, ā but this is the original.
[ CLICKS ]
Alan Fitch: They pulled me out of a meeting. This better be important.
Katarina: Reddington knows. He knows everything.
Fitch: Explain.
Katarina: Heās discovered my identity. And the existence of the Cabal.
Fitch: Can he be contained?
Katarina: He took Masha.
Fitch: Eliminate him.
Katarina: Heās a decorated officer. His death would be investigated. Whatever they find, they will believe. But if we discredit himā The intelligence I stoleā We leak that it came from him. No one will believe him after that. Not with the blood of 134 Americans on his hands.
Fitch: Agent Rostova, I told you to eliminate him.
Katarina: And Iām telling you thereās a better way.
Fitch: Because youāre sleeping with him.
Katarina: Because he has proof that the Cabal exists, proof that would be released in the event of his death.
Fitch: The Fulcrum.
Katarina: And because I love his daughter. My daughter.
Fitch: I want this mess cleaned up. Get rid of him or ruin him. Just get it done by Christmas.
Ā
[ The courtroom ]
Red: Agent Ressler. Do you recognize the manās voice on the audiotape?
Ressler: Yes. Itās Alan Fitch. The former Director of National Intelligence.
Red: And the woman? Agent Rostova?
Ressler: It was Katarina Rostova, yes.
Red: Why did you bring me this tape?
Ressler: Because the government has a legal obligation under Brady v. Maryland to provide the defendant with any exculpatory evidence that can be used in the defense.
Red: Thank you, Agent Ressler. And may I say ā you are both everything I dislike about the FBI and everything I admire about it? Nothing further, Your Honor.
Ā
[ An interrogation room ] [ DOOR OPENS ]
[ Liz enters and addresses the man with scarred face dubbed Minister D; real name Jordan Loving; alias Elijah Bailey. He was the āJanitorā in the museum ]
Liz: Your scar.
[ DOOR CLOSES ]
Liz: Katarina Rostova gave that to you, didnāt she? She took Zachary from you.
Minister D: You found the tape.
Liz: You blackmailed the wrong person.
Minister D: I thought I could use the tapes to punish people for what theyād done.
Liz: To cash in on what theyād done.
Minister D: To make a good living off the backs of bad people.
Liz: You hurt a lot of people who deserved it. But you also hurt yourself.
Minister D: No, I didnāt. Katarina Rostova did. Out of all the tapes, why ask me about this one?
Liz: Because Katarina Rostova took someone away from me, too.
Minister D: Iām sorry.
Liz: So am I. Thanks to your tape [ VOICE BREAKING ] I think she just gave him back to me.
Ā
Judge Wilkins: The defendant will rise. Has the jury reached a verdict?
Foreman: We have, Your Honor.
Judge Wilkins: In United States v. Raymond Reddington, to the single count alleging violation of Title 18, United States Code Section 2381, Treason, how do you find?
Foreman: Not guilty.
Red: Ahh.
Judge Wilkins: The court thanks the jury for your service. You are dismissed.
Sima: Your Honor, the government is ready to proceed to trial on the remaining indictments.
Judge Wilkins: I have no doubt that once the government licks its wounds, it will want another bite at our allegedly rotten apple. But thatās for another day. Until then, the defendant will remain in custody.
Red: No bail? I was looking forward to that cocktail.
Judge Wilkins: You may or may not be the most dangerous criminal to ever grace my courtroom. But you certainly are the most incorrigible. Court stands in recess.
[ GAVEL BANGSā”ļø ]
Ā
[ Liz visits Red ]
Liz: I donāt know how I can feel so relieved and so pissed off at the same time.
Red: Donāt judge her too harshly.
Liz: I donāt think I could judge her harshly enough. Whoever you are today, whatever youāve become ā Itās because of the lies she told.
Red: She was between a rock and a hard place.
Liz: Thatās no excuse for framing someone for a crime they didnāt commit.
Red: Itās easy to think that now. Back then ā things were ā complicated.
Liz: I grew up believing Raymond Reddington was a traitor.
Red: Well, now you know the truth.
Liz: I know a truth.
Red: You know that your parents loved you very much. And thatās the only truth that matters.
Ā
[ Jesse Marchantās āŖ ā7 & The Fallā plays ]
[ Things are quiet at the Post Office. Samar walks to her office and closes the blinds ]
āŖ [ CHORUS VOCALIZING ]
Ā
[ Liz runs into Dembe in the corridor outside Redās cell ]
[ CLICK, DOOR OPENS ] [ DOOR THUDS SHUT ]
Liz: [ Happily ] Dembe. We won.
Dembe: Iām very relieved. More so knowing that you are, as well.
Liz: Of course I am. Why wouldnāt I be?
Dembe: Because you are the reason Raymond is here. I spoke to the woman who called the police. I showed her your photo. When she didnāt recognize it, I realized she had spoken to Jennifer. That you worked together to capture Raymond.
āŖ Narrow chance in the calm of your arms
Liz: Does he know?
Dembe: I keep his secrets. I donāt share them.
āŖ Say goodbye
Liz: He sent you to find out. So he suspects something, but he doesnāt know. Is that it?
Dembe: I wonāt say it is. But I wonāt say itās not.
Liz: If you tell him, heāll never forgive me.
Dembe: The secrets he keeps from you cause you so much pain. And now you are asking me to keep your secrets from him.
Liz: Youāre his secret keeper.
āŖ You pay no mind the truth
Liz: Iām asking you to be mine, too.
āŖ If it aināt on your side
Liz: [ SNIFFLES ]
Ā
[ Samar is lying down in her darkened office with a severe headache. Aram sits next to her ]
Aram: Itās gonna be fine. Everythingās gonna be fine.
Ā
[ Itās after work hours. Liz enters Cooperās office where Ressler is helping himself to some of Cooperās Scotch ]
Liz: I know what you did.
Ressler: [ CHUCKLES ] What, stole the bossā hooch?
[ DOOR CLOSES ]
Liz: You lied to the judge ā to protect my searchā
[ Ressler pours some Scotch for Liz ] [ LIQUID POURING ]
Liz: āfor the imposterās true identity. You ignored everything I asked you not to do. And I just wanted to say thank you.
[ GLASSES CLINK ]
āŖ Did you mine your ruin?
Ressler: [ Sips, SIGHS ] That mustāve been hard, hearing that tape today. Listening to your mother betray your father like that.
āŖ You canāt blame it all on the set of your ways
Liz: To be honest with you, Ressler, this has all been hard. Ever since I met the imposter.
āŖ You can raise your walls and protect what youāve lain
Liz: But, yes, especially now, knowing that my mother helped this imposter steal my real fatherās good name.
āŖ But youāre cracking your roof
Ressler: But why? I mean, before today, everyone thought Reddington was a traitor. The government, the press, and, still, the imposter chose to take his identity. I mean, he went to a surgeon who could have given him the identity of anyone in the world. He could have been anyone. And yet he chose to be a pariah. He chose the life of a wanted fugitive. Why? Why would anyone do that?
Ā
[ METAL DOOR CLANKS OPEN ] [ Dembe visits Red ]
āŖ I was alone, I was watching it rain
Dembe: I heard the news. Congratulations.
Red: A Pyrrhic victory, Iām afraid. Like eating a salted caramel babka. Immensely satisfying in the moment, but it just might be what kills me in the end.
[ CHUCKLES ]
Dembe: I found the person who made the 911 call.
Red: And?
Dembe: It was a homeless woman.
Red: Well, who told her to make the call?
Dembe: She didnāt know.
Red: You showed her a photograph?
Dembe: Yes.
Red: Of Elizabeth?
Dembe: Yes.
Red: And?
Dembe: No.
Red: Ohh. [ SIGHS ] I was so sure. I wasā [ SIGHS ] The thought that sheād betrayed me again ā But she didnāt.
Dembe: No.
Red: [ BREATHES SHARPLY ]
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⬠go to start of 6:9 Minister D
ā« go to top
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Episode Songs
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ā« White Glass
By LomaāŖ Iām a blackbird singing on a riverbank
Iām a vulture hanging in the wind
In the last gray folds of a summer in silence
In a night so darkāŖ Iām a rider holding on a horse
Iām the rush of the branches right above the road
You unfold like a scorpion shining
In a night so dark
And curled to strikeLyrics and Credits: http://bit.ly/2SkxgkT
YouTube: https://youtu.be/D7bu8v6aYOc
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ā« 7 & the Fall
By Jesse MarchantāŖ Highways, black fog
Narrow chance
In the calm of your arms
Say goodbyeI can recall your way
In the black storm
We sat to wait
All it written all over your face
Was always in your eyes
You pay no mind the truth
If it aināt on your sideāŖ Well whoās on your side?
Who is on your side now?
While I lived the fall
From your letting down
Did you mine your ruin?
You canāt blame it all
On the set of your ways
You can raise your walls
And protect what youāve lain
But youāre cracking your roofāŖ Now the ground here
Is washing away
I was alone
I was watching it rain
Humans standing on limbs cut
Drowning in the waves
Loosing everything
Of their minds at fault
Of their hearts in ruinLyrics and Credits: http://bit.ly/2BOuG0R
YouTube: https://youtu.be/JzSKVjW2Nw4
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ā¬ļø go to start of 6:9 Minister D
ā« go to top
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āāā End 6:9 Minister D
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š“ Script 6:10 The Cryptobanker (ā 160)
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Program air date: 3/8/2019 in the US
Script Permalink: https://wp.me/pDKwi-9d5
Entertainment Weekly Recap: http://bit.ly/2J0yli9
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Director: Terrence OāHara
Written by: Kelli Johnson
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Ā
ā Script 6:10 The Cryptobanker (ā 160)
Ā
Brief (Where weāre at): The jury is in. Lizās father Raymond Reddington was not a traitor to the United States but rather was framed by Lizās mother, Katarina Rostova, when he found out that, not only was she a KGB officer who had been sent to seduce him, but that her true handlers belonged to the Cabal. To discredit him, she planted a communiquĆ© for US intelligence to discover blaming Reddington for the sinking of a US submarine which resulted in the deaths of over 100 men in 1990. Redās acquittal was secured when the Task Force retrieved from the archives of Jordan Loving (Minister D, Blacklister #99), a tape recording between Katarina and Cabal leader Alan Fitch describing the plot.
Of course, the āRedā who was on trial is not the real āRaymond Reddington,ā as Liz had recently told Ressler who was called as a witness at the trial. He perjured himself by identifying Red as Raymond Reddington while under oath. But he hesitated, raising suspicions in Redās mind about just what Ressler knows.
Meanwhile, Dembe got hold of the recording of the 911 call that resulted in Redās arrest. A homeless woman made the call for $100. When she could not identify Liz from a photo as the person who asked her to make the call, Dembe figured out it must have been Jennifer working with Liz. He confronted Liz and she begged him not to tell Red, which he did not do when meeting with Red later.
Though acquitted of treason, Red remains behind bars on other charges. His next ploy to earn his freedom began by obtaining the target list from the files of General Shiro (Blacklister #116) which provided an address in London from which Dembe returned with photocopies of files.
Ā
[ Matt Pierson watches his daughter Jamie play soccer. At the same time he talks business on his cell phone ] [ INDISTINCT SHOUTING ] [ CROWD CHEERING ]
Matt Pierson: [ To Jamie ] Yes! ā Way to go, Jamie!
Jamie: Thanks, Dad!
Pierson: No, yeah, Iām open to the idea of a different distributor, but not increasing the specs for the batteries themselves. [ BEEPING ] Oh, hold on. Iām getting another call. [ BEEPS ] Hey, this is Matt.
Oleg Gromov: [ Heavy Russian accent ] Hello, Matt. I need you to listen. What I am about to tell you is very important.
Pierson: [ SCOFFS ] Is this aā Who is this?
Gromov: First, I need you to understand the degree of control I have. Keep your eyes on your daughter. You and I both understand she is vulnerable. I have the ability to exploit that fact.
Pierson: Jamie.
Jamie: Aah! [ GROANING ]
[ Jamie collapses, clutching her heart ]
Pierson: Jamie!
[ Pierson runs to Jamieās side ]
Coach: Girls, take a knee.
Pierson: Whatās wrong? Honey, talk to me.
Gromov: Itās quite simple, Matt. Iāve taken control of your daughterās pacemaker and instructed her SA node to trigger a 3rd degree AV block. Her heartās electrical signals have turned off.
Pierson: Please, stop. Why are you doing this?
Gromov: Quiet, Matt. Now Iām going to give you some very specific instructions. I want you to do exactly as I say. Are you ready, Matt?
Pierson: Yes.
Gromov: You are going to liquidate a few assets for me. Start with your Union Bank pension and your shares in the company stock. Do you hear me?
Pierson: Yes, Union Bank, company stock. Just, please, Iām begging you, stop.
Gromov: Please donāt tell anyone we spoke, Matt. Talk to the authorities and Jamie pays the price. I will be in touch. Until then, your daughter can have her heart back.
Jamie: [ INHALES DEEPLY ]
Coach: Is she okay?
Woman: Do you want some water?
Woman #2: Way to go, honey.
āā
[ Gromov sits in a darkened room with computer monitors on all sides ]
[ HEADSET CLATTERS ] [ DIALING ]
Gromov: Iām into a new deal. Itās huge. After this, Iām buying an island.
Cryptobanker: When should I anticipate the transfer?
Gromov: End of day tomorrow. Weāre talking $3 million. Can you handle that?
Cryptobanker: Itās complicated, but itās viable. Contact me when youāve got the crypto.
[ CELLPHONE CLICKS ]
Gromov: Yes! Whoo!
Ā
[ Outside Colton Prison BIRD CAWS ]
[ In the dining room, Vontae and Vega sit down with their trays across from Red ]
Vontae: Is it true youāre dodging the warden? Please tell me itās not true.
Red: If the warden needs to talk, he can come find me. He knows where I am.
Vega: Word is the laundry crew is planning to strike.
Red: I have much larger concerns than Warden Macatee and his laundry crew. The government is more intent than ever to stick a needle in my arm for any number of other crimes Iāve committed. An eventuality I have no intention of waiting around for.
Vontae: Man, are you in the wrong place. All we do here is wait.
Red: Yes. Which is why Iām leaving.
Vega: Leaving? Are youā Youāre not seriously thinking about breaking out?
Red: Yes.
Vontae: Okay, that is a bad idea.
Red: Itās a seedling of an idea. Itās immature at this point, but we have two months to help it grow.
Vontae: We? [ SCOFFS ] Yeah, that is not happening.
Red: Not yet. But it will.
Ā
[ Colton Prison Visitors Area ]
Liz: You want me to make a dinner reservation for you? ā In Chicago?
Red: Yes. At Gene & Georgettiās. I have an insatiable craving for their Beef en Brochette, or the Chicken alla Joe. Maybe both.
Liz: Have you read the indictment? There are 16 counts, ranging from money laundering to murder.
Red: The judge calendared eight weeks for the trial. So, to be safe, make the reservation for the following week.
Liz: How can you be so confident?
Red: Iāll take care of the trial. You take care of what comes after.
Liz: Your beef brochette.
Red: My immunity agreement.
Liz: [ SCOFFS, sing-songy ] You are full of fantasies today.
Red: Iāve uncovered a conspiracy. One that I know is deadly and is aimed at the halls of power. But I donāt know why or when itāll strike. And I wonāt until you catch the man known as the Cryptobanker.
Liz: And when you know, you wonāt say until they reinstate your immunity agreement.
Red: As Hippocrates believed, ādesperate times call for desperate measures.ā
Liz: Iām pretty sure he also said āfirst do no harm.ā
Red: Yes, well, one aphorism at a time.
Liz: Tell me about the Cryptobanker.
Ā
[ At the Post Office, Liz briefs the Task Force ]
Liz: A drug cartel spends $70 million on airplanes. A Serbian sex trafficker drops $40 million on ships to smuggle victims across the Mediterranean. How did the people brokering these deals keep them hidden? They took payment in Bitcoin.
Aram: Illegal activity accounts for half of all Bitcoin transactions. 36 million annual transactions with a value of approximately $72 billion.
Liz: And where do they go to launder their ill-gotten Bitcoin gains? To a man known as the Cryptobanker.
āā
[ The Cryptobanker walks up behind Nervous Banker in at a crosswalk ]
Cryptobanker: I need you to clean three.
Nervous Banker: What?! We agreed installments wouldnāt exceed two.
Cryptobanker: We agreed youād be compensated on a sliding scale. I canāt imagine Beth and the girls want to move off Park Avenue. The number is three. Make it work.
āā
Liz: All Reddington knows is that the Cryptobanker is in town. So we reached out to the Bureauās Virtual Currency Initiative, looking for someone local trafficking in Bitcoin, and one name stood out a hacker known as the RAT.
Aram: Itās an abbreviation for āRemote Access Trojansā malware that allows the user to lock companies out of their own servers. The hacker then demands a ransom and unlocks the server once itās paid.
Ressler: In Bitcoin that the Cryptobanker helps to launder.
Samar: We find the RAT, we find the Cryptobanker?
Cooper: And the RATās latest target?
Liz: The leading manufacturer of pacemakers, called Pierson Diagnostics.
Ā
[ Samar and Ressler visit Matt Pierson at his pacemaker company Pierson Diagnostics ]
Pierson: You shouldnāt be here. I canāt talk to you.
Samar: Mr. Pierson, many victims of extortion keep quiet for fear of retribution. We understand that itās a risk for you to trust us.
Ressler: We also know that youāve liquidated millions in assets. Now, we contacted the SECās Cyber Unit and traced those assets using the blockchain. Youāve purchased a large amount of Bitcoin.
Samar: That canāt be a coincidence. Youāre being leveraged.
Pierson: Jamie was born premature, with a heart arrhythmia. She was so tiny at the time, there were no devices on the market that could help her, so I made one. I made this company so that she could lead a normal life.
Ressler: Your daughter is in danger.
Pierson: He has control of her pacemaker. Heād hacked the software somehow. He says that heāll that heāll kill her if I donāt pay.
Samar: The device. Are you able to disable the malware?
Pierson: He says heās watching me, that if I attempt to manipulate the software in any way or go to the police, heāll trigger it.
Samar: We have people who can figure out how he gained access to the pacemaker. Perhaps we can defuse the threat and keep your daughter out of harmās way. Will you at least listen to what we have in mind?
Ā
[ The courtroom. A new jury has been seated ]
Judge Roberta Wilkins: Serving as a juror in a high-profile case is never easy, and this case will be no exception. Before opening arguments, I want to thank you for your service. Mr. Sima, the floor is yours.
Asst US Atty Michael Sima: Ladies and gentlemen, Raymond Reddington has been a fugitive from justice for more than 25 years. Or so we thought. In fact, for the past five yearsā
Red: Objection!
Sima: āthe most wanted man in America has had a secret immunity agreementā
Red: Your Honorā
Sima: āwith the very people sworn to bring him in.
Red: āis this even remotely acceptable to you?
Judge Wilkins: Iāll give you my answer after I clear the courtroom. Bailiff?
āā
Judge Wilkins: Correct me if Iām wrong, Mr. Sima, but I distinctly recall the government wanting to keep the immunity agreement secret. What changed your mind? Is this your way to force a plea agreement? Trade execution for life in prison?
Sima: Absolutely not. Thereās no deal on the table.
Red: [ CHUCKLING ] Come on. Theyāre fitting me for a Snitch Jacket, so even their incompetence wonāt save me. On the off chance they win, I die in prison. In the likely event they lose,
I die on the street.
Sima: We have the legal right to disclose the agreement.
Red: You also have a moral obligation not to.
Sima: I couldnāt be less interested in your views on morality.
Judge Wilkins: Then maybe I could interest you in mine. Disclosing Mr. Reddingtonās cooperation is like imposing the death penalty by fiat. Plus which, it sends a chilling message to any future confidential informant. This case is national news. If the governmentās decision to sell out an informant goes viral, no one will want to cooperate. Mr. Reddington is on trial here, not the Task Force he works with.
Sima: As far as Iām concerned, theyāre co-conspiratorsā
Red: [ SCOFFS ]
Sima: āwho aided and abetted his criminal activity.
Red: Co-conspirators? These people are brave, honorable public servants. Mr. Sima may be content with a scorched-earth policy that would burn them in order to burn me. I can only hope that youāre not.
Judge Wilkins: Iām not okay with it. But youāve got no constitutional right to keep your immunity agreement secret, so I canāt keep the government from introducing it. It may be contemptible, but thereās nothing I can do to stop it.
Ā
[ Matt Piersonās Mercedes wagon pulls up to a gated community ] [ MACHINERY WHIRRING, GATE CREAKS ] [ BIRDS CHIRPING ]
[ The vehicle pulls into the garage of a large home. He gets out and opens the back door of the vehicle. Aram is crouched inside with a roll of wire fencing material ]
Aram: Did you check the street?
Pierson: I didnāt see anything. But that doesnāt mean that this is a good idea.
Aram: Itās gonna be awesome.
Ā
[ Inside Jamie Piersonās bedroom, Pierson and Aram have begun constructing a wire cage around Jamieās bed ]
Jamie: Dad, what are you doing?
Aram: Oh, you, uh you must be Jamie.
Pierson: Honey, weāre building, uh, something called aā
Aram: Called a a Faraday cage. Iām so sorry we havenāt met. Iām Agent Mojtabai. You can, uh- you can call me Aram. This is a super cool room.
Jamie: Not anymore.
Aram: Right, yeah. Sorry about that. I promise Iāll help fix everything up when weāre done.
Maybe you could, uhā you could get some fun wallpaper?
Jamie: I donāt want wallpaper.
Pierson: Honey, this is important. We need to do this.
Jamie: Whatās a Faraday cage?
Aram: Well, itās sort of like a force field, uh, created by a man named Michael Faraday.
Jamie: Was he a superhero? Because only superheroes have force fields.
Aram: He was, uh, kind of. A, uhā a scientific superhero.
Jamie: I can name six superheroes who have force fields. Iron Man, Susan Storm, Apocalypse, Banshee, Green Lantern, and Violet Parr.
Aram: Actually, uh, Banshee doesnāt really have a force fieldā
Jamie: When he screams, people back off.
Aram: TouchƩ.
Jamie: Will this force field keep him from messing with this? [ Pats her heart ]
Aram: In here, it will. Thatās why weāre building it. So youāll be safe.
Jamie: Cool. Can I help?
Aram: Sure. If, uh, your dadās all right with it.
Pierson: Hey.
Aram: Okay. Well, here grab yourself a handful of zip ties and, uh, letās get to work.
Ā
[ Red is writing something in his cell at Colton Prison ]
Red: Thereās been a change of plans. Iām moving up the timeline of my impending escape.
Vontae: Moving up to when?
Red: Thursday at 4:00.
Vega: Thursday? Like tomorrow Thursday?
Red: āAt 4:00.
Vontae: Hold up. You said you had eight weeks.
Red: I said we had eight weeks. Now we donāt. The government has changed its strategy, so Iām changing mine.
Vontae: No, no. You said all you had was a āseedlingā and that it was āimmature.ā
Red: Vontae, I have until tomorrow. At 4:00. Hereās a āhoneydoā list to do while Iām in court.
Vontae: [ Reads ] A quarter pound of ground chuck, 3 ounces of bleach, same amount of paint or nail polish removerā
Vega: [ Reads the rest ] Rubber cement, hair clippings from the prison barber? What the hell?
What about the warden?
Red: What about the warden?
Vontae: Look, the laundry boys are ready to walk, okay? Heās got a problem on his hands. Maybe if you help him, heāll pull a few strings, help you.
Red: Oh, heās gonna do much more than that.
Vontae: You and the warden. What?
Red: Letās start with the items on the list.
Vontae: [ Sighs ] Okay.
[ Vontae and Vega leave ] [ INDISTINCT CONVERSATIONS IN DISTANCE ]
Ā
Judge Wilkins: Iām told you wanted a word before I bring out the jury.
Red: To petition the court not to let Mr. Sima put the Task Force on trial.
Judge Wilkins: If thatās how he intends on trying his case, ā I canāt stop him.
Red: Very well. Then I must. Iāll plead guilty. On all counts. But only if Mr. Sima agrees to instruct the jury that he was mistaken about the existence of an immunity agreement.
Sima: You want me to lie in court?
Red: Yes. It plays to your strengths.
Judge Wilkins: Take the win, Mr. Sima. Mr. Reddington, is your guilty plea based, at least in part, on the fact that you are guilty of the crimes you intend to admit?
Red: It is.
Judge Wilkins: If I accept your guilty plea, you give up the right to appeal your conviction and the right to appeal your sentence. Do you understand?
Red: I do.
Judge Wilkins: The maximum penalty for a person guilty of the crimes youāre charged with is death by lethal injection. Are you aware of that?
Red: I am.
Judge Wilkins: Has anyone done anything you think is illegal or unethical to force you to plead guilty?
Red: Other than Mr. Sima? No.
Judge Wilkins: I find your proposed guilty plea is supported by facts and that you are acting competently and voluntarily in giving up your rights. Iām prepared to accept it. Are you sure that you want me to?
Red: Yes, Your Honor, Iām sure.
Judge Wilkins: Very well. I accept the defendantās plea to the indictment and find him guilty as charged.
[ GAVEL BANGS ā”ļø ]
Ā
[ Jamieās bedroom. She is in bed as Pierson and Aram complete the Faraday cage ]
Aram: Okay, cross your fingers and toes.
[ ZIP TIE TIGHTENS ]
Aram: Okay.
[ BEEPING ~ Computer come up ]
Aram: Weāre up.
Pierson: So itās working?
Aram: How often do you push software updates to your monitoring devices?
Pierson: Uh, maybe three or four times a year.
Aram: Thatās how he got in. I mean, think about it. The devices have built-in access authority. Why not use the home monitor as a proxy for the malware program? ā Itās perfect.
[ Aram hasnāt noticed that Pierson has taken out a scalpel ]
Pierson: Okay, honey, just a little pinch.
[ Pierson cuts into Jamieās skin above the pacemaker ]
Jamie: Ow!
Aram: Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa. What are you doing?
Pierson: Disconnecting her pacemaker.
Aram: No, no. You- You canāt do that.
Pierson: Weāre offline. He has no idea.
Jamie: Ow! Dad, it hurts.
Pierson: Okay, just hold on, sweetie. Iāll be done in a second, okay?
Aram: Okay, this is a, uh, this is a really bad idea.
Pierson: Itās not. She has a simple arrhythmia. Clipping the pacing leads on the device disconnects her from her abductors.
[ He snips through two wires ]
Jamie: [ BREATHES DEEPLY ]
Ā
[ At Pierson Diagnostics ] [ Samar and Ressler walk through the room of people working at computer screens ]
[ INDISTINCT CONVERSATIONS ] [ ELECTRICITY POWERING DOWN ]
Ressler: Excuse me. Whatās going on?
Worker: [ SCOFFS ] No clue. Weāve got redundant systems. This shouldnāt happen.
[ KEYS CLACKING ]
Ā
[ Pierson leads Jamie through the garage with Aram behind ]
Aram: Where are you going? This was not part of our plan. We agreed toā
Pierson: Taking her to a hospital. Sheāll be fine until I can get her some real help.
[ Jamie gets into the back of the Mercedes ]
Pierson: Okay, look, as far as Iām concerned, this is over.
Aram: This guy he wonāt just let you walk away.
Pierson: But he has no leverage now. I donāt really give a damn what he thinks. [ CELLPHONE RINGING ] ā Just ā [ BEEPS ] ā Hello?
[ Pierson puts his phone on speaker ]
Gromov: Hello, Matt. What happened to your daughterās pacemaker, Matt?
Pierson: I took it offline. I disconnected it. Youāre gonna have to find someone else to blackmail. Gromov: Wrong choice, Matt. All you had to do was pay the ransom. It was very simple. Unfortunately, now things get considerably more difficult.
Pierson: Wait. What do you mean āmore difficultā?
Gromov: By disobeying my instructions, you have triggered a contingency plan and given me control of your companyās system-wide files. All 200,000 patients.
āā
[ At Pierson Diagnostics, all the computers suddenly show Ransomware screens ]
āā
Pierson: No, no, no, please, listen.
Gromov: No, I think you need to listen, Matt. Iāve selected 1,000 patients at random and programmed their pacemakers to deliver a lethal shock in 24 hours. I am also increasing my price $6 million in Bitcoin. I will send you the wallet number shortly. If you choose to pay, I will send you an authentication code to unlock your system. If you donāt, a symphony of hearts falls silent at once. Your choice. I will be in touch. Good day, Matt.
[ HEADSET CLATTERS ]
Ā
[ Outside Piersonās house, Jamie waves goodbye from a gurney ]
Aram: [ On phone to Post Office ] Theyāre taking Piersonās daughter to the hospital. Sheās gonna be okay.
Samar: Thatās great, but what about the 200,000 patients who arenāt having their pacemakers taken offline?
Aram: Pierson has 24 hours to pay the ransom or the RAT says heāll kill 1,000 of them.
Cooper: Can they do that?
Aram: A pacemaker is a mini defibrillator. If the heart stops, it can deliver a jolt of electricity to restart it.
Samar: A safe jolt.
Aram: It was, until the RAT took control over the system. Now he can recalibrate the amount of electricity that gets delivered, turning a safe jolt into a lethal one.
Cooper: Get Pierson to get us a list of everyone with a Pierson Diagnostics pacemaker. Aram, I want that list on my desk within the hour.
[ BEEPS ]
Ressler: We canāt notify 200,000 people on the down low. I mean, once word of this gets out, Pierson Diagnostics is finished.
Cooper: A small price to pay to save all those at risk.
[ Liz enters and stands silently ] [ INDISTINCT CONVERSATIONS ] [ TELEPHONE RINGING IN DISTANCE ]
Samar: What is it?
Liz: Reddington pleaded guilty.
Ā
Judge Wilkins: Ladies and gentlemen of the jury, the defendant has pleaded guilty, so this trial will not take place. Instead, weāre moving directly to the sentencing phase. To aid in your decision, each side will be given the opportunity to present witness impact statements.
Sima: Mr. Charleston, for the record, please state your profession.
Charleston: For the past six years, Iāve served as Deputy Administrator of the ATF.
Sima: In that time, have you investigated the defendant?
Charleston: We have 24 cases that target Mr. Reddington.
Sima: Cases in which people were killed?
Charleston: 13 that we know of. But those are only the ATF cases.
āā
Sima: Meaning?
Treasury Official: Meaning Treasury ran several joint cases with the ATF in which lives were lost.
āā
Interpol Agent: Interpol has coordinated with law enforcement around the globe in an attempt to apprehend Mr. Reddington. MI6. Mossad. Russian SVR. To my knowledge, this man is wanted in every country heās set foot in.
āā
Charleston: We couldnāt catch him because he has resources everywhere ā in law enforcement, governments around the world, the private sector, the penal system. He wields a great power and influence over these men and women, loyal associates who will do whatever he asks.
āā
[ As the witnesses testify, Vontae and Vega collect the various items on Redās āhoneydoā list from places around the prison ]
āā
Charleston: I can assure you, right now, Reddington has people doing his bidding whatever that may be. Now, I donāt know who they are, but theyāre everywhere. And the only way to stop them is to stop him.
āā
Treasury Chief: Capital punishment. Like cutting out a cancer.
āā
Interpol Agent: Itās the only option.
āā
[ Vontae removes some items from inside his sock and slips them under Redās pillow, and leaves Redās cell ] [ INDISTINCT CONVERSATIONS ]
Ā
[ Cooperās office ]
Liz: The minute the Feds threatened to take us down with him, he gave up. He pleaded guilty to protect us, and theyāre gonna kill him for it.
Cooper: Unless he has a plan. It doesnāt appear that he does, but with Reddington, appearances can be deceiving.
[ Samar and Ressler enter ]
Samar: We have a lead on the RAT.
Ressler: Aram got the company to put together a list of patients with Pierson Diagnostics pacemakers.
Samar: It turns out thereās one person on the patient list who wasnāt a patient.
Ressler: Oleg Gromov, a Russian national whoās in the country on a student visa.
Samar: We ran a trace on his cell. Heās at a cafĆ© in Georgetown.
Cooper: A patient thatās not a patient?
Ressler: Gromov bought a pacemaker but never had it installed. He also pays a monthly fee to Pierson Diagnostics to get updates for his home monitor.
Cooper: Go. See if this kid can explain why heās paying for a pacemaker service he doesnāt need.
[ Ressler leaves ]
Samar: Liz, tell Reddington, if thereās anything that we can doā
Liz: He knows. Thatās why heās done this.
Ā
[ Gromov sits in the busy cafƩ working on his laptop, listening to loud music over earphones ]
[ Jacuzzi Boysā āŖ āSomethingās Offā plays ]
āŖ Out of my head, not feeling right
Worm in my apple when I took a bite
I think somethingās off
[ BEEPING ]
āŖ Missing a screw, Iām pretty sure
Doing my laundry at the hardware store
[ DOOR OPENS ]
āŖ I think somethingās off
[ CHIMES, DOOR CLOSES ] [ Liz and Ressler enter. Gromov sees them and knows theyāre law enforcement ]
āŖ I think somethingās off
Somethingās off
[ Gromov slaps his computer shuts and gets up and leaves. Once outside, he makes a call ]
Gromov: Hey, itās me. Yeah, the funds are on deposit, but, uh, we have a situation. I need to see you. Yes, now.
Ā
[ A car pulls up into a parking lot ] [ The Cryptobanker gets in his Gromovās car with him ]
Cryptobanker: Tell me about this situation.
Gromov: Police. Feds. Iām not sure which. I donāt know why they were looking for me, but better safe than sorry.
Cryptobanker: What do they know?
Gromov: I said I donāt know. Iāll handle it. I just need you to get the transfer done right away.
Cryptobanker: You know what? Youāre right. [ SIGHS ] Better safe than sorry.
[ The Cryptobanker shoots Gromov in the side of the head ] [ GUNSHOT š„ ] [ Blood splatters on the driverside window. The Cryptobanker takes Gromovās laptop and leaves ]
Ā
[ Liz visits Red in the holding cell at the courthouse ]
Liz: Cooper thinks you have a plan.
Red: Harold is an eternal optimist.
Liz: Heās optimistic that you giving up isnāt what it appears to be.
Red: You donāt have to worry about me.
Liz: Why? Because you have a plan? Or because youāre gonna be dead soon?
Red: [ BREATHES SHARPLY, smiles sphinxlike ]
Liz: I understand witnesses youāve never even met are testifying under oath that youāre evil incarnate.
Red: Apparently Iām a moral scourge and a malignant tumor.
Liz: Iād like to present the other side.
Red: No.
Liz: Theyāre taking witness impact statements. No witness has been impacted by you more than me.
Red: It wonāt change the outcome.
Liz: I want to testify.
Red: Uh-ahā Fine. Short and to the point.
Liz: Why? Do you have somewhere you have to be?
Red: Gene & Georgettiās would be nice. Iāve decided to go with the double lamb chops instead of the Beef en Brochette, and definitely the Chicken alla Joe.
Liz: What I say might not make a difference, but it could. Why would you want me to rush through it? Unless you donāt care whatās on their minds because Cooperās right ā you have a plan.
Ā
[ The courtroom ]
Red: Agent Keen, youāre a criminal profiler, are you not?
Liz: Yes.
Red: Top of your class at Quantico?
Liz: I was 15th in a class of 200.
Red: Youāve been trained to think like a criminal.
Liz: By the very best.
Red: Profile me.
Liz: [ Long pause ] Youāre a fugitive. [ Pause ] You live a fugitiveās existence. Fleeting. Transient. Impermanent.
[ SIREN WAILING IN DISTANCE ]
Liz: Almost exclusively, this is how you interact with the world in [ Pause ] short, brief, passing encounters. [ Pause ] I say āalmostā because this is not how you interact with me. With me you are enduring, permanent. The world thinks youāre bad because youāve done some terrible things. But I believe youāre good in spite of the terrible things youāve done. And I know that youāre not here today because of those terrible things. Youāre here today because of love.
āāLove brought you out of the shadows. Love put you on the street corner where you were caught. And not just the love of a father for his daughter, but the love of doing what you believe is right. And not necessarily for yourself, but [ Pause ] whatās right for the greater world around us. A world you love so much.
āāBut I canāt tell you about any of that. He pleaded guilty to prevent me from telling you about his many acts of conscience because if I did, it would be bad for me, for my career, for my reputation. To honor me, heās put himself at your mercy. And so to honor him, I have to ask you to be merciful in return.
Ā
[ Cooperās office ]
Pierson: Because of you, 1,000 people are still at risk.
Cooper:We identified the man who threatened your daughter.
Pierson: I paid the ransom but didnāt get the authentication code to unlock the servers. Why? Because you went after him.
Cooper: Weāre in Gromovās apartment, have an APB on the plates on his car. We will find him, the computer, and the authentication code thatās on it.
Pierson: His deadlineās in three hours.
Cooper: We can debate how we got into this mess later. Right now, I need your help in getting us out of it.
Pierson: Well, Iāll help us get out of this mess, but how we got into it is not up for debate. Thatās all on you.
[ TELEPHONE RINGS ]
Cooper: Cooper. Aram, youāre on speaker. [ BEEPS ]
Aram: Thereās no sign of him or his computer.
Cooper: Or a key or an authentication code ā thatāll take the malware offline?
Aram: Nothing. Only the docking station, which I assume he uses for his laptop.
Pierson: The docking station. Is there a serial number on it?
Aram: Of course. That is genius. The serial number IDs the computer and the company that made it.
Pierson: Okay. If we get it, we can access the computer through the companyās remote diagnostic software.
Aram: Which gives us an IP address as soon as the computerās turned on. I found you. The, uh the serial number, not the RAT.
Cooper: Tell SWAT to stay on-site, then get back here and set up that backdoor. The second that computerās turned on, ā I want to be able to find it.
[ TELEPHONE CLICKS ]
Ā
Judge Wilkins: Mr. Sima, closing arguments?
Sima: Youāve heard testimony about the extent of the defendantās criminal empire, as well as the pain and suffering his crimes have caused.
Red: So off with his head! ā Mine, not his.
Sima: Your Honorā
Judge Wilkins: Mr. Reddington, youāll have your turn in a moment.
Red: Yes, but as I plan to echo what Mr. Sima says, I thought we might skip over him saying it.
Judge Wilkins: Heās asking for the death penalty. You plan on echoing that?
Red: I do. One trait of mine that Agent Keenās otherwise exquisite profile left out was optimism. Hope for a better tomorrow. A desert safari on the Wahiba Sands. Riding with the bagualeros in Patagonia. None of that would be possible if I were sentenced to life in prison. Thereād be nothing to hope for, and without hope, nothing to live for. Not even the joy of interrupting Mr. Sima to make his point, only pithier. As weāre all agreed I should be executed, I feel like we should wrap this up, donāt you?
Ā
[ The scene of the murder of Gromov, the RAT ]
Ressler: Whatāve we got?
[ CAMERA SHUTTER CLICKING ] [ POLICE RADIO CHATTER ]
Officer: The guy you want in the car youāre looking for.
Samar: Have the crime techs come through?
Officer: Everythingās been bagged and tagged. Hereās the evidence list.
Samar: No laptop.
Ā
[ The Post Office ]
Cooper: Where are we on setting up the backdoor link to Gromovās computer?
[ CELLPHONE RINGS ]
Aram: Done and done. When he turns it on, ā it should ping me a location.
[ CELLPHONE BEEPS ]
Cooper: Agent Ressler. Anything?
Ressler: Gromovās dead. Shot in the head. Whoever did it took his laptop.
Cooper: The Cryptobanker?
Ressler: Could be. Could be anyone.
Cooper: Alive or dead, that signal is still set to go out ā at the deadline.
Aram: Whoever has the computer, weāll get a trace as soon as they turn it on.
Ressler: Yeah, if they turn it on.
Cooper: Deadlineās in 90 minutes. Get back here.
Ressler: Yep.
Ā
[ Colton Prison, Redās cell ]
[ Red embeds pills in the wad of hamburger, puts earplugs in his ears, pours liquid into a small bottle and makes other preparations ]
āā
Guard: Reddington! Letās go. The wardenās ready for you.
Ā
[ Warden Macateeās office ]
Macatee: Michael said you decided to get smart and help broker some peace.
Red: Yes. I had a thought or two.
Macatee: Whatās your idea?
Red: Thatās quite an animal youāve got there.
Macatee: Thatās Duke.
[ Red slips Duke a some hamburger in with the pills inside ]
Red: Reminds me of a pooch that lived down the block when I was a kid. Always hot and cold. Wet kisses one day, stitches the next.
Macatee: I got an appointment at 5:00 with the wife, so tell meā
Red: Iāve heard youāre in couples therapy. That must be quite an undertaking.
Macatee: Whatās your idea?
Red: Well, for starters, two inmates will be critical to these negotiations ā Vontae Jones and Vega Montero.
Macatee: Neither of them work the laundry.
Red: But they both have worked there in the past, they have a perceptive yet pragmatic take on the issues, and both are trusted by all parties concerned. I think we should bring them in on this.
Macatee: Iām late. Itāll have to wait.
Red: Come on, Jim. You asked for my help. Itāll take ā what? 10 minutes? To prevent a laundry strike?
[ INTERCOM BEEPS ]
Macatee: [ SCOFFS ] Loretta [ DISTORTED ] send up Vontae Jones and Vega Montero.
Loretta: I canāt hear you, Jim. Itās the line. Sounds like youāre underwater. [ LAUGHS ]
[ SCOFFS ] Send up Vontae Jones and Vega Montero.
Red: My goodness, look at that pronghorn.
Macatee: Good eye. Most people canāt tell the difference between species of antelope.
Red: Boy, thatās a beaut.
[ As Macatee admires his trophy, Red pours some liquid from the small bottle onto a handkerchief ]
Macatee: I took that prairie goat there with a bow on the Dakota plains. 34-inch compound. Pope & Young pronghorn state record, if that means anything to you. Scored a 90 and ā
[ Red comes up behind Macatee and holds the handkerchief over his nose and mouth until he passes out ] [ MUFFLED GRUNTING ] [ THUDS ]
[ Jonny Redmondās ā« āLeave My Cares Behindā Plays ]
[ Could not find this tune on YouTube or anywhere; itās a cheery country song ā LB90 ]
āŖ Another sunny day
[ Dog WHINES SOFTLY ]
āŖ Another lovely day for a ride
[ Lorettaās office ]
[ KNOCKING ] [ Loretta says goodbye to the guard and greets Vontae and Vega ]
Loretta: Thanks, Bob. Iāll take it from here.
āŖ Iām gonna drive away
ā[ INTERCOM BEEPS ]
Loretta: Jim? The fellas are here. Should I send them in?
āŖ Donāt got a thing to say
[ INTERCOM BEEPS ]
Loretta: Jim?
āŖ Gonna leave my cares behind
Loretta: Jim!
Red: [ Over intercom, sounding like Macatee ] [ DISTORTED ] Send āem in.
Loretta: All right! You go ahead, boys.
āŖ Crank up the tunes real high
Gonna sing out loud
[ Vontae and Vega enter Macateeās office ]
Vontae: What happened to the dog?
Red: High as a kite. We only have about 10 minutes if this is gonna work. Whereās the hair and the glue?
āŖ Gonna leave my cares behind
Donāt got a thing to say
Red: Someone needs to strip the warden.
āŖ Gonna leave my cares behind
Red: Any takers?
Ā
[ The Task Force gathers around a widescreen TV at the Post Office ]
Anchorwoman: The company confirmed that more than 18,000 patients have had their pacemakers removed, but the vast majority remain at risk as a result of the malware attack on the companyās servers. Pierson Diagnostics stock collapsed with news of the recall, but CEO Matt Pierson says his sole concern is for his patientsā well-being.
Cooper: 32 minutes left.
Samar: Even with an IP address, thereās no guarantee that weāll get to the computer in time to disconnect the malware.
Ā
[ The Cryptobanker enters the Nervous Bankerās office with Gromovās laptop ]
Cryptobanker: I have a problem [ DOOR CLOSES ] and an opportunity.
Nervous Banker: You canāt be here.
Cryptobanker: A client became a liability. Thatās the problem. This [ COMPUTER CHIMES ] is the opportunity.
[ The Cryptobanker clicks some keys and turns the laptop so the Nervous Banker can see ]
Nervous Banker: I canāt handle that amount.
Cryptobanker: Iām not asking you to do it on a sliding scale. Iām offering you 40% of the total amount. Can you handle it now?
āā
[ Gromovās laptop coming online triggers an alert at the Post Office ] [ ALARM BEEPING ]
Aram: Okay, thatās it. The computer it is on.
Cooper: You have a location?
Aram: Uh, the diagnostics program is booting up. Come on. Come on! Come on.
āā
Cryptobanker: You wanna stay in this broom closet for another 20 years, get a gold watch and a retirement you canāt afford? ā This is our shot.
Nervous Banker: What about the client?
Cryptobanker: None of this is traceable. Not the Bitcoin and not the client. Wash this, and the lifestyle Bethās been used to? She can double it.
āā
Aram: Okay, thatās it. I got it. The IP address belongs to the First Bank of Maryland, 399 North Avenue. And, hang on ā I know who has it.
[ The Cryptobankerās face appears on Aramās computer ]
Aram: I used the diagnostics program to grab a screenshot from the webcam.
Samar: Gromovās dead. His computer ends up at a bank. I say weāre looking at the Cryptobanker.
Cooper: Aram, send the photo to bank security, then roll out with Ressler and Navabi. Youāve got half an hour.
Ā
[ Vontae and Vega are using the rubber cement to attach the clippings from the barber shop to Redās face, to mimic Warden Macateeās scruffy beard ]
Vontae: Look, Mr. Reddington, I donāt wanna be all negative. Iām not so sure this is working out like you thought.
Red: Itāll work. Most people arenāt particularly observant. They tend to see what they want to see. With the hat and the glasses, itāll work.
Vontae: But this is the whole plan? High school theater? Man, they got 28 guards on staff right now.
Red: I donāt need to get past 28 guards. I only need to get past two or three.
Loretta: [ On the Intercom ] Jim, you better get moving. Youāre gonna be late. Connie will have you sleeping on the davenport again.
[ INTERCOM BEEPS ]
Red: [ Mimicing Macatee ] On my way.
Loretta: I canāt hear you.
[ INTERCOM BEEPS ]
Red: [ Louder ] I said Iām on my way. Could- Could you grab me a Yoo-hoo from the machine? My blood sugar.
Loretta: Okeydokey, Jim.
[ METAL DOOR CLOSES IN DISTANCE ] [ HANDCUFFS CLINKING ]
Red: Handcuff yourselves to the bars on the window. Tell them I threatened your lives, forced you to cooperate.
[ Red puts on Macateeās hat and aviator sunglasses and voilĆ”! ]
Red: How do I look? Donāt answer that. [ To the dog ] All right, come on, Duke. Time to wake up. Letās go, kid.
[ DUKE WHINES ] [ BEEPS ] [ UNLOCKING DOOR ECHOES ]
[ Red begins his walk toward freedom ]
[ Creedence Clearwater Revivalās āŖ āRun Through the Jungleā plays ]
Ā
[ Liz has arrived at Colton. She walks toward the building while talking on her phone to Cooper ]
Cooper: Iām sorry. He did what?!
Liz: He asked the jury to execute him. He didnāt even try to make a case for life in prison.
Cooper: Why? What did he say?
Liz: He said that, if he was locked up, he would have nothing to live for. Look, I know you think heās got some plan up his sleeve, but I donāt know. Thereās something wrong.
Cooper: Have you spoken with him?
Liz: Iām at Colton now. Iām gonna figure out what the hellās going on.
āŖ Whoa, thought it was a nightmare
Lord, it was so true
They told me donāt go walking slow
Ā
[ Liz signs in to visit Red ]
Liz: Elizabeth Keen, here to see Raymond Reddington.
āŖ The devilās on the loose
Frank: [ To Liz ] Sign here.
āŖ Better run through the jungle
Loretta: Heās in with the warden now. Iāll take her, Frank.
āŖ Better run through the jungle
Better run through the jungle
Whoa, donāt look back to seeThought I heard a rumblinā
Calling to my name
[ Red walks by a guard and janitor. He uses Macateeās badge to get through a door ] [ DOOR CLANKS SHUT ]
āŖ Two hundred million guns are loaded
Satan cries, āTake aimā ā
[ Loretta and Liz enter Macateeās office to find him unconscious on the floor and Vontae and Vega handcuffed to the window bars ]
Liz: What theā ?
Loretta: Jeez-and-Crackers!
āŖ Better run through the jungle ā
Loretta: Jim?
āŖ Better run through the jungle
Loretta: Jim!
[ Loretta doesnāt know what to do, but Liz reacts instinctively. She runs out of the office and pushes an alarm ]
āŖ Better run through the jungle
[ šØALARM BLARINGšØ ]
[ Guards don riot gear, grab bludgeons and rifles and quickly file down the stairs and through the building ]
āŖ Whoa, donāt look back to see
[ Red reaches a steel grated doorway ]
Red: [ To Duke the dog ] You stay. You stay.
Red: [ Over his phone ] Dembe, Iām 10 seconds out.
[ Dembe is flying a helicopter ]
Dembe: Raymond, you must hurry.
[ Red passes through the final door. The helicopter is in sight ]
[ Dramatic āŖ music āŖ plays ]
[ šØALARM BLARINGšØ ] [ HELICOPTER BLADES WHIRRING ] [ TIRES SCREECH ]
[ Dembe sees the guards pouring out of the prison ]
Dembe: Raymond, guards!
[ Red spins around ] [ INDISTINCT SHOUTING ]
ā Go, go! Go, go!
ā Wait! [( I hear āFreeze!ā, not āWait!ā )]
[ TIRES SCREECH ] [ Vehicles arrive ]
[ Red waves Dembe away ]
Red: You need to abort now. Theyāll fire on you!
Dembe: No, we can make it.
Red: No. Go! Go!
[ Red continues waving the helicopter away ]
[ SIREN WAILING ] [ GUNSHOT š„ ] [ The guards shoot at the helicopter ] [ GUNSHOTS š„š„š„ ]
[ Dembe finally turns around and heads out ]
[ INDISTINCT SHOUTING ]
[ Red falls to his knees, his hands behind his head. He appears stunned that his escape plan did not work. He looks back toward the prison complex and sees Liz. It appears to dawn on her what has happened ]
[ POLICE RADIO CHATTER ]
Ā
[ DOOR CLOSES ] [ Ressler, Samar and Aram arrive at the bank ]
Ressler: Agent Ressler, FBI.
Security Officer Simmons: Don Simmons. We spoke on the phone. Your suspectās on the second floor. As advised, we didnāt make contact.
[ INDISTINCT CONVERSATIONS ]
āā
[ The Nervous Bankerās office ] [ COMPUTER BEEPING ]
Cryptobanker: Thatās the sound of your ship coming in.
Nervous Banker: I wonāt be able to keep that amount from hitting the books.
Cryptobanker: By the time it does, youāll be on the island of your choice.
āā
[ The FBI team arrives on the second floor ]
Security Officer: Itās the last door on the left.
[ DOOR to office OPENS ]
Samar: FBI. Hands up!
Ressler: The laptop ā where is it?
Cryptobanker: Whoa, whoa, whoa, whoa, whoa. Itās- Itās right here. Itās right here! Itās right here!
Aram: Keep your hands where we can see them!
Ressler: Put the bag down!
Samar: Take your hands out of the bag!
Cryptobanker: Right in here.
Aram: Do what she says, sir. Stop! Please stop!
Samar: Take your hands away from the bag! ā Very slowly.
[ The Cryptobanker pulls a gun out of the bag ]
Aram: Gun!!
[ Aram shoots š„ hitting the Cryptobanker in the arm ]
Cryptobanker: Oh! Aah! [ GROANING ]
Aram: He was gonna shoot her.
Ressler: Okay, Aram.
[ Ressler pushes Aramās gun down ]
Aram: He had his gun out.
Samar: [ To the Nervous Banker ] Keep your hands up. Keep your hands up.
Cryptobanker: [ GROANING ]
Ressler: The computer, Aram.
[ Aram sits down at the laptop ]
Aram: Come on.
Ressler: We need the authentication code.
Aram: Okay.
Cryptobanker: [ GROANING ]
Aram: Um, is he, uh is he gonna make it?
Samar: Heāll be fine, but 1,000 people wonāt be if you donāt get the authentication code in less than two minutes.
Aram: He had the computer, so he obviously knows the password. I need that password.
[ Samar squeezes the Cryptobankerās wounded arm ]
Cryptobanker: Aah! ā A-star-7-H-34-A! ā
[ KEYS CLACKING ]
Cryptobanker: Aah! Ugh.
Ressler: All right, Aram, talk to me. Whatās going on?
Aram: Oh, boy. Someone get Pierson on the phone, please.
āā
[ Pierson Diagnostics ]
[ PHONE RINGS, BEEPS ]
Pierson: This is Pierson.
[ His staff is gathered around him ]
āā
Aram: Mr. Pierson, this is Aram Mojtabai. I need you to, uh, give me just a minute.
Pierson: Okay, weāre running out of time.
[ BEEPS ]
Aram: Okay, all right, I got it. Mr. Pierson, Iām gonna give you an authentication code that you need to type into the ransomware prompt. You cannot get this wrong or transpose a digit, or we could get locked out or trip a bypassā
Pierson: Okay, I got it. The number. Go.
Aram: Okay. 7Sā
Pierson: 7Sā
Aram: 8#0
Pierson: 8#0
Aram: D7D
Pierson: D7D
Aram: Okay. Wait, wait, wait, wait, wait, wait. Wait, uh, uh, just to double-check, Agent Ressler, is, uh, is that the letter āOā or or a zero?
Ressler: Itās a zero.
Aram: Okay, go. Now. Hit āenterā now.
[ Pierson hits āenter.ā All the computer screens in the room go from the ransomware screen back to normal ]
Pierson: Weāre back.
[ CHEERS AND APPLAUSE ]
Pierson: Agent Mojtabai, thank you.
[ CHEERS AND APPLAUSE CONTINUE ]
Aram: Youāre welcome. Oh, and, uh I would do a fresh install of all the affected pacemakers even though the malware is disabled. And, uh, please tell Jamie Iād totally come help redecorate her room if she wants.
Pierson: Iāll let her know.
Ā
[ Liz waits outside in the prison yard ] [ DOOR OPENS ] [ Red is led out in shackles. Itās cold. He wears a knit hat and a winter coat ]
[ Mississippi Twilightās āŖ āDiggin a Holeā plays ]
āŖ Secrets ā the kind you have to keep
Excuses ā wrapped in deceit
Liz: You know, if you had told me what you were up to, I wouldnāt have shown up and gotten in the way.
Red: Tell me about the Cryptobanker.
Liz: Not that it matters now, but we have him in custody.
Red: He did business in Cairo with a man who can unlock the conspiracy.
Liz: What good will that do? You pleaded guilty.
Red: Dembe photographed a transaction report between them. Get it. Show it to him. Get him to tell you where he sent the laundered money. An account number. An address.
Liz: For the man in Cairo.
Red: Everything rests on finding him.
āŖ You keep fallinā deeper, you grave digger
Red: What you said in your profile. It was very kind.
āŖ Ooo, digging a hole
Liz: Letās hope the jury is, too.
āŖ Twisted like a wicked tree
La la la la
Youāre running
From those words you speak
La la la laāŖ They gonna hunt you down
Put you six feet into the ground
Ā
[ An interrogation room ]
Liz: This is a transaction report generated by a business deal between you and a man in Cairo. Iām gonna ask you one question about this report. Answer it honestly and Iāll tell Main Justice you provided the FBI with vital intel. Iām giving you a gift. I hope youāre smart enough to take it.
āā
[ Courtroom ]
Judge Wilkins: Madam Foreperson, has the jury reached a verdict?
Madam Foreperson: We have, Your Honor.
āā
Cryptobanker: I never know a clientās identity.
Liz: This report indicates you laundered $5 million worth of Bitcoin for him. So you may not know his identity, but you know where you sent him his money. And thatās my question. His money ā Where did you send it to him?
Cryptobanker: I canāt tell you that because I donāt know. I didnāt send it to him.
Liz: I have to find the man in Cairo.
āā
Judge Wilkins: Mr. Reddington, please stand. Madam Foreperson, does the jury believe the defendant deserves the death penalty?
Madam Foreperson: Yes.
āŖ La, la, la, la
Judge Wilkins: Are there any mitigating circumstances?
Madam Foreperson: No.
Red: Your Honor, I ask you to set the juryās recommendation aside.
Judge Wilkins: It was your recommendation to them.
Red: A moment of madness.
Judge Wilkins: Or a hope that you would have escaped by now?
Red: Without hope, one is hopeless.
Judge Wilkins: Iām going to accept the juryās recommendation. Based on the crimes youāve pleaded guilty to, youāve not only lost your right to live as a free man, but under the laws of the United States, you have lost your right to live at all.
āŖ Ooo, digging a hole
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Episode Songs
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ā« Somethingās Off
By Jacuzzi BoysāŖ (full lyrics unavailable as of 3/10/2019)
From script:
āŖ Out of my head, not feeling right
Worm in my apple when I took a bite
I think somethingās off ā¦āŖ Missing a screw, Iām pretty sure
Doing my laundry at the hardware store ā¦āŖ I think somethingās off ā¦
āŖ I think somethingās off ā¦
Somethingās offLyrics and Credits: [ unavailable as of 3/10/2019 ]
YouTube: https://youtu.be/4P3NQeLqDT8
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ā« Run Through the Jungle
By Creedence Clearwater RevivalāŖ Whoa, thought it was a nightmare,
Lo, itās all so true,
They told me, āDonāt go walkinā slow
āCause Devilās on the loose.ā[CHORUS:]
āŖ Better run through the jungle,
Better run through the jungle,
Better run through the jungle,
Woa, Donāt look back to see.āŖ Thought I heard a rumblinā
Callinā to my name,
Two hundred million guns are loaded
Satan cries, āTake aim!ā[CHORUS]
āŖ Over on the mountain
Thunder magic spoke,
āLet the people know my wisdom,
Fill the land with smoke.ā[CHORUS]
Lyrics and Credits: http://bit.ly/2TrjGRO
YouTube: https://youtu.be/EbI0cMyyw_M
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ā« Diggin a Hole
By Mississippi TwilightāŖ La la la la
La la la laāŖ Secrets the kind ya have to keep
Excuses wrapped in deceit
The dirt keeps on pilin up
Like the lies rollin off of your tongueāŖ Ooo ooo ooo ooo oooooo
Youāre diggin a hole
Youāre diggin a hole
Ooo ooo ooo ooo oooooo
Youāre losing your soul
Youāre losing your soulāŖ But you keep falling deeper
You gravediggerāŖ Ooo ooo ooo ooo oooooo
Youāre diggin a holeāŖ Twisted like a wicked tree
La la la la
Youāre running
From those words you speak
La la la laāŖ Theyāre gonna hunt you down
Put you six feet into the ground
Slave to the lies
Catch ya bye like tucked in time (?)āŖ Ooo ooo ooo ooo oooooo
Youāre diggin a hole
Youāre diggin a hole
Ooo ooo ooo ooo oooooo
Youāre losing your soul
Youāre losing your soulāŖ But you keep falling deeper
You gravedigger
Ooo ooo ooo ooo oooooo
Youāre diggin a hole, yeahāŖ [ Vocalizing ]
āŖ La la la la
La la la laāŖ Ooo ooo ooo ooo oooooo
Youāre diggin a hole
Ooo ooo ooo ooo oooooo
Youāre diggin a holeLyrics and Credits: [ Lyrics transcribed by LB90 & daughter ]
YouTube: https://youtu.be/UC_uHL_nibk
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ā¬ļø go to start of 6:10 The Cryptobanker
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āāā End 6:10 Cryptobanker
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š“ Script 6:11 Bastien Moreau (ā 20)
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Program air date: 3/15/2019 in the US
Script Permalink: https://wp.me/pDKwi-9fu
Entertainment Weekly Recap: http://bit.ly/2XRIOQD
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Director: Andrew McCarthy
Written by: Jon Bokenkamp, John Eisendrath
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ā Script 6:11 Bastien Moreau (ā 20)
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Brief (Where weāre at): Redās life is on the line. Red pleaded guilty to a large number of crimes after the prosecutor was about to make public to the jury the fact that Red has for five years had an Immunity Agreement with the government. Not only would that endanger Redās life, but the lives of all those on the Task Force. So he pleaded guilty in order to protect them. The jury was instructed only to consider his punishment. Their determination: death by lethal injection.
Red did attempt a prison break, but it was scuttled. His only hope now lies in revealing a conspiracy whose consequences would be so dire that he believes his life could be spared and he would be freed with his Immunity Agreement intact. The next step is for Liz to get from The Cryptobanker (Blacklister #160), who is now under arrest, the location of a āman in Cairoā to whom the Cryptobanker had sent laundered funds. The information that such a transaction took place was obtained by Dembe from a London apartment based on the tracking list of General Shiro (Blacklister #116), the radical scientist who created weaponized insects. So far, The Cryptobanker has not cooperated.
As for Lizās quest to find out Redās true identity and understand why he assumed the identity of her father the real Raymond Reddington: In addition to Liz and Lilly/Jennifer, Ressler now also knows that Red is an imposter. The narrative told by Red at his treason trial revealed that Raymond Reddington was not a traitor but rather was framed by Lizās mother Katarina Rostova, a KGB agent and member of the Cabal. Ressler wonders why Red would take on the identity of a man known at the time only as a pariah. Dembe knows Liz (and Lilly/Jennifer) arranged for a homeless woman to make the call that led to Redās capture which they hoped would give them the space to find out about Redās past. Dembe confronted Liz, but following her pleas, has not so far shared this information with Red. Lilly/Jennifer, after being brutally beaten by Marko Jankowics (Blacklister #58), retreated to Long Island. Cooper, Samar and Aram remain in the dark.
Ā
[ DOOR OPENS ] [ Bastien Moreau enters a darkened room ]
Bastien Moreau: [ On phone ] When you contract with me, ā there are certain implied assurances.
[ DOOR CLOSES ]
Moreau: Things may take longer than you like. We might hit a few bumps along the way, but in the end, the job will be done in such a way that it never comes back on you or your people.
Anna McMahon: Yes, well, the job is not done.
Moreau: It will be.
McMahon: You said that before. This shouldāve been done weeks ago.
Moreau: As I said before, you should expect a few bumps along the wayā
McMahon: Iām not interested in bumps. I only want results, ā which you have yet to show me.
[ SIREN WAILING IN DISTANCE ] Because of you, because that bombing at the UN was stopped by the FBI, weāre now in crisis mode. We need this done. Finish the job ā both of them ā or my people will take this into their own hands, and you donāt want that.
Moreau: [ LAUGHING ] Oh. A sense of humor. I like that about you.
McMahon: Can you get it done or not?
Moreau: Tell your boss to relax. They will both be dead within two days.
McMahon: Iām on my way to see him now. Iāll tell him. Just get it done.
[ CELLPHONE BEEPS ]
[ Anna McMahon gets out of a chauffeured vehicle ā at the White House]
[ SIREN WAILING IN DISTANCE ]
McMahon: [ To Security ] The Presidentās expecting me.
[ WAILING CONTINUES ]
Ā
[ Aram/Samarās place ] [ Aram is in the kitchen. The tv is on ]
[ A group of people with signs protest the death penalty ] [ INDISTINCT SHOUTING ]
Anchor: Opponents of the death penalty are holding a vigil outside of the Federal Penitentiary where legendary crime lord Raymond Reddington is scheduled to be executed on Saturday at 12:01 a.m. They are joined by reporters from around the world who have come to Terre Haute to cover the final hours in the life of one of this countryās most notorious criminals. After being on the FBIās watch listā
[ Aram is so distracted by the coverage he spills coffee on his hand ā and on a cell phone ]
Aram: Ouch! Ow! ā
Anchor: āfor decades Reddington wasā
Samar: [ At a distance ] Are you okay?
Aram: Uh, yeah. Uh, yeah, yeah, yeah, yeah, yeah. Uh, fine, fine, fine. All- All good.
Anchor: āpleaded guilty to 16 other counts thatā
[ TV SHUTS OFF, REMOTE THUMPS ]
Aram: Um. Why do they always execute people at 12:01? ā Itās so ghoulish.
[ Aram wipes the phone ] [ CELLPHONE CHIMES ] [ A text message on the phone reads: āThis is Dan with NAA. Found speech pathologist for impairment therapy. When can you start?ā ]
Samar: The death warrant is only good for one day.
[ Samar enters. Aram finishes wiping off the phone and places it back on the counter ]
Samar: Scheduling it at 12:01 gives the government as much time as possible to deal with any last-minute legal um ā
Aram: Appeals? ā
Samar: Yes, appeals. They can deal with them and get the execution done without needing another warrant.
[ COFFEE POURING ]
Aram: So itās not ghoulish. Itās, uh, calculated. Thatās worse.
[ COFFEE POT THUMPS LIGHTLY ]
Samar: Are you sure youāre okay?
Aram: To be honest? Uh, no. Iām not.
Samar: Itās a dumb question. Nobody is today. [ SIGHS ] I canāt believe heās going to die. He always seemed so invincible.
Ā
[ The Federal Penitentiary in Terre Haute, Indiana ]
[ Red and Cooper, separated by a window, talk to one another on telephones ]
Red: Thank you for coming, Harold.
Cooper: How are you holding up, my friend?
Red: Iāll know in a few hours. Theyāre giving me a physical to make sure Iām healthy enough to be killed.
Cooper: I didnāt come to say goodbye. Iām here to tell you I pulled every string I could to get a meeting with the President to urge him to commute your sentence.
Red: He wonāt.
Cooper: I hope youāre wrong. Itās the only card we have to play.
Red: For now.
Cooper: For now? Your execution is tomorrow.
Red: Well, itās scheduled for then. But it wonāt happen if you do exactly as I suggest.
Cooper: Weāll do whatever it takes.
Red: Good. Because itās gonna require you to steal account information from a bank in Luxembourg.
Cooper: You want the FBI to rob a bank.
Red: [ LAUGHING ] Donāt look so sour. At this time of year, the valleys of the Black Ernz are just beautiful. Elizabeth will tell you the why. Youāll have to figure out the how or this will be goodbye.
Ā
[ Cooperās office at the Post Office ]
Liz: The why is simple ā Reddington believes the account holder can tell us about the conspiracy.
Cooper: I thought thatās why he gave us the Cryptobanker.
Liz: It was. The Cryptobanker laundered $5 million for a man in Cairo who can tell us what we need to knowā
Cooper: āabout a conspiracy so deadly that knowing about it would be enough to get the President to commute Reddingtonās sentence?
Liz: Reddington assumed the Cryptobanker could lead us to the man in Cairo. He thought all we had to do was ask him where he wired him his laundered money.
āā
[ KNOCK AT DOOR ] [ Jonas Kruger enters Bastien Moreauās room ]
āā
Liz: But the man in Cairo didnāt want his money sent to him. He wanted it sent to someone with a numbered account ā in Luxembourg.
Cooper: Who?
Liz: Thatās what we have to find out.
āā
Jonas Kruger: Everything you will need. Her schedule, her security detail, and my I.D., which gives you access.
[ Jonas notices a cylindrical blue container in a briefcase ]
Kruger: What is that?
Bastien Moreau: Thanks for your business.
Kruger: [ WHISPERING ] $5 million to betray my country.
āā
Cooper: Reddington has uncovered a conspiracy. He doesnāt know its purpose or whoās involved except for a āman in Cairoā he canāt find. Now his salvation lies in a numbered account in a bank we have no authority to access, but which he wants us to rob.
āā
Moreau: Our work together is finished.
āā
Cooper: Is that it?
Liz: Except for the fact that weāre not asking for your help.
Cooper: We?
Liz: Me and Dembe.
Cooper: This is not your call to make.
Liz: Thereās no time to plan and little hope for success. Itās a mission that will likely end in our arrest. Thatās a chance weāre willing to take. We donāt expect anyone else to take it.
Cooper: They would if you asked them.
Liz: I know. Thatās why Iām not going to ask them.
Ā
[ The Post Office open area. Aram walks up to Samar ]
Aram: Hey, uh I, uh I spilled, uh, coffee this morning. Uh, I was, um, watching the news about Mr. Reddington and, um, uh, point being, I spilled on your phone.
Samar: Itās okay. It works fine.
Aram: Yeah, I know. Because, uh, while I was cleaning it, you got a text. About seeing a speech pathologist.
Samar. Can we talk about this later?
Aram: Uh, the text was from the National Aphasia Association. Uh, it said NAA, but, uh, then I looked it up.
Samar: Aram, I donāt want to talk about this here.
Aram: And then I looked up āaphasia.ā Samar, I am confused and worried, and- and Iām a little annoyed that you didnāt say anything. So, no, I donāt think we can talk about this later. I think itās been long enough.
[ TELEPHONE RINGING IN DISTANCE ]
Samar: When I was stuck in the car I was under water for six minutes. Being deprived of oxygen for that longā by the time you pulled me out, the damage was already done.
Aram: What damage? The migraines?
Samar: Yes, but thereās more than that. I canāt remember things. Numbers, um, prepositions.
Aram: Words. Like āappeals.ā
Samar: Uh. Sometimes thereās a blinding light, and I canāt do anything. I thought it would get better. But now I know that it wonāt.
Aram: But youāre seeing a therapist.
Samar: Yes. But not to improve. To manage the decline.
Aram: W-What can I do? Uh, tell me. Tell me what to do, Iāll do it.
Samar: I know, but thereās nothing anyone can do.
[ FOOTSTEPS APPROACHING ] [ Itās Ressler ]
Ressler: Did Cooper go see Reddington?
Samar: He went. I donāt know if he saw him. The minute he came in, he pulled Liz into his office.
[ TELEPHONE RINGING IN DISTANCE ]
[ Liz comes down the yellow stairs from Cooperās office and walks quickly toward elevator. Aram starts to go after her ]
Ressler: Donāt.
Aram: What? She shouldnāt be alone.
[ ELEVATOR DOOR OPENS ]
Ressler: I agree, but it looks like thatās what she wants.
[ ELEVATOR DOOR CLOSES ]
[ Cooper walks up ]
Samar: Howās Reddington? Has he accepted his fate?
Cooper: As a matter of fact, he hasnāt.
Ā
[ A private aviation airport ] [ ENGINES RUMBLING SOFTLY ]
[ Liz enters Redās airplane. Dembe ā and Ressler, Samar and Aram are there ]
Dembe: Mr. Cooper told them.
Samar: Donāt try to talk us out of it. Weāre coming with you.
Liz: No, youāre not.
Aram: We have a plan. Do you?
Liz: Thatās beside the pointā
Aram: Well, ours is not much of a plan, but itās something, and it is not beside the point since it appears Mr. Reddingtonās life depends onā
Liz: āus breaking the law. Me and Dembe. Weāre his family.
Samar: And weāre yours.
Aram: Besides, itās not like we have to rob a bank. We just have to rob a name from a bank, and that is an important distinction. At least it should be, even though itās, uh, still illegal.
Ressler: Reddington will live through this.
Samar: Or heāll be executed, but not until weāve tried everything we can first.
Dembe: Whatās the pilotās name again?
Dembe: Edward.
Aram: [ Through the cockpit door ] Edward! Wheels up in five. Always wanted to do that.
Ressler: So, are you gonna tell us the plan?
Liz: Do I have a choice?
At once: No.
Liz: Okay, then. Whatās your plan?
Ā
[ A White House conference room ]
Cooper: Mr. President, thank you for seeing me.
President Robert Diaz: Of course. You know already know Cynthia, but, uh, I donāt believe youāve met Anna McMahon from DOJ.
Anna McMahon: White House Counsel has briefed us on your Task Force. Youāve done an incredible job.
Cooper: Iām proud of the work weāve done. I think itās made our country a safer place. And none of that wouldāve been possible without Raymond Reddington.
Cynthia Panabaker: Harold, the President is aware of the good Reddington has done. Unfortunately for Reddington, heās also aware of the bad.
Cooper: Mr.President, thanks to the work Reddington has done with our Task Force, hundreds of deadly criminals are off the streets and thousands of lives have been spared. Despite that, Iām not here because of what heās done. Iām here because of what he could do if given the chance, including a matter that may impact national security ā a conspiracy that Reddington says reaches the highest rungs of power. If Reddington says thereās a conspiracy, itās not a conspiracy theory ā itās a fact. And if you give us give him the time, weāll uncover it.
Panabaker: Are you asking for a commutation or a stay of execution?
Cooper: I came here hoping for a commutation. But if a stay gives Reddington the chance to once again prove his value, Iāll happily ask for that.
President Diaz: Does the Justice Department want to weigh in on this?
McMahon: Yes, sir. With both feet firmly placed on Reddingtonās neck. [ Pen CLICKS ] Whatās the point of the death penalty if not to put people like Reddington to death? Not to mention that, by letting him draw even a single extra breath, your opponents would make you look softer on crime than the Pillsbury Doughboy.
President Diaz: [ LAUGHS ] And there you have it, Director Cooper, classic Anna ā simultaneously rude, blunt, and calculating.
Cooper: A week. Thatās all Iām asking for.
President Diaz: [ Gets up ] If there is a conspiracy, I want it uncovered. But Iām confident you can do that without the help of Mr. Reddington.
[ All but Panabaker and Cooper leave ]
Panabaker: Youāve done the work of the angels, Harold. But itās over. Reddingtonās gonna die.
Ā
[ Penitentiary]
Federal Warden: Itās time to talk about final preparations.
Red: Oh, cabbage soup and dressed herring. For my final meal. My mother loved cabbage soup and dressed herring.
Federal Warden: Of course. You have the right to a spiritual advisor, an attorney to get your legal affairs in order, and to make final arrangements for your body and personal effects.
Red: Iāve made arrangements to be cremated, have my ashes placed into Mama Luās opium pipes.
[ Skyeās āŖ āNot Brokenā plays ]
Red: The users wonāt mind, and on the off chance there is an afterlife, Iād like to be high in it.
Federal Warden: You also have the right to a walk-through of the execution chamber.
Ā
[ Red is shown the execution chamber ]
āŖ Oh, no, no, oh, no
Not broken In two
Not you
Federal Warden: Is there anyone youād like to have there at the end?
āŖ Like the seed you grow
Red: Yes, but not at an ending like this. Ah.
āŖ Under it all
Ā
[ Inside Redās plane in flight ]
Liz: If we expect to have any hope of saving Reddingtonās life, we have to name this depositor at the Banque Vertrauen. To do that, we have to access the bankās computer networks. The problem is, Vertrauen has criminal accounts around the world, meaning theyāre very private, so they maintain networks that they claim are impenetrable.
Aram: A brief peek at their system looks like theyāre running a wickedly advanced Least Privilege program with access controls and redundant audit trails.
Ressler: Translation.
Aram: Itās un-hackable. I mean, even senior level employees they only have access to selected fragments of the bankās computer system.
Liz: All except one. According to Reddington, the bank president is able to override the network using an encrypted fob he carries at work.
Ressler: So we get the fob, the fob gets us access, and the access gets us the name of the mysterious depositor.
Aram: Okay, so, whoās the bank president?
Liz: We donāt know. The bank doesnāt make that information public.
Samar: Just so Iām clear ā We need to break into a bank that caters to criminals and penetrate their impenetrable computer network, all in order to identify a secret depositor we hope can spare Reddingtonās life?
Dembe: I can I.D. the bank president.
Ressler: How? Do you know him?
Dembe: No. But I will.
Flash Forward:
Bank Administrator: Of course, we would be honored to handle Mr. Reddingtonās assets.
[ Dembe and the Bank President shake hands ]
Dembe: Theyāll jump at the chance to handle Raymondās assets. The bank president will see to it personally.
Bank President: Sāil vous plaĆ®t. Hmm?
Liz: Aram, how long do you need with that key fob to know if you can override the encryption?
Aram: Well, uh, Iād have to see it to know.
Ressler: But if you saw it?
Aram: If I saw it, assuming we were able to get it and none of us were arrested in the process, uh, I could I could probably tell in a minute or two.
Liz: And anyone who can decrypt it can clearly duplicate it, right?
Aram: If none of us got arrested.
Flash Forward:
[ Luxembourg. The Bank President exits a large stone building ]
[ Dembe and Ressler are in separate vehicles ]
Dembe: Here we go. This is him.
Ressler: All right, I got eyes. Blue jacket. Gray pants. Super French.
[ Samar follows the Bank President ]
[ In the plane ]
Aram: Okay, wait, sorry. Uh, Agent Resslerās ā running point on overwatch?
Ressler: Is that a problem?
Aram: No, itās just, uh, I thought it might make more sense to have Samar in my ear. You know, we have a real shorthand.
Ressler: Makes sense.
Samar: No, it doesnāt. I speak French, German, Farsi, Arabic, Spanish. And with all due respect to Agent Ressler, Iām a better asset in the field.
Aram: I just thought you might be more comfortable working with me.
Ressler: Do you two wanna get a room or, uh, rob a bank?
Aram: No. [ CHUCKLING ] Sorry, itās cool. Uh, you take the overwatch. So, um ā how do we plan on getting me that fob, again?
Ā
[ At a breakfast counter in Luxembourg, Liz and Samar sit on either side of the Bank President. Ressler sits several yards away in a booth ]
Liz: [ SIGHING ] Oh. Excuse me. Do you speak English?
Bank President: Uh, some English.
Liz: Oh, thank you! Iām looking for the residence of the Duke, and I promised myself I would not use my phone this trip. But, uh, these paper maps are impossible.
Samar: Je crois quāelle est perdue. Je peux aider si vous voulez. [ Google translate: I think sheās lost. I can help if you want. ]
Samar: [ To Liz in French-accented English ] Youāre looking for the Palais Grand Ducal? Uh, youāre not far, but youāre on the wrong side of the river.
[ Aram comes up behind the Bank President and lifts his keys ]
Samar: You go this way, and then make a right on Rue Munster.
Liz: Okay, thank you.
āā
[ Aram sits on a toilet seat in a Menās Room ]
Aram: [ Over comms ] I warn you, this could take a while. There are layers of encryption and access controls. [ LAPTOP BEEPING ] Whoa, this is more complicated than I thought.
āā
Ressler: [ Over comms ] Aram. Youāre out of time.
āā
Aram: What? Already?! ā How is that even possible?
āā
Ressler: Heās leaving. You need to get that fob back to Keen.
āā
Aram: Okay, um, just h-hold on a second. Iām in. I just need time to create the duplicate. Like, two more minutes.
āā
Ressler: You got less than one. Keen, you need to stall this guy.
Liz: Oh, no. You canāt go. No, I- T-Tell him he canāt go. I wanna pay for his lunch.
Samar: Elle ne veux pas que vous partiez. Elle aimerait payer. [ [ She does not want you to leave. She would like to pay. ]
Liz: I donāt want him to think Iām an ungrateful American.
Ressler: [ QUIETLY ] Come on, Aram, letās hustle.
āā
[ LAPTOP BEEPING ]
Aram: Just, almost there almost ā
āā
Samar: Elle ne veux pas etre una americaine ingrate. [ She does not want to be an ungrateful American. ]
Bank President: Ah je comprehends, mai je ne le laiserei pas payer pour le dejeuner. [ Oh I understand, I may not let her pay for lunch. ]
Bank President: Uh non. Merci. [ Uh no. Thank you. ]
Liz: I insist!
āā
Aram: Okay, here we go. Okay. All right, I got it! ā
[ Aram drops the keys in the toilet ]
Aram: Oh, no.
āā
Ressler: Oh, no? What do you mean, āOh, noā? āOh, no,ā what? Whatās wrong?
āā
Aram: Uh nothing. Everythingās fine.
[ Aram fetches the keys from the toilet ]
āā
Ressler: What do you mean ānothingā? Come on, Aram, whatās going on? Look, we need those keys back now, okay? ā We donāt have time.
āā
Aram: Weāre good. Iām coming.
[ Aram begins to dry the keys using the blower ] [ HAND DRYER BLOWS ]
āā
Ressler: Aram, whatās going on?
Liz: Uh, wait, sir.
Ressler: Aram, talk to me.
Liz: You canāt go. Uhā Okay, If you wonāt take my money, let me pay for your lunch.
[ Aram comes out and slides the keys across the floor to Samar. Samar tosses the keys to Liz ]
Liz: If you wonāt take my money, then at least, um ā
[ Liz slips the keys into the Bank Presidentās pocket as he leaves ]
Liz: [ Calling after him ] Can you tell him, please, that he has a beautiful city and thank you so much.
[ They look at Aram ]
Aram: Ooh! [ SIGHS ] Donāt ask.
Ā
[ On the plane flight back ]
Ressler: You have access?
Aram: Iām searching account holders now. [ KEYS CLACKING ] ā Okay, wait, wait. Here. [ LAPTOP BEEPS ] Here we go.
Samar: Jonas Kruger.
Ressler: 42. German National. Federal Intelligence Service. Lives in Arlington, and heās stationed at the German Embassy in D.C.
Aram: How is a foreign intelligence officer from Germany supposed to help save Mr.
Reddingtonās life?
āā
[ Bastien Moreauās room ]
Moreau: [ On phone ] Yes. Itās me. One down, one to go.
āā
Liz: I donāt know. But weāre gonna find out.
āā
[ Bastien Moreau burns Jonas Krugerās I.D. ] [ OMINOUS MUSIC PLAYS ]
Ā
[ Anti-death penalty protests continue outside the Federal Penitentiary ] [ INDISTINCT SHOUTING ]
[ Inside, Red is on a three-way video conference with Anna McMahon and Cooper and Panabaker ]
Red: Within 24 hours, the president of Germanyās Federal Intelligence Service will be assassinated on U.S. soil.
McMahon: Ava Ziegler. Based on what intel?
Red: A member of her advance team, Jonas Kruger, had $5 million wired to his numbered account.
McMahon: And where did the money come from?
Red: The assassin.
McMahon: Or you. To create the appearance of a crisis only you can resolve.
āā
[ Ava Zieglerās suite ]
Ava Ziegler: [ SIGHS ] Is this confirmation?
Christopher Miles: It reads like fiction, but I assure you it is all fact.
āā
McMahon: Heād say anything, do anything to avoid execution.
Red: I would. Of course, that also includes telling the truth.
Panabaker: Have you notified Zieglerās security detail?
āā
Ziegler: [ To Miles ] Iām told thereās a plot on my life. If itās because of this, there may be one on yours, as well.
āā
McMahon: The alleged assassin. Do you know his name?
Red: I do. And how to stop him. Information Iāll gladly share as soon as the President grants me clemency and my immunity agreement is reinstated.
McMahon: Heās making this up ā
Cooper: I donāt think so.
McMahon: ā blackmailing the President!
Red: Do you want me to save her life?
Panabaker: If what youāre telling us is true and you do nothing to stop it, you will never get a reprieve.
Red: If I stop it before getting a reprieve, I wonāt get one.
McMahon: You said youāve told the BND. [ German Intelligence Service ]
Cooper: Theyāre on high alert. And weāre rolling on Kruger now.
McMahon: Okay, then. Seems like on the off chance you didnāt make all this up, the investigationās in good hands.
Red: Haroldās the best.
McMahon: Then if there is an assassin, Iām sure he can find him without your help.
Red: Heāll certainly try, but it wonāt be enough to save Ava Zieglerās life.
McMahon: Only you can do that.
Red: I rarely dislike a person before being introduced to them, but in your case, Iām afraid Iām going to have to make an exception. Who are you, anyway?
McMahon: Iām the person whoās gonna make sure the President does not grant you clemency. This conversationās over. [ Slaps laptop shut ]
Panabaker: Iāll see what I can do.
āā
Ziegler: I have to show this to the Americans.
Miles: You have to tell them. But Iām keeping the dossier. We canāt trust them with the proof until we know whoās involved.
āā
[ KEYS CLACKING, COMPUTER BEEPS ] [ Online chat ]
Cooper: Iām sorry I couldnāt have been more convincing with the President.
Red: It appears you have unexpectedly formidable opposition.
Cooper: You know this puts me in a terrible position. I have to do everything in my power to prevent the assassination. But by saving Ziegler, Iām killing you.
Red: If you want absolution, you have it. I meant what I said, Harold. You are the best as an agent and a person and a friend.
Ā
Ressler: Weāre rolling out on Kruger. [ DRAWER SLIDES ] [ KEYS JINGLE ] What is it?
Liz: I think I should be a witness at Reddingtonās execution.
Ressler: [ SIGHS ] The questions. The searching for answers. And the mystery. In the end, Liz heās just a man who loves you very much.
Liz: But what man?
Ressler: Look, if we can find Kruger, if he can give Reddington the leverage heās looking for, youāll have plenty of time to find out.
Liz: But what if we canāt, or he doesnāt? This is my last chance to find out his true identity. And maybe if this is his last chance to tell me, he will.
Ā
[ At Terre Haute, a Death Row Doctor explains the execution process to Red ]
Death Row Doctor: We use three drugs in the lethal injection ā sodium thiopental to induce unconsciousness, pancuronium bromide for muscle paralysis and respiratory arrest, and potassium chloride to stop the heart.
[ The Death Row Doctor injects Red ]
Red: And why are you doing this?
Death Row Doctor: If you develop a rash, Iāll know youāre allergic.
Red: To the drugs youāre gonna use to kill me.
Death Row Doctor: We wanna make this as peaceful as possible.
[ OMINOUS MUSIC PLAYS ] [ Suddenly, Red grabs the doctorās wrist ]
Red: [ Fiercely ] When I kill a man, I donāt pretend I care how he feels. Iāve shot them, stabbed them, suffocated them, but Iāve never coddled them. Itās disrespectful. So stop coddling me.
Ā
[ The White House, Anna McMahon and President Diaz walk together, speaking in low voices ]
Anna McMahon: Reddington knows everything.
President Diaz: Did he tell the FBI?
McMahon: [ QUIETLY ] He told them the head of the BNDās the target.
Diaz: So what do we do?
McMahon: Absolutely nothing.
Diaz: But they know.
McMahon: The target, yes, and sheās been warned, but thereās nothing they can do to stop it. Reddington says he can, but he wonāt. Not until after you grant him clemency.
Diaz: Can they trace this back to us?
McMahon: Absolutely not. I know itās hard not having all the details, but the less you know, the better.
Diaz: And youāre sure that Reddington wonāt say what he knows to the FBI unless I agree to stay his execution.
McMahon: He thinks knowing how to save Ziegler gives him leverage to make you save him.
Diaz: His knowing how to save her is exactly why I wonāt.
McMahon: Heās the only one who knows how to stop us, and when he dies, what he knows dies with him.
[ Theyāve entered a conference room where several people wait ]
Diaz: Good afternoon. So, what have we got?
Ā
[ DRAMATIC MUSIC PLAYS ] [ The raid on Jonas Krugerās home commences. SWAT members file toward the front door ] [ Indoors Kruger unzips a duffle, flips bills in an envelope ]
[ CAR DOORS CLOSE ] [ DOG BARKING IN DISTANCE ] [ Kruger looks up ]
[ The SWAT members line up on each side of the door ] [ SHOTGUN FIRES š„ from inside ] [ One guy falls, THUDS, LEAVES RUSTLING ]
[ They enter the house. Samar sees someone outside ]
[ GUN COCKS, Samar shoots š„ ] [ Kruger runs BREATHING HEAVILY ] [ Samar shoots again š„ Heās down ]
[ INDISTINCT SHOUTING ] [ Ressler comes up ]
Ressler: Lucky shot.
[ SWAT members run over ]
ā Donāt move!
ā Right there!
ā Get the weapon.
Ā
[ An interrogation room at the Post Office ]
Ressler: The hit on Germanyās top spy. Whenās it gonna happen?
Jonas Kruger: I donāt know what youāre talking about.
Samar: Maybe this will refresh your memory. You were paid $5 million to help kill Ava Ziegler. Youāre going to go to prison for that. For how long depends on whether you help us prevent her assassination.
Ressler: You need to tell us when, how, and by whom.
Kruger: [ SIGHS ] My job was to sweep the hotel. Set up security protocols for when she arrived.
Ressler: You were paid to give someone access to the hotel?
Kruger: To give him her schedule and my credentials.
āā
[ Observing through the one-way glass ]
Cooper: [ To Panabaker ] McMahon wouldnāt take this to the President because she thought Reddington was making it up. This is proof he wasnāt.
āā
Samar: The man who has your credentials who is he? Do you have a name?
Kruger: No, I didnāt. [ SCOFFS ] $5 million ā it was a lot of money just to give him my credentials.
Samar: It was for far more than that.
Kruger: Yes.
Ressler: You canāt I.D. the who, you donāt know the when, the whereās the hotel, so what about the how?
Kruger: When we met, when I gave him my credentials, I saw ā It looked like a bomb.
Ressler: Are you sure thatās what you saw?
Kruger: It was in a plastic case. Some kind of chemical agent.
Ā
Cooper: You two need to notify the BND and get to that hotel and you need to get me another meeting with the President.
Panabaker: I know Reddington is the sun, moon, and stars to you, Harold. But the President runs a nation with 320 million people. Sparing the life of one of the most deadly among them ā is not a high priority.
Cooper: I know. Bad optics to look soft on crime. But what if people find out that he couldāve saved a cabinet-level German official and chose not to? What about those optics? Like it or not, Reddingtonās worth more to the President alive than dead.
[ ELEVATOR DOOR CLOSES ]
Ā
Aram: Hey, um, Ressler told me how you took down Kruger. That shot.
Samar: Then he mustāve told you it was a lucky shot.
Aram: He said it was an amazing shot.
Samar: Uh, I have to go.
Aram: Listen ā trying to take you out of the field in Luxembourg was wrong. Uh, youāre obviously more than up for the job, and I shouldāve given you the benefit of any doubt. [ BREATHES DEEPLY ] Iām sorry I didnāt.
Samar: I donāt think I know anyone who apologizes as well as you.
Aram: Iāve had a lot of practice.
[ Samar and Aram kiss ] [ Ressler walks past ]
Ressler: Fine, Iāll rent the room for you.
[ Samar smiles at Aram and follows Ressler out ]
Ā
Death Row Doctor: Your test results came back negative. No allergies.
Red: Iām sorry about before. I realize youāre just following protocol. Itās your job, after all. Itās a heavy burden killing a man. Most people canāt.
[ DOOR SLIDES OPEN ]
Death Row Doctor: Weāre all set, then.
[ Liz enters along with the Warden ]
Red: Elizabeth!
[ RADIO CHATTER ]
Warden: Your food is almost ready.
[ A guard removes Redās handcuffs ] [ HANDCUFFS CLICKING ]
Red: Excellent! Make it a table for two.
[ DOOR SLIDES closed ]
Liz: What you said about Ziegler ā we were able to corroborate it. We can prove the conspiracyās real.
Red: Youāre going to be phenomenally wealthy.
Liz: Panabaker got Cooper another meeting with the President. Heās gonna make the argument that, in order to save her life, the President has to save yours.
Red: Youāll be able to live anywhere you want. Youāll be able to do anything you want.
Liz: What I want to do is save your life.
[ DOOR SLIDES OPEN ]
Guard: All right, time to eat.
Red: Ah, my final meal. I canāt think of anyone Iād rather share it with.
Liz: Iām trying to tell you ā this might not be your final meal.
Red: And Iām trying to tell you Iām okay if it is. [ BREATHES DEEPLY ]
Ā
[ HELICOPTER BLADES WHIRRING over DC ] [ SIRENS WAILING ]
[ Ressler and Samar arrive at the hotel ]
Ressler: Agent Ressler, FBI. We believe weāre looking for an explosive device. Possibly biological. Now, suspect had access to your advance team, so the device is likely inside your secure cordon.
āā
Lead BND Agent: Maāam, the Senator is here, but it sounds like we may have a security concern.
Ava Ziegler: What concerns?
Lead BND Agent: Weāre waiting on details.
Ziegler: Let me know the minute you know more.
Ā
Ressler: Yeah. Aram, can you pull Navabiās reports from the UN bombing and see what kind of details we have on that device?
Aram: Are you looking for schematics?
Ressler: No, Iām looking for any details that can tell us what weāre searching for. Anything you can send the Bomb Unit is helpful.
Aram: Okay, understood. Iām on it.
Ā
Liz: This is what you call a last meal?
Red: [ LAUGHS ]
Liz: Cabbage soup and herring.
Red: My mother made it for me when I was a child.
Liz: I canāt imagine that. You as a boy.
Red: I was a difficult child. People saw me one way ā I saw myself another. I felt misunderstood ā acted out. My father fancied himself a disciplinarian. Very moralistic. Instead of trying to understand me, he excommunicated me.
Liz: And your mother?
Red: My mother- My m- My mother- My mother understood.
Liz: About who you used to be ā thereās something I need to ask you.
Red: My mother understood the problems of the human heart in conflict with itself. So she understood Everything. Iāve taught you to think like a criminal. I shouldāve taught you to think like her. I-I shouldāve learned to think like her. All those years spent worrying about you ā fancying myself your guardian angel. She wouldāve taken one look at you and known youād be fine. And not because of the money I obsessively cobbled together for you but because you have in your life the only thing that matters ā people who love you ā
āā
Cooper: Harold Cooper to see the President.
āā
Red: ā people you can depend on ā people who will always tell you the truth. Six years ago, I turned myself in because of you. Now, here, at the end, Iām at peace because of them.
Ā
Ava Ziegler: Senator Wade, thank you for agreeing to meet.
Senator Wade: Of course. Please.
[ They sit ]
Senator Wade: Now, you said it was urgent. Is something wrong?
Ziegler: Our intelligence network has been working cooperatively with a former MI6 agent. Earlier today, he showed me a dossier outlining a plot against America.
āā
[ Bastien Moreau wheels a room service cart to a hotel room and knocks ] [ KNOCKS AT DOOR ]
āā
[ Karl Hartmans enters Zieglerās suite with Ressler ]
Karl Hartmans: Madam Ziegler, Iām terribly sorry ā
Ziegler: Karl, whatās going on?
Ressler: Maāam, we have a security issue. You need to come with me. We need to get you and the Senator out of this building right now.
āā
[ Christopher Miles opens his hotel room door ] [ DOOR CREAKS ]
Miles: Ah. I, uh, didnāt order room service.
Bastien Moreau: You have a dossier Iām interested in.
[ GUN COCKS ] [ Door closes ]
Ā
[ The White House ]
Cooper: Ms. McMahon thought Reddington was lying to save his life. Now we know he was telling the truth.
Anna McMahon: So he was telling the truth. It doesnāt undo all the horrible things heās done.
Cooper: This isnāt about what heās done. I thought Iād made that clear. This is about what heās going to do save Ava Zieglerās life.
President Diaz: I thought that your job.
Panabaker: His job is to try to stop it. And heās doing everything he can, but in our experience, if Reddington says heās the only one who can solve it, heās the only one who can solve it.
McMahon: For Godās sakes, the FBI employs 35,000 people. Heās one man.
Cooper: Mr. President, itās simple. You can listen to Ms. McMahon, and a prominent German official will die, or you can listen to me, and sheāll survive.
[ CELLPHONE RINGING ]
Cooper: May I?
Diaz: Please.
[ CELLPHONE BEEPS ]
Diaz: Youāve already given me plenty to think about.
Cooper: When? Youāre sure about this? No, no. No, Iām relieved. Good work.
[ CELLPHONE BEEPS ]
Panabaker: Harold?
Cooper: Our people have Ziegler in custody. Theyāre off-site. Sheās safe.
McMahon: Well, what do you know ā looks like you didnāt need Reddingtonās help after all.
Ā
Red: You wanted to ask me something.
Liz: I did. [ Smiles ] I wanted to ask you ā I-I wanted to ask [ Pause ] how can you eat that?
Red: [ LAUGHING ] Itās terrible, isnāt it?
Liz: I mean, honestly, itās the worst food Iāve ever seen. Your mother may have been a wonderful person, but she was a terrible cook.
Red: [ LAUGHING ] Youāre right. Everything we had growing up was either over-boiled or under-cured.
Liz: This canāt be your last meal. Itās the definition of cruel and unusual.
Red: [ LAUGHS ]
[ DOOR SLIDES OPEN ]
Warden: Itās time. Once youāve changed, weāll move into the execution chamber.
[ CELLPHONE VIBRATING ]
[ DOOR SLIDES SHUT ]
Liz: Itās Cooper. [ QUIETLY ] Have you seen the President? But sheās in danger. Sheās not safe.
Red: Let it go.
Liz: I know it seems that way, but you and I both know this isnāt over.
Red: Elizabeth, let it go.
Liz: The Presidentās wrong!
Red: Itās too late for Ziegler. Youāll need to focus on the larger conspiracy.
Liz: Thank you for trying. Of course. Iāll tell him.
[ CELLPHONE BEEPS ]
Liz: [ VOICE BREAKING ] He says he wishes there was more that he could do.
Red: He did everything he could. Thatās- Thatās more than enough for me. I should change.
Liz: I love you. [ QUIETLY ] Thatās what I wanted to say. Thatās what I wanted you to hear.
[ Red stares at her, shocked ]
Ā
[ The kitchen of a restaurant or hotel ]
Samar: Weāve got the principal in a off-site holding location. 8323 14th Street Northwest.
Aram: Copy that. 8323 14th Street Northwest. I have a DC PD escort en route. Awaiting instructions from BND and DSS. [ Diplomatic Security Service ]
Ressler: Youāre in charge? We need you to get everybody out of here. Now.
Ana Ziegler: [ COUGHS ]
BND Agent: Maāam, are you okay?
Ziegler: [ SNIFFLES ] I- I canāt catch my breath.
BND Agent: Youāre gonna be okay. We have a BND convoy on the way. We want you in the air in the next 20 minutes.
Ressler: You. Lock it down. All entrances. I want DC PD units on the alley. The minute the escortās here, we move.
Aram: [ On phone ] Okay, I just got word from the Bomb Squad. Preliminary sweep says they found no explosive devices on site.
Samar: No device? How is that possible?
Aram: And another thing, and I know this is so not the time, but, uh I was grabbing some, uh, UN reports for Agent Ressler from your office. And while I was there, uh, I noticed a few discarded incident reports in the trash.
Samar: Youāre right. This isnāt the time.
Aram: After what you did in the field, I thought Iād overreacted, but these mistakes, they are, um what you were having trouble with is ā is basic. I had no idea how much damage has been done.
Ziegler: [ COUGHING ]
Samar: I have to call you back.
āā
Ressler: They didnāt find the device?
Samar: Not yet, but they will.
Ressler: Thatās weird, right?
Samar: The important thing is that everyoneās okay.
Ziegler: [ COUGHS ]
Hartmans: Let me get you a glass of water.
Ziegler: [ COUGHING CONTINUES ]
Senator Wade: [ To Ziegler ] Does this have anything to do with the threat you started to tell me about? This dossier?
Ressler: Why wouldnāt they find a device? I mean, Moreau paid off Kruger to get advance team access to get inside the secure cordon, but why?
Samar: Maybe it wasnāt a device?
Ressler: Maybe there was another way. I mean, maybe it wasnāt a bomb or an explosion, but another way to carry out the hit.
Ziegler: [ COUGHING ] [ She coughs out one of General Shiroās weaponized beetles ]
ā Help! We need some help here!
ā We need a medic!
Ziegler: [ COUGHS ]
[ Ziegler collapses. The beetles pour out of her mouth and nose ]
Ā
[ Cooper and Panabaker are being driven back from the White House ]
Cooper: [ On phone ] Right. [ CELLPHONE BEEPS ] That was Ressler. Ziegler is dead.
Panabaker: What? How? I thought she was safe.
Cooper: Reddington knew. Heās known all along. He sent us after the Bug Man. Turn around.
[ TIRES SCREECH ]
Panabaker: W-Wait. What are you talking about?
Cooper: Weāre going back to the White House. Reddington gave us a Blacklister weeks ago a scientist upset with how weāre killing off insects, so he created one to kill us off. Some kind of a super beetle ā the kind that killed Ziegler.
Panabaker: And you want to go tell the President, āI told you soā?
Cooper: I want to tell the President how to find the assassin.
Panabaker: Do you know how to find him?
Cooper: No, but Reddington does.
Panabaker: Diaz has made up his mind.
Cooper: Well, by my watch, itās 11:51.That gives him 10 minutes to change it. Or Iām gonna tell The New York Times that he couldāve saved the life of Germanyās top intelligence officer but chose not to.
Panabaker: That would be career suicide.
Cooper: Yes. For the President.
Ā
[ Red is escorted through the corridors to the execution chamber ]
[ DOOR SLIDING SHUT ECHOING ] [ CLANK ECHOES ]
[ UNKLEās āŖ āFarewellā plays ]
[ UNLOCKING DOOR ECHOES, KEYS JINGLING ] [ THUMP ECHOES ] [ CLICKING ]
āŖ And when I see
And if I walk
And when I run away
Hold me in your arms
Donāt let go
Hold me in your arms
[ Red is helped onto the execution table ]
Death Row Doctor: Is that comfortable? If youād like, we could raise or lower the head rest.
Red: Iām fine. Thank you for asking.
āŖ And when I run away
Hold me in your arms
[ Guards strap Redās ankles and wrists. A wide strap is secured across his chest. Medical techs begin IV lines in both arms and prepare the infusion mixtures ]
āŖ And when I see
And if I walk
Donāt let go
And when I run away
Hold me in your arms
Donāt let go
Donāt let go
Hold me in your arms
Donāt let go
Warden: To protect the anonymity of the executioners, they will now move into the chemical room and draw the curtain.
āŖ Hold me in your arms
Warden: At my instruction, each member of the execution team will inject drugs into the IV tube, but only one of the executioners is actually going to deliver the lethal injection.
āŖ And if I walk
Red: Right.
āŖ If I run
āā
McMahon: Sir. Itās done.
āŖ And when I run away
Diaz: And the dossier?
āŖ Hold me in your arms
āā
[ Bastien Moreau holds Christopher Miles at gunpoint ]
Miles: I told you, the dossier isnāt here.
Moreau: Well, then, youāre going to have to take me to it.
āā
McMahon: We should have it within the hour.
President Diaz: Good. Then, by morning, the intel will be buried and Reddington will be dead.
[ McMahon nods ]
āŖ Hold me in your arms
Donāt let go
Hold me in your arms
[ In the observation room, Dembe prays. The door opens. Liz enters and sits next to Dembe. They clasp hands briefly. Dembe continues to pray ]
āŖ Donāt let go
And when I run away
Hold me in your arms
Donāt let go
Donāt let go
Ā
[ The curtains are opened, allowing the witnesses to view the proceedings ]
Federal Warden: [ Reads ] Whereas, Raymond Reddington was found guilty of murder ā
āŖ Hold me in your arms
Warden: ā in the first degree ā
āŖ Donāt let go
Warden: ā and whereas it has been determined that the Executive Clemency authorized by Article II, Section II ā
āŖ And when I run away
Warden: ā Of the United States Constitution has been denied ā
āŖ Hold me in your arms
Warden: ā do hereby issue this warrant directing the Warden of the United States Penitentiary ā in Terre Haute, Indiana ā
āŖ And when I see
Warden: ā to cause the sentence of death to be executed upon Raymond Reddington in accord with the provisions of the law of the United States.
āŖ Donāt let go
Warden: [ To Red ] Do you have any final words?
āŖ Donāt let go
Ā
⬠go to start of 6:11 Bastien Moreau
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Episode Songs
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ā« Not Broken
By SkyeāŖ On and on, hold on
Not broken in two; not you!
Like the seed, you grow
Under it all
Your roots take holdāŖ Smooth out the creases
Then youāll seeāŖ And when you fall down in between them all
Here you are whole, not brokenāŖ On and on, hold on!
Not broken ā just loose at the seams
Oh, no no! donāt let go!
Just listenāŖ Goodness increases
You will seeāŖ And when you fall down in between them all
Here you are whole, not broken
Leave it behind ā all of the pain inside
Here you will be, not brokenāŖ Through the crowd patchwork souls move closer, closer
And when you fall down in between them all
Here you are whole, not brokenāŖ Leave it behind ā all of the pain inside
Here you will be, not brokenāŖ You will see
You will seeLyrics and Credits: http://bit.ly/2Y5bXaK
YouTube: https://youtu.be/AwuuuaKlXJ4
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ā« Farewell
By UNKLE[ Spoken (opt.): ] Have you looked at yourself? And have you thought about the mistakes youāve made? And the road youāve walked? This is your story
āŖ And when I see
And if I walk
And when I run away
Hold me in your arms
Donāt let go
Hold me in your arms
And when I run away
Hold me in your armsāŖ And when I see
And if I walk
And when I run away
Hold me in your arms
Donāt let go
Hold me in your arms
And when I run away
Hold me in your armsāŖ And when I see
And if I walk
And when I run away
Hold me in your arms
Donāt let go
Hold me in your arms
And when I run away
Hold me in your armsāŖ And when I see
And if I walk
And when I run away
Hold me in your arms
Donāt let go
Hold me in your arms
And when I run away
Hold me in your arms
Donāt let go
Hold me in your arms
And when I run away
Hold me in your arms
And when I see
Hold me in your armsLyrics and Credits: http://bit.ly/2HplIM7
YouTube: https://youtu.be/kEQbSzKH7p4
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ā¬ļø go to start of 6:11 Bastien Moreau
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āāā End 6:11 Bastien Moreau
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š“ Script 6:12 Bastien Moreau, Pt 2 (ā 20)
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Program air date: 3/22/2019 in the US
Script Permalink: https://wp.me/pDKwi-9iR
Entertainment Weekly Recap: http://bit.ly/2ufPlGQ
Ā
Director: Christine Gee
Written by: Jon Bokenkamp, John Eisendrath, Lukas Reiter
Ā
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ā Script 6:12 Bastien Moreau, Pt 2 (ā 20)
Ā
Brief (Where weāre at): Red has 10 minutes left to live. He is strapped to an execution table at the Federal Penitentiary in Terre Haute, Indiana, waiting for a lethal injection. Cooper has just learned that Ava Ziegler, the head of German National Intelligence, has been assassinated on US soil, as Red had predicted. Cooper has ordered the vehicle he is in with the CIAās Cynthia Panabaker, to return to the White House for one final plea to President Robert Diaz to spare Redās life so Red can help unveil a broader conspiracy against the United States. The plot is revealed in a dossier provided to German Intelligence by MI6, the British Intelligence Service. It appears, however, that Diaz is unlikely to be moved since Diaz himself ā unbeknownst to either Red or Cooper ā is behind the plot.
President Diaz tasked DOJ official Anna McMahon to squelch the dossier. For this, she turned to Bastien Moreau, who works to enable anti-globalist, ultra-nationalist causes. He had his appearance changed by plastic surgeon Dr Hans Koehler (Blacklister #33 in Episode 6:1), who he subsequently killed. He needed a new identity to get by security to attempt to bomb the United Nations (Episode 6:2), also at the behest of McMahon and Diaz. The plot failed when Red engaged the help of Maxwell Ruddiger, who had created the bomb. Moreau escaped then, and is now under pressure from Diaz and McMahon not only to squelch the dossier and accomplish what the U.N. bomb plan failed to achieve.
After killing Ava Ziegler using the weaponized beetles developed by General Shiro (Blacklister #116), Moreau now has ex-MI6 agent Christopher Miles at gunpoint in Milesās hotel room, demanding the dossier, which Miles claims not to have.
Liz and Dembe are waiting to witness Redās execution. Liz spent Redās last meal with him. He spoke of his childhood, especially his mother (āMy mother understood the problems of the human heart in conflict with itself. So she understood Everythingā), and is calm facing death. Liz had intended to press Red on the question of his true identity, but in a sudden change of heart, said to him, simply ā for the first time ā āI love you.ā His reaction was stunned astonishment.
Now at ten minutes and counting to 12:01 a.m., it appears that Redās fate is sealed.
Ā
[ A few minutes before 12:01am when Red is to be executed, Harold Cooper walks toward a conference room at the White House ]
Cooper: Harold Cooper to see the president.
[ Mr Sandquist allows him to enter ]
President Diaz: Do you have any idea how this happened?
Cooper: Sir, we donāt have much time.
Diaz: How Germanyās chief intelligence officer could die in FBI custody?
Cooper: I donāt know, but Reddington does. And heāll tell us if you stay his execution.
Diaz: We need to work together to keep this tragedy from becoming a- a diplomatic crisis. And we need our allies to know that everything will be done to find out what happened and to apprehend those responsible.
Cooper: Reddington knows who that is.
Diaz: Director Cooper, I donāt think you understand the sensitivity of this matter.
Cooper: You want everything to be done to find out what happened. The only way to do that is to call off the execution.
Diaz: Youāre sure that Reddington knew how to stop the assassination. Iām not. A man about to be executed will say anything.
Cooper: That is not what happened here. He knew the truth, and you chose to ignore it.
Diaz: I suggest you watch your tone.
Cooper: Ava Ziegler may have died in FBI custody, but she died because you refused to spare Reddingtonās life.
Diaz: How dare you speak to me like that! Like Iām responsible for this?! I am the President of the United States!
Cooper: Itās too late for Ziegler, but if you call off the execution, we will find her assassin.
Diaz: Iāve given you my answer on that.
Cooper: Then let me give you mine. If you let Reddington die, I will be obligated to inform my German counterparts that their compatriotās blood is on our hands, a fact Iām certain they will consider an act of aggression.
Diaz: Is that a threat?
Cooper: It gives me no pleasure to make it, but, yes, sir, it is. And if you donāt make that call in the next 60 seconds, Iāll make good on it.
āā
[ The execution chamber at the Federal Penitentiary in Terre Haute, Indiana ]
Federal Warden: Do you have any final words?
Red: Iāll save my words for the next life.
Warden: On my instruction, the execution team will administer the injection.
[ Itās about 5 seconds to midnight ] [ TELEPHONE RINGS ]
Red: Please tell me someoneās gonna answer that.
[ RINGING CONTINUES ] [ The Warden answers ]
Warden: Yes?
Ā
[ At the Post Office, Ressler, Samar and Aram watch as the clock ticks down to 12:01am ]
Samar: Itās done.
[ RESSLER SIGHS ] [ CELLPHONE RINGING ]
Ressler: Itās Keen.
Aram: I canāt imagine what it must have been like being there.
Ressler: Hey, Liz. Iām here with Samar and Aram. How are you holding up?
Liz: He did it. He called.
Ressler: Whoā Sorry. What are you talking about?
Liz: The President. He stopped it.
Samar: What do you mean?
Liz: The execution. He called it off.
Aram: Wait. Wait. Wait, wait. Mr. Reddingtonās alive?
Liz: They took out the IVs, and he just walked away.
Ressler: Thatās incredible. Did the warden say why the President did it?
Liz: I donāt know if he got clemency or a stay or what. But all I know is heās alive. Will you tell Cooper?
Aram: Iām pretty sure he already knows.
Samar: He was at the White House all night, trying to change the Presidentās mind.
Ressler: Diaz may have stayed his execution, but Cooper saved Reddingtonās life.
Ā
[ Cooper sits at the conference table at the White House. Anna McMahon enters ]
Anna McMahon: Congratulations. Youāve given a psychopath a second lease on life.
Cooper: The President made the right call.
McMahon: You put a gun to his head, and he cried āuncle.ā Whatās the hold-up?
[ Mr Sandquist is setting up a video conference ]
Mr Sandquist: Weāre good on our end. Just waiting on Terre Haute.
McMahon: [ To Mr Sandquist ] You can go. Please.
[ Mr Sandquist leaves ]
McMahon: I donāt know how this ends for Reddington, but I know how it ends for you ā and it isnāt pretty.
[ BEEP ] [ Red appears on the video conference screen ]
Red: Harold. Arenāt you a sight for sore eyes.
Cooper: You remember Anna McMahon from Main Justice.
Red: Yes. Like my first STD.
McMahon: You have not been granted clemency. Youāve been given a stay ā 48 hours to find the person who killed Ava Ziegler. If you succeed, your immunity agreement will be restored. If not, your execution will proceed.
Red: Has that understanding been memorialized in writing?
Cooper: Iām reviewing the paperwork now.
Red: If Harold is satisfied with the language, we can proceed.
McMahon: The particulars are as follows ā the press has been told the stay was granted to study the USPās administration of lethal injection.
Red: [ LAUGHS ]
McMahon: As far as they are concerned, you will remain in prison. So whatever you do in the next 48 hours must be done in secret. You will be in the custody of Director Cooper. He is
responsible for you. For his sake, I suggest you try your best not to kill, maim, or torture anyone for the next two days.
Red: As long as Iām not left alone in a room with you, Iāll be fine.
Cooper: Is 48 hours enough time to find the assassin?
McMahon: Iād think it was more than enough time, considering all your assurances that you knew how to apprehend him.
Red: Thank you, Harold. 48 hours is ample.
McMahon: During that time, you will wear an ankle monitor. Both Director Cooper and I will know your location at all times. If you try and escape, we will find you. If you disable the device, the director will be prosecuted for aiding and abetting a fugitive. You have 48 hours. Starting now.
Red: It was pubic lice. Crabs. Caught them on Hammamet Beach in Tunisia. She was a Vassar girl traveling with a bunch of pals from the French house. Two years after graduation, and they were still making up for lost time. My God. What a weekend. But like you, they get right in there and feast away without mercy until you want to douse the whole area with kerosene and set the little varmints on fire. Sorry. You and the crabs, not the Vassar girls.
Ā
[ At Terre Haute Federal Penitentiary, Red is fitted with an ankle monitor ]
Red: Youāve been genuinely hospitable, but I sincerely hope we never meet again.
Warden: Youāre a lucky man.
Red: People make their own luck, some more than others. I make a prodigious amount.
Warden: Mm. What was this all about?
Red: The President wants an assassin found. I know how to find him.
Ā
[ A White House corridor. McMahon walks with President Diaz ]
McMahon: Cooper doesnāt know it, but he might have done us a favor. The stay makes it look like you actually want the assassin found.
Diaz: You know, I got into politics to root out corruption. I was an idealist who was gonna change the world.
McMahon: And you have, for the better.
Diaz: Right. Try telling that to the German people.
McMahon: We did what we had to to keep you where the country needs you to be.
Diaz: So, Reddington ā whatās our exposure?
McMahon: None. Our associate has obtained the second target and should have the dossier within the hour.
Diaz: Reddington knew Ziegler was gonna be killed. How? And if he knew that, how can you be sure he wonāt know how to find our associate?
McMahon: Howās the First Lady?
Diaz: Thatās a problem for tomorrow. Todayās crisis is Reddington. 48 hours is a long time.
McMahon: Thatās the length of your stay. I have a considerably shorter timetable in mind.
Diaz: What does that mean?
McMahon: It means you have nothing to worry about.
[ ELEVATOR DINGS, DOORS OPEN ]
McMahon: Good night, Mr. President. Please give my regards to the First Lady.
Ā
[ BUZZER SOUNDS ] [ The prison gate opens. Red walks out ] [ Liz and Dembe get out of a car ]
Liz: Ohh! I canāt believe youāre here! [ LAUGHS ]
Red: [ LAUGHS ]
[ They hug ]
Dembe: Raymond, welcome back.
[ Hug ]
Liz: So where is he?
Red: Who?
Liz: The assassin who killed the German spymaster.
Red: Ah! I have no idea.
Liz: What? But you saidā
Red: I said what I had to to survive. Is it just me, or is this an absolutely spectacular night?
Liz: You seriously have no idea where he is?
Red: None whatsoever.
Dembe: We only have 48 hours to find him.
[ OWL HOOTS ]
Red: Ahh. [ CHUCKLES ] I suppose we should start looking.
Ā
[ The Post Office ] [ Elevator door opens. Red and Liz walk out ]
Ressler: Always knew you dealt from the bottom of the deck but cheating death ā well, thatās impressive.
Red: I didnāt cheat death. I cheated the President.
Cooper: Get the others. Weāre on a clock. Man, am I glad to see you.
Red: Thank you for everything, Harold.
[ Red and Cooper walk off together leaving Liz with Ressler ]
Ressler: Whatever happened to telling him you knew he was an imposter?
Liz: I didnāt get the chance to.
Ressler: Didnāt get the chance or, uh, decided not to?
Liz: [ Evasive ] Iām gonna get Samar and Aram.
Ā
[ Samarās office ] [ KNOCK ON DOOR ]
Aram: Hey. Um ā Youāre incredible.
Samarās: You canāt leave the bike in the living room.
Aram: No, Your brain it is incredible, the way itās been able to compensate.
Samar: Weāve talked about this.
Aram: Actually, we havenāt, notā Not this. These, uh these incident reports.
Samar: My incident reports ā the ones you fished out of my trash.
Aram: The cross-outs, the misspellings uh, organizing thoughts, expressing yourself. You know, I know you had reached out to a speech pathologist, but I had I had no idea how rapid the decline has been.
Samar: Now you know.
Aram: We have to tell Mr. Cooper.
Samar: No, āweā donāt have to do anything. This is my choice. It is my problem. I know that youāre worried about me, but you have seen me in the field. I wouldnāt say itās incredible, but I am compensating, so please just let me handle it.
[ Door opens ]
Liz: Reddingtonās back. Cooper wants us.
Ā
Ressler: Let me- Let me get this straight. You bluffed your way off death row?
Red: I exaggerated.
Samar: That you knew how to find the assassin, which you donāt.
Red: The Corsican is the last piece of a very complicated puzzle.
Aram: The Corsican. Uh, Bastien Moreau?
Liz: Isnāt he the sociopath who tried to bomb the UN?
Red: The very same.
Cooper: Tried to bomb the UN and killed Germanyās top spy. Whatās the connection?
Red: As I said, he is the last piece of the puzzle. Weāve already gotten all the other pieces. Iām quite confident weāll get him.
Samar: āWeāveā gotten the other pieces?
Red: Yes. You have been instrumental in putting it together. After all, I was in prison. Except when I wasnāt.
Liz: Your competency evaluation ā you requested it because you wanted to be transferred to that psych ward in Springfield.
Red: Indeed. One of Moreauās few known associates was there. Mad as a hatter, but I had reason to hope that if Moreau were planning something big, the madman might have a lead to follow.
Flashback:
Atticus Rodrick: General Shiro.
Cooper: The bug man.
Red: Yes. Dr. Nikkila.
Dr Jonathan Nikkila: People who poison the planet present a mortal danger that must be eliminated.
Committee Chair: [ COUGHS ] [ A black beetle comes out of his mouth ]
Red: After you got the good doctor in custody, Dembe discovered that heād sent an ampule of his toxic bug juice to Moreau in London. Armed with the address, Dembe broke into his flat and found that Moreau had wired $5 million ā to Axion Cryptosolutions.
Ressler: The Cryptobanker.
Liz: Who deposited the money in Jonas Krugerās account at the Banque Vertrauen.
Aram: As payment for intel and his credentials so that Moreau could get into Ava Zieglerās hotel room.
Samar: Where he used the bug toxin to poison her before she had a chance to meet with Senator Wade and present a dossier documenting an impending attack on America.
Aram: Did you know all this from the start?
Red: God, no. All I knew was that, without an immunity agreement, I would have to leverage my way to freedom. Luckily, thatās exactly what this conspiracy provided.
Cooper: A conspiracy to attack America how?
Red: I donāt know. And Moreau has the irksome habit of killing anyone who does.
Liz: Or trying to. We stopped the bomb at the UN from going off. If Moreau was trying to kill someone who knew about the conspiracy, that person is still alive.
āā
[ Christopher Miles drives while Bastien Moreau points a gun at him ]
Miles: Could you please put that away?
Moreau: [ CHUCKLES ] As soon as I have the dossier.
āā
Cooper: Aram, pull up the incident report from the attempted bombing. I want a list of everyone who was in the conference room where Moreau placed that device.
Aram: Copy. Here.
[ The list comes up ]
Ressler: A diplomat? A member of the secretariat?
Red: Him! Thatās him. Christopher Miles.
Cooper: Security consultant.
Red: Former MI6. If there is a dossier, heās precisely the kind of intelligence officer who would compile it. But heās very discreet. If weāre going to get to him, weāre going to need some help.
Ā
[ Moreau and Miles enter a room in an apartment ]
Miles: Thereās a safe behind the mirror.
Moreau: Slowly.
[ Miles looks into an eye scanner to open the safe ] [ BEEPING ] [ LOCK DISENGAGES ]
Moreau: Step back! How many copies are there?
Miles: None. I destroyed the others.
Moreau: I so wish I could believe that.
Miles: You have my word.
Moreau: And your word will be enough ā
[ SILENCED GUNSHOT š„ ] [ Moreau shoots Miles in the leg ]
Miles: Ahh! [ GROANING, GASPING ]
Moreau: ā As soon as Iām satisfied that you understand the consequence of lying to me, then your word will be just fine. So, do I have your word that this is the only copy?
Ā
[ A group of friends are playing Charades!. Marty Sapperstein is āIt.ā The answer to the charade is displayed on a cell phone screen Marty holds over his head where everyone else can see it ]
ā Married his stepdaughter.
Marty Sapperstein: Woody Allen.
ā Uh-huh.
ā Yes.
ā Heās a Scientologist.
Marty: John Travolta.
ā The other one! The other one! ā
Marty: Tom Cruise.
ā Yes!
ā Yes!
ā āFatal Attraction.ā
Marty: Uh, Glenn Close.
ā The guy in it.
ā āChina Syndrome.ā
ā Uh, the guy with the father.
ā What father?
[ Red and Dembe enter ]
Red: He got throat cancer from oral sex.
ā What? Not Michael Douglas.
Red: [ CHUCKLES ]
Marty: Reddington.
Red: Most people get it from smoking. He got it from cunnilingus.
Marty: You should be dead.
Red: Christopher Miles. Where might we find him?
ā Reddington? Raymond Reddington?
Helen Sapperstein: Honey, whatās this all about?
Red: You must be Martyās wife. He spoke of you so often during our time together in Greece.
Helen: Uh, I-I didnāt know he was ever in Greece.
Marty: Come with me. Uh, Iāll ā get you the address.
Red: Please excuse us.
[ Dembe joins the game ]
Dembe: How do you play?
āā
[ Red and Marty step aside ]
Marty: Greece? Really? What?
Red: You did speak of her. Or mentioned her. Over coffee that last day. Given the way you chewed through Mykonos, Iām surprised you donāt have throat cancer.
Marty: What do you want with Miles?
Red: Information. Thatās all.
Marty: Heās a good man.
Red: Mm. I mean him no harm. But as my resurrection depends on my finding him, Iāll harm anyone who stands in my way.
āā
[ The game continues with Dembe offering answers. The others are ~ uneasy ]
Dembe: Ah. [ Animated ā IMITATES SLURPING ]
Helen: A drink.
Dembe: āAhh!ā ā No. Um ā [ CLEARS THROAT, PANTING ]
Helen: Drinking.
Dembe: [ COUGHS ]
Helen: Thirsty.
Dembe: Good.
[ DING ]
Dembe: Uh- Um [ IMITATES SNORING ]
Man: What weāre having.
Dembe: [ GASPS, swings arms and legs ] Ahh! Ahh!
Helen: Iām sorry. I-I canāt.
[ Red enters ]
Red: Dembe.
Dembe: It was āhaving a nightmare.ā
Red: Sorry to break things up, pal.
Helen: Oh.
Dembe: Thank you for playing.
Ā
[ Outside the home, Red calls Liz ]
Red: Elizabeth, Christopher Miles works out of an address near Columbia Heights. Dembe is sending it to you now.
[ Dembe sends the address ] [ KEYPAD BEEPS ]
Red: [ To Dembe ] 35 hours and counting. Iād say things are going quite well. We should celebrate, yes? [ CHUCKLES ]
Ā
[ CELLPHONE RINGS ]
Anna McMahon: You have it?
Bastien Moreau: I do.
McMahon: When do I get it?
Moreau: As soon as Iām satisfied itās the only copy, Iāll take it to the drop point.
McMahon: Good. Because we have a new problem that requires your full attention ā a loose end.
Moreau: I donāt leave loose ends.
McMahon: Yeah? Then why is Raymond Reddington telling the Department of Justice he can deliver the assassin who killed Ava Ziegler?
Moreau: Raymond Reddington? Heās in prison, about to be executed.
McMahon: Heās out because he convinced the American government he can find you in the next 48 hours. You canāt let that happen.
Moreau: You want me to kill him.
McMahon: Reddington knows everything. Heās jeopardizing our entire operation. Weāve come too far to stop now.
Moreau: Iāll find him.
McMahon: You wonāt have to. I know exactly where he is.
[ McMahonās cell phone shows Redās location based on his ankle monitor ]
Ā
[ Outside Jonathan Milesā apartment ] [ VEHICLE DOORS CLOSING ] [ RADIO CHATTER ]
HRT Officer: We got here to secure the perimeter and heard screams coming from the second floor. I put a spotter across the way. Said he IDād two figures āmale.
Samar: Moreau?
Ressler: It could be heās taking care of some unfinished business from the UN.
Samar: Our best guess is our perp is Bastien Moreau, 60, white male. If it is him, heās holding this man hostage. [ Holds up photo ] Christopher Miles. We need them both alive.
Ressler: Weāre breaching two separate entry points. Team Alpha with Navabi. Team Bravo with me. Weāve got civilians everywhere, so watch your step. Letās make this fast. We breach on my go.
[ Samar enters with the others ] [ An HRT officer throws a flash grenade ] [ Samar hears HIGH-PITCHED RINGING with visual distortions ]
Man: [ DISTANTLY ] FBI!
[ HIGH-PITCHED RINGING CONTINUES ]
[ Samar comes around a corner. Moreau is holding Miles at gunpoint ] [ Auditory and visual distortions continue ]
Samar: FBI! Donāt move!
[ Before she can shoot, Moreau shoots at her ] [ SILENCED GUNSHOT (š„) ] [ Samar ducks ]
[ Moreau shoots Miles in the chest ~ SILENCED GUNSHOTS (š„š„) ]
Miles: Ohh! [ GROANS ]
[ Moreau runs ] [ GLASS BREAKING ] [ HIGH-PITCHED RINGING CONTINUES ]
[ Samar goes to help Miles ]
Miles: [ BREATHING HEAVILY ]
Ressler: Navabi, whereād he go?
Samar: The fire escape. Heās gone. [ To HRT Officers ] We need a medic, now!
[ Ressler runs after Moreau ]
[ SILENCED GUNSHOTS exchanged (š„š„ š„š„) ]
Samar: Stay with me. Hold on.
[ INDISTINCT CONVERSATIONS ]
Miles: [ WEAKLY ] The dossier.
Samar: Weāll find the dossier.
Miles: He has the dossier.
Samar: Weāll find it.
Miles: Password.
Samar: Password?
Miles: [ GASPING ] Fox, uh, glove.
Samar: Foxglove? Hold on. Stay with me.
[ Samarās vision blurs, clears, blurs again as Milesā life fades away ]
Ā
Waiter: Can I get you anything else?
Red: Yes. Some more deviled eggs and another Manhattan. I thought one would suffice, but weāre celebrating, and I definitely need another if Iām to get the job done.
[ CELLPHONE RINGING ]
Red: Elizabeth.
Liz: I just talked to Ressler. Moreau got to Miles before we could. Now heās dead, and Moreau got away.
Red: And the dossier?
Liz: Gone. You were right about Miles. He compiled it. Before he died, he told Samar it was password-protected.
Red: Did he give her the password?
Liz: Yes. āFoxglove.ā But it doesnāt do us much good if we donāt have the dossier.
Red: Foxglove. [ He writes it down ]
Ā
[ Moreau has located Red at the restaurant ]
Moreau: Mr. Reddington. Itās so nice to finally make your acquaintance.
āā
Red: Do you like magic? I love magic. Card tricks, coin tricks, close-up magic. Even those guys with the tigers. I heard they trained their cubs by masturbating them. Is that even conceivable? Iām sure itās just a vicious rumor. But talk about a commitment to oneās craft. A tiger? Quite a handful.
Moreau: What are you talking about?
Red: You. Youāre the tiger. A wild creature someone is trying to stroke. A magic trick is a con, and youāre the mark in the middle of a very complicated one. And the only reason Iām still alive is because you know it. You could have tracked me down anywhere. In a dark alley, in the bathtub. Instead, you came here, to a public place. Why? Because you know youāre being had.
Moreau: Iām listening.
Red: Letās start with how you found me. You were given access to the signal from my ankle monitor.
Moreau: Who has the access to that?
Red: You tell me.
Moreau: My contract is with the Black Fist. Ava Ziegler stood between them and the resurgence of German nationalism.
Red: Pick a card, any card.
Moreau: How do you fit into this?
Red: I donāt. But I can show you how the trick works, which is why she wants you to kill me.
Moreau: She?
Red: I know her as Anna McMahon. Red hair, green eyes, no heart. The magician who made you think you were furthering your agenda when, in fact, you were furthering hers.
Moreau: We have the same agenda. Killing Ziegler advanced it.
Red: And Christopher Miles?
Moreau: He knew too much.
Red: And his dossier?
Moreau: Well, now you also know too much.
Red: I know you havenāt read it, because you canāt decrypt it. But I can.
[ Red writes āFoxgloveā on a piece of paper ]
Red: You think a terrorist group hired you to kill Ava Ziegler because she uncovered a plot to resurrect German nationalism. I think someone in the US government hired you to kill her because she uncovered a plot against this country. But thereās only one way to know for sure.
[ Moreau gets out the flash drive with the dossier and types in the password ]
[ TAPS TABLE ] [ BEEP ]
Red: I never like to know how a magic trick works. Spoils everything.
[ Moreau reads ]
Moreau: This has been quite enlightening.
Red: For you. How about returning the favor by letting me read it?
Moreau: Iām letting you live. Thatās favor enough.
[ Moreau gets up and leaves ]
[ Red dials a number ] [ KEYPAD BEEPING ]
Red: Is it sexual assault with a tiger? Apparently, one of the divine creatures thought so. Mauled one of those guys. Looks like Moreau might do the same.
[ Liz answers ]
Red: Elizabeth.
Liz: We got nothinā. No leads on the Corsican.
Red: I know his next target.
Liz: How? Who? Uh, hold on.
[ Liz rushes to where Ressler and Cooper are ]
Liz: Cooper and Ressler are here. Iām gonna put you on speaker. Okay, say that again. You said you know Moreauās next target?
Red: Anna McMahon.
Cooper: From Main Justice?
Ressler: Why do you think he would go after her?
Red: Because she just sent him to kill me.
Liz: Okay. What?
Red: A tactical error sheāll pay for with her miserable life, unless you roll out or scurry on over or whatever it is you do.
Liz: You have a lot of explaining to do.
Red: And Iāll have plenty of time to explain it once heās captured.
[ KEYPAD BEEPS ]
Ā
Cooper: Notify McMahonās office. Find out where she is and roll units to her work and home addresses.
Aram: Have you seen Samar?
Ressler: Not since the raid.
Cooper: After what happened, I wouldnāt blame her ā if she needed some time.
Aram: Neither would I, but without saying anything?
Cooper: Ressler, Keen. Find McMahon. Aram, you and I will find Navabi.
Ā
[ CELLPHONE RINGING ]
[ Samar stands on the roof of a building looking out over the darkening city ]
[ RINGING CONTINUES ]
Ā
[ An office ] [ CELLPHONE RINGING ] [ KEYPAD BEEPS ]
McMahon: Where the hell have you been?
Moreau: Slight delay.
McMahon: We need results fast.
Moreau: You want me to handle Reddington. That takes time. But as promised, Mr. Miles is no longer a liability. And his dossier is in my possession.
McMahon: And there are no copies?
Moreau: None. Itās at the drop site for you. And now Iām gonna go and deal with Reddington.
McMahon: Call me when itās done.
[ KEYPAD BEEPS ]
Woman on PA: ⦠final boarding ā¦
[ Moreau is seated near a bank of pay lockers ]
Ā
[ The White House ] [ President Diaz walks with Mr Sandquist alone down a corridor ]
Mr Sandquist: How much does Reddington know?
Diaz: Why?
Mr Sandquist: Moreau paid him a visit. It was supposed to be conclusive. And it wasnāt.
Diaz: And youāre worried he may have turned.
Mr Sandquist: Depends how much Reddington knows.
Diaz: Well, you should assume he knows too much.
Ā
[ INDISTINCT CONVERSATIONS ]
[ Moreau watches as a Courier picks up the flash drive from one of the lockers ]
Ā
[ CAR HORNS HONKING ] [ Moreau follows the Courierās motorcycle in his car ]
[ The Courier drives to an apartment ] [ ENGINE SHUTS OFF ]
Moreau: Excuse me! You dropped something.
Courier: What?
Moreau: You dropped something.
[ Moreau stabs the Courier ]
Courier: [ GASPING ]
Moreau: Shh.
[ Moreau takes the flash drive with the dossier ]
Ā
[ Anna McMahon arrives at her darkened apartment ]
McMahon: [ On phone ] Yes. I understand. Yes. My office keeps trying to reach me, and now is not the
[ SIGHS ] I donāt care. Just tell them something came up andā
[ McMahon turns on a lamp seens the dead Courier ]
McMahon: Uh, yeah. I need to call you back.
[ KEYPAD BEEPS ] [ Moreau turns on a lamp ]
Moreau: Forgive me. But I thought I should bring the dossier to you myself.
[ Moreau holds up the flash drive ]
Ā
[ Ressler drives with Liz ]
Ressler: McMahonās office canāt find her. Sheās still not answering her cell.
Liz: Moreau is motivated by some warped political idealism. Heās a nationalist. So why target a deputy AG like Anna McMahon?
Ressler: Weāll find her, Keen. Weāre about two minutes out.
Liz: And why go after Reddington? How does he fit in?
Ā
McMahon: What the hell did you do?
Moreau: I read the dossier. You told me you were part of the Black Fist, that my targets were obstacles to German nationalism. But thatās not true at all, is it?
McMahon: [ SIGHS ] Please.
Moreau: You lied to me.
McMahon: No!
Moreau: You used me.
McMahon: Thatās not true.
Moreau: Then why does this dossier outline a plot against the Americans? What do you do for the American government? Why are you plotting against your own country?
[ TIRES SCREECH ]
Moreau: Expecting someone?
[ VEHICLE DOORS CLOSING ]
[ Moreau leaves ]
āā
[ Liz and Ressler enter, guns out. McMahon raises her hands in the air ]
McMahon: No! Please donāt shoot! Please! I-I came home, and he was in the house. I-I donāt know who he is. I didnāt see his face. I-I didnāt see his face.
[ Ressler sees the dead woman ]
Ressler: Whoās she?
McMahon: I have no idea.
[ Liz looks out the window and sees Moreau running ]
Liz: Thatās him! Heās on the move!
[ Liz runs out following Moreau on foot. Ressler heads to the vehicle ]
[ Moreau slips the dossier into a childās backpack ]
Liz: Stop! FBI!
[ ENGINE STARTS, TIRES SCREECH ]
Liz: FBI! I said stop! Hands where I can see them! Show me your hands!
[ SIREN CHIRPS, TIRES SCREECH ] [ SIRENS WAILING ]
[ Ressler pulls up next to Moreau. Moreauās trapped between Ressler and Liz. Ressler gets out ]
Ressler: She said āhands.ā
[ Moreau puts his hands up ] [ SIRENS WAILING ]
Moreau: Take it easy. Take it easy. Iāve got a weapon at my waist.
Liz: Turn around. Put your hands on the car.
[ RADIO CHATTER ]
Ressler: Come on. Bastien Moreau, youāre under arrest.
Moreau: I donāt know who that is.
Liz: You did all that work to change your face, and look where it got you.
Moreau: Iām gonna be a great asset for you. I know a secret.
[ SILENCED GUNSHOT (š„) ] [ Moreau is shot through the head ]
Ressler: Whereād it come from?
Liz: It came from the north.
[ GUNSHOTS š„š„ ] [ INDISTINCT SHOUTING ]
[ INDISTINCT SHOUTING ] [ A distance away, Mr Sandquist scoops up shell casings, zips up his bag and leaves ]
Ā
[ DOOR CLOSES ] [ SIREN WAILS IN DISTANCE, HORNS HONKING ]
[ Aram finds Samar on the rooftop, looking out, smoking ]
Aram: Hey. I heard about what happened. How Miles died in your arms. I-Iām so sorry.
Samar: So am I.
Aram: Yeah, I didnāt know you smoked.
Samar: I donāt. I quit five years ago.
Aram: Did you hear? Uh, Moreau is dead. Mr. Reddingtonās immunity agreement is being restored.
Samar: He didnāt.
Aram: What?
Samar: Die in my arms. That makes it sound peaceful. Like I was there for him. Like I protected him.
Aram: Iām sure you did.
Samar: You always give people the benefit of the doubt even when they donāt deserve it.
Aram: Which you do.
Samar: See?
Aram: Tell me.
Samar: It was like a blinding light. A white-out or sensory deprivation something. It doesnāt matter, but the point isā the only point is that one minute, I could have protected Miles and arrested Moreau, and the next, Moreau was gone, and Miles was dying in the arms of the person responsible for his death.
Aram: You are not responsibleā
Samar: You tried to help meā
Aram: āMoreau is. He shot him.
Samar: āto get me to do the right thing, to tell Cooper.
Aram: Christopher Miles is not dead because of you.
Samar: Aram, you always do the right thing. Itās time for me to do the right thing. Iām- Iām going to tell Cooper.
Aram: Good. Thatās good. I am sure heāll understand.
Samar: Yeah. I know he will.
Aram: Right? See? Thatās right. Listen. Everythingās gonna work out, okay? Itās gonna be just fine. Itās gonna be fine.
Ā
Anna McMahon: The new immunity agreement is identical to the ill-advised one signed in September 2013.
Cooper: You mean the one that saved your life? Because of it, Reddington is our CI. Because heās our CI, we were able to prevent Bastien Moreau from killing you.
McMahon: I want to highlight three conditions. One, if you acknowledge the agreement, it is revoked. Two, if Reddington commits a crime, it is revoked. And three, if any members of the Task Force are aware that Reddington is committing a crime, they will be prosecuted as co-conspirators.
Cooper: And the young man Reddington met in prison ā Vontae Jones?
McMahon: Yes. Mr. Jones will be paroled as a condition of this agreement. But let me be very clear. We do not work for Raymond Reddington. He works for us. And by āus,ā I mean me. Because once you sign, my job will be to oversee the Task Force for Main Justice.
Cooper: Iām looking forward to that.
McMahon: Your sarcasm is duly noted.
Cooper: And yet, Iām being completely genuine.
McMahon: You want me to take the job.
Cooper: I do, because itās proven to be one with an extraordinarily high mortality rate. Shall we sign?
[ They sign ]
McMahon: Itās official. Heās back.
Cooper: Not quite. First, he has to break out of prison.
Ā
[ President Diaz and Anna McMahon sullenly watch the news coverage of Redās āescapeā ]
[ Scott Walkerās āŖ āThe Old Man Is Backā plays ]
TV Anchor: We begin tonight with a developing story.
āŖ Iā seen a hand, Iā seen a vision
Notorious fugitive Raymond Reddington is once again on the loose after a daring escape from federal custody. Moments ago, a Justice Department official issued the following statement.
āŖ It was reachinā through the clouds
To risk a dream āAfter collapsing in his cell earlier today, prison officials were transporting Raymond Reddington to a nearby hospital for observation.
āŖ ā the shadow crossed the sky
While en route, Reddington overtook two EMTs and a prison escort.
āŖ And it crushed it to the ground, just like a beast
Reddington, who was just moments away from execution when concerns over the drugs used in lethal injection resulted in a stay of execution, has once again been placed on the FBIās Most Wanted List.
Ā
[ Red stops by the Post Office ] [ Elevator doors open ]
āŖ The old manās back again
The old manās back again
Red: Well, that was a long three months.
Aram: Thank God itās over.
Liz: Almost over. You still havenāt explained why Anna McMahon wanted to kill you or why the Corsican tried to kill her.
Red: I donāt know what the plot against this country is, but I do know sheās orchestrating it.
Cooper: The Assistant Attorney General, a top Justice Department official, plotting against America.
Red: She sent Moreau after me because she thinks I know more than I do. As she could track me through my ankle monitor, I was unusually vulnerable.
āŖ The old manās back again
The old manās back again
Red: Fortunately, Moreau turned out to be a man of deep political conviction a nationalist who killed for that cause and that cause only. McMahon hired him under false pretenses. When I set him straight, he went to settle the score.
Ressler: And got his brains blown out for his troubles.
Aram: We, uhā We have no leads on his killer.
Red: And you wonāt get any. His killer has friends in high places.
āŖ Wondering just what these young hot-heads want of us
[ The White House ] [ Anna McMahon exits a conference room ]
McMahon: [ Whispers, to Mr Sandquist ] Thank you.
Mr Sandquist: For what?
[ President Diaz exits the conference room and walks with McMahon ]
Diaz: You said we had no exposure.
McMahon: Iām not sure we do.
Diaz: Which means youāre not sure we donāt.
McMahon: Until I do, Iām overseeing the Task Force. Everything they know, Iāll know.
āā
Red: As long as Anna McMahon is sniffing up our skirts, an abundance of caution will not be enough. If weāre gonna uncover the true nature of the conspiracy, weāll have to engage in active disinformation.
Cooper: Lie to Main Justice about what weāre doing.
Ressler: Wouldnāt it be easiest just to arrest her?
Red: Based on what? My word against hers?
āŖ The old manās back again
The old manās back again
Samar: The dossier was proof.
Liz: Moreau confronted McMahon with it. Now heās dead, and itās gone.
Samar: Or in her possession.
āā
[ A child enters his room with an unzipped backpack, which is dropped unceremoniously on the floor. A flash drive falls out ]
āā
McMahon: Moreau read the dossier. As far as I know, he didnāt tell anyone what was in it before he died. But he had the only copy, and now itās missing.
Diaz: You better find out where it is.
McMahon: Itāll all be over soon.
Ā
Cooper: We have our work cut out for us. We know there are people plotting against our country, and at least three people have been murdered to keep that plot secret. As is all too often the case, weāre looking straight down the barrel of whatās wrong with the world. But tonight, weāre also witness to something pretty great that the man we hate to love lives to fight another day.
Red: Yes. Well, thank you, Harold. Call me when you have a lead. Iām wheels up in 45.
Aram: Where are you going?
Red: I have no earthly idea. Anywhere but here. Iād forgotten how much this place reeks of stress and anxiety, deodorized body odor and old coffee.
āŖ The old manās back again
Aram: Was he talking about me?
Samar: Iām going to talk to Cooper.
Aram: Right. Of course. Do you want me to come with you?
Samar: No. Iāll do it.
Aram: Hey, itās, um itās the right thing to do.
Samar: I know.
āā
[ Ressler pulls Liz aside ]
Ressler: Hey. You never answered my question. The reason you didnāt ask him who he really is, uhā was it because you didnāt get the chance to or because you decided not to?
Liz: I decided not to.
Ressler: Youāre just gonna let it go? Youāre okay with that?
Liz: I am. And I hope you are, too.
Ā
[ Cooperās Office ] [ FOOTSTEPS APPROACHING ]
Samar: Do you have a minute?
Cooper: Of course. Whatās up?
Samar: Iām leaving the Task Force.
Cooper: Iām sorry to hear that.
Samar: So am I.
Cooper: [ INHALES SHARPLY ] May I ask why?
Samar: No.
Cooper: Is there anything I can do to change your mind?
Samar: [ Smiles ] Iāve loved working here. The cases, everyoneās dedication. And I met Aram.
Cooper: Then why leave?
Samar: Because itās time.
[ Hug ]
Samar: Thank you for everything.
[ Samar turns and walks away ]
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⬠go to start of 6:12 Bastien Moreau, Pt 2
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Episode Songs
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ā« The Old Manās Back Again (Dedicated to the Neo-Stalinist Regime)
By Scott Walker[Verse 1]
āŖ Iā seen a hand, Iā seen a vision
It was reaching through the clouds
To risk a dream, the shadow crossed the sky
And it crushed it to the ground, just like a beast[Chorus]
āŖ The old manās back again
The old manās back again[Verse 2]
āŖ I seen a woman, standing in the snow
She was silent as she watched them take her man
Teardrops burned her cheeks
For sheād thought sheād heard the shadow had left this land[Chorus]
āŖ The old manās back again
The old manās back again[Verse 3]
āŖ The crowds just gathered, their faces turned away
And they queue all day, like dragons of disgust
Older women whispering
Wondering just what these young hot-heads want of us
And Andrei V. he cries, with eyes that ring like chimes
His anti-worlds go spinning through his head
He burns them in his dreams
For half-awake, they may as well be dead[Chorus]
āŖ The old manās back again
I see heās back again[Verse 4]
āŖ I see a soldier, heās standing in the rain
For him thereās no old man to walk behind
Devoured by his pain
Bewildered by the faces who pass him by
Heād like another name, the one heās gotās a curse
These people cried
Why canāt they understand?
His mother called him Ivan, then she died[Chorus]
āŖ The old manās back again
The old manās back again
I can see him back again
Da da da da da da da daLyrics and Credits: http://bit.ly/2TQMsvA
YouTube: https://youtu.be/N-zgdGQB4S4
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āāā End 6:12 Bastien Moreau, Pt 2
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š“ Script 6:13 Robert Vesco (ā 9)
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Program air date: 3/29/2019 in the US
Script Permalink: https://wp.me/pDKwi-9lf
Entertainment Weekly Recap: http://bit.ly/2uzJ4WH (recap for both 6:13 and 6:14)
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Director: Adam Weisinger
Written by: Kelli Johnson, Michael Perri
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ā Script 6:13 Robert Vesco (ā 9)
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Brief (Where weāre at): By revealing the man behind the murder of Ava Ziegler, the head of German Intelligence, Red has escaped execution and his immunity agreement has been restored. The murderer, Bastien Moreau, āThe Corsicanā (Blacklister #20), was part of a plot approved by President Robert Diaz and orchestrated by Deputy AG Anna McMahon, the very people who were compelled to grant Red clemency or have their own aims exposed. Red believes McMahon is behind the plot, but cannot prove it and McMahon has put herself in charge of the Task Force.
The aims of the conspiracy against the United States are unknown but are described in a dossier compiled by former MI6 agent Christopher Miles. All those (besides the conspirators) who knew its details are now dead. Both Miles and Ziegler were killed by Moreau who was also able to read it when Red provided him with the password which Miles had whispered to Samar just before he died after being shot by Moreau. Moreau, an extreme nationalist, was horrified that he had been tricked by his handler McMahon. He thought he was working with the āBlack Fist,ā an extreme nationalist group. Instead, the dossier laid out a plot against America. So, instead of killing Red at McMahonās request, Moreau did an about-face and turned his sights on her.
Red alerted the task force that Moreauās next target would be McMahon, and Liz and Ressler were able to apprehend him. However, he was quickly taken out by a sniper who turned out to be McMahonās henchman āMr Sandquist.ā Before his arrest, Moreau ditched the drive containing the dossier along the sidewalk. So the nature of the plot remains unknown to the Task Force but they are determined to unveil it, working at cross-purposes with the very DOJ under whose purview they exist.
Ā
[ A hotel kitchen ]
[ Les Brownās āŖ āBruised Bonesā (Jazz) plays softly ]
Red: Fabricio?
Fabricio: ĀYes, sir?
Red: They need help in the back room. More servers. At least one. Maybe two.
Fabricio: Yes, sir, Mr. Reddington.
Red: And, also, letās open another couple of cases of the Reserva. And, please, tell Amelia to keep the drinks flowing. Champagne, the wines, cocktails. I donāt care if theyāre drinking milk ā I donāt want an empty glass out there.
Fabricio: [ CHUCKLES ] Of course, Mr. Reddington. And, Mr. Reddington, itās good to have you back, sir.
Red: Oh, itās good to be had.
Ā
[ Red enters the adjoining hotel suite ] [ JAZZ MUSIC PLAYS more loudly ]
Red: Nolan! You made it! Thank you for coming.
Nolan: Wouldnāt miss it for the world.
Red: [ LAUGHS ]
Woman: [ From across the room ] Wonderful party, Red.
Red: Not nearly as wonderful as your daughterās beautiful wedding in Berlin. My headās still throbbing.
[ Red walks up to an attractive middle aged woman ]
Red: Vivian, whereās your husband?
Vivian: He couldnāt make it.
Red: Thank goodness. Find me later. We have some catching up to do.
Mr Brimley: Red! Hey! Red!
Red: Teddy! Ā
Brimley. I canāt hear a damn thing with all this music!
Red: Itās much quieter on the veranda.
Brimley: Mirandaās in the toilet!
Red: The balcony. Itās much quieter outside.
Brimley: Forget it! Iāll be out on the veranda! I canāt hear a word youāre sayinā!
[ Vontae Jones walks up ]
Vontae: Oh. Uh, Mr. Reddington. Hey. Help me out. Iām looking for a girl on the wait staff. A brunette with a nose ring?
Red: Sidney.
Vontae: Yeah, Sidney. Think you could introduce me to Sidney?
Red: Funny thing, that. She asked me to introduce her to you.
Vontae: Oh.
Red: Heddie! Would you be a dear and introduce Vontae to your young waitress friend?
Heddie Hawkins: Oh, my God. Will you come with me and meet this girl already? She has been making eyes at you all night.
Vontae: She has?
[ Heddie grabs Vontae by the elbow and leads him off ]
Uniformed Man: Heard about Āthe break-out, Red! Genius! How many lives do you have anyway?
Red: [ CHUCKLES ] Honestly, Roger, I lost count at a bakerās dozen. Give my regards to the captain.
[ Red waves to a group of police officers ]
Red: Good to see you guys.
[ Glen Carter walks up with a full plate of jumbo shrimp ]
Glen: Hey! There you are. Weāve got a situation at the buffet.
Red: Oh, dear. Whatās wrong?
Glen: Youāre out of those jumbo shrimps. I let the kitchen know. [ CHUCKLES ] Hey, uh, while I got ya, Iāve been meaning to apologize about that whole jury mix-up. I feel real bad.
Red: Eh. Itās behind us.
Glen: Mnh-mnh. Not to me, itās not. I dropped the ball. Screwed the pooch. Bungled the job. If thereās anything you need, any way I can make it up to you, just let olā Jelly Bean know.
Red: Thank you for coming, Glen.
Glen: No problemo. Hey. I thought youād want me here. Iām sort of the straw that stirs the drink.
[ BOTH CHUCKLE ]
Glen: By the way, Momās over at the punch bowl. Sheās always had her eye on ya, if you know what I mean.
[ CELLPHONE RINGS ]
Glen: Drop by. Say hi. And donāt forget the shrimps.
[ CHUCKLES ] [ RINGING CONTINUES ]
Red: Dembe. Did you find it?
[ Dembe is at a graveyard, standing next to a dug-up casket ]
Dembe: [ On phone ] I did.
Red: And?
Dembe: Thereās a body.
Red: What? That canāt be.
Dembe: Iām staring at it right now.
Red: Put it on the jet. Bring it here. I want confirmation.
Dembe: You want me to bring you a decomposed body from Cuba?
Red: Yes. And hurry home, Dembe. Heddieās dying for a dance. [ CHUCKLES ]
Ā
[ Samar has an MRI of her brain ] [ MRI MACHINE CLICKING ]
āā
[ Samar is home with Aram ]
Samar: I went to the neurologist for another MRI. The headaches, the Āforgetfulness, the confusion ā itās all symptomatic of something called vascular dementia. Apparently I have been having a series of mini-strokes. I donāt feel them. I donāt know that theyāre happening. But they are, and each one causes damage.
Aram: Iām glad you resigned. That gives us the time to get you the treatment that you need.
Samar: Itās not just work. Itās family, too. Aram, I canāt have kids.
Aram: Letās just stick to one major life decision at a time.
Samar: We have to talk about this.
Aram: And we will. After you get better.
Samar: Iām up for anything but false hope. No anger, no denial. No bargaining, no depression.
Can you do that for me?
Aram: No.
Samar: Okay, then please promise me this ā donāt tell anyone about my condition. I donāt want them to know.
Aram: Of course. That I can do.
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[ After Redās party, a handful of guests remain, and Liz. Red is sipping a Bloody Mary. His speech is slightly slurred ]
Red: Walt Whitman lived in a boarding house at this address during the Civil War. Did you know he was an ardent prohibitionist? Imagine that ā a sober poet. [ SLURPS ] Mmm! Have I ever told you about my mentor?
Liz: You mean, somebody actually taught you how to drink this early?
Red: Is it early? I thought it was late. Robert Vesco. Robert took me under his wing. He taught me how to be a fugitive. I trusted him with my life and my lifeās savings. Which he convinced me to invest in a cattle ranch in Paraguay. Or so I thought, until I went down there and found out it was a whorehouse just outside of Asunción.
Liz: He conned you.
Robert: Out of everything. I got my first taste for vengeance ā which I was never able to satisfy.
Liz: Why not?
Red: Because Vesco up and died on me.
Ā
[ The Post Office. Liz briefs the Task Force ]
Liz: Robert Vesco was a central player in American financial and political scandals in the 1970s. In 1971, the SEC accused Vesco of looting $200 million out of a mutual fund he controlled. And a year later, Vesco made an illegal campaign contribution to Richard Nixon, hoping that Nixonās attorney general would let him off the hook. And when he didnāt, Vesco fled the country, living the rest of his life in glamorous exile in Costa Rica, Nicaragua, The Bahamas, and Cuba, where he reportedly died in 2007.
Aram: Reportedly?
Liz: When Reddington was in prison, he heard a rumor ā that Vesco faked his death to avoid capture.
Cooper: Does he have any proof?
Liz: He sent Dembe to Havana to dig up his grave. He asked me to have the M.E. run the DNA on the remains he unearthed.
Cooper: There was a time when the Bureau was actively hunting for Vesco, but weāre not anymore. If he did fake his death, I doubt it was to avoid capture.
Liz: Reddington agrees. He thinks Vesco found the De La Cruz ā a Spanish ship filled with gold that sank off the coast of Florida in the 1700s. Vesco always told him that if he found that treasure, that he would disappear forever.
Aram: Does Mr. Reddington know him?
Liz: ĀKnow him? Vesco was Reddingtonās mentor until he swindled him out of every penny he had and left him high and dry in a whorehouse in Paraguay.
Ressler: I like this guy already.
Cooper: In the last 50 years, there have been two truly mythic fugitives ā Robert Vesco and Raymond Reddington. If one can help us get the other, Iām all for it. Ressler, Keen, find out where the M.E. is at with the remains.
Samar: Before you do that, I want you to know that Iām resigning.
Ressler: Youāre leaving? For what? The Mossad?
Samar: No, Iām leaving them, too.
Cooper: Which reminds me theyāve called to schedule an exit interview. I know I speak for everyone when I say weāll miss you and weāre happy for you.
Samar: Thank you.
Ā
Medical Examiner: Pop quiz ā guess whoās buried in Vescoās grave.
Ressler: So itās not Vesco?
M.E.: No. His name was Anderson Mount.
Liz: Whoās that?
M.E.: Run-of-the-mill goon. His greatest hits. [ Gives Ressler a photo ] Did enough damage to get into CODIS. And when we put the DNA from the body into the system, we got a match.
Ressler: Thanks, Doc.
[ M.E. leaves ]
Ressler: So, if Mountās in Vescoās grave maybe Vescoās in Mountās life.
Liz: It says in his file, Mount was in Truro, Nova Scotia. If you want to get off the grid, you canāt get much further than that.
Ressler: Looks like weāre going to Nova Scotia. In the middle of winter.
Liz: Come on. Weāre gonna need warmer clothes.
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[ Samar shows up for her exit interview with the Mossad. She is met by Levi Shur, an agent with whom she previously had a romantic relationship ]
Levi Shur: Hello, Samar.
Samar: Levi. Itās good to see you.
Levi: I hear congratulations are in order.
Samar: Yeah. Can you believe it? Iām engaged.
Levi: Um, this is Dr. Sands. He will administer the polygraph.
Samar: Is this really necessary?
Levi: Itās protocol. You know that.
Samar: Let me guess Tel Aviv regrets having loaned me out to the FBI. They think my allegiances have shifted.
Levi: You have level-four clearance.
Samar: They want to make sure Iāve kept what I know from the Americans.
Levi: Or Reddington. Hey. Iām just the messenger.
Samar: Yeah, and the message Iām getting is that you think I have something to hide.
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[ In Truro, Nova Scotia, Liz and Ressler are parked in front of a rundown brownstone ]
Liz: So much for glamorous exile. I donāt get it. Why would Vesco fake his death so he could live here of all places?
Ressler: I think we need to get the local police involved.
Liz: We talked about this ā Reddington said a guy like Vesco would have every cop in town on payroll. We go to them, they tell Vesco, and he slips away.
Ā
Dr Sands: Have you provided any classified information to the FBI?
Samar: No.
Dr Sands: Were you loyal to the state of Israel?
Samar: Yes.
Dr Sands: Have you broken any laws while working with Raymond Reddington?
Samar: Yes.
Dr Sands: Have you withheld any information from your Mossad handlers?
Samar: ĀYes.
Dr Sands: Information about your resignation?
Samar: ĀYes.
Dr Sands: Have you shared it with the FBI?
Samar: No.
Dr Sands: Is this personal information?
Samar: ĀYes.
Dr Sands: Do you have any serious medical issues?
Samar: Yes.
Levi: What is it?
Samar: [ Pause ] Iām pregnant.
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Liz: Vesco, or whatever heās calling himself he would have the resources to go anywhere he wanted to ā create any life.
āā
[ Inside an apartment in the building ] [ KETTLE WHISTLING ]
āā
Liz: Whatever brought him here, itās personal.
[ Children are on bikes nearby ]
Ressler: Well, you can ask him all the questions you want once we find him. First, we got to clear those kids. Something about this guy what Reddington told us ā it doesnāt add up.
āā
[ KETTLE WHISTLING ] [ Robert Vesco removes the tea kettle from the stove ] [ WHISTLING STOPS ]
[ KETTLE CLATTERS ] [ CELLPHONE RINGING ]
[ Vesco slashes a pillow, takes out passports. He gathers other items, stuffs them into a go bag and leaves through a side door ]
Robert Vesco: [ Answers ] Yeah. [ RINGING CONTINUES ]
Man on phone: One unmarked outside. Two agents just entered your building. Exit down the alley to the east. Will advise.
āā
[ Liz and Ressler enter. No one is home except the cat ] [ CAT MEOWS ] [ Liz looks put a window and sees Vesco ]
Liz: Heās on the move! Alley to the east! On foot!
āā
[ Vesco receives instructions on his phone ]
Man on phone: Exit the alley and turn right.
āā
Ressler: Streetās clear. Keen, tell me you got something.
āā
Man on Vescoās phone: Head south towards the shoreline.
āā
Liz: Crossing Acadia Street! Headed east! Blue denim. Tan sweater.
āā
[ A police vehicle meets Vesco. The door opens ]
Voice: Stop! Get in.
[ Vesco gets in. To his surprise, Red is there ]
Red: Robert.
Vesco: [ PANTING ]
āā
ĀLiz: Stop!
[ TIRES SCREECH ] [ Ressler runs up ]
Liz: [ SCOFFS ] Reddington. Like I said ā whatever brought him here, itās personal.
āā
Red: You look awfully good for a dead man.
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[ Red and Vesco are in Redās plane ]
Red: Where the hellās my money?
Vesco: Are you still upset about Asunción?
Red: I trusted you. You were my mentor.
Vesco: And I was mentoring you in survival, in being selfish. And looking out for yourself.
Red: Robert. My money.
Vesco: You think Iād be living in Nova Scotia if I had it?
Red: I know why youāre living there ā you found the De La Cruz. The treasure. Where is it?
Vesco: If itās real, I believe I know where it is. I never went after it. Oh, I wanted to, but enemies were circling. I had to flee. So I staged my own death and I fled the country. And by the time the dust had settled, I-I realized that I had changed.
Red: āChanged.ā
Vesco: ĀIād lost the itch. Walked away. Being forced to lie low and live the simple life was the best thing that couldāve happened to me. I-It forced me to turn the world off and to tune into myself.
Red: Oh, my God.
Vesco: ĀI have my cat. I have plenty of glorious books.
Red: Robert, you conned me once. I wonāt be conned again.
Vesco: Untether yourself from social expectations and this destructive life of crime and and look inward.
Red: Iām happy to. ĀRight after I get the gold.
Vesco: You can have it, Ray, but [ SIGHS ] It wonāt give you inner peace.
Red: I already have inner peace. What I could use is a new yacht. The last one was seized in Mallorca.
Vesco: All right, I believe the gold is buried under the Old French Opera House in New Orleans. I can prove it to you, but weāll have to reroute the jet.
Red: To where?
Vesco: ĀWashington. There isnāt a treasure map, but there is a clue trail in the Library of Congress.
Red: Robert, if youāre lying, I will shatter your serenity by burning your home, drowning your cat, Āand cutting off your big toes.
Vesco: You wouldnāt dare drown my cat.
Red: [ CHUCKLES ] Maybe not. But I will take the toes.
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[ Samarās office ] [ KNOCK ON DOOR ]
Aram: Howād it go?
Samar: They sent Levi. A friendly face to put me at ease while they administered a polygraph.
Aram: They gave you a polygraph? Why?
Samar: To make I wasnāt leaving because Iād been turned.
Aram: Thatās ridiculous. And insulting.
Samar: Listen, Aram, I meant what I said earlier about having children. We need to talk about it.
Aram: I canāt believe they think that you could be a traitor.
Samar: Aram, it doesnāt matter. Listen to me. Listen to me.
Aram: You know, we should tell Mr. Cooper, and heāll strengthen them right out.
Samar: It doesnāt matter what they think. What matters is us, our future, whether or not we can have a family.
Aram: [ Angrily ] Why? Why is that so urgent that it cannot wait until you get help or convince Levi that you didnāt dump him to join Hamas? He does know that Iām, like, a quarter Jewish, right?
Ā
[ The Post Office ]
Ressler: Reddington screwed us. Took Vesco for himself. He knew Vesco would have the local cops in his pocket, so he tipped them off that we were there.
Samar: So he gets his revenge. Yesterday the world thought Vesco was dead. By tomorrow, he will be.
Liz: Reddington wants more than revenge. He wants treasure.
Cooper: The De La Cruz? Reddington said Vesco already found it.
Ressler: Well, judging by his modest apartment, Iād say that if he knew where it was, he never found it.
Liz: Reddington called us from his jet to give a gloating apology and to say the hunt was on.
Cooper: Then letās join in. If we solve the mystery, maybe we can get to the treasure first and arrest Vesco.
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[ The Library of Congress ]
Red: Robert, I appreciate that your love of literature is almost as keen as mine, but why on Earth are we in the Library of Congress?
Vesco: Uh, you want to know how I decoded the myth and located my white whale? The answer is in the poem. āThe Ballad of the De La Cruz.ā
āā
[ Post Office ]
Liz: It was written under a pseudonym. The author is a mystery, but when Reddington gave us this case, he said this poem somehow holds the key to where the gold was hidden. š [See Note]
āā
Vesco: The poem is an opera singerās lament about a Spanish ship bringing silver and gold to the American colonies during the Revolution. But the ship sank in a storm somewhere along the East Coast, killing over 120 men aboard and sending over half a ton of gold and treasure into the deep.
āā
Ressler: We had the NSA run the text through decryption and steganography programs. They came up empty. If thereās a secret hidden in that text ā they couldnāt find it.
Samar: Maybe itās in the subtext. Storms. Marauders. Dates and times.
Ressler: Whoād know about that? The Naval College?
Aram: The Library of Congress. They have more primary source material than any library in the world.
Cooper: Keen, Ressler. Get there. Decode the poem. Samar, Aram, youāre on Reddington. I want him found.
Ā
Vesco: According to the poem, the De La Cruz sank the spring of 1778. But thereās no record of any storm big enough to take down a galleon of that size. So I started thinking ā what if it never sank? What if the āstormā that presumably destroyed the De La Cruz was actually a metaphor
Red: For something else catastrophic.
Vesco: Or someone.
Red: It didnāt sink. It was taken.
Vesco: The De La Cruz was headed to Philadelphia. The route from southern waters would take it right past what used to be known as Hellās Gate, an area known to be frequented by pirates. Uh-hah. Enter Ernesto Hidalgo. Criminal. Cheat. Pirate. Drunk. He and his men dominated that area at the time.
Red: How can you be sure he was the one who took the galleon?
Vesco: Because Hidalgo and his men were in all the papers in the months before May 1778. But afterwards? Nothing. He took the treasure and he fled inland. Naval records indicated the Navy hunted them down, killing Hidalgo and his entire crew near New Orleans. But thereās no mention of any recovered treasure. Hidalgo hid it somewhere before he died. The question is where.
āāEnter Judith Snell, one of the most famous opera singers of her time. Heh. Just like the poem. Apparently, Judith liked to hang around with the bad boys. And the papers of the day were full of her exploits with any number of rogues and scoundrels, Hidalgo being one. And I believe that he gave her the task of hiding the bounty in a place where nobody would dare look ā her dressing room in the opera house in New Orleans which later burned to the ground, killing her and 28 others.
āāMy theory? Whatever remains of Judith Snellās dressing room is located here, directly under the stage of the new opera house, which was built on the remains of the old one. If the treasureās real, itās there.
Red: What a tale. An opera. A romance with pirates. A fire. Shipwrecks and gold. Just the sort of thing that gets me out of bed in the morning.
Vesco: It wonāt make you happy, Ray. It wonāt make you whole.
Red: Oh, but youāre wrong. It will make me happy. Very. Dembe, phone Ruddiger. Tell him to sober up. Weāre gonna rob the opera.
Ā
[ This time, itās Ressler and Liz who visit the Library of Congress ]
Liz: Hi. Agents Keen and Ressler, FBI.
Librarian: How can I help you?
Liz: We got a poem weāre looking for. We think it may be some sort of treasure map. I know that sounds crazyā
Librarian: āThe Ballad of the De La Cruz.ā
Ressler: How could you possibly know that?
Librarian: Because youāre not the first people whoāve asked me about it.
Liz: Two old white guys.
Librarian: And an African-American gentlemen.
Ressler: We need to see whatever they looked at. Whatever you gave them, you need to get for us right now.
Ā
[ New Orleans ] [ Vesco, Red and Dembe look at schematics of the opera house ]
Vesco: To access the treasure, we need to get inside Judith Snellās old dressing room, which is located here, under the stage. Now, the only way to get to that room is through here the south wall of the basement, and we would need that explosion to be timed precisely ā so the audience doesnāt hear.
Red: The audience?!
Vesco: In order to pull off this heist, the theater has to be full.
Red: [ LAUGHS ] And why, pray tell, is that?
Vesco: For cover! Look, getting inside the room is one thing, but getting the loot out without detection is decidedly more difficult. Weāre talking about a truckload of gold! And without cover, weād be spotted before we got the first armful out. Now, āBarber of Sevilleā closes tomorrow, which means weāre gonna have to wait for next monthās show in order to pull off this heist.
Red: Next month? Be still my beating heart, next month.
Vesco: Raymond, itās not meant to be. This is a job that requires weeks of planning and practice. This is a heist that has to be perfectly arranged, perfectly choreographed, each move timed to the opera.
Red: Yes. And literally leading to an explosive crescendo.
Vesco: Weāre gonna need distractions to get past security. Weāre gonna need explosives to penetrate the concrete. Weāre gonna need vehicles to move the loot. Weāre gonna need disguises!
Red: I donāt think you truly appreciate my dedication to this project, so let me tell you exactly how this is going to play out. You and I are going to āThe Barber of Sevilleā tomorrow night, and weāre not leaving until we have that treasure. So you better start studying that sheet music.
Vesco: Raymond, I donāt think youā
Red: Iāll take care of everything else. You need munitions? My little German friend was born with a schnapps in one hand and a detonator in the other.
āā
[ Max Ruddiger IMITATES EXPLOSION ]
āā
Red: Iāll have him here in eight hours. You need vehicles? Drivers? Iāve got trucks. Iāve got guys. Iāve got women who can handle the guys. Iāve got people with faces so fresh, theyāll never see them coming. You need a distraction to get backstage? Iāve got a guy who can talk faster than a hot, buttered bullet. The truth is, Robert, my only real concern is you. Your attitude.
Vesco: ĀMy attitude?
Red: The pep in your step. The lust in your life. If weāre gonna pull this off, we need to get you right. You need to be your very best. We need to reawaken the old Robert Vesco, rediscover that dapper rascal whose charm and wit could deceive even the very best of us.
Ā
[ Vesco has been cleaned up, shaved and dressed in a tuxedo ]
Red: How do you feel?
Vesco: Like Iād rather be home with my cat.
Red: Trust me, Robert, that feeling will pass the moment you hear the music. Youāll feel your heart pump again. Youāll feel truly alive. Iām sure of it. Franton, weāll take two.
Ā
[ Samar is packing up her things in her office ]
Aram: This is really happening.I mean, I know it is, butā Whoa. You are tall.
Samar: What?
Aram: Thatās the first thing I ever said to you. When, uh, Mr. Cooper brought you into the war room. I was thinking, āWhoa. You are, like, super pretty.ā
Samar: But instead you said Iām tall?
Aram: We need to talk. And as my dad used to say, now is as bad a time as any, soā How many aliases do you have?
Samar: Four. I wonāt need them for work anymore. But if I ever want to disappear, theyāll come in handy.
Aram: Well, then I better memorize them. That way, I can always find you, if, umā Wait. Oh, my God. Thatās it. How to find Mr. Reddington.
Samar: Better tell Cooper.
Aram: Yes. Um- Uh, you stay here. Iāll- Iāll tell Mr. Cooper. And then, um, Iāll get us some coffees, and weāll talk. Youāre really tall.
Samar: [ SMOOCHES ]
Ā
Ressler: I didnāt read this many books in high school.
[ He plops a pile of books down on the table ] [ THUD ECHOES ]
Liz: The answerās here somewhere. Iām sure Reddington figured it out.
Ressler: Well, he had Vesco. We got nothing.
[ CELLPHONE RING ECHOING ]
Liz: Aram, did you find him?
Aram: Mr. Homan just made a sizable donation to the Marigny Foundation for the Arts.
Liz: Mr. Homan?
Aram: Heās one of Mr. Reddingtonās aliases.
Liz: So, Reddington made an anonymous donation to an arts organization?
Cooper: One that comes with season tickets to the New Orleans opera.
Liz: Aram, youāre a genius. Reddington just bought tickets to the opera in New Orleans, just like the one mentioned in the poem. So we donāt have to decrypt it.
Liz: No. Weāre going to the opera.
Ressler: I thought the library was dull.
Ā
[ INDISTINCT CONVERSATIONS ] [ Aram is waiting in line at a food counter when Levi Shur comes up behind him ]
Levi: Samar failed her polygraph.
Aram: Levi. What- What are you doing here?
Levi: Sheās hiding something from me. I need to know what it is.
Aram: I have no idea what youāre talking about. And I-I donāt really appreciate being followed.
Levi: Hey, we both want whatās best for her.
Aram: Yeah, well, questioning her loyalty is a funny way of showing it.
Levi: I know she didnāt betray us. But my bosses they might look at the results and come to a different conclusion.
Aram: What is that supposed to mean? Is that some kind of threat?
Levi: She knows too much. This could be a liability.
Person in Line: Uh, are you guys gonna order, or?
Aram: Sorry. Please go ahead.
[ They step out of line ]
Levi: Look, Samar, sheās not looking out for herself. Iām here because I was hoping you will. Okay. Here. In case you change your mind.
[ Levi gives Aram a business card ]
Aram: Justā Hang on. There was an accident. Sheā Her brain was was deprived of oxygen.
Levi: Iām sorry to hear that.
Aram: Listen. This is very private. And she wants to keep this to herself. Itās something called vascular dementia. Will that be enough to satisfy your bosses?
Levi: Uh, I would think so. Hey, uh, congratulations, by the way. Samar told me the good news. Do you know if itās a girl or a boy?
Aram: Iā [ EXHALES SHARPLY ] Um, I-I have, uh, absolutely no idea.
Levi: Yeah. Itās better that way. Why ruin the surprise, you know?
Ā
[ New Orleans Opera House ] [ CHEERS AND APPLAUSE ]
Vesco: Okay. Thatās our door. Stage left.
Red: I hate to walk out on āFigaroās Aria,ā but Iāve seen it before. Iāll see it again.
Vesco: Places, everyone. Places.
[ Rossiniās āŖ āBarber of Sevilleā plays (āFigaroā) ]
Vesco: Here comes our cue. Three, two, oneā
[ They exit ]
āŖ [ VOCALIZING ]
[ Red and Vesco put on different jackets, adjust each otherās ties ]
Vesco: Germany, youāre up. Four bars out. Hold. And hold. And cue Germany!
Ā
[ At the opera bar ]
Maxwell Ruddiger: I did no such thing. And Iāve only had two drinks.
Heddie Hawkins: The hell you have. And you touched my breasts!
[ Vesco and Red enter ]
Vesco: Whatās going on here?!
Heddie: Heās drunk! Heās drunk.
Ruddiger: I told you I took those drinks to my wife. I am not drunk!
Heddie: You were hittinā on me, you ape, and you most certainly are drunk!
Red: Okay.Thatās enough.
Heddie: Aah!
Red: No more drinks. Thatās it.
Heddie: [ EXHALES SHARPLY ] [ To Bartender ] Hit me. [ TAPS ON COUNTER ]
āŖ [ VOCALIZING ] [ SINGING IN ITALIAN ]
[ Red, Vesco and Ruddiger make their way backstage ] [ Ruddiger stumbles and falls ]
Ruddiger: [ GRUNTS ]
Red: Heās drunk. We need to take him through the back.
Vesco: Okay. Weāre past security. [ Over comms ] Mr. Carter, weāre on our way to you. Watch your tempo, Ray. Allegro vivace. Half note, whole note, turn to the left.
[ They make their way to where Glen has been stopped by a Security Guard ]
Vesco: Are you the guy from the pharmacy? What took you so long?!
Glen: This big guy wonāt let me past!
Security Guard: He says he has a delivery.
Glen: Iāve got it all. Everything from wet wipes to adult diapers. I got your Maalox, your Mylanta, your Kaopectate. I got a vaporizerā
Guard: Those things donāt even all do the same thing! Whatās going on?!
Glen: All I know is I got a call 45 minutes ago saying Count someone-or-another had the runs.
Red: Itās for Count Almaviva. Rolando, heās come down with the flu.
Glen: What did he eat? Maybe he got a bad oyster. [ GROANS ] I had a nasty Blue Point once. Ohh, turned me inside out. I was playing tango with the toilet for the better part of a day.
āŖ [ VOCALIZING ]
Vesco: 1, 2, 3, 1, 2, 3
Red: Fascinating as this is, we need to get you to the Count now. Heās on in 10.
āŖ [ VOCALIZING ]
[ Glen makes preparations ] [ WHIRRING ] [ CLATTERING ]
⪠⦠tutti mi vogliono
Donne, ragazzi Vecchi, fanciulle
Qua la parrucca ā Presto la barba ā
Qua la sanguigna ā
Ā
Vesco: Cue Vontae and Dembe! Step-ball-change, step-ball-change, step-ball-change.
āŖ Figaro ā
[ They come upon Ruddiger. Instead of setting up, he is crying ]
Red: Ruddiger, what the hellās going on?
Ruddiger: [ VOICE BREAKING ] The voice ā The heartbreak and sorrow! ā Ah.
Red: ĀItās a comedy!
Ruddiger: No, my sorrow! When I was a boy, all my friends wanted to be football players and racecar drivers, and I dreamed to be a tenor!
Red: Oh, dear God.
Vesco: This is bad, Ray.
Ruddiger: Iām sorry, Raymond. I lost my place! The music, it took me back!
Vesco: Weāre on a clock! Weāre timed to the music. If the detonation doesnāt go off exactly with the applause, everyone will hear it!
Ruddiger: Iām so sorry!
Red: Okay, thatās it. Set the charges. Robert, give us a hand.
Vesco: Ray, we donāt have time to set all the charges. Heās nearing the end of the aria now.
Ruddiger: [ SOBS ]
āŖ [ VOCALIZING ]
[ Red calls Glen ]
Red: Glen! We have a situation.
Glen: [ SIGHS ] What situation?
[ APPLAUSE ]
Red: Weāre behind, and if we blow the charges late, weāre gonna have the police here in seconds. We need a distraction. Something loud. Really loud!
Glen: What the hell do you want me to do?
Red: I donāt know, Glen! Thatās why youāre here! You wanted a second chance! This is it! Figure it out! Think fast! Make some noise!
Ā
[ Rossiniās āŖ āBarber of Sevilleā plays (Act 1 duet) ]
[ Glen looks into a mirror ]
Glen: Itās time to make your Broadway debut.
āā
[ Ruddiger sets the detonator ] [ BEEP ]
āā
[ Glen runs onto the stage ]
Glen: Fireā¼ļø Fireā¼ļø
[ AUDIENCE MURMURING ]
Glen: Everybody outā¼ļø Thereās a grease fire in the kitchenā¼ļø It aināt goodā¼ļø
[ AUDIENCE SHOUTING ] [ šØ ALARM RINGING šØ ]
Glen: Run for your livesā¼ļø Run for your livesā¼ļø
āā
Red: Blow it. Nowā¼ļø [ BEEP ] [ BEEP, EXPLOSION š„š„š„ ]
Ā
[ The explosion blew a hole in the wall to reveal hundreds of ancient bars of gold ]
Red: Oh, my God.
Vesco: The De La Cruz. It is real.
Red: [ CHUCKLES ] Now, thereās the twinkle in your eye Iāve been looking for! [ LAUGHS, claps ]
Ā
[ Outside the theatre, Red, Vesco and crew are loading a truck while Glen talks to a Fireman some distance away ]
Fireman: Sir, what on Earth would make you shout āfireā in the middle of a crowded theater when in fact there was no fire?
Glen: I thought I smelled smoke. All I was trying to do was save lives!
āā
Ressler: Iām telling you, Keen, he double-crossed us. Weāre not getting Vesco or the money.
Liz: He gave me his word. I believe him.
āā
Vontae: Is that it?
Heddie: Last one. Time to roll.
āā
Ressler: Look, Iāll talk to the local PD. See what they have to say.
Liz: Iāll talk to fire.
[ Liz sees Glen ]
Liz: Mr. Carter.
Fireman: You know this guy?
Liz: Elizabeth Keen, FBI. Can I talk to him for a minute?
[ RADIO CHATTER ]
Glen: Hey! What are the odds of seeing you here? ā You an opera fan?
Liz: Drop the act. Where is he?
Glen: Donāt know what youāre talking about.
Liz: Reddington. He was here. How long ago? Donāt lie to me.
[ The truck with Red, Vesco and the gold pulls away ]
Glen: You just missed him.
Ā
[ Red and Vesco are in the back of the truck with the gold ]
[ CELLPHONE RINGING ]
Red: Elizabeth. This isnāt a good time.
Liz: Iām at the opera house.
Red: Did you enjoy the show?
Liz: You got your treasure. Now I want Vesco.
Red: Weāll be at Luluās enjoying their key lime pie. Iāll get your slice to go.
[ CELLPHONE BEEPS ] [ SIGHS ]
Vesco: Sex and treasure. People will betray for both. Like youāre betraying me now that Iāve gotten you the gold. You can turn me in at Luluās, and your revenge will be complete. Itās okay, Ray. I forgive you. More, I understand. You were my protĆ©gĆ©, Ray. I loved you. But I took you for everything you were worth, and I left you in an Asunción whorehouse, and I never gave it a second thought.
Red: And now?
Vesco: Now Iām free.
Red: I have no intention of turning you in, Robert. And weāre certainly not going to Luluās. Place is bursting with tourists, and their pies are terrible. Weāre gonna go find ourselves a nice, quiet cup of coffee somewhere.
Ā
[ A quiet restaurant ]
Red: Is it true that you introduced Nixonās brother to Castro and then swindled them both into investing in a bogus drug trial?
Vesco: And got tossed in a Cuban jail for my troubles.
Red: [ LAUGHS ] Nixon and Castro! My God! It boggles the mind.
[ Glen enters ]
Glen: Truckās in the warehouse. Locked tighter than a clam at hide tide.
Red: Where are the others?
[ Glen gives Red the truck keys ] [ KEYS CLATTER ]
Glen: Killinā bourbon on Bourbon Street.
Red: Why donāt you join them?
Glen: [ LAUGHS ] Hoo! Well, boys, I am off for a night of debauchery in the Big Easy. Like Blanche DuBois, I depend on the kindness of strangers. Cheerio!
[ Glen leaves ]
[ CHUCKLES ]
Vesco: Well, I feel like a walk by the river.
Red: Thatās a great idea.
Vesco: Oh, Iām afraid I wouldnāt be very good company. Iām old. Iām tired. And Iām at peace.
Red: The airport, then. Tomorrow at 10:00. Iāll drop you wherever you want. I was filled with vengeance for so long, I never saw the gift you gave me in Asunción. I never trusted anyone easily after that. Thatās why Iām still alive. Iām in your debt, my friend.
[ They get up, hug ]
Vesco: Ohh. Believe me, Ray. Youāve more than repaid your debt.
[ Vesco leaves. Red sits down ] [ CELLPHONE SPEED-DIALS ]
Red: Change of plans.
Ā
[ Samarās office ]
Samar: I just got off the phone with Levi. I have been honorably discharged.
Aram: Iām, uh, not surprised.
Samar: ĀI am. During the polygraph test when he asked me why I was leaving, I said it was personal. I didnāt want him to know the truth, so I lied.
Aram: Well, whatever you told him, itās over. So ā now we can talk. About you being pregnant.
Samar: Aramā
Aram: ĀThatās what youāve been trying to tell me, isnāt it?
[ CLATTERING ] [ RATTLING ] [ Aram takes out a bottle of wine ]
Aram: So, my parents made this for me 30 years ago for the day I became a dad. Uh, all I, uh, remember are the fruit-flies and the, uh, cheesecloth. [ LAUGHS ] And the fancy crystal that my mom insists on using nine months from now when we pop the cork to celebrate unimaginable love.
Samar: Iām not pregnant, Aram. That was the lie that I told Levi to cover the truth about my health.
Aram: Youāre not?
Samar: The truth is that Iāve never wanted children. I used to be self-conscious about that, about the fact that I didnāt have any kind of maternal instinct. But I made my peace with it a long time ago. And then I met you. And you changed everything. And now thereās nothing I would like more than to be pregnant. Nothing either of us would like more. But it canāt happen. I canāt raise a child. Ever.
Aram: Okay.
Samar: Okay?
Aram: If you donāt think we should have kids, then we shouldnāt have them.
Samar: You say that now, Aram, but in a year or five yearsā
Aram: Iāll be saying the same thing.
Samar: No. Someday you will have regrets, and I donāt want to be the reason why. Aram, thatās why Iāve been wanting to talk.
[ Samar takes off their engagement ring and leaves it on the table ]
Samar: I think you deserve more.
[ Aram tears up ]
Ā
[ Liz and Ressler finally catch up with Red next to the truck ]
Ressler: Thatās quite the little stunt you pulled.
Red: [ Chuckles ] It was, wasnāt it? I was quite pleased with how it all came together.
Liz: Whereās Vesco? He inside?
Red: No, heās not. The treasure is.
Liz: You let him go.
Red: Turns out, heās reformed.
Ressler: [ LAUGHS ] A reformed fugitive.
Red: Sworn off greed and avarice.
Liz: So you commuted his sentence? Like the President commuted yours?
Red: Yes, and in honor of his ascetic existence, Iāve decided to hand over $100-something million worth of 18th-century gold.
Ressler: Youāre just gonna give it to us?
Red: Every last doubloon. Itās inside.
[ Red opens the cargo door ]
Ressler: Or it isnāt.
Flashback:
Red: Iām in your debt, my friend.
Vesco: Ohh. Believe me, Ray. Youāve more than repaid your debt.
[ ā Vesco lifts the truck keys from Redās pocket ]
Liz: [ LAUGHS ] Heās reformed, is he? āGiven up greed and avariceā?
Red: Do you have a phone?
Liz: [ LAUGHING ] Iām sure heāll be a real ascetic with your $100 million.
Red: Come on. Take my picture. Itās not often I get egg on my face. But to be egged by the same person twice? That needs memorializing.
Ressler: You think this is funny? This was a complete waste of time.
Red: Waste of time? Weāve been decrypting legends. Chasing pirates. Hunting hidden treasure.
Ressler: And come up empty. We lost Vesco.
Red: How can you lose something you never had? I gave you a Blacklister you thought was dead. Now that you know heās alive, you can hunt him down. Plus, you witnessed my humiliation. I think that would salve any wound.
Liz: It doesnāt. But itās a start.
Red: Get in here, Dembe. I see a little yolk on your cheek. [ SIGHS ]
Liz: Smile, suckers. [ Laughs ]
[ CAMERA SHUTTER CLICKS ]
āā
[ Vesco drives the truck with the gold ]
Vesco: [ LAUGHING ]
Ā
[ Samar sits alone in a cafƩ ] [ FOOTSTEPS APPROACH ]
Aram: Youāre wrong about me.
Samar: How did you find me?
Aram: When you said thereās nothing I want more than to have a child. I mean, that isā That is what I thought, what I had always imagined. Until I met you. And then you changed everything.
[ Lucy Schwartzās āŖ āIn The Armsā plays ]
[ Aram takes out the bottle of wine from his parents ]
Aram: What we have ā This is our story, and if our story doesnāt involve having kids, well, thatās okay.
āŖ Tell me thereās nothing to fear
Aram: I donāt need to wait nine months to celebrate unimaginable love. And I certainly donāt need fancy crystal.
āŖ When Iām held in the arms
Samar: Aram.
Aram: We are never breaking up. Okay? Ever. And I donāt want any denial anger, bargaining or depression.
āŖ When Iām held in the arms
Only acceptance. Can you do that for me?
āŖ Can you find me dear?
Samar: No.
Aram: Okay. Promise me this ā that youāll do everything humanly possible to try and get better.
Samar: I promise.
āŖ Iāll tell you what you want to hear
Iām not gonna go nowhere
Iām not gonna break your plans
[ Aram puts the ring back on Samarās finger ]
Aram: Itās going to be okay.
āŖ I could never disappear
Samar: Tell me that again.
Aram: Everything will be okay.
Ā
Ā
Trivia: I cannot find the poem online, but here is the text from the scene:
The Ballad of the De La Cruz
Across dark and stormy skies
Caltoās Siren cries:
Heed her warningās call
Hell Gate opens
To pay its devilās debt
Steered from native ports of call
In search of riches, all did fall
The Siren guards whatās left
Recompense lies beneath her bow
Forever and for now
š [Return]
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⬠go to start of 6:13 Robert Vesco
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Episode Songs
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ā« Bruised Bones ā Remastered
By Les Brown and His Band of RenownāŖ (Instrumental)
and Credits: [ None ~ Instrumental ]
YouTube: https://youtu.be/843AGa6jP84
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ā« Il Barbiere di Siviglia: Largo al factotum (āFigaro ⦠ā)
By Rossini, sung by Angelo Romero, Failoni Chamber Orchestra of BudapestāŖ [ Italian ]
Lyrics and Credits: http://bit.ly/2HL8nOt [ Libretto: Italian and English ]
YouTube: https://youtu.be/hkak6iGvxhg
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ā« Il Barbiere di Siviglia, Act I Duetto āDunque io son⦠tu non māinganni?ā
By Rossini, sung by Angelo Romero et, Failoni Chamber Orchestra of BudapestāŖ [ Italian ]
Lyrics and Credits: http://bit.ly/2YCbkWw [ Libretto: Italian and English ]
YouTube: https://youtu.be/mtF4nVKpDBw
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ā« In The Arms
By Lucy SchwartzāŖ Tell me what I wanna hear
Tell me thereās nothing to fear
Tell me that I lose my head
So listen to my heart insteadāŖ When Iām held in the arms of this waking fear
When Iām held in the arms
Can you find me dearāŖ Iāll tell you what you wanna hear
Iām not gonna go nowhere
Iām not gonna break your plans
I could never disappearāŖ When youāre held in the arms of this waking fear
When youāre held in the arms
Can you find me dearāŖ Can you find your way back again
Can you find your way back againāŖ When youāre held in the arms of this waking fear
āŖ Can you find your way back again
Can you find your way back againāŖ When youāre held in the arms of this waking fear
When youāre held in the arms
Can you find me dearLyrics and Credits: http://bit.ly/2UhehN8
YouTube: https://youtu.be/OayBYV5Vms4
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ā¬ļø go to start of 6:13 Robert Vesco
ā« go to top
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āāā End 6:13 Robert Vesco
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Ā
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š“ Script 6:14 Osterman Umbrella Co (ā 6)
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Program air date: 3/29/2019 in the US
Script Permalink: https://wp.me/pDKwi-9lp
Entertainment Weekly Recap: http://bit.ly/2uzJ4WH (recap for both 6:13 and 6:14)
Ā
Director: Bill Roe
Written by: Sean Hennen, Kelli Johnson
Ā
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ā Script 6:14 Osterman Umbrella Co (ā 6)
Ā
Brief (Where weāre at): For the second time, Red has been snookered out of a fortune by his former mentor, Robert Vesco (Blacklister #9), the man who had supposedly taught him not to trust anyone. Well, itās never too late to learn. Besides, there were pirates and treasure and thieves and scoundrels and opera!
Behind this caper, however, a darker story loomed as Samar attempted to hide the fact that she has vascular dementia, a degenerative brain condition resulting from her nearly drowning. She is experiencing a series of mini-strokes, each resulting in brain damage affecting her language skills, perception and judgment. The condition led to her failure in the field to save the life of MI6 agent Christopher Miles after which she told Cooper she would be resigning from the task force though she would not tell him why. Worse, in her exit interview with Mossad, she lied on a polygraph, saying she was pregnant instead. Her former Mossad boyfriend, Levi Shur, approached Aram and told him she had failed the polygraph. Thinking it would help her, Aram told Levi about Samarās condition, after which Levi mentioned Samarās āpregnancyā and congratulated him.
Aram was thrilled by the news until Samar told him it was only a lie she had been forced to tell. She said she would not be able to raise a child because of her condition. Aram, though disappointed, reavowed his love for Samar, come what may.
The now-dead MI6 agent Christopher Miles had held the secret of a plot against the interests of the United States perpetrated by none other than President Robert Diaz, DOJ official Anna McMahon, and a shady security guard and hit man āMr Sandquist.ā Anna McMahon has her sights set on eliminating Red who she thinks knows more about the plot than he does. All those who actually knew of the plot besides the perpetrators are now the dead. But the dossier compiled by Miles describing the plot still exists. Bastien Moreau (Blacklister #20) ditched the flash drive containing the dossier along a sidewalk before being gunned down by Mr Sandquist. The flash drive was picked up by a young boy who brought it home in his backpack.
Ā
[ Singapore ]
[ KNOCK ON DOOR ] [ A man opens a hotel door and takes delivery of a bulky manila envelope. He takes out a pawn (chess piece). On the bottom is stamped ā242.ā A woman descends the staircase in the suite ]
[ They speak Mandarin ]
Woman: Strange. What does it mean?
Man: That I need to leave.
āā
[ The man descends a stairs in a vertical mall. It is crowded. He sees a couple talking next to a railing overlooking an atrium. Turning the ring on his pinkie finger to face inward, he removes the stone from the ring, exposing a needle. He walks close to the couple talking, brushes the womanās hand and walks away. The woman looks at her hand. It is bleeding ]
Man: [ Mandarin ] Whatās wrong, angel?
Woman: [ Mandarin ] Something stung me.
[ The womanās mouth gapes open, her pupils dilate and turn whitish blue and she tumbles over the railing to the floor of the atrium ] [ ā¼ļøā”ļøCrashā”ļøā¼ļø] [ Onlookers gasp ] [ PEOPLE SHOUTING ]
Ā
[ Aram and Samarās apartment in DC. Samar is still in bed ]
[ DOOR OPENS ] [ Aram enters carrying a breakfast tray ]
Aram: [ SINGSONG VOICE ] Rise and shine.
Samar: Youāre up early.
Aram: It has been a morning. Two small grease fires in the kitchen, one almost-disastrous juicing mishap. But, voilĆ”. Breakfast in bed.
Samar: Whatās on the menu?
Aram: French toast, hash browns ā all your favorites.
Samar: Those are none of my favorites, but I love you anyway.
Aram: Well, I got the orange juice right, uh, fresh-squeezed. But, um, careful ā might be a part of my finger in there.
Samar: Whatās the occasion?
Aram: I thought youād want a full stomach before our trip.
Samar: Our trip? Where we going?
Aram: The Lodge at Glenforest. Rural Pennsylvania. Three days, two nights. Our own cabin in the woods. Dinners in the main lodge, crackling fires. I look really, really good in flannel. What do you think?
Samar: It sounds amazing, but donāt they need you at work? Iām the only one retiring.
Aram: I cleared it with Mr. Cooper. The team can manage. Itās not like the worldās gonna end.
Samar: Aram, we worked together, remember? We both know the world could literally end if youāre not there.
Aram: Itās a few days. Eat up. Iāll pack.
Ā
[ Redās flat with the old photos ] [ Red is drinking a green health concoction ]
Dembe: He will be pleased to hear it. Yes. As soon as possible.
Red: Ahh.
[ CELLPHONE BEEPS ]
Dembe: That was Spalding Stark.
Red: Where is he on the clinical trials?
Dembe: Blind testing.
[ KNOCK ON DOOR ]
Dembe: Heās almost ready to deliver. [ Opens door ] Elizabeth.
Liz: Dembe.
[ DOOR CLOSES ]
Liz: Health kick?
Red: They say what doesnāt kill you makes you stronger. [ GROANS ] Theyāre wrong.
[ Liz looks at the photograph of herself as a child on a swing with her mother, Katarina Rostova ]
Red: Your mother loved that photograph. Represented everything she wanted but couldnāt have. Not after she betrayed the KGB. After that, she was a hunted woman.
Liz: Burned agents always are.
Red: Hunted by the Osterman Umbrella Company.
Liz: Something tells me they donāt sell umbrellas.
Red: A burn notice can mean kill or capture. When itās kill, theyāre the hit squad of choice.
Liz: The KGB farms out hits?
Red: The KGB. The CIA. MI6. SID. Over the years, most agencies have come to the conclusion that terminating their own was bad for business. It strained loyalties, created tension within the ranks. Where most agencies agree on nothing else, this they agree on ā that a neutral third party is critical in the elimination of their own operatives.
Liz: The worldās intelligence agencies have a go-to company for contract kills?
Red: Of their own agents, yes.
Liz: They sent killers after my mother?
Red: They did. Which is all the incentive I need to put them on the Blacklist, but as the FBI may need a bit more bait on the hook, there is this ā typically, the Umbrella Company operates on foreign soil, but Iāve been led to believe their next target is here in the United States.
Ā
[ The Post Office. Liz briefs the Task Force ]
Liz: Kevin Major, Nicolai Druganin, Shirley Wei. All agents for MI6, FSB, and the Singapore Security and Intelligence Division, who Reddington claims were murdered by the Osterman Umbrella Company.
Cooper: Their agencies claim they were patriots killed in action.
Liz: Reddington says they were traitors that their agencies had terminated.
Cooper: He says the CIAās involved?
Ressler: Which part? Targeting your own agents for murder or farming out the hits?
Liz: Not only is the CIA involved, but that the next hitās going to take place in America.
Cooper: Not if we can help it, itās not.
Liz: He made it sound like this was accepted practice.
Cooper: Maybe it is, but that doesnāt make it right. Thereās someone I can reach out to at Langley. Iāll get to the bottom of this.
Liz: How well do you know them?
Cooper: I introduced him to his first wife. Letās hope heās forgiven me.
Ā
[ At a counter drinking coffee ]
Cooper: What can you tell me about a group commissioned to scrub rogue agents? The Osterman Umbrella Company.
Lansky: I can tell you that you shouldnāt be asking about them.
Cooper: I wouldnāt be if they only operated abroad. Thatās your turf. But, uh, from what I hear, their next targetās stateside, and that turfās mine.
Lansky: I canāt confirm or deny.
Cooper: An American is gonna be killed. No trial, no due process. Killed.
Lansky: I canāt confirm or deny because I donāt know.
Cooper: You expect me to believe that? Youāre the C.O.O.
Lansky: Maybe you got bad intel.
Cooper: My intelās never bad.
Lansky: If an Americanās being targeted, it wasnāt sanctioned by anyone I know.
Cooper: So, what? This Umbrella Company is operating on its own now?
Lansky: I told you I donāt know. But I intend on finding out.
Cooper: You better find out fast. A personās life is at risk.
Ā
[ ELEVATOR BELL DINGS ] [ A young blonde woman, Rachael, exits the elevator, leaving her motorcycle behind. There is a bank of padlocked doors. She looks at black token ā006ā and makes her way to a door marked āFloor 5 Aisle 1 Room 006.ā She unlocks the padlock and enters, walking to an enclosure with a briefcase on a table. She puts the chess piece, a pawn, down on the table. She opens the briefcase and looks a paperclipped document of 25 pages or so. Also in the briefcase is a jewelry box containing a ring with a large red stone. She puts the ring on her right ring finger ]
Ā
[ BELL JINGLES, DOOR CLOSES ] [ Lansky enters a shop with neon signs saying āShoe Repairā and displaying umbrellas ]
Lansky: Itās supposed to rain today.
Attendant: You got the wrong forecast.
Lansky: Best to be prepared.
[ The attendant hands Lansky an umbrella ]
[ Lansky exits the shop. where Cooper is standing. He pulls the neck of the umbrella out of the sheath, revealing a phone number (617) 555-0184 ]
[ HORNS HONKING ]
Lansky: This is a bad idea.
Cooper: Worse than murdering an American citizen?
Lansky: [ On phone ] Iād like to arrange a meeting.
Ā
[ INDISTINCT CONVERSATIONS ] [ Cooper walks up to a black man, Hobbs, who sits on a bench along the sidewalk. Cooper sits next to him ]
Cooper: My nameās Harold Cooper. Iām the Deputy Director of the FBI.
Hobbs: There must be some misunderstanding.
Cooper: Yes, I believe there is. You thinking you can get away with murder. Iāve spoken with Lansky.
Hobbs: Lansky is misinformed.
Cooper: Lansky wasnāt informed. I informed Lansky, and now Iām informing you. I know about the Umbrella Company. I know what you do. You do it here, Iāll make sure youāre prosecuted.
Hobbs: He was misinformed.
Cooper: Has a contract been ordered on an American agent?
Hobbs: I have very powerful friends.
Cooper: I have handcuffs and backup. Theyāll come here in cars with sirens and lights. Makes quite a scene.
Hobbs: An American agent. Is that what you asked me before?
Cooper: Is one being targeted?
Hobbs: At this time, the Company has no outstanding tokens on American operatives.
Cooper: Tokens. You people are so antiseptic.
Hobbs: Are we through here?
Cooper: For now.
[ Hobbs gets up and walks away. He has an umbrella ]
[ Liz is with Ressler in a car parked nearby ] [ ENGINE STARTS, SHIFTER CLICKS ]
Ā
[ The Post Office ]
Ressler: We tailed him to his office.
Cooper: Global Systems Imports.
Ressler: DCRA records show that it incorporated in ā87. Taxes, license fees are paid up. Top executives are pillars of the community, not a parking ticket among them.
Liz: Which is why we couldnāt pull a search warrant.
Ressler: We could sweat the executives. Theyāre covering for the Umbrella Company or at least work for it.
Cooper: If theyāre anything like Hobbs, they wonāt sweat easily.
Liz: They would if we turned up the heat.
Cooper: And how do you propose we do that?
Ā
[ A busy street. Itās raining. Dembe comes up behind Hobbs ]
Dembe: Jason. How are you?
Hobbs: Jason? My nameās not Jason.
[ Dembe forces Hobbs into the back seat of Redās Mercedes ] [ CAR DOOR OPENS ]
[ CAR DOOR CLOSES ]
Red: I want to know the name of the American agent youāre targeting. And why.
Hobbs: Did Harold Cooper send you? Is that what this is?
Red: The name.
Hobbs: He didnāt like my answers, so he dispatches muscle to rough me up.
Red: This would all be much more pleasant if youād give me a name.
Hobbs: I told him no American agent is being targeted.
Red: A lexical ambiguity. The agent may not be American, but he is being targeted here. Who?
Hobbs: [ No answer ]
Red: No? Nothing?
Hobbs: [ No answer ]
Red: Hm.
[ Red nods to Dembe ] [ ENGINE STARTS ]
Hobbs: Where are we going?
Red: To visit a friend.
Ā
[ Aram and Samar pack for their get-away ] [ Samar packs a gun ]
Aram: Was thinking this was more of a romantic getaway, but, you know, if you feel naked without a gun, we can role-play.
Samar: Sorry. Force of habit.
Aram: How about we start some new habits?
Samar: Youāre absolutely right. New life, new habits.
Aram: Unless you want to role-play.
Samar: I think a cabin in the woods is a perfect place to start. No phone reception. No Internet.
Aram: Meeting a stranger. No. Maid/butler secret rendezvous.
Samar: Thank you for not letting me push you away.
Aram: Yeah, you tried pretty hard, but lucky for you, I canāt take a hint. So, hitchhiker. Interrogation.
Samar: I have an idea.
Aram: Teacher/pupil.
Samar: Why donāt we make our own fantasies?
[ Kiss ]
Aram: Okay.
Ā
Hobbs: [ From next room ] No. Please. Listen.
[ Red looks at some furry animals in a cage ] [ RED CHUCKLING ]
Hobbs: [ From next room ] Please. We can talk about this.
[ Dembe walks up, handing Red a prescription bottle ]
Dembe: The first installment from Mr. Stark.
Brimley: [ From next room ] Hey! You hear me?!
Hobbs: Ahh.
[ Red takes some of the pills ]
Hobbs: [ From next room ] Take this thing off of me! Letās be reasonable! Letās talk, please.
[ DOOR OPENS. Brimley comes out ]
Hobbs: Hey, come back here! ā Where are you going?!
[ DOOR CLOSES ]
Brimley: [ To Red ] Betsyās famished, and I left the goats in the truck. If Iām not back before he starts passing out, use the chinchillas.
Red: Thank you, Teddy. Lunch after?
Brimley: Oh, I canāt today. My sisterās in from Sarasota. Weāre going hot-tub shopping for my back patio. Doctors keep telling me itās good for my rheumatoid.
Red: Rain check, then! [ To chinchillas ] Okay, guys.
[ CHINCHILLAS SQUEAKING ]
Red: [ RED LAUGHS ] [ CHUCKLING ] Yes. Yes.
[ Red wheels the chinchillas into a room where Hobbs is tied to a chair and wrapped in a huge python ]
Red: Ohh.
Hobbs: Donāt you know Iām untouchable?
Red: [ CHUCKLING ] Well, you look touched to me. Squeezed. Snug, really. Funny word, āsnug.ā Comes from the German āsnƶggr,ā meaning shipshape, prepared for bad weather. Are you prepared for bad weather, Mr. Hobbs? Because from the look of things, youāre in for a terrible storm.
Hobbs: You will never get away with this.
Red: Iām told Betsy there has a weakness for chinchilla appetizer. Mine is GougĆØres GruyĆØre cheese puffs. If thereās a tray within a nautical mile, I wonāt make it to the main course. Unfortunately for you, these little guys are far too cute to be served up as a starter. And what with Brimleyās congestive heart failure, diabetes, and asthma, the chances are slim to none that heāll be back with a goat before Betsy there swallows you whole. So ā a name.
Ā
[ TELEPHONE RINGS ]
Cooper: Reddington.
Red: I didnāt get the name, but I got the address where you can find it.
Ā
[ Liz and Ressler enter the enclosure with the briefcase ]
Ressler: They wouldnāt have just left this behind.
Liz: We got here before the cleanup crew.
[ Liz picks up the pawn ]
Ressler: What is it?
Liz: Itās the dropped token.
[ Liz puts the pawn in her pocket. She picks up the document ] [ PAPERS RUSTLE ]
Liz: The person theyāre targeting.
[ Liz shows Ressler the front page of the profile. To it is attached a photo of Samar ]
Ā
[ The Post Office ]
Ressler: [ On phone ] Iām leaving you another message. Itās important, Aram. You need to call the office. Itās urgent. [ PHONE BEEPS ] Iām getting nothing. Both of their phones are going to voicemail.
Cooper: Pull GPS off their cells. Run their cards. The works.
Liz: [ On phone, to Red ] Itās Samar. Sheās the target. But we canāt get ahold of her or Aram and no one knows where they were headed.
Red: When did you hear from her last?
Liz: Last night. Aram told Cooper he wanted to take Samar away for a few days. You donāt think the Umbrella Company got to them already, do you?
Red: We would have heard something.
Liz: I donāt understand. Who would do this? A state-sanctioned hit?
Red: The Mossad comes to mind.
Liz: Itās got to be them, right?
Red: The more pressing question is whether her assailants can be called off in time to make a case for her life.
Liz: What could Samar possibly know that would make her such a liability to the very agency that trained her?
Red: Elizabeth, all that matters is that you find Samar right away.
Liz: And what are you gonna do?
Red: Iām gonna pay a visit to an acquaintance of mine from Tel Aviv.
[ PHONE BEEPS ]
Ā
[ Harris PA ] [ Aram and Samarās cabin ]
Samar: Oh, no, no, no. I am not going to be seen with you on those snowshoes.
Aram: But itās the best I can do. You said the world needs me. Canāt go breaking a hip in a snowmobiling accident.
Samar: We are off the grid. Thank God.
Aram: They only have service in the Big House.How great is that? The sound of silence.
[ TELEPHONE RINGING ] Or not.
[ TELEPHONE RINGING ]
Aram: Hello.
Rachael: Hello. Mr. Mojtabai?
Aram: Yes.
Rachael: This is Rachael in guest services. Iām afraid thereās a problem with your credit card, sir. The one on file has been declined. Do you have another card we could use?
Aram: Thatās weird. I, uh I do have another. Itās a Visa. Can I- Can I give you the number?
Rachael: Iām afraid you have to come down to the front desk so we can scan the chip. For security, of course.
Aram: Uh, no problem. Iāll, uh, be right there. Credit cardās not working. I need to bring them another.
Samar: Donāt forget your sweater.
Aram: Iāll be right back.
[ DOOR OPENS ]
Ā
[ Levi Shur is at a counter drinking coffee ] [ CUP CLATTERS ]
[ Red walks up and slaps the pawn down ]
Red: Recognize that?
[ Red sits next to Levi ]
Red: Your driver is relaxing in the footwell of my Mercedes with a gun barrel in his mouth. So ā tell me about the chess piece.
Levi: I know what it means.
Red: That a contractās been taken out on Samar.
Levi: Yes.
Red: Call it off.
Levi: I canāt. It had to be done. Samar knows that. Thatās why she kept her condition secret.
Red: Call the Umbrella Company and cancel the contract.
Levi: Itās too late.
Red: Is it done?
Levi: Awaiting confirmation. The agent went off-line as soon as the target was located.
Red: āTarget.ā How conveniently impersonal.
Levi: You donāt know about her condition.
Red: The only condition that would justify what youāve done is if she were a traitor. She isnāt.
Levi: Not now, but she will become one. She may not want to, but it will happen, and thereās nothing she can do to prevent it.
Red: How can you possibly know that?
Ā
[ KNOCK ON DOOR ] [ Samar answers ]
Rachael: Hi. Iām so sorry to bother you. My fiancĆ© and I rented one of those stupid snowmobiles, and it stalled in the woods. We only get a signal at the Big House. Could I maybe use your phone, see if we can get one of the guys to help us out?
āā
Aram: I got a call. Thereās a problem with my card?
Attendant: Iām sorry. What cabin are you in?
Aram: Uh, Suttonās Cabin, by the creek.
Attendant: Oh. [ KEYS CLACKING ] [ INHALES SHARPLY ] Nope. All charges have cleared.
Aram: Thatās so weird.
āā
Rachael: I think his prideās hurt more than anything. I mean, heās still down there thinking he can get one of those things running. [ CHUCKLES ]
āā
[ INDISTINCT CONVERSATIONS ]
[ Aram sees a brochure for couples massage. He picks it up ]
Aram: Is, uh Is the spa still open today?
Attendant: 8:00 to 7:00 every day. Did you want to make an appointment?
āā
Rachael: [ On phone ] No. No, weāre fine. No oneās hurt. Yeah. Iām so sorry about all of this.
Mm-hmm.
[ Rachael removes the stone from the ring, exposing the needle ]
[ The phone rings showing she was faking the call ] [ TELEPHONE RINGING ]
[ Samar attacks Rachael. They fight ā”ļøā”ļø]
[ TELEPHONE RINGING ]
āā
Aram: I will, uh, call the spa later. Iām a sucker for a good scalp massage.
āā
[ Fighting continues ā”ļøā”ļø BOTH GRUNTING ]
āā
[ CELLPHONE CHIMING RAPIDLY ] [ Aramās phone shows multiple calls. Aram calls Cooper ]
Cooper: Aram, where are you? Weāve been trying to reach you for hours!
Aram: Sorry. The, uh, cell service is terrible here.
Cooper: Aram, where are you, exactly?
Aram: The, um, Glenforest Lodge in the Allegheny Mountains. Why? What is, uhā Whatās going on?
āā
[ Fighting continues ā”ļøā”ļø BOTH GRUNTING ]
āā
Cooper: Youāre not safe. Samarās been targeted by a group called the Osterman Umbrella Company. Shelter in place. Iām sending Keen and Ressler to you right now.
Aram: Samar.
[ Aram runs out ]
āā
[ Fighting continues ā”ļøā”ļø BOTH GRUNTING ] [ Rachael tries to scratch Samar with the needle. Samar throws her off. Rachael tumbles. Her fist closes on itself and she is poisoned. She slips down against the wall, her pupils dilate a blue-ish white ]
[ SAMAR GROANS ] [ She has a cut in her abdomen ]
[ Aram arrives ]
Aram: Oh, my God. Youāre bleeding.
Samar: We have to get out of here.
Aram: Um, um, whoa. Uh, is she, umā Is she dead? Um, oh, uh, okay. Uh, I spoke to Mr. Cooper, and, uh, they are after you, the Ostark, uh, um, Umbrella Company or something.
Samar: Osterman.
Aram: You know them?
Samar: Yes. Aram, we have to run.
Aram: Okay. Yeah.
Samar: Now.
Ā
[ Leviās CELLPHONE RINGING ]
Red: If sheās dead, youāre next.
[ CELLPHONE RINGING ]
Levi: I told you why we did this.
Red: Yes, you did.
[ PHONE BEEPS ]
Levi: Is it done?
Ā
[ Aram and Samar drive down a rural highway ]
Aram: We got to get you to a hospital.
Samar: This doesnāt make sense. I was out. The Mossad cleared me.
Aram: Okay. Uh, all right. Just, uh, back up. Who, uhā Who are these, uhā Umbrella people?
Samar: Uh, theyāre freelancers, mercenaries. Theyāll go anywhere. Theyāll do anything. And if that was their operative, then the Mossad was behind it.
Aram: Why? You were cleared. Is it- Is it something you know, maybe?
Samar: Or something Iām forgetting. If they found out about my issue, if they thought my memory was a liability, they would vote for a dropped token.
Aram: Token. Thatās code for? What are you talking about? How do you know any of this?
Samar: Aram, I was one of them.
Aram: You voted to have people killed?
Samar: We need to get off this road. These people, theyāll keep coming, no matter what.
Aram: All right. So which way?
Ā
[ Ressler and Liz are at the cabin ]
Liz: [ On phone ] The roomās destroyed, and the assassinās dead.
Red: An(!) assassinās dead. Thereāll be more. Samar knows that.
Liz:Thatās why she and Aram arenāt here. Theyāre on the run. But why? Have you found anything?
Red: Agent Navabi has vascular dementia.
Liz: What are you talking about?
Red: From her near-drowning. Her brain was deprived of oxygen.
Liz: Yeah, and she recovered.
Red: Well, the truth is, she didnāt. Not fully.
Liz: Okay, so she didnāt fully recover. So what? Why would Mossad want to kill her for that?
Red: Because itās irreversible. Samar has top-level security clearance. Today, she knows how to keep a secret, but someday, she wonāt.
Liz: Thatās why theyāre coming for her, because someday she may not be able to keep a secret?
Red: The only person with the authority to call off the contract is the Mossadās D.C. Station Chief.
Liz: Weāll have Cooper reach out.
Red: Theyāre trying to kill Samar because sheās sick. She knew they would. Thatās why she kept it a secret.
Liz: Yeah, but if we didnāt know, how did the Mossad find out?
Ā
[ Samar and Aram climb a stairway ]
Samar: It had to be the doctor, someone on her medical team. Theyāre the only ones who knew I was sick.
Aram: Okay, um, uh, Samar, hold on. Iā Can we just talk for a minute?
Samar: Give me your cellphone.
[ She smashes it ~ GLASS SHATTERSā”ļø ]
Aram: Uh, I was due for an upgrade anyway. Uh, what what are we doing here?
Samar: Resupplying. We need to move fast, keep our heads low.
Aram: I need to tell you something. It was me. I told them.
Samar: You what?
Aram: Levi, he came to me, and Samar, you failed your polygraph. They thought you were acting suspicious during your exit interview and that you might be a traitor. I didnāt want them to hurt you, so I I told them about your condition. I thought I was helping.
[ Samar stares at him ]
āā
Aram: Please.
[ Samar KNOCKS ON DOOR ]
Aram: Say something.
Samar: You thought you were protecting me. I get it. But what you didnāt stop to think is that I can always take care of myself.
[ Samar knocks again ] [ Door opens ]
Samar: Excuse me.
Professor: Weāre in the middleā
Samar: Skylark. Agent 3426. I need my laundry.
Professor: Take a breather, everyone!
[ DOOR CLOSES ]
[ The Professor goes to a computer and keys in four keystrokes ]
[ COMPUTER BEEPING: āCode 6 Asset Breachā ]
[ Samar holds a gun to the Professorās back ]
Samar: Give me the bag, Professor, or your next lesson will be about percussion.
[ A student tries to use a cellphone. Aram slaps it down ] [ CELLPHONE THUDS ]
Aram: Be smart.
[ Samar sets aside a stack of passports from a leather duffle then takes the duffle ]
Professor: That looks quite painful.
Samar: It is.
Aram: [ To students ] Stay in school.
[ They leave ]
Ā
Mossad DC Station Chief Dagan: Iām not sure what you want the Mossad to do. Myā
Cooper: Letās cut through the red tape, can we? I know Osterman has operatives in the country. I know theyāre targeting Agent Navabi. I need you to do whatever is in your power to call off the hit.
Dagan: Even if I was willing to confirmā
Cooper: Iāve confirmed it. Weāre past that. I wonāt allow this to happen on U.S. soil, and I wonāt allow you to send these people after one of my own agents.
Dagan: Whatever decisions have been made, I wasnāt part of the vote.
Cooper: Iām not saying you were. Iām asking for your help. From one superior officer to another. You know, the Mossad enjoys a strong working relationship with the United States. If word of this incident were to get out, I would hate for something to happen and change things between us.
Dagan: Iāll make the call, get Tel Aviv involved. It could take some time.
Cooper: We donāt have time. Pick up the phone and save a life.
Ā
[ A nursing station in a hospital ]
Attendant: Can I help you?
Samar: Yes. Agents Navabi and Mojtabai, FBI. We have a couple of questions for a patient of yours in room 312.
Attendant: Mrs. Abramson? Uh, are you sure? Sheās 86 years old and blind.
Samar: Theyāll be quick questions.
Attendant: Should I call the head nurse?
Aram: Itās a standard SR-22. It wonāt take a minute. In and out.
Attendant: Oh. Okay.
āā
[ Walking toward the hospital room ]
Samar: SR-22. I like it. What is that?
Aram: Certificate of insurance with the DMV.
[ Samar grabs supplies from a cart ]
[ WOMAN ON P.A. SPEAKING INDISTINCTLY ]
[ Inside the hospital room, the patient sleeps as Samar stitches the wound on her abdomen ]
Aram: Okay, so, the Mossad has sent trained killers after you. How do we fix this?
Samar: Sadly, there is no fixing this. The best we can try and do is survive.
Aram: Thereās got to be a way. There is always another way.
Samar: Osterman will send an army if they have to.
Aram: What about going to Mr. Cooper?
Samar: Aram, youāre not getting it. Give me the bandage. I canāt go back to my old life. I canāt go back to the FBI. My only chance is to disappear. Iām sorry. We have to get out of here. [ GROANS SOFTLY ]
Aram: Mrs. Abramson ā thank you.
āā
[ They begin to walk back toward the nursing station. Samar stops ]
Aram: Whatās wrong?
Samar: The two men at the front desk, theyāre operatives.
Aram: How can you tell?
Samar: Because I know. We need a new exit.
Ā
[ In their car on a highway ]
Samar: How are they tracking us so fast? They would never have guessed that I would go back for my bag at the music school. We picked the hospital at random. Osterman is good, but theyāre not that good.
Aram: Letās just focus on what is next. Okay, what is next?
Samar: I vanish is whatās next. I find a nice, warm corner of the Earth and disappear.
Aram: Okay, so, where do I take us?
Samar: Aram.
Aram: What? What? What?
Samar: Iām sorry, but there is no āus.ā Iām the only target. Iām the one who has to disappear. You have a life.
Aram: No. Absolutely not. Itās about you and me. You donāt get to say goodbye. I wonātā I wonāt let you. If youāre gonna go riding off into the sunset, Iām riding right beside you.
Samar: That was before all this. Before the dropped token. Before the Osterman Umbrella Company. You donāt know what youāre offering to give up. If you come with me, you could never come back, you could never see your friends. You could never see your family, no one at the office. Youād be putting them all in danger. I canāt let you do that. You have a life.
Aram: [ Angrily ] Stop saying that. Okay? Itās our life. You are my life. You are my business, and I get to decide if- ifā Oh, my God.
Samar: What?
[ Aram pulls to the side of the road ]
Aram: Oh, my God. Hang on.
Samar: What?
Aram: Hang on. The- The- The business card.
Samar: What business card?
Aram: Leviās. He, uhā He gave it to me the last time I saw him, and Iām, uhā
[ Aram gets out the business card and gives it to Samar ]
Aram: Iām sorry. I didnāt even I didnāt even think that- thatāsā
[ Samar peels the backing on the business card to reveal a tracking chip ]
Samar: Ah! Levi, that bastard! He- Heās been passing along our tracking information to the Ostermans. Thatās how they knew.
[ ā¼ļøā”ļø Crashā”ļø ā¼ļø ~ A car plows into theirs ]
[ š„š„š„ GUNFIRE š„š„š„ ] [ Samar and Aram return fire š„š„š„ ]
Aram: [ On phone ] Shots fired! Shots fired! Federal agents in need of assistance!
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Dagan: I passed along your request. I took it as high as it could go.
Cooper: And?
Dagan: My superiors have no idea what youāre talking about.
Cooper: Really? Youāre going to stick with that story? And weāre supposed to ignore the corpse up at that lodge? Ignore my agents running for their lives out there?
āā
[ š„š„š„ GUNFIRE š„š„š„]
āā
Dagan: This is a non-event.
Cooper: What about what Hobbs told us?
Dagan: Who?
Cooper: The man that works for the damned Umbrella Company!
Dagan: Sorry, Director Cooper.The Mossad canāt help you with this.
āā
[ š„š„š„ GUNFIRE š„š„š„ ]
Aram: I need another mag.
Samar: Hold on. Here.
[šØSIRENS WAILINGšØ]
Aram: Where you at?
Samar: Iām almost out. We need to get out of here.
Aram: Samar!
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[šØSIRENS APPROACHINGšØ ] [ SIRENS STOP ] [ RADIO CHATTER ] [ Besides Aram and Samarās shot-up car, the other vehicles are gone. So are Samar and Aram ]
MAN ON RADIO: Adam-12. This is a 10-33.
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[ Samar and Aram walk quickly through the woods ]
Aram: Those guys really wonāt stop, will they?
Samar: Never. Thatās why I have to go. Someone else will get killed.
Aram: Samar.
Samar: I donāt want it to be you, and I donāt want someone caught in the crossfire.
Aram: Iām fine with that, but what you said back at the car doesnāt work for me. Iām coming with you.
Samar: No. Aram.
Aram: Listen. Listen to me. Listen. You say you donāt want me to go through that ā the new life, the never looking back ā but you do not have the right to make that decision for me. You cannot force me to live without you. That is not living. This is my decision, and Iām coming with you.
Samar: Okay, but if we do that, we have to move quickly and leave zero footprint.
Aram: I have small feet.
Samar: The first thing is getting out of the country. The Umbrella group will be monitoring airports, subways, train stations.
Aram: Okay, we need to tell Mr. Cooper. I know heād help in any way he can.
Samar: Thatās not a bad idea, but to do that, weāll have to split up.
Aram: Whoa. I thought you said weāre in this together.
Samar: We are. Iām not ditching you. But- But I canāt go back to the office. The whole place will be under surveillance. To do this, youāll have to go in alone, tell Cooper whatās going on, and get him to arrange safe passage for us.
Aram: All right. Passage to where?
Samar: I donāt know. Iāve got friends abroad. Europe, maybe. Asia.
Aram: Okay. Okay. But what are you gonna do?
Samar: Iām gonna try and stay alive. Do you remember the loft building on Meredith?
Aram: Yeah. That safe house.
Samar: Meet me there with Cooper in three hours. And weāre gone.
Aram: Please. You be safe.
Samar: Like the rest of our lives depended on it.
[ They kiss, then Samar walks away ]
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Dagan: [ On phone ] You took Levi Shur! I want him back!
Cooper: I could ask around, but I doubt the FBI would even know where to start.
Dagan: Putting the Umbrella Company on Navabi was his job. Itās the way things work!
Cooper: Well, it shouldnāt work that way. You and your colleagues should shut the Umbrella Company down.
āā
Hobbs: [ On phone ] Yes, sir. We can handle that situation. Where in Greece?
āā
Dagan: Thatās not going to happen.
Cooper: In that case, this sounds like a non-event. Iām confident Levi Shur will turn up, but the FBI canāt help you on this. [ PHONE BEEPS ]
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[ MACHINERY WHIRRING ] [ Red talks to Levi, who is tied to a chair in an industrial site ]
Red: Iām not much of a company man. Conformity doesnāt interest me. Thereās profit in it. And power. But no soul. The company man is rewarded for following the rules. The better the company man, the less it matters what the rules are, how ethical they are, how just, how humane. In your company, the rules called for you to kill a good and decent person, a colleague and partner. And you followed those rules blindly and without question.
Levi: Samar would have done the same to me.
Red: Which only proves my point ā that the company can corrupt even the best among us.
Levi: Youāre acting like I wanted this to happen. I didnāt. This is the last thing I wanted.
Red: And yet you did it anyway.
Levi: Look, youāre upset. I get it. I am too. We feel the same way about this.
Red: No, I donāt believe we do. What I really canāt get is how you used Agent Mojtabai, how you manipulated him into telling you about Samarās condition. He told you so as to protect her, but because of you, he has to live with the fact that he betrayed her, that his words put a target on her back, that he is the reason that they will never be together again. Aram trusted you, and because of that trust, his life has been devastated.
Levi: I was just doing my job.
Red: Yes. And I suppose Iām just doing mine.
[ Red takes a plastic bag out of his coat pocket and puts it over Leviās head, wrapping it tightly ]
Levi: No. No. No. No! No! [ MUFFLED ] No! No! No!
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[ Aram waits in a garage ] [ ENGINE SHUTS OFF, DOORS OPENING ] [ Cooper, Ressler and Liz get out ]
Cooper: These are clean passports, nothing Mossad can track. A team of agents is standing by to transfer you to a safe house in Baltimore. From there, youāll be flown to Taipei. After that, youāre ghosts.
Aram: Thank you, sir.
Ressler: This is the number of a friend of mine, ex-Special Forces. He does some work in Southeast Asia, so, after Taipei, give him a call. Use my name. He can get you set up anywhere.
[ Liz draws Aram aside ] [ Hug ]
Liz: Are you sure this is what you want?
Aram: You know, sheās always asking me that, and I honestly donāt know why. To me, it is itās so simple. I just I want to be with the person I love, and I love her. So yeah, itās what I want.
Liz: The reason sheās asking you that is because, for most people, it isnāt so simple.
Aram: [ To all ] I donāt think Samar or I would be safe, alive, or even together if it werenāt for everything youāve done for us over the years. Thank you. Uh, those, umā those words seem so small compared to what youāve done.
Cooper: Those words are plenty. Youāve always looked out for us ā you and Agent Navabi. Now itās our turn to look out for the two of you.
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[ VEHICLE APPROACHES ] [ ENGINE SHUTS OFF, CAR DOORS OPEN AND CLOSE] [ DOOR CLOSES ]
[ Red and Dembe walk toward the group ]
Aram: Whatās going on? Whereās Samar?
Red: Samar isnāt coming.
Aram: What are you talking about? We, uhā We have a plan. We have, umā We have papers, uh, money, uh, a place to go. I-I think you, umā I think you misunderstood.
Red: Samar has new papers, different place to go.
Aram: Wait. Youāre taking her away from me?
Red: Iāll see to it sheās well cared for. You have my word.
Aram: I want to know where she is!
Red: This is what she wants.
Aram: You tell me where she is.
Red: For what itās worth, I tried to talk her out of it.
Aram: I want to talk to her. Call her. I know you can.
Red: She knew youād insist. [ CELLPHONE OPENS ] Just hit āredial.ā Sheās waiting for your call.
[ CELLPHONE BEEPS, SPEED-DIALS ] [ RINGING ]
āā
[ On Redās plane ]
[ CELLPHONE VIBRATING ] [ CELLPHONE BEEPS ]
Samar: Aram?
Aram: Where are you? W-What are you doing? We had a plan.
Samar: I know we did.
Aram: What about what we said? You and me, you know, weāre in this together.
Samar: You said it wasnāt my decision to make for you, and you were right. But I need to make this decision for myself and what I need, and I neā [ VOICE BREAKING ] I-I need to know that youāre safeā
Aram: They wonāt find us.
Samar: āand that youāre happy.
Aram: No, no, no. I canāt be happy without you.
Samar: I wonāt forget you. I may forget everything else, but I wonāt forget you.
Aram: [ VOICE BREAKING ] Whoās gonna t-take care of you if Iām not there?
Samar: [ SOBS ] I love you, Aram. [ SOBS GENTLY ] No matter what happens, I wonāt- I wonāt let you slip away. [ CELLPHONE BEEPS ]
Samar: [ BREATHING SHAKILY ] [ SOBBING ] [ CELLPHONE THUDS ]
Ā
Red: Iām sorry, Aram.
[ Aram walks up to Red and slugs ā”ļøhim in the face ]
Aram: I will never!ā forgive you for this!
[ The War and Treatyās āŖ āLove Like Thereās No Tomorrowā plays ]
āŖ Lovinā every night and day, yeah
Lovinā all our troubles away
Weāre gonna love like thereās no tomorrow
Lovinā every minute and hour
Lovinā past our own power
[ Red and Dembe walk away ]
āŖ Weāre gonna love like thereās no tomorrow
Weāre gonna love like thereās no tomorrow
Weāre gonna love like thereās no to-
Love like thereās no tomorrow
[ Aram sits alone on a bench on a landing at the Post Office. Ressler climbs the metal staircase and sits next to him ]
āŖ Ah, yea-a-a-a-a-h
Lovinā on down to the wire
(Ah-hmm)
Love burninā like a wildfire
Weāre gonna love like thereās no tomorrow
(Oh, yes)
[ Ressler puts his hand on Aramās shoulder ]
āŖ Love stompinā like a floorboard
Love givinā me a little more
Weāre gonna love like thereās no tomorrow
Ohh, ohh, ohh
Love like thereās no tomorrow
[ On Redās plane, Samar, sobbing, pulls down the shade by the window seat ]
āŖ Oh, Lord, weāre gonna love like thereās no tomorrow
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Episode Songs
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ā« Love Like Thereās No Tomorrow
By The War and Treaty[Verse 1]
āŖ Lovinā every night and day
Lovinā all our troubles away
We gonā love like thereās no tomorrow[Verse 2]
āŖ Lovinā every minute and hour
Lovinā past our own power
We gonā love like thereās no tomorrowāŖ We gonā love like thereās no tomorrow
We gonā love like thereās no toā
Love like thereās no tomorrow
(Oh yeah)āŖ Love it all down to the wire
Love burninā like a wildfire
We gonā love like thereās no tomorrowāŖ Love storminā like a flow of [?]
Love givinā me a little more
We gonā love like thereās no tomorrowāŖ Love like thereās no tomorrow (Oh Lord, we gonna)
Love like thereās no toā
Love like thereās no tomorrow
(Sing, babe)āŖ We gonna love, love, love (Oh my)
Love for my brother (brother)
Love for my sister (sister)
Love past the color
Love for the nation
Love on every occasion
Love, love, love
Love, love, loveāŖ We gonā love like thereās no toā
Love like thereās no tomorrowLyrics and Credits: http://bit.ly/2HMyG6H
YouTube: https://youtu.be/1gWTPrYXPsI
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āāā End 6:14 Osterman Umbrella Co
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š“ Script 6:15 Olivia Olson (ā 115)
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Program air date: 4/5/2019 in the US
Script Permalink: https://wp.me/pDKwi-9oy
Entertainment Weekly Recap: http://bit.ly/2HQbox1
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Director: Stephanie Marquardt
Written by: Lukas Reiter, Kelli Johnson
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ā Script 6:15 Olivia Olson (ā 115)
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Brief (Where weāre at): Samar is gone, spirited away by Red at her request after a contract on her life was taken out by Mossad with the relentless and amoral Osterman Umbrella Company (Blacklister #6), the go-to organization for spy agencies world-wide seeking to eliminate their own agents when they came to be deemed security risks. In Samarās case, this was because she failed a polygraph test when she lied to cover up the fact that she had a deteriorating mental condition, vascular dementia, a result of her nearly drowning. In time, her condition could mean she might no longer be able to keep a secret.
Aram insisted on making plans with Samar to accompany her into a new life set up for them by Cooper, but Samar knew this could never be, and reached out to Red instead. She knew she would have to leave Aram behind. Aram, however, cannot accept that Red was acting in good faith and cannot bear the loss of Samar. Inconsolable and furious, he slugged Red and declared he would never forgive him.
Meanwhile, the matter remains that the Reddington Task Force is now under the purview of the DOJās Deputy Director Anna McMahon, who believes Red has become aware of a plot against the interests of the United States being perpetrated by herself and no less than President Robert Diaz, in complicity with a henchman, tracker and assassin, āMr Sandquist.ā Red has no direct knowledge of the details of the plot, but McMahon suspects he does. The three people who did know ā the Director of German Intelligence Ava Ziegler, ex-MI6 Agent Christopher Miles, and contract killer Bastien Moreau (Blacklister #20) ā have all been assassinated. The only proof of the plot is a document, a dossier compiled by ex-MI6 Agent Miles. It is contained on a flash drive which was ditched by Moreau along a sidewalk and randomly picked up by a young boy who brought it home in his backpack.
Ā
[ BELL DINGS ] [ Police Chief Devin Walker is having a meal in a restaurant. A man with a shaved head (Mr Coleman) sits down across the table from him ]
Police Chief Walker: You need help?
[ Coleman places an metal impact-resistant briefcase on the table ]
Walker: What is this? Hey. Iām talking to you.
[ Coleman hands Walker a manila file folder. Inside are photos of him meeting with drug dealers ]
[ BELL DINGS ] [ Coleman has left the restaurant ] [ Walker opens the briefcase. Inside is a laptop with earphones. He puts the earphones in his ears and turns on the laptop ]
Olivia Olson: [ On live video; British accent ] Hello, Chief Walker. Sorry to interrupt your mealā
Walker: Who the hell are you?
Olson: Who I am is immaterial. What matters is that I know you. I know, for example, youāre the top cop in a city consumed by an opioid epidemic. I know the Saleri Cartel have had remarkable success moving product on your streets, and I know why. Youāre protecting themā
Walker: Whatever you think youāre doingā
Olson: āyou and a cadre of corrupt underlings. Iāve provided a sample of the kind of proof that my team has gathered. Copies, actually. Itās all quite well documented ā the warnings of impending raids, the secure transport your men have provided, the cartel members youāve neglected to arrest.
Walker: What do you want? What is this?
Olson: A notification. Weāre not asking you to stop anything, weāve simply decided to change your employer.
Walker: My employer?
Olson: Iāve been retained by the Tuerto Organization. You report to them now. The Saleris are done. You can arrest them or kill them, my client doesnāt care. Do as youāre told, and youāll be hailed as a hero for ending the Saleri era. Ignore my instructions, and youāll be destroyed. Publicly and permanently. Okay, then. Goodnight, Chief.
[ The keyboard hisses andā”ļøsparksā”ļø ] [ ELECTRICITY POPPING ] [ LATCHES CLICKING ]
Ā
[ Aram writes on a notepad. He rips off the top sheet, folds it and puts it in an envelope. He makes a phone call ]
Aram: Uh, yes. Iād like to close my account. The authorization codes? Of course yes, Iām ready. Access Delta 6-3-9. Echo-Uniform-Whiskey. Thatās right. Liquidate everything. All $60 million.
[ Aram picks up the three envelopes labeled āMr Cooper,ā āResslerā and āLizā and stuffs them in his backpack ]
Ā
[ Red flicks a syringe and gives himself a shot ] [ KNOCK ON DOOR ]
Dembe: [ EXHALES SHARPLY ] Raymond. Itās Elizabeth.
Red: Just hold on one sec.
[ Red pulls up his pants ] [ ZIPPING ] [ He puts the syringe in a small black travel case and takes a pill with a glass of water ]
[ Dembe lets Liz in ]
Liz: [ SIGHS ] Why is it that men think the only way to handle a problem is to be stoic?
Red: Because Gary Cooper or Henry Fonda or Gregory Peck have taught us thatās how a man should deal with a problem.
Liz: Aram is completely shut down.
Red: I have a competitor I want you to take out of the competition.
Liz: Heās gonna implode.
[ PAPER RUSTLES ] [ Red shows Liz a newspaper article: āHail to the Chief. Top Cop Ends Drug Cartelās Long and Lethal Reignā ]
Red: Only time will mend Aramās broken heart. Or revenge.
Liz: You want us to take down an honest cop?
Red: The chief is not my competition. Nor is he honest. He used to work for one cartel. Now he works for a more powerful one. My competition is the woman who convinced him to switch sides.
Liz: She helps one criminal organization take over another?
Red: She helps them expand. By identifying targets. Organizations vulnerable to hostile takeovers ā businesses or individuals whose debt can be leveraged, or, in this case, a cop whoās susceptible to persuasion.
Liz: Are you siccing us on a criminal or a corporate raider?
Red: [ CHUCKLES ] Corporate CEOs are slavishly beholden to quarterly earnings, often sacrificing long-term strategy for short-term gain. Well, CEOs of criminal enterprises may not have Wall Street analysts to answer to, but theyāre still under the gun to increase profits because if they donāt, theyāre not given a golden parachute and exiled to a mansion in the Hamptons, theyāre killed. So pointing them to greener pastures is a very lucrative business and no one is better at it than Olivia Olson.
Liz: Why are you telling me all this? Youāre usually annoyingly guarded about your true motive for giving us a case. Why are you admitting that youāre giving us this criminal to expand?
Red: Because itās a win-win. I get to expand my reach, and you get to know more about what Anna McMahon has been up to.
Liz: Are you telling me Olson has intel on Anna McMahon?
Red: As I said, itās a win-win.
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[ The Post Office ] [ Liz briefs Cooper, Ressler and Aram, who is looking sullen ]
Cooper: Reddington wants the Task Force to go after a Blacklister who works with Anna McMahon when Anna McMahon is overseeing the Task Force.
Liz: I know. Itās tricky.
Ressler: The tricky part is knowing if weāre getting played. Figuring out if this Olson woman is involved in McMahonās plot against this country or whether Reddington just said that so weād have incentive to take out his competition.
Liz: Itās incentive enough for me. We are nowhere on figuring out what McMahon is doing. Sheās a top-level justice department official who has the ear of the President and is orchestrating a conspiracy so dangerous she had to hire a hit man to kill the people who found out. And she wanted Reddington executed. And despite all that, somehow sheās now our boss.
Cooper: Which is why we have to proceed with caution. Tell us about Olson. What do we know?
Liz: Well, for starters, her name isnāt Olson. No one knows her real identity, only that sheās a former Wall Street analyst who made a fortune doing quantitative risk analysis for private equity firms.
Ressler: She facilitated hostile takeovers.
Liz: In the aftermath of the 2008 financial meltdown, she re-emerged as a corporate raider for the criminal underground
āā
[ Video conference ]
Olivia Olson: What exactly is the problem?
Paul Halperin: Eikendoll. Sheās a competitor, and her new construction company is cutting into the Regal bottom line.
Olson: So you either want to remove her or destroy her.
Halperin: I want to do both.
āā
Liz: Her approach to the Collington police department is typical. She identifies vulnerable businesses and then target maps them until she knows every pressure point, which she then exerts to strip them of their assets or absorb them.
Cooper: Or, in this case, to sell out one cartel and pledge allegiance to another.
Ressler: Who happened to be her client.
Liz: Reddington says her clients range from a real estate developer in Boston, to a crime lord in Mumbai, to Ukrainian oligarchs. She commands a seven- or even eight-figure fee to help them expand into both criminal and legitimate businesses.
Aram: So she hurts innocent people. Just like Mr. Reddington. What? You know itās true.
Cooper: So, Olson. Whatās our way in?
Liz: Reddington says she has a meeting with a prospective client. He gave me a time and place.
Cooper: Get a tactical unit, put together a plan to interrupt that meeting, and bring her in.
Ressler: By taking her out, weāre helping Reddington extend his reach. Are you okay with us doing that?
Cooper: If it gets us closer on Anna McMahon, yes, I am. And the only way itāll get us closer is if we keep her from knowing what weāre up to. So no mention of her name to anyone. I donāt want McMahon to know weāre aware thereās any connection between her and Olson. Understood? Good ā roll out. Agent Mojtabai? A word.
āā
Cooper: The job requires a clear head and complete focus. I know thatās a lot to ask at the moment, but itās the bare minimum. If you canāt give it, you need to let me know.
Aram: I am focused, sir. Iām angry. But Iām focused. In ways I never thought possible.
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[ Long Island, NY ] [ Ressler and Liz wait in vehicle outside a warehouse ]
Ressler: Win-win? No. I didnāt sign up for a win-win. I signed up for win. Us winning. Not him.
Liz: Reddington always has an alternative agenā
Ressler: Heās not Reddington.
Liz: āThe only difference is that we actually know what it is this time.
Ressler: And that doesnāt bother you? That he didnāt even have to pretend anymore? That heās open about using us to make him rich? Look, I know you hoped that Iād be okay with us not pursuing who he really is, but Iām not.
[ A black sedan pulls up ]
Ressler: This must be the client.
Liz: Aram, we have a visual. Is everybody in place? [ To Ressler ] Weāre not done talking about this.
Aram: TAC unitās in place. Theyāre feeding us audio. Searching for CCTV feeds of the area now.
Cooper: Whatās going on?
[ Dembe and Red get out of the sedan ]
Liz: Reddingtonās the new client?
Ressler: So much for him telling us what his angle is.
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[ Dembe and Red enter the warehouse with guns drawn ] [ HINGES CREAK ]
āā
Cooper: I donāt care if it blows the op, I want eyes inside that building.
Aram: Still working on video.
Cooper: Keen, Ressler what are you seeing?
Liz: No more than you. Reddingtonās inside.
āā
[ Inside the warehouse, no people appear, just a laptop on a table ]
Olson: Hello, Mr. Reddington.
āā
Ressler: You hearing this? Thatās her.
āā
Red: Iāve never made a virtual acquaintance. I must say, it feels ā pornographic.
Olson: Well, an abundance of caution is an occupational hazard.
āā
Liz: It sounds like sheās on some sort of video feed ā
Aram: Which means sheās broadcasting to this location.
Liz: Can you trace it?
Aram: I can try.
Ressler: Yeah, well, try fast. Before Reddington double-crosses us again.
āā
Olson: How might I be of assistance?
Red: You convince people to change allegiances. Iām hoping to convince you to do the same. Iāll make it worth your while.
Olson: I doubt thatās possible.
Red: Well, I guess weāll see.
Olson: Who would you expect me to betray?
Red: Anna McMahon.
āā
Liz: What is he doing?
Ressler: Exactly what you wanted us to avoid.
Cooper: He better have a good explanation for why, or thereās gonna be hell to pay.
Aram: Okay, Iām not seeing anything matching this kind of video feed on any of the local towers.
Liz: Where else could it be coming from?
Cooper: A radio transmission?
Aram: Maybe. Maybe, but for a direct feed to be reliable, youād have to be close.
Liz: How close?
Aram: Uh, within 5 or 10 blocks of the receiver.
Cooper: So sheās nearby. How do we narrow that down?
āā
Olson: I donāt know how many times I need to say this for you to be convinced, but I have no ties to Anna McMahon.
Red: The NAFTA renegotiation. When the treaty went for Senate confirmation, the White House was one vote shy. Anna McMahon asked you to get it for them, and you did.
āā
Aram: Okay, okay, okay, she is transmitting a lot of data, so sheād have to use a high frequency.
Liz: How high?
Aram: Well, a lot of wireless cameras operate above 900 megahertz, likeā
Cooper: A police radio. Go to scan mode. Sweep the 900 megahertz spectrum.
[ RADIO FEEDBACK (Static) ]
āā
Olson: You overestimate my reach.
Red: And you underestimate mine. Youāre not the only one capable of drawing a heat map.
āā
Aram: Okay, all right, all right. I got it. 982.5. Whoa. Wait. Thatās weird.
Cooper: Whatās the problem?
Aram: I can see the signal strength, but itās not constant.
Ressler: Is there some kind of interference?
Aram: Uh, maybe, or sheās not stationary. I think maybe the signalās being broadcast from a moving vehicle.
āā
Olson: You reached out as a potential client. But I get the distinct feeling youāre more of a potential competitor.
Red: More of a successor, really. Youāve had a nice, long run. Iād hope to honor that by informing you of my hostile takeover in person. But perhaps this is best. Face to face, those conversations can linger uncomfortably. This way, we can simply disconnect.
[ Red slaps the laptop shut ]
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[ TIRES SCREECHING ]
Liz: Weāre headed north on Culver.
Aram: All right, the signalās getting stronger. No, hang on you overshot it. Uh, make a right.
[ TIRES SCREECH ]
Cooper: There. Youāre there.
Liz: Okay, what exactly are we looking for?
Aram: A van maybe? A small truck? Something with a visible antenna.
[ DISCORDANT RADIO FEEDBACK ]
Liz: Thatās it. Weāve got her.
[ TIRES SCREECH ]
āā
Mr Coleman: [ Driving Olivia Olsonās van ] Maāam. Weāve got a tail. Theyāre tracking the feed.
[ Olson turns off the feed ] [ BEEPS ]
āā
Aram: All right, she must have disconnected. I lost the signal.
[ TIRES SCREECH ] [ Ressler follows the van until heās cut off by a semi truck ]
Liz: Ressler!
[ Ressler tries to back up, but a second truck blocks him ]
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Olson: [ On phone ] You have a very powerful enemy.
Anna McMahon: Why? Whatās wrong?
Olson: Raymond Reddington.
McMahon: What are you talking about?
Olson: He asked me to betray you. And when I said I wouldnāt, I was chased by the police.
McMahon: I can make it go away.
Olson: [ SCOFFS ] You better. Or I may be forced to oblige Reddington. You may consider it a badge of honor to have him as an enemy. I donāt.
[ CELLPHONE BEEPS ]
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[ The Post Office ] [ Red and Dembe arrive in the elevator and head toward Cooperās office on the landing. Aram is coming down the stairs ]
Red: Aram.
[ Aram does not acknowledge him ]
Red: It will get better.
Aram: I know. Youāre gonna make sure of it.
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[ Red and Dembe enter Cooperās office ]
Cooper: You have a lot of explaining to do.
Red: Why is that? I led you by the hand to an elusive Blacklister, [ CHUCKLES ] and you let her get away.
Cooper: You hid the fact that you were the one meeting with Olson.
Red: I omitted it. Hiding implies I cared one way or another about you knowing. I didnāt.
Cooper: You told her about Anna McMahon. How could you do that? By now, sheās told McMahon weāre onto her.
Red: I certainly hope so.
Cooper: Thatās the last thing we wanted!
Red: Harold, sit. Take a breath. Smoke a cigar. Read some āCalvin and Hobbes.ā Whatever you do to relax, do it before you have an aneurysm.
Cooper: Please tell me why you think itās a good thing that the person weāre suspicious of now knows weāre suspicious of her.
Red: Anna McMahon is smart and cautious, and, try as we might, neither you nor I have been able to get the merest whiff of her plot against this country. I thought it best to force the issue. Let her know weāre looking, put her on alert, make her think twice, and in doing that, possibly, hopefully, cause her to make a mistake.
[ FOOTSTEPS APPROACHING, DOOR RATTLES] [ DOOR CLOSES ] [ Anna McMahon enters ]
McMahon: Exactly what part of āI run this Task Forceā do you not understand?
Red: Sometimes my grasp of human nature astonishes even me.
Ā
[ Cooperās office. Red sits next to McMahon across the desk from Cooper ]
Cooper: Let me say it back to you, see if I understand what you want ā a justification memo once Reddington gives us a case but before we start working on it, a real-time memo where we take time out from what weāre working on to tell you what weāre working on [ Dembeās CELLPHONE VIBRATES ] and a case file memo where we detail whatās in the case file, attached to the case file memo.
McMahon: Itās all about flow of information.
Cooper: Tell me, with all this information you want us to flow, when are we supposed to actually work?
Dembe: [ HUSHED ] Itās urgent.
[ Red motions Dembe away ]
McMahon: Everything you do is based on the instruction of a sociopath. So forgive me if I want input into whether or not we do as he says.
Red: Olivia Olson.
McMahon: Who?
Red: You donāt know her?
McMahon: Should I?
Red: She facilitates mergers and acquisitions for criminal clients across four continents.
Cooper: Sheās the latest Blacklister. If we capture her, we capture her files. A treasure trove of information about her clients and the companies sheās blackmailing on her clientsā behalf. Do you have a problem with that?
McMahon: Of course not. Just like Iām sure youāll have no problem sharing the captured files. If they do contain the names of her clients, Iāll want to assign agents to coordinate their arrest.
Cooper: Iāll alert you once we have them.
McMahon: Sounds like we agree. Excellent. Glad we had this talk. Director Cooper.
[ DOOR OPENS ] [ McMahon leaves ]
Cooper: That accomplished nothing. Except to bury me in paperwork.
Red: Patience, Harold. Weāre chumming the waters. Sooner or later, the big one will bite.
Ā
[ The common area of the Post Office ]
Ressler: Talk about dejĆ” vu all over again. Reddington misleads us, Cooper slaps his wrist, and life goes on.
Liz: Because he gives us high value criminals and it makes the world a safer place.
Ressler: Yeah, a fact Iād come to terms with before finding out that he was an imposter.
Liz: I know this is hard for you, but whoever he is, heās looked over me since I was a child. So if I can accept that his real identity is none of my business, I need you to accept that itās none of yours either.
Ressler: And if your motherās out there and she knows the truth?
Liz. Katarina Rostova framed my father for crimes he didnāt commit. Because of her lies, I grew up believing he was a traitor. If she is alive ā and thatās a big if ā she probably wouldnāt tell me the truth anyway ā even if she knew it. Look, I really think the best thing is to just let it go.
[ Aram walks over ]
Aram: Okay, so I was able to pull an image from a traffic cam at Culver and Talbot.
[ Aram shows them a grainy image of Mr Coleman ]
Ressler: You get an ID?
Aram: Not on the driver, but the trucks that cut you off were registered to Hammerstone Electric, which, uh, tells us nothing since I doubt you were attacked by a horde of angry electricians.
[ No one laughs ]
Aram: Right. One month ago, a private equity firm in New York bought up Hammerstoneās debt and shut them down.
Ressler: So we were attacked by a horde of angry MBAs?
Aram: And they were bought by Raincloud LBO, a New York firm specializing in hostile takeovers.
Liz: Olson.
Ressler: Well, it makes sense that she would have a company to front her transactions. Iām going to get a warrant.
[ Ressler leaves ]
Liz: [ To Aram ] Tonight ā You, me, and as many pitchers as it takes to thoroughly drown sorrows. Deal?
Aram: Well, I donāt normally drink, but under the circumstances ā sure.
Ā
[ A boardroom ]
Mitchell Young (Managing Partner of Raincloud LBO): Weāve been over this I donāt know how many times ā their leadership structure, their greenmail plan, the staggered board ā theyāre not vulnerable to activist investors.
Olson: [ On video ] And her personal life?
Matt Wall (Board member): Clean. Squeaky. Church on Sunday.
Young: Eikendollās untouchable.
Olson: I did have one other idea. Eikendoll just completed a new sky deck at the Alta Hotel. What if there was an incident?
Matt Wall: You wanna target public opinion.
Olson: The deck is cantilevered from the building on the 72nd floor using light gauge steel beams. My engineers insist that framingās more than sufficient as long as theyāre held in a vertical orientation. However, they also pointed out thereās a mechanical chase with gas and utility lines here on the 71st floor if, for some reason, that gas line were not properly installedā
Flashforward:
[ Workers led by Mr Coleman drill into the the structure of the cantilevered section and create a leak in the gas line ]
Olson: āIf corners were cut during construction, fumes would get trapped in that chase, all it would take is a pilot light from a furnace, an errant elevator spark any sort of combustion would blow the living hell out of that mechanical chase and comprise the bridging. Without proper support, the stress would cause the channels to twist and fall like dominoes.
Young: You wanna collapse the deck. Make it appear Eikendoll cut corners and crater public opinion. Force her to sell.
Matt Wall: Guys, these are peoplesā lives weāre talking about. Is this contract really worth that?
Olson: I hope that was a rhetorical question.
Ā
[ ELEVATOR BELL DINGS ] [ Ressler, Liz and other agents get out at the offices of Raincloud LBO]
Ressler: Ladies and gentlemen, FBI.
Liz: FBI. We have a warrant to search this building.
ā Please stand up.
ā Stop working.
Ressler: Stop what youāre doing. Step away from your computer.
ā Line up against the glass partitions.
Ressler: Agent Ressler. Iām gonna need a word with your Managing Partner.
ā Hands where we can see them.
[ A young office worker quietly makes a call to alert those in the boardroom ]
Eric: [ On phone ] We got a situation out here.
Young: What are you talking about?
[ Olson brings up surveillance feeds of the companyās offices ]
Olson: Itās the FBI.
Eric: They say they got a warrant.
Young: What do you want to do?
Olson: Weāre burned. Handle it.
Ā
Young: Agent Ressler? Mitchell Young. Iām Raincloudās Managing Partner. Whatās going on?
Ressler: Read the warrant. We have a court order to search.
Young: Search for what?
Ressler: Yesterday, vehicles registered to Hammerstone Electric were used to thwart an FBI pursuit. Your firm owns those vehicles.
Young: We acquired Hammerstone a few months ago, but we bought the company to sell its assets. If somebody stole trucks, thatās not our fault.
[ Other employees have put their hands up as instructed, but Liz sees Eric whispering ]
Liz: You. What is it?
Eric: What?
Liz: What are you trying to tell your friend?
Young: Um, Ericās my assistant. If you want to talk to him, youāreā
Liz: Eric, youāre what ā 20? 25? By the time weāre done here, you could spend at least that long in prison for any number of crimesā
Young: Eric ā
Liz: āincluding obstruction, securities fraud, aiding and abetting. So how about you help us out and tell us what you know?
Eric: Two floors up. Heilman & Main, CPA firm. Itās not a CPA firm.
ā Stay on him.
Ā
[ The boardroom ]
Ressler: FBI!
ā Hands! Hands!
[ DEVICE BEEPING ]
Ressler: Sheās wiping everything.
[ The video screen and all computer screens are going to static ]
Liz: Take it offline now. I said take it offline!
Matt Wall: I canāt. Itās a malware program originating from the host system.
Ā
[ Aram carefully leaves the letters to Ressler and Liz on their keyboards ] [ Red and Dembe walk in ]
Red: Youāve made a terrible mistake, Aram.
Aram: You took something precious from me.
Red: A mistake youāll have to rectify.
Aram: So I took something precious from you.
Red: I want my money.
Aram: When we were in Luxembourg, Dembe opened an account under your name at Banque Vertrauen. I kept a copy of the account-access fob we stole that day. It took you long enough to figure out what I did. Honestly, if you hadnāt walked in just now, I was thinking I was gonna have to tell you myself.
Red: Is this your idea of vengeance?
Aram: Not vengeance. Leverage. $60 million worth to get you to take me to Samar.
Red: No matter what happens next, this doesnāt end the way you think itās going to.
Aram: My bagās packed, my goodbye notes written. Iām ready to face the consequences either way. Are you?
Ā
Ressler: I want her name and location.
Mitchell Young: I donāt know her location. Nobody does. She doesnāt take meetings in person. Sheās never been here.
Ressler: Her name then. All right, what was on those computers?
Young: Thereās no point. Youāre too late to stop the attack.
Ressler: Attack? What attack? Whoās she planning to attack?
Young: No one here is gonna help you.
[ Liz walks over ]
Liz: Cyberās en route, but those drives are fried. Someone with a lot of skillās gonna have to put those pieces together.
Ressler: [ To Young ] All right, listen to me. Thereās an attack in motion, if people get hurt, youāre gonna be charged as a co-conspirator. You want that?
Young: What I want is a lawyer.
Ā
[ The galley of Redās plane ] [ Red pours himself some Scotch ] [ Dembe brings Red a cellphone ]
Red: Elizabeth.
Liz: We got a problem. We have reason to believe Olsonās planning an attack ā probably to leverage her next takeover victim.
Red: Whoās the target?
Liz: Thatās the problem. We donāt know who, where, or when. All we have are pieces of encrypted files from her servers. Cyber just showed up. Weāll send over whatever they decrypt.
Red: Have you reached out to Aram?
Liz: I tried him. He didnāt pick up.
āā
[ Red walks across the planeās cabin and sits across from ā Aram ]
Red: That was Elizabeth. She doesnāt know youāre gone. You didnāt say goodbye.
Aram: I told you. I left her a note.
Red: [ Drinks ] Mm. Ahh. [ INHALES SHARPLY ] Itās hard to leave people you care about. Or maybe you didnāt say goodbye because you donāt think thatās what this is. And if thatās the case, let me be clear ā If you become part of Samarās new life, Harold, Donald, Elizabeth ā youāll never be able to see them again. Never speak to them. Never be there for them when they need you.
Aram: Is that why Liz called ā because they need help?
Red: You running away will not take Samar off the Mossadās kill list. Theyāre counting on you to lead them to her ā which is why they bugged your apartment, phones, friends.
Aram: How do you know that?
Red: Because thatās what I would do. Itās why Dembe took an extra hour to get us to the jet ā shake off any possible tail. From now on, Aram, you call a friend or family, text, e-mail, insta-whatever, anything ā they will trace it to you, find Samar, ā and kill her. And yes. The Task Force needs help. To stop an imminent attack.
Aram: An attack? On what- whereā
Red: Doesnāt matter. Youāre out. Sit back, relax ā calculate the hourly interest youāre accruing on my $60 million.
Ā
[ INDISTINCT CONVERSATIONS ]
Woman: Mr. and Mrs. Eikendoll, Iām sorry to interrupt ā Iād like to introduce you to Michale Muhlbach. Michaleās the President of the Pratt-Wickler Foundation.
Caroline Eikendoll: Mr. Muhlbach, it is so lovely to meet you.
Muhlbach: I just wanted to say thank you for pulling the strings to get us into this space. Just stunning.
Roger Eikendoll: Actually, my wife Caroline is the CEO and brains of Eikendoll. Iām just the arm candy.
Muhlbach: Iām so sorry.
Caroline Eikendoll: Donāt be. The work Pratt-Wickler has done for Parkinsonās research is so admirable and so critical to so many people. Weāre just happy to be part of the solution.
Muhlbach: Thank you again. [ CHUCKLES ] Itās gonna be a fantastic evening.
Roger: Yes. Letās raise some money.
ā Cheers.
ā Cheers. Cheers.
[ āØGlasses clink āØ]
āā
[ Below the reception area ] [Clicking, GAS HISSING ]
Ā
[ Red is napping. Dembe walks over with a laptop, waking Red up ]
Red: [ GROANS ]
Dembe: The data from Elizabeth.
[ Dembe gives Red the laptop ]
Red: [ GRUNTS ] Mm.
[ Red grimaces at the computer screen ]
Aram: What is it code? Data? Is it encrypted?
Red: Youāre either in or youāre out.
Aram: [ Pause ] They canāt trace me to Samar until Iām with her. And I am not with her yet. This isnāt heaven or hell. Itās purgatory. And I can help from purgatory. So, please.
[ Red grimaces, presses a key gingerly ]
Aram: $273. Thatās the interest per hour on $60 million. $2.4 million a year, $6,575 a day, $273 an hour.
Red: At 4%.
Aram: I was being generous. The federal funds rate is 2.5.
[ Red drinks ] [ GROANS, INHALES SHARPLY ]
Red: Yes. [ GRUNTS ] And mine is 25.
Aram: 25? Percent?
Red: Which makes the hourly interest [ Squints ] $1,700 ā and $12.
[ GLASS CLATTERS ]
Aram: And if I solve the riddle?
Red: Iāll round it down to $1,700 ā Friends and family discount.
[ Aram types ] [ KEYBOARD CLACKING ]
Ā
[ The boardroom ]
Liz: Anything on the attack?
Ressler: Nothing. Tell me you got something off these drives.
Liz: Nothing concrete, strings of data. A few partial names. Some routing numbers to a bank in London.
Ressler: Are these blueprints?
Liz: Yeah, but we donāt know to what. It appears to be some sort of event space, but it could be anywhere.
Ressler: Well, her employees downstairs either donāt know or wonāt talk.
[ CELLPHONE VIBRATES ]
Liz: Tell me you know something.
Aram: I do. Um- Uh, that is- Uh, hi.
Liz: Hey. Aram?
Aram: Uh, Mr. Reddington showed me what you sent to him.
Liz: Uh, where are you?
Aram: Honestly? Uh ā I have no idea.
[ GLASS CLATTERS ]
Red: [ Loudly ] The target youāre trying to identify, we believe it may be in Manhattan.
Liz: Manhattan? What makes you think that? I-Iām putting you on speaker.
Aram: Okay, so a few of the broken code strands look like they may have been trying to overcome a firewall on CCTV cameras in Midtown, specifically 50th south to 38th.
Ressler: We have blueprints but just pieces.
Aram: Yes. Some of which were date-stamped as recently as last fall, so youāre looking for new construction.
[ Liz pages through images of buildings ]
Ressler: Go back, Keen. There, that tower.
Liz: There. Thatās it.
Ressler: Itās the Alta Hotel in Midtown.
Liz: Aram, youāre the best. Tonight the pitchers are on me.
Aram: Um, actually, Lizā [ BEEPING ] Agent Keen?
Red: [ Looks at his watch ] Another hour in purgatory.
[ GLASS CLATTERS ]
Ā
[ The reception room on the cantilevered skydeck ] [ APPLAUSE ]
Caroline Eikendoll: Thank you, thank you, thank you, thank you. Thank you. When I first started Eikendoll Construction, people told me it couldnāt be done. That the contracting business was a boysā club, and that I would be devoured. [ LIGHT LAUGHTER ] But the business is thriving, and this beautiful property is proof of that. I proved them wrong. But when my brother, Todd, was diagnosed with Parkinsonās eight years ago, I was forced to re-evaluate things. I still care about the bottom line ā only now the bottom line I care about is finding a cure for Parkinsonās. And once again, the doubters are saying it canāt be done. Which is why are here tonight. To prove them wrong again. [ APPLAUSE ] So- So open your hearts and open your wallets, and however many zeroes you were planning on putting on that check, add two more [ Laughter ], because thatās how much finding a cure matters. Thank you so much.
ā Amazing turnout.
ā Great work.
Caroline Eikendoll: Thank you so much for being here.
Ā
[ TELEPHONE RINGS ]
Cobb: This is security, Cobb speaking.
Liz: Mr. Cobb, Elizabeth Keen, FBI. We have a credible threat that your building is the target of an attack.
Cobb: What kind of an attack
Liz: You need to evacuate immediately. Do you understand? NYPD is en route, we need everyone out.
Ā
[ The reception room on the skydeck ]
Muhlbach: Treatments have long focused on symptom management, but effective methods for early diagnosis are now a reality. Already, new tests can detect abnormal alpha-synuclein in patients at an earlyā
Security Officer: Miss Segers? Weāve got a situation. We need to clear the space now. Everyone out.
āā
Cobb: Our security office is ahead. Down the hall and to the right. Do we know what kind of threat weāre looking at?
Liz: Weāre not sure yet.
Ressler: Sound the fire alarms and run your evac plan.
āā
[ š„š„Explosionš„š„ ] [ RUMBLING ] [ SHOUTING ]
āā
Ressler: Iām going up top.
āā
[ Smoke šØblasts outšØ the windows of the skydeck ]
[ ALL SHOUTING ] [ People running ]
āā
[ Ressler runs up the stairs ]
Ressler: I got a 10-72! I need fire and paramedics on site!
āā
Caroline Eikendoll: Roger? Whereās Roger? Where is my husband? Where is Roger?!
āā
Ressler: Hey! You know where the blast came from?
Security Officer: Donāt know. Below us, I think. Iām trying to get answers now.
Ressler: We need everyone out.
[ CLATTERING ] [ The beams give way and the floor of the skydeck š„collapsesš„ ]
[ ALL SHOUTING ] [ SCREAMS ]
Ressler: Get out! Move! Get out!
[ SCREAMS ] [ Caroline Eickendoll is thrown out and is holding on to a piece of steel rebar protruding from the building ]
Ressler: Iām gonna get you out of there. Just hang on, all right?
Caroline Eickendoll: I canāt hold on.
Ressler: Give me your hand.
Caroline Eickendoll: I canāt- I canāt let go!
Ressler: Come on. You can do this. Look at me. You can do this. Just give me your hand. Come on. Release that and give me your hand. Come on. Do it now. Come on!
Caroline: [ SCREAMS ]
[ The rebar breaks just as she grabs Resslerās hand. He starts to pull her toward him ]
Ā
[ Olivia Olson is in a car ]
Olson: [ On phone ] I just got word the Feds have Mitch Young in custody. We need to call it off.
[ Coleman is at street level by the building ]
Coleman: Call it off? Itās already done.
Olson: The police know?
Coleman: Which means it wonāt be long before they connect this back to you if they havenāt already. You need to get out of town now.
Olson: I canāt. The servers.
Coleman: Iāll handle the servers. Just get out before itās too late.
Ā
[ Nearby, Mr and Mrs Eikendoll talk to Ressler ]
Liz: Ressler!
Ressler: NYPDās still trying to account for everyone, but M.E. says we lost six.
[ Coleman walks by. Liz recognizes him from the grainy photo of the driver of the van ]
Ressler: Keen, what is it?
Liz: FBI! Stop!
[ Ressler catches Coleman ]
Coleman: [ GROANS ]
Ressler: Talk. Now.
Ā
[ The server room ] [ DOOR SLAMS OPEN ] [ The room is vacant but all the displays are live so the server is still up ]
Ressler: Sheās gone. Must have knew we were coming.
Liz: Yeah, well, thisāll come in handy.
Ā
[ Redās plane ]
Dembe: Edward says weāre landing in 20 minutes.
Aram: So. Where are we?
Red: Why donāt we just wait and see?
Aram: You know, I do understand why Samar didnāt say goodbye. And I can accept why you helped her avoid that. But I couldnāt accept that we werenāt gonna be together.
Red: Samar accepted it. She engineered it.
Aram: Sheās wrong. She thought Iād resent caring for her as her condition worsens. I wonāt.
Red: Iāve made many difficult choices in my life. Choices that at one point or another have brought pain and sorrow to everyone I cared about. Thatās a heavy burden to bear, even if the path one chooses is the only one in sight. Itās the burden Samar now bears. She didnāt leave because she thought you would come to resent her. She left because she saw no other path. Sheās a target. And if she was in your life, youād be a target, too. So she left. Allow her to believe she did the right thing. If you go to her, sheāll just have to leave you again. Donāt make her burden heavier than she can bear.
Aram: Samar is the strongest person I know.
Red: And yet she didnāt have the strength to say goodbye to you. You are more powerful than you know, Aram. Use it wisely.
Ā
[ Cooperās office ] [ FOOTSTEPS APPROACHING ]
Anna McMahon: I understand you lost Olson.
[ DOOR CLOSES ]
Cooper: To summarize the case file memo Agent Resslerās working on that will summarize the case file Agent Keen is preparing ā yes, we did.
McMahon: And her files?
Cooper: We recovered Olsonās hard drive. Our cyber unit is in the process of transferring the data over to members of your staff. If there are any actionable cases, youāll be able to refer them to the proper authorities.
McMahon: Excellent. Perhaps our inter-agency cooperation wonāt be as difficult as I imagined.
Cooper: It shouldnāt be. We all want the same thing.
McMahon: You and I do. But I doubt Reddington does. For example, with Olson, did he tell you why he put her on the Blacklist?
Cooper: No.
McMahon: Nothing?
Cooper: Your guess is as good as mine.
McMahon: Well, I guess Iāll go look at the files. And like I said weāre off to a promising start.
Cooper: Yes, I think so, too.
Ā
[ Lizās office ]
Liz: [ SIGHS ]
[ Liz reads Adamās letter ] [ PAPER RUSTLES ]
[ Aram enters ]
Aram: Uh, yeah. Uh, about that ā
Liz: Hey!
Aram: Hey.
Liz: I thought you said you were going to be with Samar.
Aram: I was. I mean, uh, well, thatās where Mr. Reddington was gonna take me when- when you called.
Liz: And did you see her?
Aram: No. And Iām not going to. I went because I love her. And I came back because I realized the best way to love her is to honor her wishes.
Liz: That couldnāt have been an easy decision to make.
Aram: It was not. Or a cheap one. I owe Mr. Reddington $56,100.
Liz: What? Why?
Aram: I will explain over drinks. If youāre still up for going out. And- And paying.
Liz: You bet. Uh, just let me finish this case report.
Aram: Take your time. I got to run home and talk to someone first.
[ Gregory Alan Isakovās āŖ āAll There Isā plays ]
āŖ All the lights have changed
Coming back into the city
Driving homeward slow
Ā
[ Ressler gets off the elevator ] [ CELLPHONE RINGS ]
Ressler: Donald Ressler. Oh, hey, MJ, thanks for returning my call. Uh- Listen, [ SIGHS ] I understand that you, uh, ran point for the Agency back when Langley was hunting Katarina Rostova. I was wondering if I could pick your brain about what you found.
āŖ Out of this blue Sunday dream
Come to me with your smoky mouth
Ā
[ Cooper gets into Redās car ]
Cooper: McMahon took the files. Reviewed them herself, then kicked the ones with actionable intel back to her staff to pursue. All but one.
Red: Any chance she knew youād made copies before giving her the hard drive?
Cooper: None. She assumed she had them all to herself. So the one she kept back is the one she didnāt want anyone to see.
Red: [ Reads ] āThe Third Estate.ā
Cooper: Mean anything to you?
Red: Yes. Itās a reference to the French Revolution. It means āeveryone else.ā The 99%. It also means McMahon used Olson to pressure the Third Estate into helping McMahon carry out her plot against the United States. You have your first lead, Harold. Congratulations, and youāre welcome.
Ā
This is all just in our minds
Honey, would you mind
Getting out of mine?
[ Aramās apartment ] [ He looks at a mini-video camera on a clock mounted on the wall ]
Aram: Can you hear me? I know youāre listening.
Well, now itās screaming red
Aram: Watching me.
Watching the leaves fall down
Aram: Hoping I might go to her ā
And laugh at us instead
[ The video of Aram as seen by those bugging him ]
Aram: ā but I wonāt.
Mm-mm-mm-mm
Aram: Do you hear me?
Mm-mm-mm-mm
Aram: Sheās gone. Sheās really gone.
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Episode Songs
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ā« All There Is
By Gregory Alan IsakovāŖ How the lights will change
Coming back into the city
Driving homeward slow
Shimmer like you do to me
We laugh at all those changing trees
Autumn is falling down again
Out of this blue Sunday dream
Come to me with your smoky mouth
Raindrops fall on this old town
Itās been me and youāve been falling round
Well I lied to you when I knocked upon your door
See I was nowhere near your neighborhood
But if this all in our mind
If this is all just in our minds
Honey would you mind
Getting out of mine
This is all just in our head
And now itās screaming red
Watching the leaves fall down and laugh at us insteadLyrics and Credits: http://bit.ly/2YS1Zdg
YouTube: https://youtu.be/64VfGGxY3Kc
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ā¬ļø go to start of 6:15 Olivia Olson
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āāā End 6:15 Olivia Olson
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š“ Script 6:16 Lady Luck (ā 69)
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Program air date: 4/12/2019 in the US
Full Script Permalink: https://wp.me/pDKwi-9rf
Entertainment Weekly Recap: http://bit.ly/2G0brmx
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Director: Bill Roe
Written by: T Cooper, Alison Glock-Cooper
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ā Script 6:16 Lady Luck (ā 69)
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Brief (Where weāre at): The case of Olivia Olson (Blacklister #115) has given The Reddington Task Force its first lead on the plot by DOJās Deputy Attorney General Anna McMahon (and even the President, Robert Diaz) against the interests United States. Red gave the task force the case to get access to Olsonās case files for Cooper, but also to take out some of his own competition, since Olson specialized in identifying criminal enterprises ripe for hostile takeovers. The operation worked and the task force broke up Olsonās business. As Red surmised, Olson had McMahon as a client. Since McMahon now supervises the task force, Cooper handed over to her Olsonās case files but ā unbeknowst to her ā kept a copy. When McMahon returned the file, there was one case missing, titled āThe Third Estate.ā
Red: Itās a reference to the French Revolution. It means āeveryone else.ā The 99%. It also means McMahon used Olson to pressure the Third Estate into helping McMahon carry out her plot against the United States.
Meanwhile, Red was able to convince Aram that Samarās leaving was in her and his best interests, though painful. But Aram owes Red $56K+ for the interest Red charged him for stealing $60M of his from the Bank Vertrauen in Luxembourg. (Aram had hoped to use Redās money as leverage to get Red to take him to Samar.)
Ā
[ A shipping depot ]
[ Men are ARGUING IN NATIVE LANGUAGE (Nigerian, Albanian) ]
[ Red and Dembe get out of a car ]
Red: [ WHISTLES ] Hey! Guys, come on. Guys. Letās just simmer down.
[ ARGUING STOPS ]
Red: Whatās the problem here?
[ ARGUING RESUMES ]
Dembe: You see what I mean?
Red: [ LAUGHS ] What are they fighting about?
Dembe: Itās the first shipment of a $3-million order. Thereās a dispute over some doctored shipping manifests that are missing.
Red: Who was in charge of the manifest?
Dembe: Henry Morris. He works for the Department of Transportation.
Man: Henry!
Red: The one with the gambling habit?
Dembe: The same.
Red:: Didnāt we square his debt, get him some kind of help or something? Where the hell is he?
Dembe: Not answering.
[ GUNS COCKING ]
Red: Hey, hey, hey, hey, hey, hey! Oh. All right. Hey, hey. Come on. Come on, come on. Guys, put the guns away. Put the guns away. Come on. Itās just a bunch of TVs. [ LAUGHS ] Thereās plenty more where they came from. Dembe, letās see if we canāt drum up a few bottles of arak.
ā Arak.
Red: Yeah, there we go. All right.
Ā
[ Henry Morris sits at a bar in Atlantic City NJ playing cards on an electronic screen ] [ BEEPING ]
[ Sad music plays ]
āŖ Life seems lonely
And Iām by myself
[ An elderly woman sitting next to him speaks up ]
Agathe Tyche: Canāt be all that bad, can it?
Henry: Bad?
[ Bartender pours ] [ LIQUID POURING ]
Henry: How about my savings, my house? And my wife has no idea.
Agathe: Youāll think of something, Henry.
Henry: Howād you know my name?
Agathe: I know all about you. The default on your mortgage, the credit cards. Oh, not to mention what you owe Tony and the boys in Boston. Heck, they havenāt forgotten.
Henry: Who the hell are you? Who told you that?
Agathe: Oh, thatās not important. You know what is important? Luck. And yours just changed.
Henry: Iām supposed to be somewhere.
Agathe: No. Henry. Youāre meant to be right here. With me. And all you have to do is make one more bet. This time on yourself.
Ā
[ The shipping depot ]
Red: Thank you, boys. Thanks, guys. There really is no misunderstanding that a bottle of arak canāt cut through.
[ SPEAKING NATIVE LANGUAGE ]
[ CELLPHONE RINGING ]
Dembe: Itās him.
Red: [ On phone ] Henry. Five Albanians and four Nigerians walk into a shipping depot. There is no punch line. Where the hell are you?
Henry: Iām sorry, Red. I am. But I ran into some trouble, I lost some money.
Red: You were gambling today?
Henry: No. I mean, yes, I was, but I-I got it handled. She came to me. My miracle. We made a deal.
Red: What are you talking about? Who came to you? I needed you here.
Henry: I have to take a trip, but I swear, Red, things are turning. Iāll be a new man. Luckās finally on my side.
[ PHONE BEEPS ]
Dembe: Something wrong?
Red: Iām afraid our friend Henry was paid a little visit by Lady Luck.
Ā
[ Ressler walks through a woods with MJ Ward of the CIA ]
Ressler: Thatās it. Thatās all the CIA has on Katarina Rostova.
MJ Ward: Well, hunting for spies who didnāt come in from the cold after the Cold War isnāt exactly a priority.
Ressler: Anton Velov claimed that she was seen at the Cross Sound Ferry Terminal two weeks after her alleged suicide.
MJ: Yeah. Claimed, not proved. The ferry requires reservations, so if she was on it, her name would be on the manifest. And it wasnāt.
Ressler: Thereās no copy of the manifest in here.
MJ: Had to be a gut punch. Hunting Reddington all those years, only for him to get caught and escape all over again. I mean, thatās what this is about, right? Finding Rostova to find Reddington?
Ressler: Raymond Reddingtonās gone. No oneās ever gonna find him.
MJ: Then who are you looking for?
Ressler: MJ, I need a copy of that manifest.
Ā
[ Redās plane ] [ ENGINES IDLING ]
Smokey: Itās all arranged. You got locations in St. Louis and Denver. Secure, private, safe.
Red: Thank you, Smokey. You can give the addresses to Dembe. Heāll alert the unfortunate guests.
Smokey: Why unfortunate?
Red: While I was in prison, certain people in my organization took it upon themselves to do a little freelancing. Others attempted to move against me. In the time since that regrettable chapter ended, Iāve determined who the Benedict Arnolds are and will be confronting them about it at the locations youāve secured.
Smokey: [ SCOFFS ] The opportunities you give people. This is what some of them do? Bite the hand like that? Ooh. Eaz-I d-eaz-onāt kn-eaz-ow wh-eaz-at t-eaz-o s-eaz-ay.
Red: Iām sure youāre not really surprised by how few people I can trust.
Smokey: You can count on me, 100%. [ FINGERS SNAP ]
Red: That means more than you know, Smokey.
Smokey: Those people who turned, just how unfortunate are they gonna be?
Red: Iāll know when I see them. Ultimately, everyoneās fate is negotiable. Except the person who turned me in. Whoever they are, their fate is sealed.
[ Liz enters ]
Red: Elizabeth! A warm light in an otherwise dark and gloomy day.
Liz: Are you coming or going?
Red: Going. On a West Coast swing to Los Angeles. We have a few stops along the way, so Iām a bit pressed for time. [ Motions to Smokey to leave ] If you donāt mind ā
Smokey: Right. Whatever you ask. Dembeās teaching me backgammon.
Red: Iām sorry to rush to the point, but I need your help. An associate has had a sudden and startling stroke of good fortune.
Liz: A-And thatās a bad thing?
Red: Imagine gambling away your mortgage, facing financial ruin because youāre addicted to chance. And then imagine, in that moment of anguish and desperation, youāre offered salvation ā erase your debt, keep a roof over your familyās head. Would you take it?
Liz: Whatās the catch?
Red: No catch. A bet. On yourself. A dance with Lady Luck.
Ā
[ The Post Office ]
Cooper: Lady Luck.
Liz: An urban legend that Reddington claims is all too real. A Blacklister who serves up salvation in one hand and damnation in the other.
Ressler: So, whatās the bet?
Liz: Reddington doesnāt know, because no oneās lived long enough to say.
Cooper: And this Lady Luck, sheās propositioned an associate of his?
Liz: Yes, someone Reddington claims has done business with the Third Estate and may be able to tell us about their plot against America.
Cooper: Maybe.
Ressler: Which means maybe not.
Cooper: Tell us about this friend.
Aram: All right. His name is Henry Morris. He lost $3,400 last night in Atlantic City. And based on bank records, over the past two years, heās lost $196,000.
Ā
Henry: [ On phone ] Iām not sure I can do this.
Agathe: We made a bet, Henry. You win, you get $200,000. You lose, your family gets evicted. Are you calling to say you lost?
Henry: No. Iām justā Iām not sure.
Agathe: Well, get sure. Iām married to a loser, Henry. Trust me, itās a fate worse than death.
[ PHONE BEEPS ]
Ā
Aram: Henry Morris left the casino at 4:18 a.m. Hasnāt been seen since.
Cooper: Could be heās running from people he owes money to.
Liz: Or maybe Lady Luck convinced him to gamble with his own life.
Cooper: Letās start there. Go talk to his wife. Letās see what she can offer.
Ā
[ Henry Morrisās home in Baltimore MD ]
Theresa Morris: Missing? Henry isnāt missing. He called a few hours ago from Pennsylvania. Had to stay a little bit longer for work, is all.
Ressler: Mrs. Morris, are you aware that your husband was let go by the city two months ago?
Theresa: No. He has worked there for two years. Heās in Allentown on a work trip as we speak.
Liz: This is a screen capture from a CCTV camera in Atlantic City. Apparently, he lost pretty big there.
Ressler: Over 3 grand last night.
Theresa: No, no, no, no. He lost everything before, before we were married and once after. I thought maybe heād beat it. He pawned my engagement ring. It was my grandmotherās.
Ressler: Maāam, if your husband calls again, weāre gonna need your help.
Ā
[ Betsy Nagel is taking a bath. Her small dog is in the bathroom with her ]
[ Lonnie Doneganās āŖ āGamblinā Manā plays ]
āŖ Iāve gambled down in Washington
And Iāve gambled up in Maine
[ THUMPING ]
āŖ Iām goinā down nto Georgia
[ DOG BARKING ]
āŖ To knock down my last game
Betsy Nagel: What is it, Mimi? Hello?! Is there somebody there?!
[ BARKING ]
āŖ Iām a gambling man
Betsy: Hello?!
[ The door ā”ļøcrashesā”ļøopen. A man wearing a ski mask enters ]
Betsy: [ GASPS ] No!
[ Tempo quickens ]
āŖ A gambling man, man, man,
A gambling man, man, man
A gambling man, man, man,
Iām a gambling manāŖ Iām a gambling man, man, man,
A gambling man, man, man
[ The man struggles with Betsy. He prevails, holding her under the water until she drowns ]
[ DOG YELPS ]
āŖ A gambling man, man, man,
Iām a gambling manāŖ She took me in her parlor, cooled me with her fan
She said, āOh, mother, mother
Iām in love with a gambling manā
Heās a gambling man, man, man
Heās a gambling man
[ The man removes his mask. It is Henry Morris ]
āŖ Heās a gambling man, man, man
A gambling man, man, man,
A gambling man, man, man
Ā
[ The site of the drowning is now a crime scene ] [ CAMERA SHUTTER CLICKS ] [ INDISTINCT CONVERSATIONS ] [ Ressler enters ]
Ressler: Detective Evers? Donald Ressler, FBI. We spoke on the phone.
Detective Evers: Right. You put out an APB looking for our unsub .
Ressler: We did. What do you have?
Detective Evers: From last night, we pulled this off a security camera from a liquor store two blocks from here. His clothes match an image of the perp caught on the buildingās CCTV. My guys think the scene was staged to look like a robbery gone wrong. What can you tell us about this guy?
Ressler: Not much. Missing person. We actually thought he was the one in danger.
Detective Evers: Yeah, well, when you find your missing person, give me a call, because heās wanted for murder.
Ā
Henry Morris: [ On phone ] Tea! Itās so good to hear your voice.
Theresa Morris: [ SHAKILY ] Henry, whatās going on?
Henry: I got so much I gotta tell ya. Our troubles are over, Tea. Weāre gonna make a fresh start, you and me. Your old man finally took care of business.
[ The task force is recording the call ]
Henry: Letās meet, all right? 11:00 a.m. tomorrow at the playground. You know the one.
Theresa: Yeah, okay. 11:00 at the park.
Henry: I-I got something for ya. Something I owe ya. All right. I gotta go. I love ya. Iāll see you at 11:00.
[ PHONE BEEPS ]
Ressler: You did the right thing.
Ā
[ St Louis MO ] [ A commercial kitchen. Red is slicing red bell peppers with a large chefās knife ]
[ SIZZLING ] [ Dembe pats down Carlo Androssani ]
Carlo Androssani: [ CHUCKLES ] Red? Youāre a sight for sore eyes, my friend. W-When you got captured, I thought Iād never see you again.
Red: Is that why you took advantage?
Carlo: Advantage? You- You were in custody. You were on trial. You were on death row! And who survives that?
[ Red skewers a slice of pepper with the knife and holds it out to Carlo ]
Red: Pepper?
Carlo: Thanks.
Red: Carlo, I didnāt bring you here because you stepped out while I was otherwise engaged. Youāre here because I want to know whether you were simply pressing your advantage or whether you were the one who created the advantage in the first place.
[ Red swashes the knife ]
Red: Iām gonna ask you one time, and I want a simple yes or no. Did you turn me in to the police?
Carlo: No. 1,000 times no. Never.
Red: [ Pause ] 10 percent. Going forward, youāre gonna need to kick in an extra 10 percent. A tax for underestimating me.
Carlo: You know, Red, that doesnāt seem fair. You were in cuā
Red: You know what, Carlo? Youāre right. Make it 15%. Any objections?
Carlo: No, no. 15 percent is completely fair, Red.
Ā
Aram: The woman Henry Morris killed in the bathtub was Betsy Nagel. Two weeks ago, she posted on her social media that she was #GratefulToBelnRecovery.
Cooper: Recovery from what?
Aram: Well, in that same post, she shared a link to a website for G-A-R-T. Itās a support group for āgambling, addiction, recovery, and therapy.ā
Liz: She was a gambler, too.
Aram: With multiple online poker accounts all linked to her credit cards.
Cooper: She was in debt.
Aram: Actually, not anymore. All of the gambling sites have been paid off and her accounts are all deactivated.
[ An Agent walks up with a large manila envelope ]
Agent: This came for Agent Ressler.
Liz: Heās in interrogation. Iāll take it.
Agent: I was told itās about a case heās working on.
Liz: Itās okay. Weāre working on the same case.
Cooper: Could she be connected to Morris through poker sites?
Aram: Well, I havenāt found an online identity associated with Morris in any of the chat rooms, and there wasnāt anything virtual about his debt.
Liz: Maybe Morris and Nagel were in recovery together.
[ Liz opens the file for Ressler and registers annoyance ]
Aram: Iāve searched everything. There is nothing these two people shared beyond their history of gambling.
Cooper: Keep looking. Find a link a mutual acquaintance, a restaurant they frequent, a connection.
Ressler: Theresa Morris just hung up with her husband. They set a meet for tomorrow at 11:00 a.m.
Cooper: Get a team together. Letās see if we can get a confession on tape.
Ā
[ Liz confronts Ressler ]
Liz: I thought we had an agreement.
Ressler: An agreement? What agreement?
Liz: CIA documents from the Russia desk? Some kind of passenger manifest from ā91? [ Shoves him ] Youāre looking for my mother.
Ressler: Keen, listen.
Liz: I told you, Iām not interested in digging this up, and Iām certainly not interested in you digging this up.
Ressler: Keen, if youād let me finish. This was in motion long before you and I spoke. I requested this file weeks ago, and it took this long. Look. Itās nothing. [ He tosses the file in the trash ] All right? ā See?
Liz: Thank you.
Ressler: We good?
Liz: Iāll call in the surveillance op.
[ After Liz leaves, Ressler eyes the file in the trash ]
Ā
[ A self-help group for gambling addiction is in session ]
Ned Green: Megan Marie. Sheās our eldest. And she got her acceptance letter last week in the mail. And [ LAUGHS ] Youāve never seen a kid smile so big. [ CHUCKLES ] No matter how bad things are, my world just lights up when that kidās happy. [ CHUCKLES ] Itās, umā Itās Middlebury College. And now she canāt go because, um, I lost her tuition money at the track. And, umā And I havenāt told her yet. I mean, how can I tell her? Iām not gonna break her heart. [ CRYING ] Let her know what kind of man her father really is. [ INHALES SHARPLY ] I would do anything to make this right.
[ Agathe Tyche is seated some distance away, listening ]
Ā
[ SIGHS ] [ OWL HOOTING ] [ ENGINE IDLING ] [ Ned Green sits in the front seat as carbon monoxide begins to flood in ]
On car radio:
āŖ Here, take my heart
On a silver platter
[ Agathe gets in and SHUTS OFF ENGINE ]
Agathe: Really, Ned? This doesnāt look like a solution to me. Most insurance policies donāt even cover suicides.
Ned: Who the hell are you? How did you get in here?
Agathe: You want to go to Megan Marieās college celebration, donāt ya, like a good father should?
Ned: How- How did you know about that?
Agathe: I know lots of things. I know you gambled away Meganās tuition. And I know about the bookies and the dodgy loans, not to mention the damn Lakers neglecting to cover their spread.
Ned: Youāre a debt collector.
Agathe: Of sorts.
[ DOG BARKING IN DISTANCE ]
Ned: I got nothing left to give.
Agathe: Oh, donāt sell yourself short. Youāve got you. But tell me, do you have the courage to make one more bet? This time, on yourself?
Ā
[ A bar off-hours in Denver CO. Red stands behind the bar mixing drinks ]
Smokey: So, whoās the next unfortunate?
Red: Martin Walcott. Do you know him?
Smokey: Walcott? No, I donāt think so. Whatād he do? Skim off the top while you were away?
Red: On the contrary. He recorded record profits.
Smokey: So whatās your beef?
[ Walcott enters ]
Walcott: Raymond! Itās been too long.
Red: Martin Walcott, Smokey Putnam.
Smokey: Yeah, nice to meet you.
Walcott: I brought the book. I figured youād want to go over the numbers.
Red: Smokey used to run with the circus. Handled logistics. Trains in, trains out. Iām surprised the two of you havenāt crossed paths. Iām just a sideshow for Martin. Heās a senior VP at a railroad that runs freight between New Mexico and Illinois.
[ Red looks through the book of accounts Walcott brought ]
Smokey: That a fact? Yeah, Iām surprised we never hooked up.
Red: Let me ask you something, Martin, and I want a simple yes or no.
[ BOOK CLOSES ]
Red: Did you turn me in to the police?
Walcott: Red, what? No! Of course not. Why would you ever ask me that?
Red: Because thatās an awfully big number. And the only way you couldāve hit it was if I was in prison.
Walcott: I thought youād be pleased.
Red: Did you? I donāt think so. If you thought Iād be pleased, the book would reflect how you hit the number. But it doesnāt do that, does it? Itās a big number because you cut a deal with the Catela Cartel to run methamphetamine. You used my network, my trucks, my drivers, my warehouses.
Walcott: If youāre not gonna be in the drug business, somebody else will be. Itās not like weāre gonna stop it from coming in, right?
Red: [ CHUCKLES ] Iām not in the methamphetamine business. Itās a poison. You traded on my name. Iām a relatively forgiving man. But that ā that, I canāt forgive.
Walcott: Red. Hold on, hold on. I thought that youā
Red: [ To Smokey ] What do you think?
Smokey: Me?
Red: Yeah. What do you think I should do with Martin? Iām curious.
[ Red mixes a drink ]
Smokey: I donāt know. I-I guess [ CLEARS THROAT ] On one hand, he kind of betrayed you. I say ākind ofā because when you were in prison, maybe he was thinking, in that situation, he had some latitude.
Red: You said, āOn the one hand.ā Is there another?
[ ICE RATTLING ]
Smokey: Yeah. No, of course. I mean, look, I never killed anyone. When it comes to people, Iām vegan. [ LAUGHS nervously ] So if it was up to me, ā and- and letās all reflect on how awesome it is that itās not ā but if it was, I guess Iād opt for firing him. Or fining him, like you did with Androssani. I mean, both these guys are family guys. Androssaniās got a wife. Heās got a kid. So, you knowā Anyway, thatās why you do the strategic thinking and I stick to logistics.
[ CUPS RATTLING ] [ ICE RATTLING ]
[ Red pours liquor into a glass ]
Red: G. Gordon Liddy was an architect of the Watergate break-in. A strident true-believer who trained himself to be unemotional about doing terrible things. Heād literally test himself by fire.
[ MATCH STRIKES ] [ Red lights the spirits on fire š„ ]
Red: Holding his hand over a flame without flinching as his flesh burned. People thought it was a trick. He said the trick is not minding.
[ Red holds his hand over the flame for about five seconds ]
Red: Ahh. [ INHALES SHARPLY ] I mind. [ BLOWING ] I mind. [ BLOWING ]
[ Red draws his gun and shoots Walcott š„š„ ]
Red: [ Drinks ] Mmm.
Ā
[ Henry meets Theresa at the playground as planned ] [ INDISTINCT CONVERSATIONS ]
[ Ressler and Liz watch from a distance ]
Henry: You got no idea how much I missed you, Tea.
Theresa: Whatās going on?
Henry: You gotta know, everything I did, I did it for us.
āā
Ressler: Keen, you getting this?
Liz: Every word. Tango Team, the minute you get verbal confirmation, move in. Assume heās armed.
Woman: Copy that.
āā
Henry: I made us square. Thereās no more debt.
Theresa: But how?
Henry: Weāre gonna be able to pay off all of our loans. And we- we can start over. Weāll go somewhere else. Weāll go somewhere warm.
āā
Ressler: Keen, heads up. We got a white male near the playground.
Liz: You think his wife tipped someone?
Ressler: Or Morris brought a plus-one. Iām gonna check it out.
āā
Henry: I stopped by the pawn shop.
Theresa: If youāve done something illegal, you need to tell me, please.
Henry: I have something for ya.
[ Henry holds out Theresaās ring that he got back from the pawn shop ]
āā
[ The white male is Ned Green from the self-help meeting. Ressler sees he has a gun ]
Ressler: [ To Liz on comms] Weāve got a gun. ] FBI! Stop!
Liz: FBI! Hands!
[ Ned shoots š„ Henry in the shoulder. Ressler shoots š„ Ned in the leg ]
[ THERESA SCREAMS ]
Ressler: Put it down, put it down! Donāt move!
Liz: Henry Morris, youāre under arrest for the murder of Betsy Nagel.
Henry: [ To Theresa ] Iām so sorry.
Theresa: [ CRYING ] Henry, what have you done?!
Ā
Ressler: [ On phone ] I went over the manifest, and I think I found something.
MJ: Iām glad to hear it, Don, but Iām in the middle of a big briefing here.
Ressler: Dead or alive, everyoneās accounted for. Except one.
MJ: Then you need me because?
Ressler: Because that one person doesnāt exist before buying a ticket for that ferry. Everything about her ā credit rating, social security, mortgage payments ā it exists only after she bought that ticket, not before.
MJ: Seriously, I am in a room full of people waiting on me to give a threat assessment.
Ressler: Itās important, MJ. I need your help. Itās also off-book, so Iām gonna have to farm out the legwork. If I send you what I have, can you do the due diligence for me?
MJ: Itās gonna cost me, but for you, Crimea can wait.
Ressler: I owe you, pal. Thanks. [ BEEP ]
Ā
[ Elevator doors opening ] [ DOOR SLIDING ] [ Ned Green is brought out, limping ]
Ned Green: This bandage isnāt enough. I-I really need to go to a hospital.
[ Ressler interrogates Ned ]
Ressler: Not until you answer my question.
Ned: Look, I donāt know how to find her.
Ressler: Because she came to you.
Ned: Yes! At the house. I mean, it was like she was studying me. She- She had all kinds of information.
āā
[ Liz simultaneously interrogates Henry ]
Liz: What kind of information?
Henry: Everything ā how many monthsā rent I owed, how much I lost that night in Atlantic City.
āā
Ned: [To Ressler ] She knew my favorite teams. She knew how much I owed. She said that she could make all that debt go away.
āā
Liz: How? What exactly did she say?
Henry: That, uh, my gambling had become a cancer on the people I love.
āā
Ned: She said that I needed to start over.
Ressler: What does that mean? Start over how?
āā
Henry: By doing her a favor. She asked me to take care of someone for her.
Liz: And by ātaking care ofā someone, you mean drowning Betsy Nagel in her bathtub?
Henry: Well, it was supposed to look like something else, like a robbery.
āā
Ressler: A gunshot in broad daylight wasnāt exactly subtle, Ned. Iām guessing she didnāt sign off on that.
āā
Henry: Look, I may never get out of jail for what Iāve done, but I did it to help my family. And if I was smart enough, I wouldāve got away with it, too.
Liz: Henry, you were never gonna get away with it.
āā
Ressler: Because you were always gonna be her next victim.
Ned: What do you mean, āher next victimā?
Ā
[ The Post Office common area (war room) ]
Liz: Itās gamblers killing gamblers. Lady Luck identifies her target, someone who has a significant amount of debt, to be her hitman, and then she offers to pay off that debt in exchange for the killing.
Ressler: But what the killer doesnāt know is that heās the next victim.
Cooper: Like Betsy Nagel?
Ressler: Turns out, sheād been bleeding her sister dry for years to pay off her gambling debt. I spoke to the sister, and she said that Betsy showed up last month, paid her back, paid her mortgage, and a half-dozen maxed-out credit cards.
Liz: Using money sheād gotten for killing a gambler.
Aram: And Miss Nagel is not alone. I looked into suspicious deaths of known gamblers who squared debts shortly before dying, and get this ā Janice Deavers, a gunshot wound to the chest off the Vegas Strip. Jeff Warner, stabbed to death in the parking lot of a casino in Connecticut. And there are more.
Cooper: So Lady Luckās outsourcing her kills. But why spend all this money on bribing gamblers? Why not kill them herself?
Ressler: Whereās the bribe money coming from to begin with?
Aram: I donāt know, but her cash supply seems endless.
Liz: Which means she wonāt stop.
Cooper: Ned Green. Lean on him. Find out how he contacts this woman after the hitās done. One way or the other, Greenās gonna put us in touch with Lady Luck.
Ā
[ An apartment ]
Agathe: This is my final offer, and I think youāll want to accept it. Itās this or itās nothing. You finish all your peas, and Iāll let you watch āPJ Masksā before your nap. Do we have a deal?
[ Joey Tyche, age four or five, starts to eat his peas ]
Agathe: [ CHUCKLING ] Smart move, mister.
[ DOOR OPENS, KEYS JINGLING ] [ Moira Tyche, Agatheās daughter, enters ]
Moira: Hey, everyone. Sorry Iām late.
Agathe: Mmm.
Moira: What are we up to?
Agathe: Culinary negotiations.
Moira: Ahh. Thanks, Mom. Iād be lost without you. Picked up a shift from Sherry on Tuesday. Any chance you might be free to watch Joey?
Agathe: It shouldnāt be a problem.
[ CELLPHONE RINGING ]
Agathe: Oh, who the heck is this? Oh, I donāt know no one from 2-1-6.
[ Agathe steps into another room ]
[ CELLPHONE RINGING ] [ BEEP ]
Agathe: Is it done?
Ned: We hit a snag.
Agathe: What snag?
Ned: Not over the phone. C-Can we meet?
Agathe: Thereās a spot on Route 9. Orangetown Diner. Meet me at 4:00. If youāre late, the dealās off. And you can go back to your garage and start the engine.
Ā
[ GAME SHOW PLAYING ON TELEVISION ]
[ Agathe goes through the files of her subjects. Nearby are large stacks of bundled of $$ bills $$ ]
Agathe: I donāt know, Lou. He called out of nowhere, sounded worried. This one may not be up to the task. I know what youāre thinking. Weāve been dealt far worse hands before, and weāre still here. Iāll be back for dinner. Do you want anything special? [ CHUCKLES ] Donāt answer that. Iāll think of something.
[ Only glimpses of Louās face are seen ]
Man on TV: Thatās it. You have $300
Ā
[ Orangetown Diner ]
Liz: Why pick this place to meet?
Ressler: I donāt know. I donāt like it, either. Itās too public.
Ned: I told you. Sheāll be here.
[ CELLPHONE RINGING ]
Ned: Hello?
[ Agathe sits in her car ]
Agathe: Oh, Ned, I expected better from you.
Ned: What are you talking about? I-Iām here exactly where you told me to be.
Agathe: Unlike you, I know how to hedge my bets, Ned.
Liz: [ Listening in ] Thatās got to be her.
Agathe: My husband took me to that diner to watch Sunday football for 15 years. I know the regulars. I knew Ben Sherman, who always comes in for his 4:00 coffee. Benās not there. I know Dale and Toddy, who work splits on Fridays, and theyāre not there.
Ressler: Sheās watching. You got eyes?
Liz: Sheās not in here.
Agathe: Heck, Ned, we got a whole lot of new faces, enough to make me think youāve been talking to the police. You know the problem with gamblers, Ned? They never quit when theyāre ahead. I made you a sound deal. I trusted you, and you brought cops.
Ned: No, no, no, wait!
Ressler: Sheās close.
Agathe: Good luck on your own. Youāll need it.
Ned: Wait, wait! [ GROANS ]
Liz: Sheās bailing. Sheās bailing.
[ Liz runs outside ]
āā
[ ENGINE STARTS ] [ Agathe drives away slowly ]
āā
[ Ressler runs out too ]
Ressler: Keen, tell me you see something.
Liz: I got nothing.
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[ Redās plane ] [ RATTLING ] [ Smokey rolls dice ]
Smokey: Oh! Doubles again! [ LAUGHS ]
Dembe: Youāre either very lucky or youāre playing with loaded dice.
[ Red stares at Smokey ]
Smokey: Whatās that look?
Red: You said youād never met Martin Walcott.
Smokey: No. Why?
Red: If you never met him, howād you know he had children?
Smokey: I-I didnāt. Iā
Red: Stop. The only thing worse than a lie is the lie that compounds it.
Smokey: Y-eaz-ou w-eaz-ere r-eaz-ight.
Red: In plain English. I donāt want to miss a word.
Smokey: I did know Walcott from the circus days. He knew I could move things, so when when he decided to move drugs, he gave me a call. I-I didnāt know what was gonna happen to you, so, you know, I-I [ SIGHS ] I did what they did, and- and I freelanced.
Red: Androssani was just trying to make his rate. I donāt condone it, hence the 15% surcharge. Walcott came up with the idea to use my infrastructure to move drugs. Which was bad enough, but what you did was considerably worse. You made his idea happen. You were the logistical mastermind. Without you, his idea was just that ā an idea. Thanks to you, itās now a reality.
Smokey: Redā
Red: I know about the network, Smokey. The shipments of meth youāre making to Phoenix, Miami, Seattle, Boston, and everywhere along the way.
Smokey: I didnāt turn you in to the cops, if thatās what you think.
Red: What I think is that youāre a born carny. Youāre a con man. Youāre simply hard-wired to help yourself at the expense of others. Friends, addicts, enemies, even me. In my absence, you built a network that ships meth coast-to-coast. Thatās impressive. Offensive.
Smokey: Dembe, my brother, help me out here.
Red: Dembe doesnāt make this decision.
Smokey: Look, Red, you want me to dismantle it, itās dismantled. I told you, Iāll- Iāll do whatever you ask.
Red: Have you ever had a flying dream?
Smokey: What?
Red: A dream in which you suddenly have the power of flight. Unburdened by the weight of apprehension and doubt, you suddenly find you can fly. Itās a dream of freedom and bliss. The opposite of a falling dream, which, of course, is a dream of fear and anxiety, panic. Flying is life. Falling is death.
[ Fade to white ]
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[ Moiraās apartment ]
Agathe: [ To Joey ] Mommy says by the time your programās done, sheāll be here.
On TV: Thatās no nuts
Agathe: Iām going on a trip. While Iām gone, I want you to be good for your ma. Sheās gonna have a lot to do and nobody to help her do it. When you get bigger, people are gonna say things about me. Not-so-nice things. But I want you to know, what I did, I did as a kindness. Can you remember that? [ Agathe CRYING ] [ Hug ] I love my little monster. So much.
Joey: I love you, too, Grammy.
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[ The Post Office ]
Liz: Howād she get away from us?
Aram: Because she was never in the diner parking lot. I pulled security footage from the trucking company across the street. Check out the Buick with the āBush/Quayleā bumper sticker.
Ressler: So she made a getaway doing the speed limit.
Aram: The car is registered to an Agathe Tyche, 66, of Camden, Delaware. And she has a very, very sad story. Miss Tyche was an upstanding citizen of her community, married to a lifelong gambler, Lou Tyche. In 1986, Lou bought a lottery ticket and won $87 million, largest jackpot in Delaware history. Made national news.
Cooper: I remember this story. There was a child.
Aram: Second child being born. It was a long, intense labor. Lou waited in the hospital, but at one point, he left with her son to make a run to a convenience store and bought a lottery ticket.
Cooper: There was an accident. The son died. The father was badly injured.
Aram: And the ticket was a winner. At the same time that Agathe was giving birth to her daughter, her son was dying three floors away while her husband was in surgery. The ticket was returned to her by a medic who found it in her husbandās effects.
Ressler: Looks like weāve found Lady Luck.
Cooper: Looks like youāre going to Delaware.
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[ Moira Tycheās apartment in Camden DE ] [ KNOCK ON DOOR, DOOR OPENS ]
Ressler: Agathe Tyche?
Moira: What? Uh, no, thatās my mother.
Liz: Agents Keen and Ressler, FBI. Is she here?
Moira: No.
Ressler: Do you know where she is?
Moira: I donāt.
Ressler: What can you tell us about the lottery that your parents won?
Moira: Lottery? What does that have to do with anything?
Ressler: Well, we understand your father won $87 million.
Moira: Yeah. Decades ago. My mom gave all that money away.
Liz: Why would she do that?
Moira: Because the day he won was the day that he got in a car accident that killed my brother and paralyzed my father. He died a few months after. She connected the money with their deaths and didnāt want anything to do with it.
Ressler: That may be what she told you, but the truth is, she kept the winnings and has been using them for years.
Liz: Sheās using it as a slush fund to finance a series of murders.
[ TELEVISION PLAYING ]
Moira: She told my son she may never see him again, and I couldnāt understandā
Liz: Because she knew we were coming. Maāam, if you have any idea where your mother might be, you need to tell us.
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Liz: [ On phone ] Sheās gone, and her daughter says she doesnāt know where.
Cooper: You believe her?
Ressler: We do. She lied to everyone, including her. Apparently, she told her daughter that she gave the lottery money away after her husband died.
Aram: Wait. After?
Liz: Her husband died less than a year after his accident.
Aram: No. No, no, no, no. Thatās not right. I pulled a death certificate for the son, but there was nothing for the husband. In fact, the Delaware State Gaming Commission is still recording annuity checks sent to an address near Wilmington.
Liz: Aram, send us that address and get us HRT out of Quantico.
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[ In the room with the files, stacks of $$ bills $$ and Lou, Agathe prepares to leave ]
Man on TV Jumper! Jumper!
Agathe: Bad news, Lou. The police are onto us. I pray they donāt drag Moira into this. Lord knows we didnāt want that for our baby girl, the one bright spot in our lives.
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[ Ressler speeds with Liz down the highway ] [ SIRENS WAILING ]
Liz: If thereās no death certificate ā
Ressler: Then the fatherās still alive.
Liz: But why would she lie, to her daughter, of all people?
Ressler: [ LAUGHS ]
Liz: Okay. I get it. You canāt always trust family. But that could mean ā
Ressler: The fatherās in on it.
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[ Agathe and Louās place ]
Agathe: We had a good run. Didnāt we? Wasnāt all a waste.
[ Lou, it seems, is in an old-fashioned iron lung ] [ IRON LUNG CLICKING ]
Agathe: I guess this is goodbye. I canāt exactly take you with me, now, can I? I had plans for the rest of the money, more families to save.
[ SIRENS WAILING ]
Agathe: At least I have the satisfaction of knowing some of this blood money protected others from our hell.
[ SIRENS APPROACHING ]
[ A mirror is placed above Louās face so he can watch the TV, which always seem to be playing game shows. Around the mirror, Agathe has arranged a collage of photos of their children along with playing cards, lottery tickets and car keys ā constant reminders of their tragedy and her fury ]
Agathe: We did good, Lou.
[ ā”ļøThe door bursts open ā”ļø]
Liz: FBI!
ā Move!
ā Sit down, lady.
Ressler: Put the gun down.
Liz: Itās over, Agathe.
Agathe: Oh, I know.
Ressler: I need you to put that gun down. We donāt want anyone to get hurt now.
Agathe: Hurt? You canāt hurt me. I died years ago. My life was gambled away cheap. My firstborn gone. I swore then, Iād do everything in my power to keep people safe from that kind of destruction.
Ressler: Put that gun down.
Agathe: And God answered my prayers. I used those cursed winnings to help other suffering families. A perfect system to guarantee theyād never be ruined like I was, like we were.
Liz: You need to put that gun down.
Agathe: Gamblers. Theyāre the worst kind of addicts. They think they deserve to win while everyone around them loses.
[ Agathe puts the gun on the counter ]
Agathe: Not this time.
[ Agathe pushes the toaster into the water-filled sink ] [ā”ļøELECTRICITY CRACKLINGā”ļø]
[ The power goes out, including the power to the iron lung ] [ Lou GASPING ]
Ressler: She tripped the breaker.
Liz: I donāt know where it is. Find it!
[ ALARM BEEPING ] [ WHIMPERS ]
ā Get him out of there!
[ ALARM BEEPING ]
Ressler: Got to find that breaker!
[ Agathe is cuffed ] [ HANDCUFFS CLICKING ]
Agathe: Speak up, Lou!
Lou: [ GASPING ]
Agathe: Last chance to atone for your sin.
Lou: [ WHIMPERING ]
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[ Cooperās office ]
Moira: Are you saying my father didnāt die after the car accident?
Cooper: No, he was paralyzed.
Moira: That heās been alive all these years?
Cooper: Your mother kept him on a mechanical respirator.
Moira: In hiding. From me?
Cooper: I canāt imagine how hard this is to hear, but all these years, your mother has kept your father hostage.
Moira: Why would anyone do that?
Cooper: To punish him. She believes your fathersās addiction destroyed your family, so she came up with a way to prevent other families from being destroyed.
Moira: By killing addicts, people who canāt help themselves.
Cooper: Itās because they couldnāt help themselves that she thought they had to die. And when they did, their familyās fortunes were restored. Your motherās a troubled woman whoās gonna spend the rest of her life in prison. Thereās no consolation for this, for losing her. But you do have your father back, as well as whatās left of his winnings. I hope that affords you some solace.
Moira: Can I talk to her?
Ā
[ Red and Dembe enter a school in California ]
Red: What?
Dembe: I think you know.
Red: An example had to be made.
[ DOOR OPENS ] [ Janet MacNamara comes out š (See Note) ]
Red: Hey! [ LAUGHS ]
Janet MacNamara: You came!
Red: Of course! We wouldnāt miss it! Ahh.
[ Hug ]
Red: Look at you, Janet.
Janet: Ohh. Hi.
Dembe: Hi. Itās good to see you.
[ Hug ]
Janet: Yes. I canāt thank you enough for everything youāve done.
Red: Iāve never been thanked for exiling someone before.
Janet: You didnāt just give me a new house. You gave me a new life.
Red: Itās the least I could do for keeping my relationship with the task force secret.
Janet: Oh, but youāve done so much more than that. Your contributions. There- thereād be no arts program here at Shermer without them. What youāre going to hear tonight, none of it wouldāve happened without you.
Red: Thank you, Janet.
Janet: Youāre the best, Mr. Reddington.
Red: Imagine that!
[ BOTH LAUGH ]
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[ MJ gets into a vehicle where Ressler is waiting ]
Ressler: So?
[ MJ shows Ressler a file with a photo of an older woman with shoulder-length red hair ]
MJ: Nameās Virginia Lopatin. Married Tim King in ā98. Lives in Chicago with a dog and a cat, three credit cards, and a subscription to Foreign Affairs.
Ressler: Says sheās 81. Rostova would be 59.
MJ: The story goes that after she killed herself, Rostovaās parents went into hiding. Father was KGB, so people assumed he helped the mother disappear. But if ā and this is a big ā if- if Rostova didnāt die, if she knew people were coming for her ā
Ressler: Sheād be the one to protect her parents. 81 and 59. The passenger was 22 years older than Rostova. Do you have a D.O.B. on the mother?
MJ: We do. She was 22 when Katarina was born. We didnāt find Katarina, but itās possible we found her mother.
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[ A concert at Shermer ]
[ APPLAUSE ]
[ A chorus sings āŖ āEvery Breath You Takeā plays ]
āŖ Every breath you take
Every move you make
Every bond you break
Every step you take
Iāll be watching you
[ Moira visits her mother Agathe ]
Agathe: Iām sorry it turned out this way.
Moira: I am, too.
āŖ Every single day
Agathe: [ CRYING ] Thereās so much I want to tell you.
Moira: Itās okay, Mom. I know everything I need to know.
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[ Liz enters the interrogation room where Henry Morris sits ]
Henry: The lady that got me to do this, this Lady Luck, Iāll tell you anything you want to know about her.
Liz: Thatās good, Henry. But right now, Iām not interested in Lady Luck. First, I want you to tell me everything you know about a group called the Third Estate.
Ā
āŖ Canāt you see you belong to me?
Liz: Red was right. Henry Morris is connected to the Third Estate. He gave them state-of-the-art surveillance equipment so they could penetrate high-end security systems ā in private homes.
Ressler: Did he give you a name?
Liz: No, they contracted through encrypted wire transfers and dead-drops. But think about it. The Third Estate is the 99%. If theyāre plotting against America, where else are they gonna start than by attacking the 1%?
Ressler: Yeah, but itās a pretty big target.
Liz: Yeah, well, itās 99% smaller than it was a few minutes ago. Iām gonna go tell Cooper.
Ressler: Keen, hang on a minute. Uhā
āŖ Every move you make, every step you take
Iāll be watching you
Liz: [ SIGHS ] By the way Iām sorry I snapped at you before.
āŖ Iāll be watching you
Liz: Youāve been on Reddingtonās case longer than any of us, and you deserve to know who he really is.
Every bond you break, every step you take
Liz: I owe you one for letting it go.
Every word you say
Liz: Anyway, what is it?
Ressler: It can wait. Letās go see Cooper.
Ā
[ Louder ]
āŖ Every vow you break
Every smile you fake
[ TRAIN HORN BLOWS ] [ Not far from the train track lies Smokey Putnamās body ]
āŖ Iāll be watching you
Every single day
Every word you say
Every game you play
Every night you stay
[ Red and Dembe listen to the singing ]
āŖ Every breath you take
Every move you make
Every step you t-a-a-ake
Iāll be watching you
[ APPLAUSE ]
[ Dembe and Red speak in low voices ]
Dembe: But it was the wrong example to make.
Red: Someone betrayed me. Someone turned me in to the police.
Dembe: Yes. But you donāt think it was Smokey.
Red: No. But anyone who may know who did, I want them to come forward and tell me before more people die.
Dembe: Thatās who the example is for? The people who know who turned you in?
Red: If you knew the truth, would you come forward to stop me from taking a life?
Dembe: Of course.
Red: Well, then. I can only hope that anyone who actually knows is as principled as you.
[ LAUGHTER IN AUDIENCE, INDISTINCT CONVERSATIONS ]
Ā
[ Moira visits her father ]
Moira: Hi, Dad. Remember me?
Lou: [ GASPING ]
Moira: Itās your baby, Moira.
Lou: [ GASPING ]
Moira: I donāt know if Mom told you. But itās your lucky day. Iām gonna be taking over the family business.
Lou: [ GASPING ] [ WHEEZING ]
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⬠go to start of 6:16 Lady Luck
ā« go to top
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Episode Songs
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ā« Gamblinā Man
By Lonnie DoneganāŖ Iāve gambled down in Washington
And Iāve gambled up in Maine
Iām going down into Georgia
To knock down my last game
Iām a gamblinā man, man, man
Iām a gamblinā manāŖ Well Iād not been in Washington
Many more weeks than three
When I fell in love with a pretty little girl
And she fell in love with me
Iām a gamblinā man
Iām a gamblinā manāŖ Iām a gamblinā man, man, man
Iām a gamblinā man, man, man
A gamblinā man, man, man
Iām a gamblinā manāŖ Iām a gamblinā man, man, man
A gamblinā man, man, man
Iām a gamblinā man, man, man
Iām a gamblinā manāŖ She took me in her parlour
Cooled me with her fan
She said oh mother mother
Iām in love with a gamblinā man
Heās a gamblinā man, man, man
Heās a gamblinā manāŖ She said oh daughter, daughter
How could you treat me so
Leave your poor old mother
With that gambler go
Heās a gamblinā man, man, man
Heās a gamblinā manāŖ Heās a gamblinā man, man, man
Heās a gamblinā man, man, man
A gamblinā man, man, man
Heās a gamblinā manāŖ Heās a gamblinā man, man, man
A gamblinā man, man, man
A gamblinā man, man, manHey a gamblinā man
āŖ I would not marry a farmer
Heās always in the rain
Iād rather marry a gamblinā man
With a gold watch and chain
Heās a gamblinā man
Heās a gamblinā manāŖ And I would not marry a railroad man
Hereās the reason why
Iāve never known a railroad man
Wouldnāt tell his wife a lie
Heās a gamblinā man
Heās a gamblinā manāŖ Heās a gamblinā man, man, man
A gamblinā man man man
A gamblinā man, man, man
Heās a gamblinā manāŖ Heās a gamblinā man, man, man
A gamblinā man, man, man
A gamblinā man, man
How about JimmyāŖ Heās a gamblinā man, man, man
A gamblinā man, man, man
A gamblinā man, man, man
A gamblinā manāŖ Heās a gamblinā man, man, man
A gamblinā man, man, man
A gamblinā man, man
How aboutāŖ I hear that train a-coming
Coming round the curve
Whistling, a-screaming
straining every nerve
A gamblinā man man man
A gamblinā manāŖ Heās a gamblinā man, man, man
A gamblinā man, man, man
A gamblinā man, man, man
A gamblinā manāŖ Heās a gamblinā man, man, man
A gamblinā man, man, man
A gamblinā man, man, man
A gamblinā manLyrics and Credits: http://bit.ly/2Ui1SnO
YouTube: https:/https://youtu.be/IT7F_FR9bcs
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ā« Every Breath You Take
By The PoliceāŖ Every breath you take
Every move you make
Every bond you break
Every step you take
Iāll be watching you.āŖ Every single day
Every word you say
Every game you play
Every night you stay
Iāll be watching you.āŖ Oh canāt you see
You belong to me?
How my poor heart aches with every step you take.āŖ Every move you make
Every vow you break
Every smile you fake
Every claim you stake
Iāll be watching you.āŖ Since youāve gone Iāve been lost without a trace.
I dream at night, I can only see your face.
I look around but itās you I canāt replace.
I feel so cold, and I long for your embrace.
I keep crying baby, baby, pleaseā¦āŖ Oh canāt you see
You belong to me?
How my poor heart aches with every step you take.āŖ Every move you make
Every vow you break
Every smile you fake
Every claim you stake
Iāll be watching you.āŖ Every move you make
Every step you take
Iāll be watching youā¦āŖ Iāll be watching you
[Background:]
āŖ Every breath you take
Every move you make
Every bond you break
Every step you take
Iāll be watching you.āŖ Every single day
Every word you say
Every game you play
Every night you stay
Iāll be watching you.āŖ Every move you make
Every vow you break
Every smile you fake
Every claim you stake
Iāll be watching you.āŖ Every single day
Every word you say
Every game you play
Every night you stay
Iāll be watching youāŖ Every breath you take
Every move you make
Every bond you break
Every step you take
Iāll be watching you.Lyrics and Credits: http://bit.ly/2Uh9vuG
YouTube: https://youtu.be/TH_YbBHVF4g
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ā¬ļø go to start of 6:16 Lady Luck
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āāā End 6:16 Lady Luck
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š“ Script 6:17 The Third Estate (ā 136)
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Program air date: 4/19/2019 in the US
Script Permalink: https://wp.me/pDKwi-9tF
Entertainment Weekly Recap: http://bit.ly/2V14g6M
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Director: Andrew McCarthy
Written by: Katie Bockes
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ā Script 6:17 The Third Estate (ā 136)
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Brief (Where weāre at): Red has been cleaning house, cracking down on associates in his network who took advantage of his time in prison to freelance. One group, including Smokey Putnam, had even diverted Redās assets to traffick methamphetamines, which Red heartily disapproves of. Those miscreants Red killed. Red is also questioning these associates to see if they had turned him in to the police. All have denied it, so Red has amped up the pressure by killing Smokey in a dramatic way (dropping him from his airplane) to āsend a messageā to anyone who knew who betrayed him to come forward. He explained his rationale to Dembe ~ placing Dembe in a dilemma since Dembe knows it was Liz who turned Red in. Liz begged Dembe not to tell Red and (so far) Dembe has kept Lizās secret.
Liz has been able to let go the entire matter of Redās true identity, but Ressler has continued to pursue it, leaning on a friend in the CIA, MJ Ward, who had run point on the CIAās efforts years earlier to find out what had happened to Lizās mother, Katarina Rostova. It has long been assumed that Katarina died by suicide, but there have been a couple of possible sightings over the years. Together, Ressler and Ward followed up on one of them which has turned up someone who may be Katarinaās mother, 81, now living under the alias of Virginia Lopatin in Chicago.
In the matter of the plot of DOJ Deputy Director Anna McMahon (and President Robert Diaz) against the interests of the United States, Red directed the task force to look into one of his associates, Henry Morris (a gambler who became a target of Blacklister #69 Lady Luck), who informed Liz that he had done some work for the code-named group āThe Third Estate.ā Cooper had found the case of āThe Third Estateā in the files of hostile-taker artist Olivia Olson (Blacklister #115). Liz found out Henry Morris had set up state-of-the-art surveillance equipment for āThe Third Estateā to allow for hacking into high-end security systems in private homes.
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[ A black Mercedes G-wagon without license plates drives under an elevated train track and pulls into a garage. The driver puts on a papier mâché mask made with newspaper scraps and pulls back a partition separating him from two passengers, a middle-aged man and woman. The male passenger is Jacob Mercer, a wealthy businessman; the woman is his business manager, Susan Pelt ]
Masked Driver: Get out. Through the door, up the stairs. Sheās waiting.
[ They follow his instructions ]
Jacob Mercer: Hello? Hello?
Zoey Mercer: [ Sobbing ]
Jacob Mercer: Where is she? Please! Iām begging you!
Zoey: Help, Dad!
Jacob Mercer: Oh, my God.
[ Another masked face appears on a large screen ]
Masked Man: [ Distorted voice ] Thatās far enough.
Jacob: Zoey, are you okay?
[ Zoey is tied to a torture rack. The ropes are tightened ]
Zoey: [ Screams ]
Jacob: Please, let her down.
Masked Man: You brought the business manager?
Jacob: Yes. She, uh, has the laptop, just like you said.
Masked Man: Did you know, Susan, that the richest 26 people on Earth have as much wealth as the poorest 3.8 billion? I find your bossā wealth to be an act of immorality, so my friends and I are going to redistribute it in small amounts to those who need it more.
Jacob: I-I will give you whatever you want if you just please let Zoey down.
Masked Man: Sitting in the Fidelity Savings and Trust account is an $8.6-million bonus that Jacob was given for stopping the attempted unionization of his employees. I want it.
Jacob: Youā Wait. Hang on, Susan. Can we talk about this?
Masked Man: Wrong answer.
[ The ropes tighten ]
Zoey: [ Screams ]
Jacob: Okay, okay, okay! Just, stop!
Masked Man: You have my routing numbers, Susan?
Jacob: Fine.
Zoey: [ Screaming ] Ow! Ah! Ah!
Jacob: Itās done. Now just let her go.
Masked Man: Not quite. But your firm has $36 million at First Brooklyn Savings Bank. Itās the surplus from your corporate tax cut, money your board of directors intends to use to buy back stocks and boost profits at the expense of workers. I want it.
Jacob: Okay, no. I canāt do that. I donāt have authorization toā
Masked Man: Susan does.
Jacob: If we can talk about thisā
[ Ropes tighten ]
Zoey: [ Screams ]
Jacob: I- No, no, stop. Stop! I just- I said stop!
Zoey: [ Crying ] Daddy! Please!
Jacob: Okay. Fine.
Zoey: Please, please, please!
Masked Man: Thank you both. I can assure you these assets will be redistributed in a thoughtful manner to those in need. Zoey, thank you. Jacob, you can have your daughter back.
Zoey: [ Sobbing ]
[ The ropes are relaxed. Jacob runs to his daughter ]
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[ A rustic house in St Charles IL ] [ Ressler knocks. Door opens ]
Ressler: Ted King? Donald Ressler, FBI. I was hoping to have a word with you and your wife.
Ted King: Is something wrong?
Ressler: Just a few questions. Uh, may I come in? Is your wife at home?
āā
Ted King: My wife had been sick for some time. Cancer. By the time the doctors found it, it was too late.
Ressler: Iām very sorry for your loss.
Ted King: No need to be sorry. We had a good life, Virginia and I.
Ressler: Well, Iām here to ask you about Katarina.
Ted King: Who?
Ressler: Your stepdaughter, Katarina Rostova.
Ted King: I donāt know who that is.
Ressler: Now, Mr. King, if you expect me to believe that you donāt knowā
Ted King: Well, I donāt care what you believe. If my wife had a daughter, I think Iād know. What is this anyway? Why are you here?
Ressler: We believe that your wifeās daughter from a previous marriage may be able to help us identify and capture the number one on our most wanted list, Raymond Reddington. Now, about Katarinaā
[ Ressler shows Ted King a photo of Katarina ]
Ted King: Iām sorry you came all this way, but I donāt know who this is. If my wife had a child from a previous relationship, she never told me. I hope you find this character youāre looking for. I really do. But Iām afraid I canāt help you.
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[ Redās flat ] [ Doorbell rings ] [ Red opens the door. Heās holding a gun behind his back ]
Red: Please, come in.
Liz: This is a firstā
Red: I have a lead ā
Liz: āYou answering the door?
Red: ā The Third Estate ā
Liz: Whereās Dembe?
[ Red puts the gun in a drawer while Liz goes around the flat looking for Dembe ]
Red: I know why they procured the surveillance equipment to help them breach security systems favored by the aristocracā Are you listening?
[ Liz comes back ]
Liz: In the six years Iāve known you, I can count on one hand the amount of times Iāve seen you without Dembe, so, yeah, Iām listening, for an answer to my question.
Red: Dembe and I are having a bit of a disagreement over methodology. He thinks Iām being heavy-handed.
āā
[ Dembe is at a mosque praying ]
āā
Liz: About what?
Red: Finding the person who turned me in to the police. Heās been unusually oppositional. I suggested he take some time to more thoroughly reflect on my way of thinking.
Liz: Which is?
Red: A top advisor to the President is orchestrating a plot against your country. Sheās engaged the Third Estate to help her. Why? And who are they? During the French Revolution, they were the 99%. Their goal was to behead the 1% in order to create a more perfect union. Sound familiar?
Liz: Our 99% wants to soak the rich, not kill them.
Red: Tell that to the billionaires whose children the Third Estate has abducted from their homes.
Liz: The surveillance equipment.
Red: Five abductions in the past 18 months, ransomed for hundreds of millions of dollars.
Liz: Thatās terrible, but I seriously doubt kidnapping rich kids is the plot against America Anna McMahon is orchestrating.
Red: Or perhaps itās a way to finance something more diabolical. Either way, itās a symptom of where the world is right now, the rage of the many against the few.
Liz: Like the rage you have against the person who turned you in.
Red: Both are indomitable.
Liz: Anna McMahon oversees all our cases. So if we bring this to her, sheās gonna know weāre going after her.
Red: Well, thatād be perfectly awkward. I almost wish I could be there to see the expression on her face when she finds out.
Ā
[ The Post Office ]
Anna McMahon: The Third Estate?
Liz: Youāve heard of them?
McMahon: I think they were mentioned in an intel briefing. Domestic political agitators. Small potatoes.
Liz: According to Reddington, theyāve kidnapped the children of some of the wealthiest people in the country.
Aram: Zoey Mercer, Oliver Paige, Matt Ford, Mia Walker, and Des Foy. Scions of oil, real estate, pharmaceuticals, and finance.
McMahon: These are high-profile scions from high-profile families. If their kids had been abducted, why didnāt we know about it?
Liz: Because they threatened to kill them if they told anyone, so they made payments in private.
McMahon: And the children? Were they safely returned?
Cooper: Four of them were, after their parents paid nearly $300 million.
McMahon: And the fifth?
Ressler: Des Foy was taken two days ago.
Liz: Unlike the others, his parents refused to make the secret settlement and went straight to the NYPD.
āā
[ Des Foy is blindfolded and is being strapped to the rack ]
āā
Cooper: Aram, talk to the department. Tell them we will assist. Keen, Ressler, talk to the Foys. I want options on how to get their son back, and I want them fast.
Ā
Cooper: So much for small potatoes.
McMahon: Whyād he bring you this case?
Cooper: I donāt know or care. A life hangs in the balance. Thatās reason enough for me.
McMahon: He has a reason. Iāve read your case files. He always has a reason.
Cooper: Yes. Or a target.
Ā
[ The Foysā mansion in the countryside ]
[ Liz and Ressler watch a video sent to the Foys ]
[ On the video, Des Foy is tied to the rack. He winces and moans ]
Masked Man: Your son tells me you hate going into the city. But tomorrow, youāre gonna cross the river and see how the other half lives. Thereās a bus station at 136th and Lincoln. Be there at 11:00 a.m., come alone, or your son dies.
Des Foy: [ Sobs ]
Ressler: How long ago did he call?
David Foy: Iām not paying!
Evelyn Foy: About an hour.
David: Not one goddamn penny!
Evelyn: Donāt listen to him. Please donāt listen to him. Weāll pay.
Ressler: If you go through with the ransom drop, we can use your money to lure them in.
David: Five kids have been taken. And you know why they keep on doing it? Because it works. If we give in, someone elseās kid will be next. I am not capitulating to terrorists!
Evelyn: I donāt care. I want my son.
Ressler: Negotiation isnāt capitulation. The longer you string them along, the more opportunities weāll have to locate your son.
Liz: You have every right to be angry. And when youāre angry, itās difficult to trust people. But you can trust us. Our only interest is Desā safety.
David: Iām not paying the ransom. But, if you think itāll help get him back, I will be on that bench tomorrow.
Ā
[ At the mosque. Dembe walks with the imam ]
Dembe: As-Salaam-Alaikum, imam.
Imam: Naāeem tells me you rented out his entire restaurant for Ramadan.
Dembe: I wanted to sponsor a few iftars for the community.
Imam: Now, you know I appreciate all your contributions. You basically built our new tea room. But I wish I saw less of your checks and more of you. You look troubled.
Dembe: Iāve lived by blind faith even when I donāt like what I see. Iām not sure I can do that anymore.
Ā
[ The Post Office ]
Ressler: The Foys are playing ball.
Cooper: Iāve already alerted a TAC unit.
Aram: Surveillance vans with audio feeds are prepped and ready to go. Mr. Foy will be wearing a tracker.
Ressler: Are we gonna need Mother Superiorās okay?
Cooper: I think where sheās concerned, weāll go with seeking forgiveness rather than asking permission.
Ā
Anna McMahon: [ On phone ] I told you, itās under control.
Mr Sandquist: They suspect you.
McMahon: Which is why Iām here. So it never amounts to more than suspicion.
Mr Sandquist: Need I remind you whatās at stake?
McMahon: Sure, ācause Iām gonna forget that the fate of the country hangs in the balance.
Mr Sandquist: Failure is unacceptable.
McMahon: So is having no sense of humor. Why donāt you go take care of your problem and Iāll take care of mine?
Ā
Dembe: My word is my bond, and before I break my word, I will give my life.
Imam: And you have given your word to your employer?
Dembe: My bond with him extends through this life and into the next.
Imam: But it brings you no peace.
Dembe: It has required compromise, lies, and killing, seemingly without end.
Imam: The first principle of Shariah is the preservation of human life. Does your work with him save the lives of innocents?
Dembe: It did. Now Iām not so sure.
Imam: Perhaps this question is not about your employer, but about you. Perhaps you have begun to wonder, is there more to life than protecting him?
Dembe: And my bond?
Imam: There are many Jihads in this world. But the hardest Jihad you will ever fight is the one with yourself. It is our prophetās ideal ā peace be on him ā to fulfill your oath, but not at the expense of your soul or finding your true intention in life. Is it self-glory or in defense of a higher cause? If it is the latter, then you must always guard the purity of your intention against corruption by Shaitan.
Ā
[ David Foy waits on a bench on a busy street. Liz and Ressler are in an unmarked vehicle some distance away ]
Liz: [ Over comms ] Relax. Youāve got eyes all around. Weāre gonna bring your son home.
David: Iām still not giving him my money, so your plan better work.
Liz: Aram, you good?
Aram: His cellās up. I got him pinned.
Cooper: HRT is standing by.
Ressler: Mr. Foy, just do what they say. Weāll make our approach when we know both you and Des are safe.
[ Phone rings by David ]
Liz: Aram, heads up.
Ressler: Okay, here we go.
Aram: Uh, guys. Thatās not his cell.
[ David Foy finds a phone taped under the bench ]
David: Thereās a phone here. What should I do?
Ressler: Answer it.
David: Hello?
Voice on phone: You have the routing number?
David: Yes.
Liz: Aram, talk to me. Tell me you can pull that audio.
Aram: No, but Iām gonna try and triangulate that signal. Iām working on it now.
Voice on phone: Take your cell phone and drop it in the trash. Across the street is a coffee shop. Go inside.
Liz: He dumped his cell. Assetās on the move, headed south on Fordham. Aram?
Aram: Hang on. Iām working on it.
Ressler: Mr. Foy, we canāt hear that cell, but weāre right here with you.
Voice on phone: Inside, there is a young woman sitting near the window. She has something for you.
Aram: Okay, guys, we got a problem. This signal is bouncing from mirror site to mirror site, and I canāt seem toā Whoa.
Cooper: What happened?
Aram: I lost signal. Caller hung up.
Ressler: Theyāre operating Foy. Someoneās got eyes. Iām guessing they got a spotter out here.
Cooper: See if you can pull him up on our recon feeds and get a visual.
āā
[ Inside the coffee shop, a young woman makes eye contact with David Foy and leaves a book on a table ]
āā
Ressler: Mr. Foy, be careful. It seems like weāre dealing with a team here.
Liz: Aram, let me know if you get a visual and a location.
āā
[ David Foy picks up the book and flips through it until he finds a piece of paper on which is written: āREAR EXIT BLACK MERCEDESā ]
āā
Aram: Iām working on that now.
David Foy: [ Over comms ] Now theyāre directing me to a car. Do I get in?
Ressler: What car? Where?
David Foy: Black Mercedes. Out back, I think.
[ Cooper sees the car on a live surveillance feed ]
Cooper: There!
Aram: Okay, yes, we got your spotter. Hotel rooftop. 137th and Rider.
[ Ressler and Liz get out and run to find the spotter ]
āā
[ Inside the coffee shop, David Foyās phone rings ]
David: Yes?
Voice on phone: Who are you talking to, Mr. Foy?
David: What? No one.
Voice on phone: You bring friends? Some sort of K&R team that you think can help?
David: No, no, wait. Now, you listen to me.
Voice on phone: That was a mistake, David.
[ David exits the coffee shop out the rear. A young man is there standing next to a Mercedes G-Wagon and talking on a cell phone. He sees David and gets gets into the truck and leaves ]
David: [ Shouts after him ] Hey! [ On phone ] Whoever you are, Iām gonna use every dollar I have to hunt you down.
Ā
Cooper: Agent Ressler, black G-Wagon headed your way.
[ The G-Wagon speeds out of the alley, almost hitting Ressler ]
Aram: All right, the spotter is packing up, headed for the fire escape on the east side of the building.
[ Liz gets to the roof of the building, but itās too late. The spotter is gone. They did, however, leave behind a telescopic scope that Liz picks up ]
Ā
[ Police radio chatter ]
David Foy: You assured me.
Liz: Mr. Foy, please calm down.
David: Donāt tell me to calm down. You donāt tell me anything. I should never have listened to you.
Ressler: Mr. Foy, weāre absolutely doing everything in our power
[ Phone rings. An FBI agent has found a burner phone in a plastic bag. He holds if toward Liz, Ressler and David Foy ]
Agent: Uh, how do you want to handle this?
David: Give me that.
Ressler: No!
David: Hello. Itās me. Iām here.
[ A live feed shows Des Foy stretched out on the rack ]
Des: No, please. Call my dad. Heās rich. Heāll pay.
Masked Man: [ To David ] I gave you instructions. You disobeyed them, so weāre done.
Des: Please, no!
[ The Masked Man shoots Des š„š„š„š„š„ as his father watches on the phone in real-time ]
Ā
[ The Post Office. Liz and Ressler are reviewing the video of the execution ]
Liz: Thereās got to be a clue in here somewhere. The wardrobe, those masks. Why are they wearing those masks?
Aram: I feel like weāre responsible for what happened.
Liz: They look like death masks.
Aram: If we hadnāt lost the father, if Iād found that spotter, we couldāve found out where they were and stopā
Liz: Des Foy is dead because his father refused to pay the ransom. Thatās on him. If we donāt catch these guys and someone else dies, thatās on us. ā Thatās it.
Aram: Whatās it?
Liz: The rack.
Aram: Uh, what about the rack?
Liz: Thatās our lead.
Aram: A torture device from the 18th century?
[ Liz speed dials Red ]
Liz: [ On phone ] Antique weapons. The rare and the macabre. Do you know who trades in them?
Red: Oh my, yes. I know just the person. Marie Mortel. Thumbscrews. Iron spiders. The occasional Judas Cradle. Whatās your fancy?
[ The door opens. Red aims his gun. Itās Dembe returning ]
Liz: Iām texting you a picture of the rack used by the kidnappers. Can you send it to her and tell us what she knows about it?
Red: Gladly. Iāve been meaning to pay her a visit.
[ Red holsters his gun ]
[ Aram has pulled up a drawing of a Judas Cradle ]
Aram. Judas Cradle. People use this?
Red: Yes. Often quite voluntarily.
[ Hangs up ]
Red: Dembe. How are we?
Dembe: Iām a student conforming to your teachings. Some of which I like, some of which I donāt.
Red: I donāt expect you to like it all. And you can leave at any time. But if you stay, I need to know I can count on you.
Dembe: My word is my bond.
Red: Yes. Good. I want you to set a meeting with Maxwell Ruddiger. Very few people knew I was in New York on the day I was arrested. He was one. He was there. So, please, call Ruddiger.
Dembe: What do you plan to do with him?
Red: I have no plan one way or another.
Ā
[ Marie Mortelās shop. Red peers into the display cases ]
Marie: The hood worn by the executioner who beheaded Anne Boleyn. Your basic enema pump. Skull crusher.
Red: Ah!
Marie: Judas Cradle, of course.
[ Red palms the top of pyramidal device ]
Marie: And the pistol used in the attempted assassination of Bismark in 1866.
Red: Oh, my goodness! A holy nail.
Marie: One of 30 in existence. Discovered at the base of the True Cross and placed in the Basilica of the Holy Sepulchre in Jerusalem.
Red: Marie, youāve outdone yourself.
Marie: Iām not the one who beat death by lethal injection. Is it too much to ask youāve brought me one of the syringes?
Red: I didnāt. But whatever object does lay me low, Iād be honored if it ended up in your collection.
Marie: So, what brings you? Are you buying or selling?
Red: Iām wondering if you can help us locate ā this, an ancient device resurrected to inflict contemporary pain.
[ Red shows Marie a photo of Des Foy dead on the rack ]
Marie: Constitutio Criminalis Theresiana. The criminal code of Maria Theresia, archduchess of Austria. Promulgated in 1768 to unify criminal law throughout Europe.
Dembe: The rack is part of a legal code?
Marie: A key part, judicial torture. That is a rare piece. Belongs in my collection.
Red: Help us find it, and Iāll make sure that happens.
Marie: Iāll ask around. If itās authentic, Iāll find its provenance. But enough shop talk. I have to show you a saber Genghis Khan used to kill hordes of hordes. Forgive the pun, but itās to die for.
Ā
[ Ressler is visiting Ted King in Illinois again ]
Ted King: Iāve been thinking a lot about our last conversation.
Ressler: Well, I appreciate you calling. You said you remembered something.
Ted King: Iām afraid I wasnāt completely upfront with you before.
Ressler: About what?
Ted King: I met Virginia in 1998. The love of my life. I-I knew it the moment I laid eyes on her. She told me she was from Saint Petersburg, uh, that sheād split with her husband in her 40s, came to America to start over, and spent the rest of her life here. T-That was that. Until about eight years ago. I found a photograph between the pages of a book in the bedroom. She said it was the only photo she had of her daughter, and that theyād had a falling-out and that she hoped that they would reconnect at some point.
Ressler: They were in touch?
Ted King: Uh, no, I-I donāt think so.
Ressler: But they could have been.
Ted King: Virginia didnāt talk about it. She said it was ātoo painful,ā that, uh, the falling-out that they had had was her āgreatest regret.ā
Ressler: I see.
Ted King: Near the end, Virginia wrote her a letter. Uh, I donāt know if she wrote any other letters, but by that time, she was in hospice, so she asked me to mail it. It was her way of clearing the air, I guess. Get some closure before sheā Well, anyway ā She gave me the address, and I mailed it.
Ressler: Mailed it where?
Ted King: Post Office box. Upstate New York.
Ressler: Do you remember the address?
Ted King: This girl, Virginiaās daughter. Katarina, uh, Rostova, you call her. I looked her up. They say sheās some kind of Russian spy.
[ Resslerās cell phone rings ]
Ressler: Yes. She was a Russian spy. Iām sorry. Uh, give me a minute.
[ Ressler steps aside ]
Ressler: [ On phone ] Yeah?
Liz: Remember the getaway car? Black Mercedes?
Ressler: Yeah, I remember.
Liz: Aram uncovered a suspicious-vehicle report filed 48 hours ago: Black Mercedes G-Wagon, no plates.
Ressler: Right. Who filed it?
Liz: Della Whitmore, the pharmaceutical heiress. Apparently she spotted the car loitering outside her mansion.
Ressler: Does she have kids?
Liz: 22-year-old son.
Ressler: All right. Text me the address. [ Phone beeps ] Iām sorry. My apologies, Mr. King. Your wife, we believe she may have been running from someone or something.
Ted King: If thatās true, then I really didnāt know her.
Ā
[ The Whitmore home ]
Liz: Mrs. Whitmore, I need you to tell us exactly what they said.
Della Whitmore: They said that they would call us back with demands and that theyād kill him if we didnāt do as instructed.
Ressler: And you called the police?
Marcus Whitmore: They told us not to.
Liz: This is a terrible situation, but I have to tell you that the last person whose son was taken refused to pay the ransom, and his son was killed.
[ David Foy enters ]
David: Theyāre all too well aware of that. How are you holding up, Dell? You okay? [ Hug ]
Ressler: You know each other.
David: Marcus. [ Hug ] These are the agents I was telling you about. My son is dead because of them. Please, Iām begging you. Do not listen to a word they say to you.
Ā
[ Red and Dembe arrive at the large parking lot of an an inactive amusement park. The parking lot is being used as an auto speedway. Red walks up to a young woman (Adalynne Gerrick) watching a racing Mercedes making loops around the lot at breakneck speed ]
Red: Excuse me. Weāre looking for Noel Gerrick.
Adalynne Gerrick: Here he comes. [ The car speeds by ] And there he goes.
Red: Wouldnāt a racetrack be better suited to this sort of activity?
Adalynne: He used to come here all the time as a kid. When he made his first billion, he bought the park. He loves this place.
Red: Iām Steve Homan. And you are?
Adalynne: Bored to tears. Tell me, why is it that men your age feel the need to compensate for an increasingly flaccid penis? Itās only natural.
Red: So is cholera. I do hope youāre not the poor manās girlfriend.
Adalynne: Donāt be perverse. Iām much too old to be his girlfriend. Iām his daughter.
Red: Well, arenāt you being a good sport.
[ Red walks into the raceway ]
Adalynne: You shouldnāt go out there.
Red: Men my age donāt compensate. We do what we want. Youth compensates. With disrespect and poor taste.
Adalynne: Mister, you gotta move.
Red: Letās say heās doing about 100. The stopping distance will be around 600 feet. A flaccid, old man could never think that fast.
[ Wheels screech. The car stops inches short of Red ]
Red: Perhaps your father has a bit more pep in his step than you think.
[ Noel Gerrick leans out of the car window ]
Noel: You trying to get yourself killed?
[ Red draws his gun and opens the driverās side door ]
Noel: What theā?!
Red: Scoot over, Noel. Iām driving.
Ā
Della Whitmore: Just to be clear, you want us to pay the ransom.
Liz: Absolutely. These are kidnappers, not killers.
David Foy: They killed my son.
Liz: I-Iām sorry, yes. And they will pay dearly for that. But what Iām trying to say is that everyone who has paid the ransom has gotten their child back.
David: And given these killers the incentive to take another child.
Ressler: Weāll track your payment. It should lead us to them before they can take anyone else.
[ Resslerās phone rings ]
Ressler: Excuse me. This is Agent Ressler.
Jake Li: Yeah, hi. This is Jake Li over at the Postbox Elite in Wilmington. Got a message the FBI was interested in some security footage?
Ressler: Thatās right. Weāre looking for a person who picked up a letter from Box 642 in probably the first week of February.
āā
Della Whitmore: This is a terribly difficult decision.
Liz: Actually, itās not.
David: Finally. We agree on something.
Della: Could Marcus and I have a moment?
Liz: Of course. Take your time.
āā
Ressler: Thank you. Everything okay?
Liz: I was about to ask you the same thing.
Ressler: Yeah, just, uh, tracking a letter I was expecting. Allās good.
Ā
[ Red is racing the Mercedes even faster than Noel Gerrick was ]
Noel: What the hell is wrong with you? Stop the car! Let me out!
Red: I suspect you have an interest in history, Noel. Did you know, shortly before her date with the guillotine, Marie Antoinette had a chance to escape from France? But she just couldnāt bear to travel like a commoner. She insisted on a rosewood carriage lined in ivory, large enough for herself, three chambermaids, four footmen, and all of their luggage. The finished product was so decadent, it could only go about two miles per hour before breaking down altogether. Just imagine if this had been her getaway car. She couldāve settled in London and eaten cake for the next 50 years. Good golly. I havenāt moved this fast since my first date with Jenn Parsons at the roller rink.
Noel: If we could maybe just pull over? Talk outside the car?
Red: Constitutio Criminalis Theresiana. The criminal code that sanctioned Marieās beheading as well as judicial torture. The rack was a particularly gruesome tool in the Ancien Regimeās torture kit. I understand you purchased one at auction.
Noel: I like legal history, how laws were enforced.
Red: A rather peculiar hobby Iād love to hear more about, but as Iām pressed for time, letās focus on the rack. Who did you sell it to?
Noel: Nobody.
Red: Is this vinyl?
Noel: Itās premium vinyl.
Red: Good. The blood will wipe right off.
Noel: Please! Watch where youāre going!
Red: A name.
Noel: I didnāt sell it. I-Iām not a dealer. Iām a collector.
Red: Ahh. Whereās your collection?
Ā
Liz: Thatās your decision?
Marcus Whitmore: Itās the right thing to do.
Ressler: For who? Not your son.
Marcus: We sent two children to war, in Iraq and Afghanistan. That wasnāt āgoodā for them, either. But it was the right thing to do.
Ressler: Trust me, itās not the same thing.
Della: No, itās not. In a war, the enemy is hard to defeat. If you do your job, then this enemy, whoever they are, should be easy to defeat. Do your job, and then we can do the right thing and save our son.
[ Lizās phone vibrates ]
Liz: Anything?
Red: An address.
Ā
[ The FBI is setting up a staging area near the address provided by Red. Aram is there already.
Ressler and Liz arrive ]
Ressler: Aram, hey. What do we know?
TAC Commander: Exposed on all sides. Poor sight lines on our end. No easy point of entry.
Liz: Unsubs?
Commander: Spotters count six. Could be double that. No way to tell.
Ressler: Can you get us cameras inside?
Commander: My team can snake a borescope down 300 feet of sewer line, up through the kitchen sink, but I canāt do it here. Not while remaining unseen.
Aram: What about their cameras?
Commander: Whose cameras?
Aram: Uh, well, it appears they have IR bullet cams, uh, here, here, and here, which means itās likely they have internal surveillance, too.
Liz: What are you getting at?
Aram: Well, if you could get me up to the buildingās trunk line, thereās a chance I could splice into the multiplexer, get you access to their feeds.
TAC Commander: Whoās this guy again?
Aram: Oh, Iām so sorry. Uh, Agent Mojtabai. And youāre ā very commanding, sir.
Commander: Thank you.
Ressler: Say we try to do this. Even if you could splice into those feeds, how do you suggest we do it without tipping them off?
Ā
[ Aram knocks at the address Red provided. A young woman, Ella, answers ]
Aram: Hi. Uh, Navid from, uh, uh, Insta- InstaCable. I got a- I got an install across the street. Their gang supply is mounted on your building. Mind letting me access the cable box?
Ella: Sorry. Itās not a good time.
Aram: Oh, oh. I, uh, I got to access that gang supply.
Ella: I didnāt order cable.
Aram: Maybe you, uh, donāt understand. If I call out a bucket truck, theyāre gonna see that youāre bypassing the terminal block screw and theyāre gonna fine you. Itās not to code. [ Turns to leave ] All right. Whatever, lady. Your problem.
Ella: Hold on. Just, uh ā What exactly do you need us to do?
āā
[ In the buildingās utility area, Aram goes to work trying to splice into the internal surveillance system ]
Ā
[ Adalynne Gerrick makes a call ]
Adalynne: Hey, itās me. I think we got a situation.
Young Man (face obscured): What kind of situation?
Adalynne: There was some guy here at the track, asking my dad questions.
āā
Ella: Navid? Why donāt you come with me?
Aram: Okay, just, um, hold on a second.
Ella: Now! [ She has a gun ]
Aram: Look, um, whatever you think this isā
[ Someone hits Aram on the head from behind ]
Ā
[ Aram comes to. Heās sitting on the floor across from someone wearing a white Third Estate mask who is pointing a gun at him. Aramās work bag is on the floor a few feet away ]
Aram: Hey. Youāre, uh, what, like aā Like a guard? Tell me if theā The Whitmore boy, Tyler. Is, um ā Is he here? Is he safe? If you let me talk to whoeverās in charge, I can help you. You have my wallet, my cell phone, so you know by now that Iām an FBI agent. I need to speak to whoeverās in charge, please.You hear me? Hey, hey, listen to me. Listen. Iām trying to help you. You need to get whoeverās in charge and tell them that the FBI is gonna call that phone right there any minute now. Theyāre- Theyāre gonna try to make contact, and when they do, you need to answer. Do you hear me? Come on.
[ Phone rings ]
Aram: You need to answer that phone.
Ā
[ The FBI staging area ]
Cooper: Talk to me.
Ressler: HRTās on the line with one of the kidnappers now.
Cooper: Aram and the Whitmore kid ā have we confirmed theyāre unharmed?
Liz: No. Theyāre thinking about breaching, but they donāt know the layout, how many people are inside, or how heavily armed they are.
HRT Commander: [ On phone ] I canāt do that. Not unless you give me something in return.
[ Cooper takes the phone ]
Cooper: This is Deputy Director Harold Cooper, FBI. Iām gonna hang up, and youāre gonna call me back on FaceTime. When you do, I want to see the hostages, make sure theyāre all right. We have nothing to discuss until that happens.
HRT Commander: You really think that was the best way to handle it?
Cooper: No, I think it was the only way.
[ Cooperās cellphone rings. Aram comes up on FaceTime ]
Cooper: Agent Mojtabai.
Aram: Sir. Am I glad to see you.
Cooper: Are you hurt?
Aram: Iām fine.
Cooper: And the other hostage?
Masked Man: We havenāt hurt anyone.
Cooper: Who am I speaking with?
Masked Man: Theyāll stay that way unless you do something stupid.
Cooper: Thatās not gonna happen. Weāre not going to storm in. Weāre just gonna talk. You and me.
[ Ana McMahon arrives ]
Cooper: Thereās got to be a way out of this, and I need you to help me figure out what it is. Now tell me. What is your name?
āā
[ Some distance away from Aram ]
Ella: He saw my face. He can identify me.
Young man (face obscured): I think being identified is the least of our concerns right now.
Ā
Aram: Listen. You have to let Tyler Whitmore go. Not me. You can keep me here, but the boy needs to be set free. If you donāt, they are gonna swarm this building, and itāll be a show of force unlike anything that you have ever seen before. You donāt have to let me go. I can be your hostage. Me. I can be your hostage. But heās got to walk. Heās got to walk.
[ The Masked Man leaves to talk with the others ]
[ Aram uses his leg to retrieve the work bag for a few moments until the Masked Man sees him and comes back ]
Masked Man: Try something like that again, and see if I donāt pull the trigger.
Aram: If you let me help you ā
Masked Man: Shut up, shut up!
Aram: I saw what you did to Des Foy. I watched him die. And I saw what itās done to his parents. Iām- Iām begging you. Please. Come on. Donāt do that. Just Let Tyler Whitmore go.
[ The Masked Man leaves again. Aram was able to retrieve a clipper earlier. He uses it to cut the rope that is loosely binding his hands ]
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Anna McMahon: Commander, is HRT prepared to breach or not?
Commander: We are. Just waiting on the go order.
Cooper: Which you do not have. If we go in, the hostages will die.
McMahon: You donāt know that.
Cooper: I know theyāll have no incentive to keep them alive. If we keep negotiating, they do.
McMahon: Youāve been negotiating for almost an hour, and what do you have to show for it? Absolutely nothing, because there is nothing to negotiate. Weāre not letting them go, and theyāre not giving the hostages up.
Cooper: You have to trust the process.
McMahon: No. Actually, I donāt.
Cooper: You may have operational command of the Task Force, but in the field, I will not take orders from you.
[ Della Whitmore has arrived ]
McMahon: Youāre not. Youāre taking orders from her. Della Whitmore bundled $32 million for the midterms, single-handedly re-electing the chairman of the Senate Armed Services Committee.
The Chairman will do anything for her, including rolling tanks on that warehouse if thatās what it takes to free her son. So either you send in HRT, or he sends in the National Guard.
Ā
Masked Man: [ To Aram ] You should know weāve decided not to release Whitmore. Figure thereās no point spending the rest of our lives in prison. Weāre gonna fight.
Aram: Donāt do that.
Masked Man: Iām not going to prison.
[ Aram attacks! ā”ļøFistfight over the gunā”ļø] [ Aram gets the gun and points it at the Masked Man ]
Aram: Hereās what youāre gonna do. Youāre gonna tell me where Tyler Whitmore is, and youāre gonna help me get him out of this building. You hear me? Where is he?
[ A young man with a gun appears and points it at Aram ]
Tyler Whitmore: Iām right here.
[ The Masked Man takes the gun from Aram and removes his mask ~ Itās Des Foy! ]
Aram: Des? Iā Youāre alive? ā I thought ā
Des: You thought we were the victims of the Third Estate? We are(!) the Third Estate.
[ The HRT op commences ]
[ SYMLās āŖ āThe Warā plays ]
[ ā”ļøā”ļøA massive show of forceā”ļøā”ļø Most Third Estate members surrender or are easily subdued ]
āŖ Here stands a man
With a bullet in his clenched right hand
Donāt push him son
For heās got the power to crush this land
Oh hear, hear him cry, boyāŖ Donāt you ever leave me alone
My war is over
[ Tyler Whitmore keeps his gun trained on Aram. When the FBI marksmen come upon Tyler, he turns to point his gun at them. He is shot multiple times š„š„š„š„ in the chest. Des does not put up a fight. Aram crawls over to Tyler ]
āŖ Be my shelter from the storm
My war is over
I am a sad boy
[ Della Whitmore and Cooper wait anxiously ]
āŖ Here stands a man
At the bottom of a hole heās made
[ David Foy arrives and gets out of his car ]
āŖ Still sweating from the rush
His body tense
[ Ressler exits the building and hustles Des Foy toward an FBI vehicle as David Foy stares. Des looks up and exchanges looks with his father before Ressler shoves him into the van ]
āŖ His hands they shake
[ Della Whitmore shakes and sobs as Tylerās body is loaded into an ambulance ]
āŖ Oh this, this is a mad boy
Ā
[ An interrogation room ]
Liz: Des, talk to me about the ransom money. I need to know where it was sent. I need a name. All your friends are going to jail. If you cooperate, we can help you. The money. [ Inhales ] I think you kicked it upstairs to the head of the Third Estate. Who is he?
[ Knocks on door ]
Aram: His lawyerās here.
Des: Iām not talking to any lawyers.
Aram: You know, I understand youāre angry. Angry at your father. My guess is you knew he was never gonna pay that ransom and that you felt like he didnāt care if you came home or not. For what itās worth, I did. I wanted to see you get back home to your family. And Iām- Iām really sorry your friend Tyler didnāt.
Des: Heās dead?
Aram: Iām sorry.
Liz: Des, we need your help. Talk to us about who runs the Third Estate.
āŖ I am a sad boy
Ā
[ A darkened bedroom. Red sits on the bed by an older man ] [ The man wakens, startled ]
[ Red holds a gun for him to see ]
Red: I took the liberty.
Man: W-Who are you? What do you want?
Red: Anna McMahon.
Man: I donāt know who that is.
Red: Ohh, youāre too modest. You are the Third Estate. You got trust-fund babies to go on a kidnapping spree, and you kicked the ransom money to one of the most powerful figures in the United States government. I want to know why.
Man: I-I-I donāt know what youāre talking about.
[ Red shoots š„ into the pillow about four inches from the manās right ear ]
Red: Refresh your memory? No?
[ Red shoots š„ into the pillow about four inches from the manās left ear ]
Red: How about now?
Man: Please stop.
Red: Last chance.
[ Red presses the gun between the manās eyes ]
Red: Anna McMahon. You can spill your guts or your brains. Iām good either way.
Ā
[ Cooperās office. Red and Cooper drink Scotch ]
Cooper: So thereās no connection?
Red: If there was, he wouldāve told me.
Cooper: Anna McMahon isnāt working with the Third Estate.
Red: Doesnāt appear so.
Cooper: But Olivia Olsonās files. McMahon turned all of them over to Main Justice except the file on the Third Estate. Why would she do that if they werenāt working together?
āā
[ Anna McMahon sits in a vehicle with Mr Sandquist ]
McMahon: I knew theyād check to see if I withheld anything, so I did.
Mr Sandquist: You held their file from Main Justice because you wanted to put the Third Estate on the FBIās radar screen?
McMahon: As a result, the FBI now knows about an organization hell-bent on domestic terrorism, on taking down the rich and powerful.
Mr Sandquist: So when we put our plan into effectā
McMahon: Like I said, itās under control.
āā
Red: All we know for sure, Harold, is that Anna McMahon is a much worthier adversary than we thought. A fact which, much to my dismay, I find oddly arousing. Maybe itās the red hair. [ Drinks Scotch ] Ahh.
Ā
[ Dembe stops by Lizās office ]
Dembe: We have a problem.
Liz: Reddington told me you two had a falling-out.
Dembe: We did. Over our problem. Our secret, yours and mine.
Liz: [ Whispers ] He canāt know who turned him in.
Dembe: He wonāt stop looking.
Liz: So? He looks. Itās a puzzle he canāt solve. So what?
Dembe: Ruddiger.
Liz: Maxwell Ruddiger? What about him?
Dembe: He was in New York the day you turned in Raymond.
Liz: So?
Dembe: Iāve set an appointment for him to meet with Raymond.
Liz: Ruddigerās a friend.
Dembe: Maybe. Maybe not.
Liz: You think heād do something to Ruddiger?
Dembe: To set an example. For anyone who knows the identity of the person who turned him in to come forward.
Liz: Is that what youāre gonna do? Come forward?
Dembe: Iām coming forward to you. You must tell him, Elizabeth, because if you donāt, I will.
[ Door opens. Red enters ]
Red. Ruddiger?
Dembe: An appointment has been set.
Red: Excellent! A silver lining at the end of a grimly overcast day. I was wrong about Anna McMahon. Weāre no closer to identifying her plot than we were yesterday. But Ruddiger ā I have a good feeling about him.
Ā
[ Ressler enters the Postbox Elite in Wilmington NY (extreme NE New York State) ]
Ressler: Jake Li?
Jake Li: Thatās right.
Ressler: Donald Ressler. We spoke on the phone about box 642?
Jake: Sure. I looked into the security footage like you asked. The drives cycle out after 90 days, but I took a look. And box 642 was accessed only once in that time. February, like you said. 13th. I printed the best image I could.
Ressler: I donāt understand. The letter was sent to a woman.
Jake: Well, the box is registered to a Tracey Ivers, but thatās the guy who picked it up.
Ressler: Do you know him?
Jake: Canāt say I do. Phone numberās disconnected. The accountās paid by money order. But anyone with a key can obviously open the box. He in some kind of trouble? What did he do?
[ Ressler scowls at him ]
Jake: Wish I knew more. I asked everyone here. We got no idea who he is.
Ressler: How about we start with that hard drive?
Jake: Sure.
[ Ressler looks at the grainy photo. Unknown to Ressler, it is Dominic Wilkinson, code-named āOleanderā when he was with the KGB. He is Lizās grandfather and the father of Katarina Rostova ]
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Episode Songs
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ā« The War
By SYMLāŖ Here stands a man
At the bottom of a hole heās made
Still sweating from the rush
His body tense
His hands, they shake
Oh this, this is a man, boyāŖ Here stands a man
With a bullet in his clenched right hand
Donāt push him son
For heās got the power to crush this land
Oh hear, hear him cry, boyāŖ Donāt you ever leave me alone
My war is over
Be my shelter from the storm
My war is over
I am a sad boyāŖ Here stands a man
At the bottom of a hole heās made
Still sweating from the rush
His body tense
His hands they shake
Oh this, this is a man, boyāŖ Here stands a man
With a bullet in his clenched right hand
But donāt push him son
For heās got the power to crash this land
Oh hear, hear him cry, boyāŖ Donāt you ever leave me alone
My war is over
Be my shelter from the storm
My war is over
I am a sad boyāŖ Donāt you ever leave me alone
Be my shelter from the storm
My war is over
I am a sad boyLyrics and Credits: http://bit.ly/2DpIO1p
YouTube: https://youtu.be/Wy_XQH9Jtuk
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⬠go to start of 6:17 The Third Estate
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āāā End 6:17 Third Estate
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š“ Script 6:18 The Brockton College Killer (ā 92)
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Program air date: 4/26/2019 at 7:00pm CT in the US
Script Permalink: https://wp.me/pDKwi-9vM
Entertainment Weekly Recap: http://bit.ly/2Xtzdyo
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Directed by: Lisa Robinson
Written by: Sam Christopher
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Ā
ā Script 6:18 The Brockton College Killer (ā 92)
Ā
Brief (Where weāre at): It turned out DOJ Deputy Director Anna McMahon was not behind The Third Estate (Blacklister #136) after all. Rather, McMahon left a trail of breadcrumbs for the task force to follow. Now she knows they are watching her and they know she is watching them, making the task forceās aim of stopping her plot against America more difficult than ever.
Dembe has sought spiritual counsel from his Imam to deal with his difficulty with Redās amped up determination to figure out who turned him in to the police. Dembe found out that it was Liz, who had wanted to waylay Red so she (and her half-sister Jennifer/Lilly) could investigate his true identity. Liz begged Dembe to keep this a secret from Red but now Red has let the word out that he is willing to kill even his own associates to force anyone who knows who it was who turned him in to come forward. So Dembe went to Liz and told her she must tell Red it was her ā or he will.
Meanwhile, although Liz has decided it no longer matters to her who Red really is or why he took on the identity of her father, the real Raymond Reddington, Ressler picked up the trail. His idea was to find out what happened to Lizās mother, the Russian spy, Katarina Rostova. He tracked Katarinaās mother (Lizās maternal grandmother) to a town in Illinois. Although she had recently died of cancer, her widower said she had sent a letter just before she died. Ressler followed the letter to a PO box in remote Wilmington NY. Surveillance footage shows the letter was picked up Dominic Wilkinson (code-named āOleanderā when he was with the KGB). He is Lizās grandfather and the father of Katarina Rostova, and likely Virginiaās first husband.
Ressler doesnāt recognize Dom. Liz met him once while looking for her mother. Dom told her said he had known Katarina, but did not tell Liz he was Katarinaās father. Dom is also who Red had gone to to burn the bones of the real Raymond Reddington, thinking the secret of his true identity was sealed forever.
Ā
Itās dark at Brockton College. A female College Student walks along a path looking at her phone ] [ Ethan Burnsā āKing of Secretsā plays (not available online) ]
āŖ Whoa, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Whoa, oh, oh, oh, oh, oh, oh, oh, oh, oh, ohāŖ Bags for eyes
You must be so tired
Bed of lies
You got so much to hide
[ FOOTSTEPS ]
College Student: Hello?
āŖ Paralyzed
Blackbird on a lonely wire
Student: Is someone there?
[ FOOTSTEPS ]
āŖ Rumors fly
When it comes to you and I
All I believe, my dear
Is everybody talks
[ Inside her room, the College Student is attacked. There is a fight ]
Student: [ GASPING ]
āŖ Iāve heard about you
[ The College Student is hit on the head ]
Student: Aah!
āŖ And all the things you do
Whispers, you say Iāll take them to my graveāŖ āCause Iām the King of Secrets
The King of Secrets
And Iāll never, never, never tell a soulāŖ Ohh Oh, oh Ooh, ooh Ohh
[ Itās early morning ] [ A Jogger pauses when at a distance he sees a motionless standing figure ]
Jogger: Excuse me? Hello?
āŖ Whoa, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
[ The Jogger approaches. It is the College Student, face and eyes frosted blue-ish white ]
Jogger: Miss? Do you need help?
āŖ Whoa, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Whoa, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
[ The Jogger touches the woman. She topples over and when she hits the ground, her legs snap off ]
āŖ Whoa, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Ā
[ Redās apartment ]
[ KNOCK ON DOOR ] [ Dembe answers ] [ DOOR CREAKS OPEN ] [ SUSPENSEFUL MUSIC PLAYS ]
[ Red is seated, listening to something with earphones ]
Liz: Has the meeting been set with Ruddiger?
Dembe: For lunch.
Liz: And do you think heāll kill him just to set an example?
Dembe: [ BREATHES DEEPLY ] I wonāt say he will. But I canāt be sure he wonāt ā unless he knows your truth.
Liz: [ SIGHS ]
[ DOOR CREAKS SHUT ]
Red: Elizabeth! [ CHUCKLES ] Sorry. I didnāt hear you come in. [ CLICKS ] Iām listening to a āpodcast.ā Theyāre these episodic audio recordingsā
Liz: Iām familiar with the concept of a podcast. Everyone is. No one listens to them on audio cassette.
Red: Digital is the province of hackers and prying eyes. My life depends on sticking to simpler pleasures. This oneās a compelling but misguided series called āThaw.ā
Liz: The one about the serial killer who froze his victims?
Red: Tobias Carlyle. Though, if the podcast is to be believed, Carlyle is in prison for crimes he didnāt commit.
Liz: Isnāt he getting a new trial?
Red: Yes, and with the case about to go to the jury, this happens.
[ Red shows Liz a newspaper article: āWoman Found Frozen to Death ā Copycat or not? Convicted Killerās Life Depends on Answerā ]
Red: Carlyle went to prison six years ago. When he did, the murders stopped. It canāt be coincidence that theyāve started again.
Liz: It could be a copycat.
Red: Yes, or a contract killer, one working at Carlyleās instruction.
Liz: So you think he orchestrated the murder from prison. Do you have any evidence?
Red: None. Which is why Iām giving you the case. A serial killer is in prison. His associate is carrying on in his absence. Unless you catch him and prove his connection to Carlyle, the jury will overturn Carlyleās conviction.
Liz: And there will be two killers on the loose.
Red: Keep me posted. Itās a busmanās holiday, but Iām a sucker for true-crime drama.
Liz: Your lunch with Ruddiger. You should cancel it.
Red: Why would I do that?
Liz: Because youāre going to ask him if he turned you in to the police. He didnāt. I did.
Red: [ Shocked Pause ] [ To Dembe ] The homeless woman who called in the anonymous tip. You- You said you showed her a photo of Elizabeth. You said she didnāt recognize her.
Dembe: She didnāt. But she did recognize a photo of Jennifer.
Liz: I asked him not to say anything. Itās not his fault! Itās mine.
Red: No, itās mine. I knew it was you as soon as I found out you were looking for Dr.
Koehlerās nurse.
Liz: You knew thatā
Red: One day Iām captured, the next, youāre looking for someone who knows I was once someone else? I knew that wasnāt a coincidence, but I let my hopes convince me that ā youād never betray me like that.
Liz: If I hadā
Red: That neither of you would.
Liz: If Iād known what was gonna happenā
Red: That theyād put me on trial, ā sentence me to death?ā
Liz: Yes.
Red: āThat surprised you?
Liz: No! The only thing I knew is ā you arenāt who you say you are.
Red: And you think you deserve to know the truth.
Liz: I do.
Red: That youāre entitled to that?
Liz: Yes!
Red: That entitlement justified risking my life?
Liz: I thought it justified anything, yes! But I donāt anymore.
Red: And why is that?
Liz: Because you almost died! [ VOICE BREAKING ] Because I came face-to-face with losing you, and I realized that I donāt care about who you were ā I care for who you are. And thatās the only thing that matters. You- You have to believe me.
Red: [ BREATHES DEEPLY ] Iām not sure Iāll ever believe you again.
Ā
[ The Post Office. Ressler reviews the surveillance footage of Dominic Wilkinson checking Postbox 642 at the Postbox Elite in Wilmington in Upstate New York ] [ KEYS CLACKING ]
[ Ressler doesnāt know who Dominic is. Liz has met him, but only knows he has some past relationship with Russian Intelligence. Liz doesnāt know that he is her grandfather, the father of her mother, the former KGB agent Katarina Rostova. Nor does Liz know Ressler has been searching for Katarina on his own, a search that led him to the widower of Katarinaās mother. He told Ressler that his wife had him send a letter to Postbox 642 trying to reach out to Katarina shortly before she died ]
[ As Ressler watches, he sees Dom buying something from a candy dispenser ]
Ā
[ Aramās workstation ] [ Ressler plops down a bag of coins ]
[ KEYS CLACKING ]
Aram: Whatās this?
Ressler: A favor.
Aram: You should know that I once held the high score on āMs. Pac-Manā at Earlās Pizza in Pike Creek, and I will not go easy on you.
Ressler: [ CHUCKLES SOFTLY ] Maybe some other time. This is about a case. Uh, looking for someone, and his prints are on one of those quarters.
Aram: Is this a new case?
Ressler: Cold case. Can you run them for me?
Aram: Sure, but that might take awhile.
[ Elevator doors open ]
Ressler: Just name the place.
Aram: Place for what?
Ressler: Our āMs. Pac-Manā tournament.
[ Liz has stepped out of the elevator ]
Ressler: Howād it go with Reddington?
Liz: I donāt really want to talk about it.
Ressler: Did you tell him?
Liz: Ressler.
Ressler: What did he say?
Liz: Can we please just go to work?
Ā
[ INDISTINCT CONVERSATIONS ] [ Liz briefs the Task Force ]
Liz: The Brockton College Killings were a series of murders that took place on Brockton campus in 2013. Over a year and a half, three women ā Krystala Norris, Lauren Key, and Melissa Seymore ā were found dead, their bodies staged like frozen statues. Besides going to the same school, all these three women had in common was a connection to a fellow student named Tobias Carlyle. Norris shared several of the same classes, Key worked at the diner he frequented, and Seymore was a writer for the school newspaper where he was a photographer. In fact, she had last been seen in Carlyleās dorm. Forensics recovered his semen from her body.
Ressler: Did he know the most recent victim?
āā
Tobias Carlyle: No, I didnāt know her. And even if I did, I couldnāt kill her from prison.
Dave Sternberg (Defense Atty): Which is why weāre arguing to have this new murder be admissible in court. Itās last minute, but this could change everything.
āā
Liz: This case has gained international attention recently because of āThaw,ā a podcast hosted by Kimberly Owens. Owens believes Carlyle is innocent.
Ressler: Hang on. I mean, he confessed.
Aram: You donāt believe heās responsible for this most recent murder? Heās in prison.
Ressler: Which doesnāt mean heās innocent of the crimes heās already confessed to.
Cooper: Reddington believes Carlyle contracted a killing to help his case.
Aram: Iām a big fan of āThaw,ā too, and I canāt believe Mr. Reddington could listen to it and actually think that Tobias is guilty. That is crazy. It was obviously the professor.
Cooper: The professor?
Aram: Adrian McCaffrey. He teaches English at Brockton University and had all three victims as his students. In fact, āThawā uncovered that one of the victims, Lauren Key, had filed a suit against him for sexual harassment. Now, the university didnāt disclose this to the police during the first trial. How do you explain that?
Cooper: I donāt know, but if Reddington is right, this murderer is about to manipulate the justice system to walk free. Keen, Ressler, talk to the police. Aram, if youāre so certain about the professor, check him out.
Dr Ogden Maguire (Medical Examiner): Well, like the original murder victims, the corpse was marinated in liquid nitrogen 320 below. But hereās the interesting thing. Take a look at the bruising at the back of her scalp. Cause of death in all the victims was hypothermia, but they also showed evidence of blunt-force trauma caused by a dimpled mallet, like a meat tenderizer. The bruising pattern here is identical to the others. Whoever did this used the same exact instrument.
Ressler: We have a source who suggests that the killer may have been told how to do it by Carlyle.
Liz: That theyāre working together to make it look like heās innocent.
Dr Maguire: He wouldnāt need much coaching. Whoever listened to that podcast would know how to do it, which limits your suspects to, what, like 3 million people?
āā
[ Jenny Marciniak wakes up inside a large freezer ]
Jenny: Help! Please! [ POUNDING ON LID ] Please, help me! Help!
Ā
[ Ressler and Liz visit Tobias Carlyle in prison ]
Ressler: We want a name.
Tobias Carlyle: I donāt have one.
Ressler: Oh, first a podcast gets you a new trial, and then a body drops when the jury is trying to decide your fate?
Tobias: I didnāt get a retrial because of luck. I got a retrial because Kimberly Owens uncovered police misconduct and suppression of evidence. That woman, sheās my angel.
āā
[ Kimberly Owens records the newest episode of her podcast āThawā ]
Kimberly: Before I start today, I have sad news to share. Another Brockton student has been reported missing.
āā
[ The prison ]
Liz: Her name is Jenny Marciniak.
āā
[ The freezer ]
Jenny: Hello?
āā
Tobias: I donāt know who that is.
āā
Jenny: [ GASPING ] Let me out.
āā
Ressler: Weāve seen your confession. You admitted to killing those women.
Tobias: I wouldāve said anything to end that interrogation, and so I did.
āā
[ The podcast ]
Kimberly: If I had to pick one word to sum up this case, it would be āmissing.ā Five girls went missing in 2013 and two now, but other things are missing, too. The weapon used to knock out the girls is missing. Police tore Tobiasā life apart and never found it. The kill site is missing. Tobias lived in Manor Hall with a roommate. Itās not exactly a place he couldāve frozen a body in liquid nitrogen without anyone noticing.
āā
Tobias: I hate that anyone more is being hurt, but maybe the silver lining is the truth will finally come out.
Ressler: The truth?
āā
Kimberly: The truth is that Lauren Keyās sexual-harassment report against Dr. Adrian McCaffrey is the biggest missing piece of all. We have it now, of course, but it is missing from the official case in 2013. I was a student at Brockton while the original murders were happening, and everyone knew McCaffrey liked sleeping with girls half his age. Were all of the victims students of his that turned him down? Both of the new victims had him as a professor.
āā
Dave Sternberg (Defense Atty): McCaffrey is the one police should be talking to. Jenny Marciniak was kidnapped 12 hours ago? My client has an ironclad alibi. Whatās Dr. McCaffreyās?
Ā
[ Dr Adrian McCaffreyās office ]
Dr Adrian McCaffrey: I was in my office, grading my papers, just like I always do.
Aram: Can anyone corroborate that?
Dr McCaffrey: This whole thing is ridiculous. I shouldnāt be a suspect.
Aram: Sir, you are not officially a suspect.
Dr McCaffrey: Oh, sure, Iām just having a little chat with the FBI.
Aram: Itās just a-a-a few questions, like, um, about that sexual-harassment complaint.
Dr McCaffrey: Ah. Youāre one of those, arenāt you? Youāve listened to that podcast. You should know that I am suing that woman for defamation.
Aram: Iām just curious why you think the college didnāt disclose the allegation during the original investigation.
Dr McCaffrey: [ Stands up ] Because it was untrue!
Aram: Okay. Hang on. So- So you deny that one of the victims had reported that, uh, you had said, uh, āshe looked good in her skirt, and that, if she was interested in a better grade, she should see you in your office after classā?
Dr McCaffrey: [ Looks out window ] I acknowledge that a complaint was made. I also acknowledge that I had called her paper on āThe Decameronā derivative, and I graded her accordingly. She was just gettinā back at me.
Aram: All of the victims have been your students. I mean ā you have to admit thatās a little weird, right?
Dr McCaffrey: No, I donāt have to admit anything. I teach English 101. It would be harder for you to find a student at Brockton that I havenāt taught.
Aram: And the rumors you were sleeping with students?
Dr McCaffrey: You sound just like my ex-wife. Do you have my divorce agreement in that file of yours, as well? Because if you did, you would know that there was never a speck of evidence that I had an affair. They were lies, all of them. And I got everything I wanted in the divorce because of that fact, just like I am gonna get everything that I want once Iām finished with Kimberly Owens.
Ā
[ Red selects a book for the bag he is packing ] [ Dembe stands up ]
Red: No, no, no, no. No.
Dembe: You are angry. You shouldnāt also be careless.
Red: I need some time to think.
Dembe: I agree. About why you are confusing loyalty with betrayal.
Red: Iām not confused. Iām not angry. [ BREATHES DEEPLY ] Iām just tired.
Dembe: I believe you should tell Elizabeth the truth. You disagree. So I keep your secret out of loyalty to you.
Red: You knew Elizabeth turned me in.
Dembe: Yes. And I kept her secret out of loyalty to her. How is keeping her secret from you different than keeping your secret from her?
Red: The difference is that you and I donāt have secrets.
[ CELLPHONE VIBRATING. Dembe looks at it ]
Dembe: Elizabeth.
Red: She can wait.
Dembe: She knows youāre upset.
Red: [ Angrily ] What you do for me, what I depend on you to do, cannot be done if your loyalties are divided. The same could be said about me for you. Iāve trusted you with my life, with everything in my life. You are the person to whom I am most vulnerable. That makes you either a singular friend or a mortal enemy.
Dembe: You know the answer to that.
Red: I know ā I need time to think about that.
[ Red takes his bag and turns to leave ]
Ā
[ The Post Office ]
Liz: Weāve looked into Carlyleās visitor records, call logs, even his commissary account.
Ressler: No evidence of a hit.
Cooper: What about his family financials? Any unexplained transfers?
Liz: Nothing yet, sir.
[ Aram enters ]
Aram: Okay. So, get this. McCaffrey mentioned he got āeverything he wantedā ā in his divorce.
Cooper: And?
Aram: And so I thought Iād pull up the agreement and see what it included ā all profits from his personally published works, a piece of art he and his wife purchased, and this [ BEEPS ] his familyās cabin. Itās isolated, private.
Liz: The police never figured out where the bodies were staged.
Aram: This could be the perfect place.
Ā
[ Outside the freezer ] [ FOOTSTEPS ]
Jenny Marciniak: Hello? Whoās there? [ CRYING ] [ SIGHS ] [ METAL CREAKS LIGHTLY ]
Jenny: Ugh.
[ Someone connects a hose to the freezer ]
Ā
[ Dominic (Dom) Wilkinson is working on his car ] [ METAL TAPS ] [ FOOTSTEPS ] [ METAL CLANKS ]
Dom: Pbht!
[ BIRD CAWS IN DISTANCE ] [ Dom looks up ā itās Red ]
Red: I got your message about the accident.
Dom: I sent it a month ago.
Red: Yeah. Three months after it happened.
Dom: Iām fine, by the way.
Red: Carās on life support, but youāre doing fine. Whatās it gonna take to get rid of you?
Dom: Are you here to compliment me or to do some work?
Red: Iām here to think.
Dom: About what?
Red: Think. Not talk.
Dom: Have it your way. You always do.
Ā
[ Liz and Ressler arrive at Dr Adrian McCaffreyās cabin in the woods ] [ KNOCKING ON DOOR ]
Ressler: Mr McCaffrey? Anybody here? FBI.
Liz: Looks abandoned.
[ Liz opens a window ] [ CREAKS ] [ Ressler boosts her in ]
[ DOOR CREAKS ] [ They search the house ]
Liz: Ressler.
[ DOOR CREAKS ] [ The door opens to a room mostly occupied with a large freezer ]
[ Moaning comes from the freezer ]
Ressler: Oh, my God. Thereās somebody in there.
[ Ressler grabs wrench ]
Ressler: Look out.
[ Ressler forces off the lock and lifts the freezer lid ] [ CREAKS ]
[ Jenny Marciniak is still alive, but barely ]
Ā
Red: Lemme buy you a new car. This oneās not safe. Not surprised you got in an accident.
Dom: Whatever youāre thinking, why come here to think about it? What have I done to deserve this honor?
[ BIRD CAWING IN DISTANCE ]
Red: Iām thinking about excommunication.
Dom: Well, whoās left?
Red: Elizabeth and Dembe. She turned me in. He knew and said nothing about it.
Dom: Youāve killed for less.
Red: Iāve never killed for more.
Dom: But not her. Uh, sheās off-limits.
Red: Yes.
āā
[ Dembe talks to his Imam ]
Dembe: There is a woman. My employerās connection to her has been his moral compass.
Imam: And that connection is broken.
Dembe: Yes. Without it, no one is safe.
Imam: Not even you?
āā
Dom: Why did she turn you in? What did you do that made her want to do that?
Red: I havenāt ever been totally forthright about myself.
Dom: What does she know?
Red: Sheās been looking and thought sheād have a better chance of finding out more if I was in prison and couldnāt interfere.
Dom: And Dembe kept her secret.
Red: He did.
Ā
Cooper: Jennifer Marciniak was rescued 30 minutes ago. My agents found her locked in a freezer on a property owned by Adrian McCaffrey.
James Folta (Prosecuting Atty): Well, thatās hardly enough to justā
Cooper: Several gallons of liquid nitrogen were also found at the crime scene.
Dave Sternberg (Defense Atty): Your Honor, this is exculpatory. I-I want the jury recalled. I-I want to reopen testimony.
Folta: The prejudicial impact of that on the governmentās case ā would ā
Sternberg: Yeah, to hell with that. Iām putting Director Cooper on the stand.
Judge: Youāre not doing anything unless I say you are. Mr. Folta, even if the jury convicts, if I exclude this new evidence, thereās a good chance the conviction would get overturned on appeal. But what really troubles me is the possibility Carlyle is wrongly accused.
Cooped: Iām willing to testify, Your Honor, to what we found at the scene.
Judge: Under the circumstances, I no longer feel I could stand by a verdict of guilty in this case. Moreover, I find that no reasonable jury could do so, either. That leaves me no choice but to dismiss the charges against Tobias Carlyle. Mr. Cooper, Iām looking to you to ease my conscience here. If Adrian McCaffrey is responsible for these murders, make the case and make it stick.
Cooper: Weāll do everything we can.
Ā
[ Ressler is at Brockton College ]
[ CELLPHONE RINGS, BEEPS ]
Ressler: Tell me you got something on that APB, because I just went by McCaffreyās office he was a no-show for all of his classes.
Aram: No, nothing on the APB. [ KEYS CLACKING ] Iām following up on that cold case I looked into for you.
Ressler: And?
Aram: I used your name to expedite the search and got 38 prints. 13 were in the system. Six of those were white men, but the oldest was 46.
Ressler: Nah, thatās too young to be my guy.
Aram: Iām sorry. I can forward you the names Iāve pulled, if that would help.
Ressler: Nah, thatās unnecessary. Look, Aram, Iām gonna have to call you back, all right? [ CELLPHONE BEEPS ]
āā
[ A guy has been shadowing Ressler. Ressler waits around the corner of a building, then grabs the man and shoves him up against the wall ]
Ressler: Who are you? Why are you following me? [ BREATHING HEAVILY, points gun ] Answer me.
Shadow: [ RUSSIAN ACCENT ] Iām supposed to watch you.
Ressler: Why? Who wants me watched?
Shadow: My superiors. They want to know why youāre interested in Katarina Rostovaās father.
Ressler: What makes you think I am?
Shadow: You ran his prints.
Ressler: So youāre looking for him, too.
[ VEHICLE APPROACHES ] [ TIRES SCREECH ] [ Two men get out ]
Shadow: I think you should let me go now. Weāll be watching, Agent Ressler.
Ā
[ Tobias Carlyle is released and is immediately mobbed by reporters ]
[ INDISTINCT SHOUTING ]
ā Mr. Carlyle! Mr. Carlyle, can we get a comment?
ā Do you have any plans to sue?
Defense Atty Sternberg: We have no comment.
ā Did you know Jenny Marciniak?
Sternberg: Please, please, weāll issue a formal statement shortly.
Kimberly Owens: Tobias. Tobias. Howās it feel to finally be set free?
Tobias: [ SIGHS ] Fantastic. If it werenāt for you, I wouldnāt be going home.
ā Mr. Carlyle!
ā Mr. Carlyle!
ā Mr. Carlyle!
ā Do you have any comment?!
[ INDISTINCT SHOUTING ]
Ā
Ressler: [ SIGHS ] The campus was a bust. No sign of McCaffrey.
[ TAPS LIGHTLY, DRAWER CLOSES ]
Ressler: Whatās going on?
Liz: Itās Dembe. Iām worried about him.
Ressler: You think Reddington would actually punish Dembe?
āā
[ Dembe prays ]
Dembe: Allah ā
āā
Liz: He wasnāt okay with what I did. And he certainly wasnāt okay with Dembe keeping it secret.
Iām worried about what Reddington might do, how he might respond. I put him in an impossible place. I asked him to hide the truth because I thought my secret was more justifiable than Reddingtonās, but the truth always comes out, and someone always gets hurt.
Ressler: [ SIGHS ]
Liz: What?
[ KNOCK ON DOOR ] [ Aram enters ]
Aram: Okay. Uh, so, I found something. You know how nobody has been able to locate Dr. McCaffrey?
Ressler: Tell me you found him.
Liz: Aram, youāre a wizard.
Aram: No, Iām not really a wizard. I just waited for Mr. Cooper to get a warrant, then pinged his phone. Heās at the home of Margo Parish, another former student.
Ā
[ Home of Margo Parish ] [ Ressler knocks ]
Liz: Adrian McCaffrey. Where is he?
McCaffrey: Right here. [ SIGHS ]
Ressler: Good. āCause youāre under arrest.
[ Ressler handcuffs him ]
Ā
Red: How about a new Mercedes or a pickup truck? You want a brand-new pickup truck?
[ Dom gets a beer and offers one to Red ]
Red: Thank you.
Dom: Might as well offer. Youād take one whether I wanted you to or not. Hmm.
Red: A beer?
Dom: A beer, a life. You do what you want, no matter what I think.
Red: Which you find unforgivable.
Dom: You want to know what I find unforgivable?
Red: Aside from my suggesting you get a new car?
Dom: You not seeing how forgiving I am.
Red: You forgiving?
Dom: Hmm. My child betrayed everything I believed in. She turned her back on my country and on me. And because she was a traitor, people assumed that I was one, as well. What did I do ā I turn her in, turn my back on her the way she turned her back on me? No, no. I went into hiding, gave up my home, my granddaughter. Masha doesnāt even know I exist.
Red: You forgave Katarina.
Dom: Mm.
Red: But not me.
Dom: I forgave my child.
Red: Good luck with the car.
Dom: Where are you going?
Red: I know how to hurt people I care about. I came for advice on how to live with it.
Dom: Yeah, well, I canāt help you with that.
Ā
McCaffrey: I donāt know how that girl ended up in my cabin, but I am telling you that someone is trying to frame me.
Ressler: Really? Because it looks like people are trying to protect you. See, we know the university suppressed the sexual-harassment allegation that was filed against you by one of the victims.
McCaffrey: It wasnāt suppressed. It just wasnāt true.
Aram: Do you have an alibi for the night Lauren Key was murdered six years ago?
McCaffrey: Yes. Thatās why I was at Margoās house, to get her to come forward, explain that I was with her that night.
Aram: With her?
McCaffrey: We were seeing each other at the time of the original murders.
Aram: But sheāsā
McCaffrey: A former student, yes. The rumor that I was having affairs with several students was untrue. I was having an affair, but with only one. I can prove that I didnāt kill Lauren Key. I have photos of Margo and me together that night, over 200 miles away.
Ressler: So why didnāt you disclose this?
McCaffrey: [ SCOFFS ] Are you kidding me? If anyone had found out, Iād have lost my job. But now that Iām the lead suspect, well, letās just say that I would rather be unemployed than spend the rest of my life in prison.
Ā
Liz: So, itās confirmed the B&B in West Virginia can provide documentation that McCaffrey and his girlfriend were there the weekend Lauren Key was murdered.
Cooper: Which corroborates the photos his girlfriend gave us.
Aram: The reason we looked at McCaffrey in the first place was because of his connection to Key.
Cooper: And the fact that Jenny Marciniak was found in his cabin.
Liz: A cabin he claims he never uses. Maybe McCaffreyās right maybe the killer knew that and put Marciniak there so weād blame him.
[ Ressler enters ]
Ressler: I just hung up with someone on the custodial staff at Brockton who says they can confirm McCaffreyās alibi, that he was grading papers the night Marciniak was taken.
Cooper: Looks like maybe McCaffrey was framed after all.
[ KNOCK ON DOOR ]
Aram: If heās not the killerā
Liz: Then a guilty man may have just been set free.
Ā
[ Kimberly Owens opens her door. Itās Tobias Carlyle ]
Tobias: I hope Iām not bothering ya.
āā
[ Kimberly and Tobias drink red wine ]
Tobias: A lot of guys inside they donāt have any hope. Before you ā what you did for me ā I thought I was gonna die in there.
Kimberly: I just told your story.
Tobias: Yeah, well, no one was listening to me before you, so thank you.
Kimberly: Youāre welcome.
[ Kimberly puts down her glass ] [ GLASS TAPS LIGHTLY ]
[ Tobias leans over to kiss Kimberly. She pulls away ]
Tobias: Iām sorry. I thoughtā That was inappropriate. I never shouldāveā
[ Kimberly leans forward and kisses him ] [ GRUNTING SOFTLY ]
[ They ⦠have sex ]
Ā
[ FOOTSTEPS ]
Red: [ SIGHS ] You gave up a lot. That was hard. Sometimes, I forget how hard.
Dom: It looks like you came all this way for nothing.
Red: Whyād you do it? Why sacrifice so much that you end up like this?
Dom: [ LAUGHS ] Ah, it doesnāt matter.
Red: If Katarina were standing here instead of me, if it were she asking you why you did what you did after sheād betrayed you, what would you tell her?
Dom: It doesnāt matter, because sheās not here and sheās not asking.
Red: But if you could tell herā
Dom: I canāt!
Red: But if you could ā
Dom: Love. ā Love. [ CHUCKLES ] Love.
Ā
Cooper: Walk me through it again.
Ressler: Well, the problem is that, even if Adrian McCaffrey is innocentā
Aram: It still doesnāt explain the death of a student in Stafford County or the abduction of Jenny Marciniak.
Ressler: Who still canāt I.D. her attacker.
Cooper: Well, whoever he is, he knows enough about the case to stage a kill site at McCaffreyās cabin.
[ Liz enters ]
Liz: I might have a lead ā the liquid nitrogen.
Ressler: Were you able to source it?
Liz: I spoke to the lab. They managed to isolate a partial print on the bottom of one of the canisters we found at the cabin. Belongs to a Paul Lamar. Works for Heath Chemical.
Aram: You think heās the killer?
Ā
Paul Lamar: Am I in some kind of trouble?
Ressler: Weād like to ask you a few questions.
Liz: About the Brockton murder.
Paul Lamar: I-I think I w-want an attorney.
Ā
Tobias: Wow. Iād really, really missed having sex.
Kimberly: Hmm. Well, letās make a night of it. I remember you told me once that there was something you missed even more than sex.
Tobias: A hot basket of French fries?
Kimberly: Mm-hmm.
[ BOTH CHUCKLE ]
Kimberly: Thereās this awesome takeout burger place around the corner.
āā
Paul Lamar: When the tanks went missing, deep down, I-I knew something was wrong, but I [ SIGHS ] I just I didnāt know what. I shouldāve figured it out.
āā
[ Kimberly is showering ]
Kimberly: Can I tell you something?
Tobias: Thought weāve told each other everything.
Kimberly: Well, itās a little embarrassing. When we were at Brockton, I had a huge crush on you.
Tobias: Really?
Kimberly: Yeah. You were so cute. I was going to ask you out, butā
Tobias: Everything went all to hell.
āā
Paul Lamar: Sheās been obsessed with him for years.
Ressler: Who?
Paul Lamar: My stepdaughter, Kimberly Owens.
āā
Tobias: Wish Iād gotten to know you back then. Who knows how differently my life wouldāve gone?
[ Tobias is poking through Kimberlyās lingerie drawer. He lifts out some panties ā and finds a meat mallet ] [ CLATTERS ]
[ Kimberly walks in ]
Kimberly: I really wish you hadnāt found that.
Tobias: You m-murdered my friends.
Kimberly: It is not like that. Everything that I have done has been for us.
Tobias: Melissa. Krystala.
Kimberly: Those w-women they were distractions.
Tobias: [ SNIFFLES ]
Kimberly: I still remember the first time I saw you. It was Freshman Comp. And you were so handsome, itās like I could barely breathe. You didnāt notice me, but I still fell for you.
Tobias: You killed them. All of them. Then. Now. Youāre insane.
Kimberly: No, donāt talk to me like that. After all I have doneā
Tobias: Youāre the reason I was in prison!
Kimberly: No, you confessed! Why would you do that, silly? Those girls they were gone. I got rid of them for you.
Tobias: Get away from me.
Kimberly: No, donāt you dare walk out on me after all I have done getting you a retrial, framing Dr. McCaffrey. You should be thanking me. I am the only reason you are out of prison!
Tobias: I said get away from me.
Kimberly: No! Donāt you dare!
Tobias: Iām going to the police!
Kimberly: No!
[ Kimberly grabs the mallet and hits him on the head with it. He collapses ]
Kimberly: [ PANTING ] [ SNIFFLES ] We couldāve been so happy.
[ She hits him again ] [ THUDS ]
Ā
[ Kimberly drags Tobias into the freezer room at McCaffreyās cabin ] [ GRUNTS, BREATHING HEAVILY ]
Kimberly: I always wished I couldāve opened up to you about this. Maybe thatās the silver lining.
I was 12, and Stephanie Curtiss was the coolest girl in school. And she invited me to her birthday party. Turns out, she only invited me to humiliate me. Her and her friends locked me in a freezer. I was convinced I was gonna freeze to death. I was in there for almost an hour.
[ BREATHING HEAVILY ] [ She opens the freezer lid ]
Kimberly: Did you know that, most hypothermia victims, before they die, they rip off their clothes? Well, luckily, I didnāt get that far.
[ She lifts and pushes Tobias into the freezer ] [ GRUNTS ] [ BREATHING HEAVILY ]
Kimberly: The sluts who threw themselves at you they reminded me of Stephanie and her friends. So I gave them a taste of their own medicine.
āā
[ DOOR SLAMS OPEN ] [ The SWAT team arrives ]
[ The Weepiesā āŖ āLove Doesnāt Last Too Longā plays ]
[ Liquid nitrogen RUSHING ] [ Tobias SCREAMING ]
āŖ Watch the sun go down
I watch the sun go down
Then I wander around
Then I wander around
[ Tobias is rescued and rolled out in a gurney. Kimberly is led in handcuffs to a police car ]
āŖ Itās here, then itās gone
Love doesnāt last too long
[ Kimberly cries, rocks, SHOUTS and wails ]
āŖ I didnāt even have time
Ā
[ Domās garage ] [ ENGINE SPUTTERING ]
Dom: Ha ha! [ ENGINE RUNNING ]
[ Red smiles in the back seat ]
āŖ To get it straight in my mind
To catch up from behind
Dom: Ha ha.
[ Dom SHUTS OFF the ENGINE ] [ CELLPHONE RINGING ]
āŖ To see that I was blind
Dom: You gonna answer that?
Red: Itās Elizabeth.
āŖ And I wish I was wrong
[ CELLPHONE BEEPS ]
Red: Iām sure she wants to know what Iām gonna do.
āŖ Love doesnāt last too long
Dom: Thatās easy. Youāre going to exact revenge.
Red: You didnāt.
Dom: No.
āŖ All you lovers in the dark
Dom: No, and it nearly killed me. You know what I did.
āŖ Can forget what I said
Dom: You have no idea how I feel ā surrounded by nothing but memories ā every Christmas, every time it rains.
āŖ And it still goes on in my head
Red: The car.
āŖ Rivers to the sea, rivers to the sea
Dom: Yes.
Red: The last time you saw Katarina was in the rearview mirror.
āŖ How it is right now is how itās always gonna be?
Dom: Some memories you want to hold onto. Most haunt you like a curse.
āŖ Itās here, then itās gone
Red: Iām not sure I know how to live with Dembeās betrayal.
āŖ Love doesnāt last too long
Dom: Get revenge, and that will pass. Forgive it, it wonāt.
Red: Are you at peace with the choice you made?
Dom: I am.
āŖ I watch the sun go down
Dom: I am because I loved her.
āŖ I watch the sun go down
The real question is, how much do you love Dembe?
āŖ Then I wander around
Then I wander around (Oh)
Ā
[ Redās apartment ]
Red: Going somewhere?
Dembe: My affairs are in order. My only regret is, after all weāve been through, our friendship has to come to this.
Red: What is the āthisā that our friendship has come to? Our friendship was born of suffering and desperation, trust and compassion. It grew in crisis and chaos, matured in curiosity and scholarship. Our life together has been peaceful simplicity. Our life together has been death-defying. Iām not sure if the right word is āfriendshipā or ālove.ā I just know it lives in me for as long as I live and, hopefully, longer. I went away to think about you and me, and all I could think was that I missed you. Us. You know, Elizabeth Keen has lied and deceived me more times than I can count, and Iāve forgiven her every time. But I realize you donāt need my forgiveness. Ever. Because when it comes to āthisā [ Gestures back and forth between them ] you can do no wrong.
Dembe: I appreciate that, Raymond. But I canāt forgive you.
Red: I guess I donāt understand.
Dembe: No. And I suppose you donāt.
Red: Wh-Where are you going?
Dembe: Iāve followed your path long enough. Itās time I follow my own.
[ Red gets up ] [ KEYS JINGLE ] [ He puts on his hat, walks past Dembe and leaves ]
Ā
Ressler: Any word from Reddington?
Liz: Not yet. Or Dembe.
[ PAPERS RUSTLING ]
Ressler: Your secret ā the one you thought was more justifiable than his ā I have a secret, too, one I thought was pretty justifiable, but now Iām not so sure.
Liz: You didnāt stop, did you, trying to find his real identity?
Ressler: No, I didnāt. I donāt know who he was, but I think I found someone who might. Your grandfather.
Liz: You found Reddingtonās father?
Ressler: Katarinaās. Look, all I have is a photo.
Liz: Can I see it? Look, I know you were asking me not to pursue this, and if youāre pissed at me, I get it, but I felt like I had a right to know. My only regret is that I hit a dead end. āCause that guy ā heās a ghost.
Ā
[ Liz arrives at Domās place. He opens the door ]
Dom: Agent Keen. What can I do for you?
Liz: You could begin by saying hello to your granddaughter.
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Episode Songs
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ā« Love Doesnāt Last Too Long
By The WeepiesāŖ I watch the sun go down, I watch the sun go down
Then I wander around, then I wander around
Itās here then itās gone
Love doesnāt last too longāŖ I didnāt even have time to get it straight in my mind
To catch up from behind, to see that I was blind
And I wish I was wrong
But love doesnāt last too longāŖ All you lovers in the dark can forget what I said
āCause it still goes on in my heart
And it still goes on in my headāŖ Rivers to the sea, rivers to the sea
How it is right now is how itās always gonna be
Itās here then itās gone
Love doesnāt last too longāŖ I watch the sun go down, I watch the sun go down
Then I wander around
Then I wander around
Then I wander aroundLyrics and Credits: http://bit.ly/2DyGkhi
YouTube: https://youtu.be/xoEDDX9Kro4
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⬠go to start of 6:18 Brockton College Killer
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āāā End 6:18 Brockton College Killer
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š“ Script 6:19 Rassvet
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Program air date: 4/26/2019 in the US
Script Permalink: https://wp.me/pDKwi-9wJ
Entertainment Weekly Recap: http://bit.ly/2Xtzdyo (scroll down)
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Director: John Terlesky
Written by: Sean Hennen
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ā Script 6:19 Rassvet
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Brief (Where weāre at): Fearing that if she did not come forward, Red would kill an innocent man, Liz has finally told Red that it was she, in league with her half-sister Jennifer, who turned Red in to the police and put his life at risk. He is furious, although, he says, not entirely surprised. He had learned that she had been in looking for the nurse of plastic surgeon Dr. Hans Koehler (Blacklister #33) and thought she likely knew that he was āonce someone elseā and that Dr Koehler had performed surgery on him that allowed him to assume the identity of her dead father, the real Raymond Reddington. Redās anger is compounded by Dembeās betrayal ~ Dembe who, though disapproving, had kept Lizās secret from him. Liz tells Red she no longer cares about his true identity: āI came face-to-face with losing you, and I realized that I donāt care about who you were ā I care for who you are. And thatās the only thing that matters.ā
Unassuaged, Red goes to see Dom (Dominic Wilkinson), Lizās maternal grandfather who recounts the betrayal he felt when his daughter Katarina Rostova became a traitor to her country (the USSR) at the end of the Cold War. He said it was his love for her that allowed him to give up everything ā job, home, family, country ā and move to America where his connection with her still makes him a target of Russian agents and requires him to live as a recluse. Red returns home feeling reconciled ā only to find out Dembe has visited his Imam and has decided to leave his service as Redās bodyguard, a bitter disappointment for Red.
Meanwhile, Ressler finally spills to Liz that he has kept up the search for Redās identity without her knowledge. He discovered that her maternal grandmother who had recently died had tried to send a letter to her daughter Katarina via a P.O. Box in Wilmington in Upstate New York. He has a photo from surveillance footage of the man who picked up the letter. But he says the search had come up short and that the man is āa ghost.ā But Liz recognizes the man in the photo. It is Dom and she met him once in an earlier attempt to find out about her mother and Red. But Dom didnāt tell her ar the time that he was her grandfather, only that he had been a Russian asset. So, she pays him a visit. ā¦
Ā
[ Dominic Wilkinsonās place in the country ] [ BIRDS CHIRPING ] [ FLOORBOARDS CREAK LIGHTLY ]
[ Dom, Lizās grandfather, serves Liz tea ]
Liz: Mint.
Dom: Absolutely. Mint.
Liz: You grow mint? I do the same thing at home so I can have it for myā
Dom: Yes, you may.
Liz: Thank you.
Dom: Na Zdorovye.
Liz: Can I ask why? Youāre my grandfather. Why would you want to hide that from me?
[ CLOCK TICKING ]
Dom: Because I made a promise a long time ago. [ SLURPS ]
Liz: A promise to lie to your granddaughter? [ CUP TAPS LIGHTLY ] Why would anyone ever ask you to do that?
[ TICKING CONTINUES ]
Dom: Hmm. To keep you safe.
Liz: You know his identity.
Dom: I do.
Liz: Who is he? And how is it connected to my mother? I know she didnāt drown in Cape May. I know that, 6 months later, she helped whoeverās pretending to be Reddington become Reddington. I have proof. What happened in those 6 months between the night the world thinks my mother drowned and the day Reddington came back from the dead? What happened?
āā
[ Cape May, about 30 years earlier ] [ WIND RUSHING, CHIMES CLINKING ] [ WAVES CRASHING, BIRDS CALLING ]
[ Katarina Rostova, Lizās mother, drags herself out of the ocean ] [ GASPING ] [ GRUNTS ]
āā
Dom: For most people, baptism comes early. My daughter had to wait half her life to be reborn.
Ā
[ DOORS CREAKING ] [ Katarina stumbles into a church, still wet and barefoot ] [ DOORS THUD SHUT ]
Priest: Maāam? Can I help you?
Katarina: [ GASPING ]
Priest: Are you all right?
[ Katarina collapses ] [ THUD ECHOES ]
Ā
Shelter Worker: Hey, there.
[ LIGHT SWITCH CLICKS ]
Katarina: [ GASPS ]
Shelter Worker: Easy. Itās okay. Youāre in a shelter. Itās not a hospital. You had a nasty fever when they brought you in ā hypothermia. You picked the right church, though. Father Wendt was a medic in Lebanon. Said you needed rest and warm liquids.
Katarina: How long haveā
Shelter Worker: A few days.
Enough time for the fever to break. Whatās your name, sweetheart?
[ Katarina pulls the blanket over her head ]
Shelter Worker: Thatās okay. I donāt need to know. You get some rest.
Ā
[ Jodi, an official at the shelter, interviews Katarina at a desk ]
Jodi: You need to know whatever you share with us is confidential, and it stays with us unless you request otherwise. You want to talk about it?
Katarina: No.
Jodi: I saw the bruises on your stomach, the cuts. They werenāt from the ocean.
āā
[ Katarina recalls fighting with assailants at Cape May ] [ GRUNTING ]
āā
Jodi: Well, wh-when you want to talk about it, weāre here. Youāre safe.
Katarina: Thank you.
[ PEN CLATTERS LIGHTLY ] [ Katarina leaves ]
Ā
Liz: But she wasnāt safe.
Dom: No. No. She wasnāt safe.
[ CLOCK TICKING ]
Liz: She was being hunted. There was a Russian ā Anton Velov. He was searching for her.
Ā
[ A morgue. The attendant slides a corpse into the cooler ]
Anton Velov: These are from the last week?
Attendant: Everyone we received.
Velov: And bodies wouldnāt have been sent anywhere else?
Attendant: If a body was pulled from the water within 40 miles of here, this is where it would come.
Velov: [ In Russian, to a man with him ] Sheās out there. I can feel it.
Ā
Dom: What do you say you and I take a little drive?
Liz: A drive?
Dom: Well, thereās something I want to show you.
Ā
[ The womenās shelter. Workers arrive. Katarina is by the silverware. She slips a spoon into the pocket of her jacket. A manager opens an office ] [ DOOR UNLOCKS ]
[ DOOR SLAMS OPEN ] [ A woman is brought in ]
Irina: [ SHOUTING IN RUSSIAN ]
Shelter Worker: Whatās the problem? Who is she? We couldnāt get her name.
Worker #2: No one knows what sheās saying. She walked in and started yelling.
Irina: [ SHOUTING CONTINUES ]
[ Irina grabs a dinner knife from the utensils ]
Worker #2: Oh, my God. Call the police!
Irina: [ CONTINUES SHOUTING ]
Katarina: [ SHOUTS at Irina IN RUSSIAN ]
[ Katarina grabs Irinaās arm ]
Katarina: Donāt call the police. Sheās telling you not to. [ To Irina ] Pozhalusta. [ Tr: Please ]
Shelter Worker: You can understand what sheās saying?
Ā
Irina: [ SPEAKS RUSSIAN ]
Katarina: Her boyfriend did this.
Jodi: Can she tell us his name?
[ CONVERSING IN RUSSIAN ]
Katarina: She doesnāt want to. Sheās afraid. Her boyfriend is friendly with the police. If you call them, heāll find her.
Irina: [ SPEAKING RUSSIAN ]
Katarina: Her arm ā she thinks there might be a fracture.
Ā
[ Katarina comes down a stairs at the shelter ]
Shelter Worker: Katarina ā
[ Katarina turns around ]
Shelter Worker: Should we talk?
Katarina: About what?
[ The Shelter Worker shows Katarina a newspaper article: āWOMAN FEARED DEAD ā Personal Items Found At Waterās Edgeā) ]
Katarina: You think thatās me?
Shelter Worker: I think weāre all running from something. I think weāve all had to do things to survive. Everyone here has a past. Whatever your story is, itās your story, and yours alone. Most importantly, I think the woman who stepped into that ocean is dead. The one who emerged has new choices, a new future, and Iām here to help her.
Ā
[ Dom and Liz drive down a country highway ]
Liz: She got help.
Dom: She got well. She kept to herself. She remained patient.
Liz: While she made a plan.
Dom: Remember, all this happened as the Soviet Union was collapsing.
āā
[ At the shelter, Katarina walks past a television ]
Reporter: 93% of voters in Lithuania have voted for independence from the Soviet Union.
āā
Dom: She betrayed all of us.
Liz: By working with the Cabal.
Dom: By helping to fan the flames of an uprising. Many powerful people were looking for your mother, and she knew she needed to disappear, to fade away. She stayed at the shelter, biding her time, untilā
Liz: Until what?
āā
[ Irina is being beaten by her Boyfriend in the bathroom at the shelter. Katarina is hiding in one of the stalls ]
[ BOTH SHOUTING IN RUSSIAN ] [ SHOUTS ] [ SHOUTING IN RUSSIAN ] [ SHOUTING IN RUSSIAN ]
Irina: [ SCREAMS ]
[ SHOUTING IN RUSSIAN ]
Irina: [ SCREAMS ]
Katarina: [ COUGHS ]
[ Irinaās Boyfriend opens the stall door ] [ DOOR CREAKS ]
Boyfriend: [ To Katarina ] Get out.
[ The Boyfriend goes after Irina again ]
[ SPEAKING IN RUSSIAN ] [ SHOUTING IN RUSSIAN ]
Katarina: Sir, please. Youāre drunk.
[ IRINA SPEAKING RUSSIAN ]
Boyfriend: What did you say to me?
Katarina: Itās late. Youāve been drinking. M-Maybe the best thing for you ā
[ The Boyfriend pulls a gun ] [ GUN COCKS ]
Boyfriend: Out. Now.
Irina: [ BREATHING QUICKLY ]
Boyfriend: [ RUSSIAN w subtitles, to Irina ] Iāll kill you if you ever talk to me again like that, stupid bitch, you hear me? You show me respect.
[ Katarina locks the bathroom door from the inside ] [ LOCK CLICK ECHOES ]
Katarina: [ Russian ] I asked you to leave.
[ The Boyfriend starts to point his gun at Katarina but she knocks it from his hand and easily dispatches him ]
Boyfriend: [ CHOKING ]
Katarina: [ In Russian to Irina ] Get up. Go back to your bed. This never happened. You never saw me. And you never saw him. Understand?
Boyfriend: [ GASPING ]
[ DOOR OPENS ] [ Irina leaves]
Boyfriend: [ CHOKING ]
[ Katrina stabs him with the spoon handle ]
Boyfriend: [ YELLS ]
Ā
[ Katarina goes through the Boyfriendās wallet, keeping the cash and credit cards and throwing the rest into a furnace. In a motel room, she takes a compact computer out of a plastic bag and plugs it in to the phone jack ]
Ā
[ Ilya Koslov is working at a desk in the Russian Embassy in Washington DC ] [ CONVERSATIONS IN DISTANCE ]
[ Someone delivers a manila folder to him ]
[ The MONITOR BEEPS on the screen of his computer. A window pops up: āFree Daily Crossword,ā which he brings up ] [ He looks around ] [ KEY CLACKS ] [ BEEPS ] [ KEYS CLACKING ] [ He prints a paper copy of the crossword puzzle ]
āā
[ At a bar, Ilya sits at a table with the crossword and decrypts a message: ā30th St Station 5:00 PM ALONEā ]
āā
[ 30th Street Station ] [ Ilya waits. At 5:09pm, a message comes over the P.A. ]
Man on P.A.: Mr. Koslov. Paging Mr. Ilya Koslov. You have a lost item at the security desk.
[ At the security desk ]
Ilya: Hi. Iām, uh, Ilya Koslov. Someone paged me.
Security Attendant: Oh, Mr. Koslov, yes. We found your briefcase.
Ilya: Oh.
Security Attendant: Lucky someone turned it in.
Ilya: Yes. Must be my lucky day.
āā
[ He steps away to a large trash receptacle, sets the briefcase on top and opens it. Inside are only two telephone directories, but in a pocket in the briefcase he finds he finds the key to a room at the Twin Pines Motor Lodge. He ditches the briefcase in the trash ]
Ā
[ Twin Pines Motor Lodge ] [ TRAIN WHISTLE BLOWS ]
[ Ilya opens the door to the motel room ] [ DOOR CLOSES ]
[ GUN COCKS. A gun is pressed to the back of his neck ]
Ilya: [ GASPS ]
[ Conversation in Russian with subtitles: ]
Ilya: Iām alone.
Katarina: No shadows?
Ilya: [ SIGHS ] Oh, Katarina.
[ They hug ]
Ilya: [ BREATHING QUICKLY ] Ah! I thought you were dead.
Katarina: I am dead.
Ilya: What are we doing here?
Katarina: Making sure I stay that way.
Ā
[ Still driving along the highway ]
Dom: I hope you know your mother loved you.
Liz: And my father? Did she love him, too?
Dom: [ SIGHS ] Reddington was an assignment.
Liz: So, you were her handler.
Dom: Katarina was my protĆ©gĆ© ā or so I thought until I learned that she had a life I didnāt know anything about ā a cabal conspiring against Russia, her affair with Reddington.
Liz: Which you ordered her to have.
Dom: I ordered her to turn him ā turn him, not to have his child. I donāt know if they loved each other or not. What I do know is that they loved you.
Liz: And fought over me.
Flashback:
[ Masha (Liz) shoots her father ] [ GUNSHOT š„ ECHOES ] [ Masha runs down the hall ]
Liz: Thatās what they were doing the night I shot him. Whoeverās impersonating Reddington, they had to know Reddington died that night. And if they knew that, they also knew thatās when my mother gave me up.
[ SPEAKING RUSSIAN ]
Katarina: [ Russian ] Be good, little one. I love you. [ Hugs Masha, kisses her ] Oh!
[ Katarina hugs Lizās nanny, Katherine Nemec, (Mr Kaplan) ]
Katarina: Oh! [ GASPS ] Lock the door behind me.
Liz: She was alone and scared and wanted me to be safe.
Dom: She was scared, and she wanted you to be safe. But she wasnāt alone.
Ā
Ilya: I cannot believe youāre alive. The papers ā How did- How did they get it wrong?
Katarina: They didnāt. I went into the ocean to end my life.
Ilya: Yeah, but you came back.
Katarina: I told you my plan.
Ilya: Yeah, well, we need a new plan ā one that has even a remote chance of success.
Katarina: The KGB knows I betrayed them. The Cabal knows I had an affair with a man who has information that could destroy them. I am marked, and so is everybody I care about ā guilt by association. I wonāt stand still for that.
Ilya: That is what I hate about you.
Katarina: Donāt say that.
Ilya: Well, donāt take it personally. Itās how, uh, all moral relativists feel about righteousness in the face of impossible odds. On the plus side, Iāll have nothing but love for you if we succeed, which we wonāt.
Katarina: We?
Ilya: Well, we pledged our lives to each other.
Katarina: [ SIGHS ] When we were 6.
Ilya: And a promise is a promise.
[ He leans to kiss her, she steps away ]
Katarina: Okay. For this to work, weād need passports, cash, access, time.
Ilya: Okay, okay. Okay, well, which of those do we have?
Katarina: None.
Ilya: What, not even time? I donāt understand. The world thinks youāre dead.
Katarina: There was an incident at the shelter ā a man with a gun. Velov will hear about it. The news of my death would fool most. It wonāt fool Velov.
Ā
[ The womenās shelter ]
[ Velov questions Irina ] [ Russian with subtitles: ]
Velov: The Russian woman. Where is she?
Irina: I donāt know what youāre talking about.
Velov: She went missing. The same night your boyfriend went missing.
Irina: What woman? There was no woman.
Velov: [ Sighs ]
[ Velov sits on the bed next to Irina, puts his hand on her knee ]
Velov: Irina, understand. I can make this very unpleasant for you. Your boyfriendās already missing. Would you like to join him? The woman. The Russian. Describe her to me. [ SIGHS ] [ CHUCKLES ]
Ā
[ Ilya photographs Katarina for a new ID ] [ CAMERA SHUTTER CLICKS ]
Katarina: We did the right thing, right?
Ilya: What thing?
Katarina: Pulling him from the fire, trying to save his life? I canāt stop thinking about those firefighters, what might have happened if weād left him there ā if they found him, maybe they couldāve gotten him help, saved Raymondās life.
Ilya: He wouldāve burned to death. We did everything we could, and we got him out.
Katarina: And yet, he died.
Ilya: Look here. Glasses.
[ Katarina puts on a pair of glasses ]
[ CAMERA SHUTTER CLICKS ] [ Ilya constructs a new passport for Katarina ]
Ilya: Good luck, Anna Croft.
Ā
[ Ferry station, New York ] [ INDISTINCT CONVERSATIONS ]
Man on P.A.: All passengers are subject to random screening
[ Lena Volkova enters a waiting area. She sees Katarina and walks over and hugs her ]
Lena Volkova: This is impossible.
Katarina: [ CRYING ] Iām sorry, Mom, for everything.
Lena: Whatās happening?
Katarina: Iām in trouble which means you and Papa are in trouble, as well.
Lena: And Masha?
Katarina: Sheās fine. Sheās safe. Youāre gonna take the ferry to New London, and then, youāll take the bus to Boston.
Lena: What? No.
Katarina: Ilya liquidated his bank account to access cash. Itās in this suitcase, and itās enough to go wherever you want.
Lena: I donāt want to go anywhere.
Katarina: There are documents in there ā a passport, a Social Security card ā everything youāll need.
Lena: [ VOICE BREAKING ] Need for what?
Katarina: [ SNIFFLES ] A new life.
Lena: [ SIGHS ] Katarina, talk to me. What is going on? What have you done?
Katarina: [ VOICE BREAKING ] The things youāll hear about me are true. And I wish to explain them to you someday, but not now. Right now, you have to get on that ferry. And, remember, when you get there, youāll be somebody else.
Lena: But why? I donāt understand.
[ They hug ]
Katarina: Because Iām a traitor.
Lena: [ CRYING ]
Katarina: And theyāll think youāre a traitor, too. Theyāll think youāre on my side.
Lena: I am on your side ā always.
Katarina: [ CRYING, SNIFFLES ] I love you, Mama.
Woman on P.A.: Your attention, please. The next ferry to New London is now boarding. The ferry will depart in 15 minutes.
[ Katarina walks away ] [ INDISTINCT CONVERSATIONS ]
Ā
[ Ilya is driving with Katarina in the passengerās seat ]
Ilya: Sheās safe.
Katarina: And out of my life.
Ilya: Yeah, for now.
Katarina: Forever.
Ilya: You donāt know that. We got to her first, before Velov. Maybe we were wrong about him. Maybe heās not as close as we think. Maybe heās notā
[ They pull into the motel parking lot, but men are standing there by a car ]
Katarina: Donāt stop. Itās him. Brown coat ā itās Velov.
[ Ilya drives them away from the motel ]
Ilya: How?
Katarina: The man I killed at the shelter ā I used his credit card to pay for the room.
Ilya: Thereās nothing in the room that would tell them where weāre going.
Katarina: If he knows Iām alive, he already knows where weāre going next.
āā
Liz: To you, right? She was going to see you in Moscow.
Ā
[ Moscow, Russia ] [ THUNDER RUMBLING ]
[ Katarina and Ilya are in a parked car ]
Katarina: I have to see him.
Ilya: Velovās men are here to arrest you.
Katarina: They canāt arrest what they canāt see.
Ilya: We have to go in together.
Katarina: Iāll be fine.
Ā
[ Katarina enters the building through darkened stairways and halls. She enters an apartment ]
[ SHOTGUN COCKS ]
Young Dom: [ In Russian ] Turn around. Slowly. Katarina.
Katarina: What are you gonna do, shoot your own daughter?
Young Dom: No, but I may shoot a traitor.
Katarina: I am not a traitor.
Young Dom: You betrayed me. You betrayed your country.
Katarina: The country betrayed us.
Young Dom: You sneak in here like a thief in the night.
Katarina: The building is being watched.
Young Dom: Of course it is. Itās because of you.
Katarina: Which is why you have to go right now.
Young Dom: Go? Go where?
Katarina: Away, before they arrest you.
Young Dom: They? Iām on their side.
Katarina: They wonāt think so. Not after what Iāve done.
Young Dom: They wonāt suspect me.
Katarina: You trained me. Youāre my handler. Of course they will suspect you.
Young Dom: Not if I turn you in.
Katarina: You wouldnāt do that.
[ KNOCK ON DOOR ]
Young Dom: You betrayed me. What makes you think I wonāt do the same thing to you?
[ KNOCK ON DOOR ]
Katarina: Papa ā
Young Dom: I have one duty.
Katarina: Yes. And you will do it.
[ Young Dom opens the door ] [ DOOR CREAKS ]
Leader of KGB Group Sankov: [ Russian ] Komandir.
Young Dom: [ Russian ] Sheās here.
āā
Liz: Wait. You told them?
Dom: What would you have done?
Liz: I would have protected my child.
Dom: Mm.
āā
Young Dom: [ Russian ] Not here. In Russia. She called from the Vnukova Airport. To explain herself. To try and get me to understand.
Sankov: [ Russian ] Do you? Understand?
Young Dom: [ Russian ] Weāve known each other too long. And too long for you to bring Velovās goon squad into my home. We set a meeting. At the airport. I can take you to her.
Sankov: [ Russian ] Perhaps you already have.
[ They muscle past Dom ]
Sankov: No! [ English: ] Katarina! Theyāre coming!
[ The men begin searching. Katarina tries to slip out ]
KGB goon: [ Russian ] Hands raised. Now!
[ Katarina raises her hands, then spins and attacksā”ļøthe goon and gets the gun and shoots him š„š„ ]
[ Body THUDS ] [ KATARINA BREATHES DEEPLY ]
[ Katarina points gun at another goon ]
Katarina: [ Russian ] I have nothing to lose.
[ Sankov comes out with Young Dom at gunpoint; in English: ]
Sankov: Oh, but you do have something to lose ā something quite precious.
Katarina: We never worked together.
Sankov: Drop the gun, and you can tell Velov all about it.
Young Dom: Donāt. Do it, and we both die.
Katarina: I betrayed him just as much as I betrayed you.
Sankov: [ CHUCKLES ] Iād say, from the look of his face, much more.
Katarina: Then youāll let him go.
Sankov: Yes ā when you put down your gun.
Young Dom: Heās lying.
Katarina: I know.
[ Katarina puts the gun down ] [ A goon slides it away from her ]
[ Katarina and Dom hug ]
[ Katarina and CONVERSING IN RUSSIAN (No subtitles) ]
Sankov: [ English ] On your knees. So pretty. A shame. I have direct orders from Velov to shoot you on sight. Mm. Kill them both.
Katarina: Papaā
[ Ilya appears and shoots š„š„š„ ] [ Body THUDS ] [ š„š„š„ ] [ Another one drops ] [ Young Dom signals two fingers to Ilya. Ilya shoots through the door š„š„š„ Another goon falls. Sankov is wounded leaning against the wall ]
Sankov: Please. Wait.
[ Ilya shoots Sankov in the forehead ] [ GUNSHOT š„ ]
Young Dom: Ilya.
Ilya: Sir. Itās been too long.
Katarina: We have to get rid of the bodies.
Young Dom: Youāre on her side, too?
Ilya: At that moment, Iād say we are all on the same side, sir.
Ā
[ A lakeside ] [ Young Dom meets up with Katarina and Ilya ]
Young Dom: Passports. Youāre Americans. Take the train from Leningradsky Station to St. Petersburg, and then on to Helsinki. I have an asset at the American embassy who will vouch for you, see that you find transport from Helsinki on to Zurich.
Katarina: What about you? The only reason Iām here is to make sure you vanish. You canāt stay here.
Young Dom: I have contingencies.
Ilya: What contingencies?
Young Dom: An identity, a place to go.
āā
Liz: You did protect your child.
Dom: Hmm.
Liz: Your house in the woods.
āā
Katarina: What about Velovās men?
Young Dom: Iāll deal with the KGB.
Katarina: No, Papa, listen to me. You have to go. You canāt come back here.
Young Dom: Once things have settledā
Katarina: Moscowās gonna fall. Itās only a matter of time. You have to leave.
āā
Liz: You gave up everything ā your country, your life. You walked away from it all to protect your daughter.
Dom: And my granddaughter.
āā
Katarina: You canāt see Masha ā ever.
Sheās gone.Iām gone. You canāt ever come back here.
Young Dom: Just get to Helsinki.
āā
Liz: What did you do?
Dom: I got rid of the bodies, I got out of the country, and I got into America. For Katarina, it wasnāt so easy.
āā
[ Driving ]
Katarina: Theyāll destroy him.
Ilya: [ SIGHS ] We did everything we could. We warned him to get outā
Katarina: Not Papa. Raymond.
Ilya: Reddingtonās dead.
Katarina: You and I know that, but the Cabal think heās on the run, a liability. Theyāll discredit him to undermine his proof of their existence.
Ilya: Okay, so, you destroy the reputation of a dead man.
Katarina: He had a wife and a daughter. Sheās nearly the same age as Masha. Jenniferās her name. Theyāll be told that he was a criminal and a traitorā
Ilya: And they wonāt believe it.
Katarina: Donāt you understand? He was my asset. Iād been siphoning intel off of him for years. You donāt think we had plans in place to destroy him if he ever found out that he was sleeping with the enemy?
Ilya: Of course they did.
Katarina: Money in secret accounts. Paper trails of payoffs. Passports in safety-deposit boxes ā evidence that I didnāt steal his secrets, but that he shared them with me.
Ilya: Alternate history.
Katarina: They will destroy him, and they will destroy us, and they wonāt stop until they do.
Ā
[ St Petersburg, Russia; in the past ]
[ Katarina is bathing. She submerses herself under the water ]
Flashback to Cape May:
[ Rocker CREAKS ] [ Wind CHIMES CLINKING ] [ CRASHING WAVES ECHO ]
[ Katarina comes up from the tub water panicked and GASPING ]
Ā
[ Katarina calls Young Sam Milhoun ]
Young Sam: Where are you? Whatās going on? Do you know what theyāre saying about Reddington?
Katarina: Sam, I need to talk to her.
Young Sam: [ SIGHS ] Talk to her. You can come and get her.
Katarina: Sam, please. [ FOOTSTEPS ] Hey. Itās your mother.
[ Sam gives the phone to Masha (Young Lizzie) ]
Masha: Mama?
Katarina: Hey, sweetheart. How are you, my love?
Masha: Good.
Katarina: What are you doing?
Masha: Coloring. When are you coming home?
Katarina: [ VOICE BREAKING ] Itās gonna take a while. Mama has some work to do.
Masha: But I miss you.
Katarina: I miss you, too. [ SNIFFLES ] And I want to be with you. I really do. Until then, I need you to know that I- I love you so, so much. I love you, Masha. Whatever happens, Mama will always love you. [ SNIFFLES ] Bye, sweetheart.
āā
[ The present, in the car with Dom ]
Liz: [ Softly ] Bye, Mama.
āā
[ The past again ]
Sam: Hey. Listen. Whatās going on? Youāve got to talk to me.
Take care of my girl, Sam.
[ RECEIVER CLICKS, BELL DINGS ]
Ā
[ Ilya wakes up ]
[ LIGHT SWITCH CLICKS ] [ He looks at his watch. He gets out of his bed and reads a newspaper article about the disappearance of Raymond Reddington ]
Ā
[ Katarina demolishes her hotel room. Everything goes flying ] [ ā”ļøGLASS SHATTERSā”ļø ] [ CLATTERING ] [ TELEPHONE is thrown, RINGS ]
[ Ilya knocks on Katarinaās door. No one answers ] [ DOOR CREAKS ] [ Ilya enters ]
Ilya: Katariā
[ He sees the mess and goes looking for Katarina. He looks around the room then opens the door to the balcony ] [ DOOR CREAKS ] [ Katarina stands outside the balcony railing, ready to jump. The street is many floors below ]
Ilya: Katarina! Stop! Katarina, stop!
Katarina: You said weād figure a way out of this, and I have. You tracked me down here. We fought. I went over the edge. Youāll be a hero. Youāll get your life back.
Ilya: Katarina, please, I have a way to get your life back, a way for me to get my life back, a way to escape the Cabal, the KGB, the Americans, and no one has to die. The world doesnāt know what happened to Raymond Reddington, Katarina. It is a mystery, right? So, we give them the answer.
Katarina: What does that mean?
[ Ilya comes up behind her and grabs her around the waist ]
Ilya: Will you let me explain? Let me explain.
Katarina: No.
Ilya: Please, let me explain.
Ā
[ Inside the hotel room ]
Katarina: Itās clever. But itās absurd.
Ilya: No one knows that Reddingtonās dead.
Katarina: It would never work.
Ilya: In time, they will think he is on the run ā a fugitive and traitor to his country.
Katarina: Because I framed him.
Ilya: Yes, and if the fugitive Raymond Reddington can disappear without a trace, then why wouldnāt it stand to reason that the money you framed him with could disappear, as well?
Katarina: Ilya, itās not that simple.
Ilya: I think it is.
Katarina: Raymond is the only one who can access those accounts.
Ilya: How much?
Katarina: I mean, those banks are known to bend the rules. They work with criminals, but still, that doesnātā
Ilya: Just humor me. How much?
Katarina: $40 million.
Ilya: That is more than we would ever need to stay two steps ahead of the the KGB, the Cabal, the Americans.
Katarina: It was easy to get those funds wired in, but Raymond would have to show up in person to access that money. And since he died in my arms, he wonāt be able to.
Ilya: I donāt think youāre entirely grasping what Iām suggesting.
Katarina: What are you suggesting?
Ilya: Becoming Reddington.
āā
Dom: Purposely stepping into the shoes of a man destined to be condemned as a traitor.
Liz: But how?
āā
Katarina: That would be impossible.
Ilya: What if itās not? What if Raymond Reddington were alive and able to walk into those banks? Of course, we couldnāt pull it off alone. Weād need help.
āā
Liz: Heād need doctors, like Koehler ā
Flashback: [ Surgery. MONITOR BEEPING ]
Liz: ā Someone who could change his face.
Dom: And not just once ā many visits over the course of a year.
Liz: Heād need the details ā the account numbers, the pass codes, the names of the contacts at the bank.
Dom: But not just physical details.
āā
Ilya: We need personal details about who Raymond was ā his family life, his work life.
āā
Liz: Heād need anecdotes to complete the story ā some true, grounded in reality, some invented.
āā
Ilya: And who better to provide those details than the woman who spied on him ā who loved him, the woman who invented him?
Katarina: Stop. I hear you. Itās a desperate, if not bold, plan.
[ Forms at Dr Koehlerās being filled out ] [ TYPEWRITER KEYS THUMPING ]
āā
Liz: All the pieces were in place.
Dom: All that had to be done was to step into the lie and bring it to life to become him.
āā
Katarina: But thereās still one thing that doesnāt make any sense. Why would you do that?
Ilya: To protect you.
Katarina: Theyāll hunt you. Youāll never be able to stop running.
Ilya: Isnāt that what weāve been doing? Running. Besides why do I have to keep reminding you? We pledged our lives.
[ INXSā āŖ āNever Tear Us Apartā plays ]
[ They lie down on the bed next to each other ]
Katarina: Promise me one thing.
Ilya: Anything.
Katarina: If they get to me, if they take me ā
āŖ Donāt ask me
Katarina: ā take care of Masha.
What you know is true
Ilya: Like she was my own.
[ They kiss ]
āŖ Donāt have to tell you
I love your precious heartāŖ I I was standing
[ Ilya, now Young Red, gets out of a taxi, puts on a fedora and walks into a bank ]
Greeter: Sir.
āŖ You were there
Two worlds collided
And they could never tear us apart
[ FOOTSTEPS ECHO ]
Simon: Mr. Reddington. Welcome back.
āŖ We could live
For a thousand years
[ They sit in Simonās office. Red places his fedora on his knee ]
Simon: Is everything all right, sir? ā
āŖ But if I hurt you
Young Red: [ Redās voice ] I hope youāre not uncomfortable. It was necessary for me to make ā some changes to my appearance.
āŖ Iād make wine from your tears
Young Red: Iāve had some recent troubles with the authorities andā
Simon: We have a valued history of discretion, Mr. Reddington. Your privacy is our utmost concern.
Young Red: Thank you, Simon.
āŖ āCause we all have wings
Simon: Nowā
āŖ But some of us donāt know why
Simon: āwhat sort of withdrawal will we be assisting you with today?
āā
[ Another bank ]
Another Banker: [ SPEAKING GERMAN ] How many accounts will you be transferring?
āŖ I was standing
[ Another bank ]
Another Banker: [ SPEAKING SWEDISH ] The full amount for withdrawal?
āŖ You were there
[ Another bank ]
Another Banker: [ SPEAKING FRENCH ] Weāre sorry to lose your business. Consider us in the future.
āŖ Two worlds collided
And they could never, ever tear us apart
Young Red: [ On phone ] Yes. It worked.
Ā
[ Dom and Liz have arrived at the Postbox Elite in Wilmington in Upstate New York ]
Dom: A few months after I made it to America, Katarina met me here [ CHUCKLES ] on that sidewalk. She handed me a key to box 642.
Liz: The letter.
Dom: Mm-hmm. This is where you picked it up.
[ SIREN CHIRPS IN DISTANCE ]
Dom: She gave the key to her mother, too. She told us that, when she resurfaced, she would make contact with us. I got this 28 years ago. [ BREATHES DEEPLY ] And in 28 years, there was not a week that has passed that I havenāt tried to use it. Iād say a silent prayer first hoping, praying to find something from her.
Liz: And did you? [ SCOFFS LIGHTLY ]
Dom: Last time I saw my daughter was in this rearview mirror nearly 30 years ago. If my Katarina was still here, she would have let me know.
Liz: But the letter you picked up in Februaryā
Dom: Katarinaās mother sent it to her. A letter in a bottle, cast into the ocean by a mother on her deathbed, hoping against hope that somehow the letter would find her daughter alive. I picked it up because I knew it never would.
Liz: Thank you for telling me.
Dom: I wish I had a different story, butā
Liz: You and my daughter ā youāre the only family I have.
Dom: I havenāt treated you like family. I- I wanted to. I- Iām sorry. Can I meet her, your daughter?
Liz: You are her great-grandfather. I expect you to spoil her rotten.
Dom: [ CHUCKLES ] Thank you.
Ā
[ Hong Kong ] [ Red is at a table with a group of friends, finishing up a story ]
Red: āAfter pondering that for a moment, replies, āItās too early to tell.ā
[ LAUGHTER ] [ BELLS JINGLE, DOOR CLOSES ]
Red: Elizabeth. To what do we owe the pleasure? I hope itās a hankering for roast goose. Succulent doesnāt begin to desā
Liz: It isnāt the goose.
āā
[ Liz and Red are now seated separately from the others ]
LizI know the truth. Your real identity. I know who you are.
Red: Take a look at the door.
Liz: I know I said I wasnāt searchā
Red: You see Chuck?
Liz: Yeah.
Red: You know who you donāt see? Dembe. You know why? Because your hunt for the truth ā mine, by the way, not yours ā cost me my relationship with him.
Liz: If thatās the case, Iām sorry, but itās gonna be okay. I know it will, especially because youāve got nothing to disagree about anymore. I know youāre Ilya and the incredible thing you did to protect my mother, to protect me.
Red: Who told you this?
Liz: Dom. I know about him, too, that heās my grandfather. I know everything ā the facts, anyway. Of course, I have like a thousand questions.
Red: You and me both.
Liz: And those can wait ā all except for one. I know you became who you are to access Reddingtonās accounts.
Liz: You know that?
Liz: I do. And it worked. But what I donāt understand is what happened after it worked. I mean, you became Reddington, but then, you stayed Reddington. And I donāt understand why.
Red: I am what I am. Popeye the Sailor Man.
Liz: [ SCOFFS ] I was so excited to tell you, I flew halfway around the world.
Red: Was it worth the trip?
Liz: That depends. Is the goose really succulent?
Ā
[ Domās place ] [ Dom enters his dining room. Red is seated at the table ] [ CLOCK TICKING ]
Dom: Mm.
[ Dom sits ] [ CHAIR CREAKS ]
[ Ominous music plays ]
Red: What were you thinking?
Dom: Donāt start with me. You were the architect of this charade. Cost me my daughter and, up until now, my granddaughter and my great-granddaughter.
Red: What did you tell her?
Dom: She was going to find out sooner or later.
Red: I know the broad strokes. I know who I am. I need to know the details of exactly what youāve thrown out there into the ether.
Dom: What you need to do is to thank me for putting all of this behind you.
Red: Is that what you think you did? Because I think you may have made things worse. So, from the start what did you tell her, word for word?
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Episode Songs
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ā« Never Tear Us Apart
By INXSāŖ Donāt ask me
What you know is true
Donāt have to tell you
I love your precious heartāŖ I
I was standing
You were there
Two worlds collided
And they could never tear us apartāŖ We could live
For a thousand years
But if I hurt you
Iād make wine from your tearsāŖ I told you
That we could fly
āCause we all have wings
But some of us donāt know whyāŖ I was standing
You were there
Two worlds collided
And they could never ever tear us apartāŖ I
I was standing
You were there
Two worlds collided
And they could never tear us apartāŖ You were standing
I was there
Two worlds collided
And they could never tear us apartāŖ I
I was standing
You were there
Two worlds collidedLyrics and Credits: http://bit.ly/2IKbHcX
YouTube: https://youtu.be/NJ62S3A9wn0
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āāā End 6:19 Rassvet
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š“ Script 6:20 Guillermo Rizal (ā 128)
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Program air date: 5/3/2019 in the US
Script Permalink: https://wp.me/pDKwi-9wO
Entertainment Weekly Recap: http://bit.ly/2XIUcwX
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Director: Cort Hessler
Written by: Noah Schechter
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ā Script 6:20 Guillermo Rizal (ā 128)
Ā
Brief (Where weāre at): Resslerās search for the Redās true identity bore fruit. He did not find Lizās mother, Katarina Rostova herself, but he was able to trace a lead to a man who might be her grandfather. Showing Liz a grainy photo from surveillance footage, he says he came up short and was able to find no further information on the man. But Liz recognizes him as Dominic (Dom) Wilkinson, a former asset for Russian intelligence who she has met earlier in her search, but he did not let her know then he was her maternal grandfather. She knew where to find him in rural Upstate New York and what a tale he had to tell.
Katarina did not drown in the ocean at Cape May. She intended to, but it was instead a ābaptism,ā according to Dom. She stumbled out of the ocean and landed at a womenās shelter where she recovered. Still hunted by the KGB, the Cabal and the Americans ā all whom she had betrayed ā she turned to a childhood friend, Ilya Koslov ā who suggested a bold plan, for him to take on the identity of Raymond Reddington, with whom Katarina had had an affair ā and a child (Masha, or Liz). During a fight over her, Masha had shot her father. Ilya had helped Katarina try to save Reddingtonās life and when that failed, to dispose of his body. Because Reddington had been Katarinaās asset, blackmail money ā $40 million ā had been deposited in various banks around Europe, but only could be withdrawn by Reddington personally. So, with the help of plastic surgeon Dr Hans Koehler (Blacklister #33), Ilya Koslov, a young bureaucrat at the Russian Embassy adept at creating fake documents, became Reddington to access the money which would allow Katarina and her parents to ādisappearā and begin new lives.
Katarinaās parents were saved, but Katarina herself disappeared with a passport identifying her as Anna Croft. Ilya stepped into the shoes of Raymond Reddington, a man destined to be an international pariah ā with the KGB, the Cabal and American Intelligence all eager to disparage his reputation. But Ilyaās devotion to Katarina was unconditional and he readily agreed to watch over Masha until Katarina re-emerged. But she didnāt. According to Dom, he last saw her 28 years ago, at the Postal Elite in Upstate Wilmington, New York, when he gave her the key to P.O. Box 642.
Liz flew to Hong Kong to inform Red of her knowledge of his true identity. He was not pleased, blaming her search for invading his privacy and for destroying his relationship with Dembe, who has left him. Red goes to Dom to confront him, insisting Dom tell him āevery wordā of what he shared with Liz and insisting that even so many years later, his story (and Katarinaās and Lizās) being āthrown out there into the etherā can only mean trouble.
Ā
[ A childrenās arcade in Minneapolis MN ]
[ Crystal Fightersā āŖ āWild Onesā plays ]
āŖ I thought I was a star
Until I started fading
From the sky I freefall
Every single day I
Go out, look up at where Iām from, ācause
I thought I was a star (Oh oh)
[ INDISTINCT CONVERSATIONS ] [ Corinne Walker, a young girl about 9 or 10 years old wearing a dinosaur shirt, is playing a golfing game inside an arcade with her father ]
Mark Walker: You know what your problem is?
Corinne Walker: Yeah, my speed control suckā
Mark: What sucks, besides your language, is the color of your ball. Itās blue. Your lucky colorās pink. Go find Mom by the DayGlo dinosaurs, and Iāll get you a pink one.
Corinne: The color wonāt make a difference.
Mark: [ CHUCKLING ] Oh, really? Then why does Tiger Woods always wear red on Sundays?
Corinne: Because heās superstitious. And superstition sucks.
Mark: Well, when youāve won 15 majors, you can do without it. Meantime, try to get between here and Mommy without using the S-word, okay?
āŖ I thought weād gone too far
We started walking on the water
Felt like weād been reborn
When we woke up in nirvana
Up in the clouds, not coming down ācause
I thought weād gone to far
Corinne: Mom? Hey. Mom?
[ Corinne looks for her mother. She turns a corner. A green stuffed dinosaur like the one on her shirt appears ]
[ OMINOUS MUSIC PLAYS ]
Mr Cotton: [ CHUCKLES ]
āā
Mark Walker: Iām looking for my daughter. Sheās 9. She has a turtle shirt?
Arcade Worker: You try the bathrooms?
Mark Walker: Anything?
Heather Walker: Iāve looked everywhere.
Mark: The bathrooms, too?
Heather: Mark, sheās gone!
Ā
Detective: Every patrol car has Corinneās photo. Every bus and train station.
Heather Walker: Train station? You think sheās being taken somewhere?
Detective: We donāt know, but, as a precaution, we entered her into the nationwide database for missing children.
Mark Walker: Is it true that unless you find her within the first couple hours, odds are you never will?
Detective: Weāre doing everything we can. And I promise, as soon as we have any more information, weāll let you know.
[ Uniformed Officer enters ]
Uniformed Officer: We already do.
Mark: Did you find her?
Officer: I donāt know. Itāsā
Detective: Is everything all right?
Officer: Itās hard to explain. May I?
Detective: Sure.
[ The Officer uses the computer to pull up a file with the photo of a girl ] [ KEYS CLACKING ]
[ COMPUTER BEEPING ]
Heather: Thatās her! Thatās Corinne!
Officer: Yeah, thatās the thing. Itās not.
[ KEYS CLACKING ] [ Another photo comes up ]
Officer: Thatās Corinne. And thatā
Mark: Whoās Nora Anne Mitchell?
Detective: According to our records, sheās a missing child who was abducted 37 hours ago from her home a thousand miles away.
Ā
[ Liz enters a restaurant where Red sits in a booth. She sits across from him ]
Liz: Hey, stranger.
Red: Elizabeth.
Liz: Itās been a week.
Red: I havenāt had a case for you until now.
Liz: Okay, but the last time we spoke, it kind of changed everything, and I thought maybe we should talk about that.
Red: I thought we covered everything we needed to.
Liz: Oh, you mean, āI am what I am, Popeye the Sailor Manā? Come on. I know you donāt want to talk about it, but you should. We should.
Red: Why?
Liz: Because weāve never been able to be completely honest with each other, and now we can.
Red: This case has twins who arenāt twins. Child abduction. And a mysterious connection to Anna McMahon. Care to hear about it?
Liz: No. Not until you tell me why youāre doing this. Are you upset?
Red: Conflicted.
Liz: About what?
Red: I live and work by a very strict code built on loyalty, justice, trust. I survive because I eliminate those who betray it. Up until now, no one has been spared, not even my closest associates. Not even Kate Kaplan.
Liz: So thatās what youāre conflicted about? Whether or not to kill me because I betrayed some ācodeā?
Red: You can mock it because you live in a world with institutionalized codes, where order has already been imposed by powerful forces outside of yourself, where there are laws and rules for everything. I live in a world with no laws, no rules, and certainly no order. So I have to impose my own. Iām not conflicted about killing you. Iām conflicted because I canāt. Because I can neither kill nor trust nor forgive.
Liz: You forgave Dembe.
Red: Dembe hid your misdeeds. Yours. Not his.
Liz: So where does that leave us?
Red: With a case. Until itās solved, our conflict can wait.
Ā
[ Liz briefs the Task Force ]
Liz: Corinne Walker was abducted from a family arcade outside Minneapolis. 37 hours earlier, Nora Mitchell went missing from a park in Seattle.
Cooper: Twins. Living in different cities.
Liz: Twins who arenāt twins.
Aram: According to birth records, Corinne was born March 2, 2011, to a Heather and Mark Walker, and Nora was born a day later and over 2,000 miles away to a Sara and Ben Mitchell.
Ressler: How is that even possible?
Cooper: And what possible involvement could Anna McMahon have in it?
Liz: Reddington isnāt sure, but according to the surveillance team he has following Anna McMahon, sheās connected to the abductions.
Ressler: Heās got a surveillance team?
Liz: This photo was taken last week, and then this next one was taken yesterday outside the same arcade where Corinne Walker was abducted.
Ressler: Itās the same guy.
Cooper: Does Reddington know what his connection is with McMahon?
Aram: What does a top Justice Department official have to do with a series of child abductions?
Liz: He doesnāt know, but he said he has a line or two in the water.
Cooper: Then while heās fishing off that pier, weāll focus on the families. Ressler, Keen, talk to the parents. Somethingās tying them together. Maybe they know what.
Ā
Ressler: Hey. Where have you been hiding?
Liz: What do you mean?
Ressler: Youāve been a ghost ever since I told you that Iāve been looking into who Reddington was. Thought maybe you were still pissed at me.
Liz: What? No. Iām grateful. You did what you thought was best for me. Iām grateful for that.
[ FOOTSTEPS DEPART ]
Ā
Heather Walker: They look exactly the same.
Mark Walker: This other girl, Nora, is it possible that she is our daughter?
Liz: Fingerprint and hospital records confirm they are different girls. Noraās parents are just as desperate to find their daughter as you are.
āā
Ben Mitchell: Desperateās an understatement.
Sara Mitchell: You said you had new information?
Ressler: Yes. We ran a DNA test.
Ben: And?
Sara: She looks exactly the same.
Ressler: The girls are identical twins.
āā
Heather Walker: No. How can this be?
Liz: Thereās more. Thereās something else. And this isnāt going to be easy for you to hear.
āā
Ressler: According to the report, the two of you are not genetically related to your daughter.
Ben Mitchell: What?
Sara Mitchell: No.
Ressler: Iām sorry, but we ran the test several times.
āā
Liz: It isnāt just you. Neither you nor the Mitchells are biologically related to either of the girls.
Mark Walker: Youāre telling us what?
Heather Walker: [ EXHALES SHARPLY ]
Mark: That we got some other coupleās eggs by mistake?
Liz: So you did conceive through IVF?
Heather: Yes.
āā
Ben Mitchell: But now youāre telling us that Nora is someone elseās child?
Sara Mitchell: What sperm, what egg doesnāt matter. We want our daughter back.
Ressler: And weāre doing everything we can to find her.
āā
Liz: Can you tell me the name of the IVF clinic you used?
Heather Walker: New Dawn, outside Minneapolis. Our doctor recommended it.
āā
Ressler: New Dawn?
Sara Mitchell: It was nearby. I was finishing my degree at Saint Maryās at the time.
āā
Mark Walker: Weāll do whatever you need, but you need to be completely honest with me. I need to know, do you have any idea where our little girl is right now?
Liz: Completely honest? [ INHALES SHARPLY ] No. Not yet.
Ā
[ Van DOOR OPENS ]
Dr Guillermo Rizal: Hello, Corinne. My name is Doctor Rizal. Iām pleased to meet you. I know youāve had a very long journey, so I got you a gift.
[ He holds up a blue bracelet ]
Corinne: I want to go home!
Dr Rizal: I know, sweetheart, and you will. Very soon. But letās get you changed. Thereās something I want to show you, something I built for you.
āā
[ Dr Rizal and Corinne ascend sone steps into a jungle-like setting, like an arboretum, where Corinneās twin Nora awaits ]
Dr Rizal: Corinne, Nora. Youāre both unique individuals. And together, weāre gonna change the world.
Ā
[ New Dawn Fertility Clinic, Minneapolis ]
Anne Mauler: Obviously, weāre horrified to think that there could have been any sort of improprieties here at New Dawn. We have stringent protocols that would render a mistake nearly impossible.
Ressler: Well, we have reason to believe this wasnāt a mistake.
Liz: The Walkers and the Mitchells, they were both clients?
Lawyer: Anne, before you answer thatā
Ressler: We can subpoena medical records.
Anne Mauler: No. Please. I want to be clear weāre ready to cooperate in any way that we can.
The Walkers and Mitchells were both clients. In June of 2010.
Liz: And they shared the same doctor?
Anne Mauler: Actually, they had two different fertility specialists working with two entirely different staffs.
Ressler: So how does that explain the mix-up?
Lawyer: You do not have to answer this.
Anne Mauler: Iāve looked at their cases, every staff member, every person in the chain of command and the only possible wrinkle I can imagine might be in embryology.
Liz: Meaning?
Anne Mauler: On the day of transfer, the cultured embryo is taken from our incubators on site directly to the mother. Now, itās possible, yet highly unlikely, that the embryologist could have swapped out the cultured genetic material with ā I donāt know. Something else.
Liz: Like an embryo cultured off-site?
Ressler: Y-You said that the women had different teams, different doctors, but did they have different embryologists?
Anne Mauler: No. But his reputationā
Ressler: We need a name.
Anne Mauler: Heās one of the best.
Ressler: Miss Mauler. A name.
Ā
[ Miles Gordonās apartment ]
Liz: [ Loudly ] Miles Gordon, FBI! [ Knocks ] Iām not gonna ask again!
[ FOOTSTEPS APPROACH ] [ Door cracks opens ]
Miles Gordon: Something going on? I had the TV on.
Ressler: Huh. Funny. I donāt hear a TV.
Liz: Mind if we ask you a few questions?
Miles Gordon: Right. Sure. Let me just, um ā
[ Door slams shut. Ressler breaks the door open ] [ Liz knocks Gordon down ]
Ressler: That was stupid. Now I get to arrest you.
Ā
[ A restaurant ]
[ STRING MUSIC PLAYING ] [ INDISTINCT CONVERSATIONS ]
[ Red sits down at a table with two gentlemen in suits ]
Red: Senator Christensen! Iām terribly sorry to interrupt. I know youāre very busy getting stroked here, but I only need a moment.
Senator Chuck Christensen: Iām in the middle of a meeting.
[ Red shows a photo of the Bearded Man ]
Red: Yes. Iām looking for this man.
Senator Christensen: Iām sorry. Do I know you?
Red: Iāve searched near and far, and itās come to my attention he may be in your employ.
Senator Christensen: If you want to set a meeting, you call my office, just like everyone else.
[ The Senatorās lunch companion whispers to him ] [ TENSE MUSIC PLAYS ]
Red: Who is he?
Senator Christensen: I have no idea.
Red: Senator, unlike your lunch date here, Iām not interested in foreplay. Iāve spoken with a number of sources who tell me the man in the photo is in the business of finding difficult-to-find items and is presently trying to find something for you.
Senator Christensen: How could you possibly know that?
Waitress: Will the gentleman be joining?
Red: No. I-I will take a martini. Dry. Two olives.
Senator Christensen: [ HUSHED ] I met him through a friend. Look. This isnāt the place. Maybe if we went somewhere more discreet.
Red: [ LOUDLY ] Actually, I find indiscretion often works to my advantage. Please. Go on.
Senator Christensen: [ WHISPERING ] They call him Mr. Cotton. Francis Cotton. Thatās not his real name. I hired him to find a missing work of art for my wifeās collection.
Red: How do I reach him?
Senator Christensen: You donāt. He contacts you after you place an ad in the wanted section of the Post. It took two months before he reached out. He has my number. He said heāll contact me when he finds the piece.
Red: What is the piece? Of art?
[ Senator Christensen brings up the photo of a painting on his cellphone ]
Red: Ah! Vaisravana. Exquisite.
[ Red takes the Senatorās cellphone and walks away ]
Waitress: Uh, sir, are you leaving? I have your martini here.
Red: No, no, no. Itās for the Senator. He could use a good stiff drink.
Ā
[ Outside an interrogation room ]
Ressler: You want to help Aram in there or should I?
Liz: He seems to have it under control.
Ressler: Looks can be deceiving.
Liz: What I said earlier was true. Iām grateful that youāre a good friend. But, um, Iām also grateful for what you did, for telling me about my grandfather. [ WHISPERING ] I found him, and he told me about Reddington, about who he was.
Ressler: Wait. You- You know?
Liz: His name was Ilya Koslov. He and Katarina were childhood friends, and then they were in the Cabal together.
Ressler: But why take on Reddingtonās identity?
Liz: After the fire, after I shot my father and the world was after Katarina, the only way for her to survive was to access the funds they used to frame Reddington.
Ressler: Yeah, but they couldnāt do it without Reddington.
Liz: Since he was already dead, Ilya Koslov brought him back to life.
Ressler: Thatās the answer that Reddington killed people to keep quiet? ā I mean, why?
Liz: I donāt know. To protect me somehow? To protect himself. Ilya Koslov and Katarina Rostova disappeared after betraying powerful people with long memories who were willing to kill to find out information about their whereabouts.
Ressler: Or try to. A couple of weeks ago, I got the drop on some KGB mook who had heard that I was looking into Katarina. Wanted to know what kind of leads I had.
Liz: Thatās why heās keeping it a secret. Thatās why we canāt tell anyone.
Ressler: Yeah, but we got to tell Cooper and Aram.
Liz: Whoever he was, he is Reddington. Cooper will understand that, but he might feel obliged to tell someone in the Bureau who doesnāt. Anna McMahon does not trust the Task Force, and she hates Reddington. Sheās looking for any excuse to shut us down.
Ressler: Youāre worried that theyāll void his immunity agreement.
Liz: Iām pretty sure I had the right to know the truth, and Iām absolutely sure no one else does.
Ressler: Look, I get that, but is it the truth? I mean, does it make sense that this is the answer heād kill to keep quiet? That so many people have died trying to find out?
Liz: Itās because so many people died that I gave up my child. To protect Agnes until I learned the truth. Am I sure I know why he guarded his secret? No. Is it possible that Iām overlooking some of the holes in the story because thereās a sweetness to it? Yes, itās possible. But itās more possible that itās true.
Ressler: āMore possible.ā
Liz: Ilya Koslov had motive and opportunity. If this were a crime, youād say it was solved, and youād believe you were right.
Ā
[ Aram interrogates Miles Gordon ]
Aram: Well, you and New Dawn are the only thing connecting the abductions, so if you didnāt take them, who did?
Miles Gordon: I told you I have no idea.
Aram: You had some legal trouble before your time at New Dawn, right?
Miles Gordon: I was working at a clinic in Boston after I finished my degree. There was a power outage. Core temperatures never moved outside the acceptable range, but one child was born very sick.
Aram: That must have been a very difficult time for you. Plus, the large settlement, legal fees, school debt ā
Miles Gordon: It was difficult, yes. Itās why I moved to Minneapolis. But, look, I didnāt ā
Aram: The thing is, is five months later, you signed a mortgage and bought a new car.
Miles Gordon: That- That wasā I ā
Aram: Iād like to think it was a lucky break, the lottery, a bequest, even. But come on. Iām guessing that wasnāt it. Someone approached you, offered you money?
Miles Gordon: No, itās not like that.
Aram: Those parents just want their girls back. If you tell us the truth, we can help you. Who approached you?
Miles Gordon: I donāt know his name. Justā He said the parents would never know, that it was a simple swap.
Aram: You switched the embryos.
Miles Gordon: It was a lot of money. And the chances of all three embryos implanting successfully wasā
Aram: Iām sorry. Did you say āthreeā?
Miles Gordon: Yes. All three embryos we swapped were carried to term.
Aram: The third child ā remember her name?
Ā
[ Grace Daxtonās school ]
Liz: Grace Draxton. Weāre here to take her into protective custody. FBI.
Principal: FBI? I donāt understand. Is this connected to the CPS complaint?
Ressler: CPS?
Principal: Agent Cavali from Child Protective Services got here maybe thirty minutes ago. He said he needed to speak with Grace about some problems at home. Heās in with Grace and the school counselor.
Ressler: You need to take us there. Now.
[ FOOTSTEPS APPROACH ] [ HANDLE RATTLES ] [ Ressler forces the door open ] [ The school counselor is on the floor, his temple bloody, possibly shot ]
Liz: Call 9-1-1. Tell them a child has been abducted from your school.
Ā
[ CARTOON MUSIC PLAYING ] [ BELL JINGLES ] [ MUZAK PLAYING ]
[ Grace Dexter is in back of a van being driven by Mr Cotton ]
Ā
[ Red arrives at a shop where Shirley is working on a clock ]
Red: Good afternoon. I have an item for your catalogue.
Shirley: Got the wrong place. I fix clocks.
Red: Fat Joe says you do more than that.
Shirley: Donāt know any Fat Joe.
Red: He told me to tell you there are moles in your garden.
Shirley: He say what I should do with them?
Red: Call the exterminator.
[ CLOCK WINDING ]
Shirley: Let me see the item.
[ Red shows a photo of the Vaisravana painting ]
Shirley: Thatās a photo of the item.
Red: And this is a suitcase filled with $50,000 in unmarked bills for putting it in your catalogue.
Shirley: I fence items, not photos of items.
Red: Thereās another suitcase for letting me use your back room to talk to the buyer.
Shirley: You got a lot of suitcases.
Red: Do you know who I am?
Shirley: Yeah, a guy with a lot of suitcases.
Red: How many will it take for you to circulate the photo?
Shirley: Do you have the item, or are you just using me to smoke out the guy who wants to buy it?
Red: Four suitcases, no questions, and you throw in the mantle clock. Iām a sucker for Limoges.
Ā
[ The Post Office ] [ Liz enters ]
Liz: The triplets theyāre not the only ones whoāve been taken.
Cooper: What makes you say that?
Liz: I went back into the database and found this ā kids taken from Miami, Chicago, Dallas. There are more. Twins and triplets, all of them born to different parents, all of them reported missing in the last 18 months.
Ressler: You think this is some sort of sick, sci-fi version of human trafficking?
Aram: No. I think this is some sick, sci-fi version of human experimentation. I had the girlsā DNA sequenced. The differences are 90,000 base pairs. Now, that sounds like a lot, but when you consider that the human genome has about 3 billion base pairs, itās nothing. My guess is that the person weāre looking for took a fertilized egg, split it into three embryos, and then made changes.
Cooper: Resulting in identical triplets who are genetically unique.
āā
[ Dr Rizalās jungle-like lab ]
Dr Rizal: Grace, this is Nora and Corinne. Can you say hello? Now that youāre all here, we can begin. How exciting.
āā
Ressler: Genetic differences. You think they could be random?
Aram: I would, except the insertions and deletions around the effected areas suggest that someone used a virally delivered editing tool to rewrite Corinne and Noraās DNA.
Cooper: Rewriting DNA? Who can do that?
āā
[ Control Room ]
Dr Rizal: Are the devices active?
[ COMPUTER BEEPS ]
Ronson: Bringing subjects online now.
āā
Corinne: Hey! Look!
[ Each girl has a colored bracelet (blue, yellow, red), all buzzing ] [ SOFT BUZZING ]
āā
Dr Rizal: Begin at 95 degrees. Set humidity to 50%.
[ BEEPING ]
āā
Liz: You said two girls had their DNA altered. What about the third?
Aram: Preliminary samples taken from her home suggest it wasnāt edited, which is what leads me to believe itās some kind of experiment.
āā
[ Mist enters the jungle enclosure through a vent ]
Nora: Whatās happening?! Why are you doing this to us?
Corinne: Let us out!
āā
[ Control room ]
Dr Rizal: Increase it to 100.
āā
Ressler: Itās a control group. They created identical triplets to restrict outside genetic factors and left one embryo unedited so they could establish a baseline, a way to measure the effect of the changes.
Cooper: But who? And for what?
Ā
[ A park in DC ]
Senator Christensen: Are you out of your mind? What the hell is wrong with you?
Anna McMahon: Excuse me.
Senator Christensen: You think I want my picture above the fold on the Post? More bad press. He couldāve killed me.
McMahon: Senator. Slow down. Whatās wrong?
Christensen: Whatās wrong? How about lunch with a fugitive?
McMahon: I donāt understand what youāreā
Christensen: Reddington. He came to see me.
McMahon: Okay. Hold on. What did he want?
Christensen: Your friend. The Finder. Mr. Cotton. He wanted me to put him in touch.
McMahon: And what did you tell him?
Christensen: What did I tell him? Anna, it doesnāt matter what I told him. All that matters is what Iām telling you. You introduced me to Cotton in exchange for my vote on the farm bill. Well, guess what. Youāre not getting my vote.
[ Christensen walks away ]
[ PHONE SPEED-DIALING, RINGING, CLICK ]
McMahon: Did you talk to Cotton?
Mr Sandquist: Less than an hour ago. Good news. He had the information we were lookingā
McMahon: Doesnāt matter. Listen to me.
Sandquist: Iām sorry. āDoesnāt matterā?
McMahon: I need you to reach out to Cotton, bring him in.
Sandquist: Whatās going on?
McMahon: Reddington knows. I donāt know how, but he knows. Heās looking for Cotton. If he gets to him, I guarantee you heāll get him to talk about our plans. You need to find Cotton before Reddington does.
[ BEEP ]
Ā
[ BELL JINGLES ] [ MUZAK PLAYING ] [ DOOR CLOSES, BELL JINGLES ]
Mr Cotton: [ CLEARS THROAT ] I heard you have moles in the garden.
Shirley: Yeah. So?
Mr Cotton: Have you considered calling the exterminator?
[ He holds up a photo of the painting ]
Shirley: Itās in the back.
[ DOOR OPENS ]
Cotton: Iām here about the Vaisravana.
Red: No, youāre here for a little chat. Letās hope the conversation is fruitful.
[ Brimley COUGHING ] [ A beemaster enters ] [ BEES BUZZING ]
Brimley: The britches! Iām gonna need you to take them off!
Ā
Red: You do know this is a matter of some urgency, right?
Brimley: Bite of the wifeās Reuben?
Red: Teddy, I need to know where he took the children and what heās doing for Anna McMahon, and I need to know now.
Brimley: Corned beefās as lean as a dog in lent.
Shirley: [ Calls over ] If I end up needing an actual exterminator, youāre paying.
Brimley: If Demby was here, heād take a bite.
Red: Ah, here we go.
Brimley: What? If he was here, heād take a bite. Heās not here, so he wonāt. Thatās all Iām saying.
Red: Thatās all youāre saying.
Brimley: The man loves a Reuben. For all we know, heās having one now. Only we donāt know, because you fired him.
Red: [ CHUCKLES ] I didnāt fire him. In fact, I forgave him. And he doesnāt eat meat!
Brimley: Forgave him for what? For not following your rules, your doās, your donātās?
Red: Thereās a code of ethics! Why is that so difficult for people to understand?
Brimley: How ābout ācause you got a guy in the next room getting his avocados pollinated? The codeās like the suit and the hat. You feel good wearing it. Look good, too. Million bucks. But ā and I gotta think deep down you know this ā itās like lipstick on a pig. It can cover a lotta sins. End of the day, itās still trayf.
[ DOOR OPENS ]
Red: Anything?
Beemaster: The man who hired him to abduct the kids. He coughed up a name.
Ā
[ The Post Office ]
Liz: Guillermo Rizal. Reddington says heās the one responsible for the abductions.
Cooper: Does he have a location?
Liz: No. Resslerās working on that now.
Cooper: What do we know about this guy?
āā
[ Control Room at Dr Rizalās lab ]
Ronson: Heart rateās slightly elevated, perspiration rate increasing.
Dr Rizal: Bring the temperature to 105. Introduce hydration.
āā
Aram: Okay, so, Rizal basically invented gene mapping. At 24, he wrote the code that runs the gene-sequencing software used by every hospital, laboratory, and university in the world.
Cooper: If anyone knows how to rewrite DNA, it would be him.
āā
[ The triplets are in their jungle setting, unhappy. Two are showing signs of hyperthermia ]
āā
Aram: The IPO was launched 12 years ago, and he resigned later that year.
Cooper: And a year after that, the first set of twins was born.
āā
[ BEEPING ]
Ronson: You want to back it off?
Dr Rizal: No. They may be scared, but these girls are pioneers. In many ways, humanity depends on them. Introduce the solution.
[ METAL CLANGING ]
āā
Ressler: Real-estate records show that Rizal has a warehouse in Howard County.
Cooper: What makes you think thatās where he took the girls?
Ressler: Well, the guyās got houses in New York, London, Bermuda. But Reddington said the Finder handed off the girls in a roadside exchange somewhere in rural Maryland.
Liz: Howard County.
Cooper: Get there. Aram, notify HRT and pull a warrant. I want it issued by the time they arrive.
āā
[ The triplets run to get the water on a cart that was pushed into their enclosure. Two end up COUGHING. The third, Corinne, runs to the doors of the enclosure but it is locked ]
Ā
Red: Try again.
Beemaster: Iām telling you, Mr. Reddington. He wonāt give it up.
Red: Anna McMahon. I need to know what sheās instructed him to find.
Beemaster: I know thatās what you want, but whoever this Anna McMahon is, she put the fear of God in him.
Brimley: So much for making this a family business.
Beemaster: Dad, Iām telling you.
Brimley: Hand it over. Hood, hive, the works.
Red: Thank you, Teddy.
Brimley: [ To Red ] You want something done right, you gotta do it yourself. [ Whispers ] Nothing hurts so bad as when a child disappoints. Like being impaled by a unicorn.
Ā
[ Ressler and Liz pull up to Dr Rizalās facility in Howard County MD ]
Ressler: This doesnāt look very friendly.
Liz: Heās not alone. Three guards in the booth, two more at our six, and another watching from the west.
[ They drive forward to a booth ]
Ressler: [ To Guard ] Agents Ressler, Keen. FBI. We have a warrant.
Guard: I, uhā I donāt have the authority to let you inside.
Ressler: My warrantās your authority.
Guard: Right. I just need to notify Mr. Rizalās general counsel.
Ressler: No, youāre not notifying anyone. Youāre gonna open that gate right now.
Liz: Our SWAT team is en route. Is this gonna be a problem?
Ressler: [ To another guard ] Hey, you! Put the phone down. Who are you talking to?
Ā
Ronson: Subject oneās numbers plummeted. Subject three is radiating down.
Dr Rizal: Subject two?
Ronson: BP stable, pulse-ox normal, perspiration steady.
[ COMPUTER BEEPING ]
Dr Rizal: That canāt be.
Ronson: Sheās steady.
āā
[ Inside the enclosure, two of the girls have collapsed ]
Corinne: Please! She needs help! Please!
Ā
Ressler: Look, we have reason to believe that you have children being held inside against their will, so youāre gonna open that gate right now.
Liz: Hey! Not a good idea. Put the gun down.
Ressler: You want to be arrested for obstruction? Is that what you want?
Guard: Itās okay. Open it up. Theyāre police. Let them inside.
Ā
[ POUNDING ON DOOR ]
Ressler: Open the door.
[ A guard buzzes them in ] [ BUZZER ]
Ressler: FBI.
āā
[ Guard command ]
Lead Guard: Radio the lab. Tell them we have a breach. Code White.
Guard: But the police areā
Lead Guard: I said Code White.
āā
[ Liz and Ressler walk past twins and triplets in pleasantly decorated rooms ]
Ressler: The hell is this place?
[ ALARMS begin BLARING. Lights flashing ]
āā
[ ALARM BLARING loudly ] [ Dr Rizal is being escorted by guards when suddenly he stops ]
Dr Rizal: Hey. Corinne. Iām not leaving without her. We have to go back.
Carlo: We need to get you out of here.
Dr Rizal: I donāt think you understand how significant that little girl is to my work. Sheās coming with us. You understand?
Carlo: Take him. Iāll clear observation.
āā
[ Liz speaks to a set of triplet boys through the locked glass door ]
Liz: Itās okay. Iām with the police. Weāre gonna get you out of here.
[ PHONE UNLOCKS, SPEED-DIALS, RINGS ]
Liz: [ On phone ] Aram. Listen to me. We got kids at the Rizal property. A dozen. Maybe more. I need you to send a medic, protective services.
Ressler: Keen.
[ Ressler has come to a deck overlooking multiple pods of jungle settings ]
[ ALARMS BLARING ]
Ressler: Iāll go check it out. You stay with the kids, get them help.
Liz: Copy that.
Ā
[ Dr Rizal enters the pod with the three girls. Two are flushed and unconscious ]
Dr Rizal: Corinne.
Corinne: What did you do to them?!
Dr Rizal: Iāll explain everything later, but right now we have to go with these men.
Corinne: No!
Dr Rizal: Corinne, please.
[ ALARM BLARING ]
Ā
[ Control Room ] [ COMPUTERS BEEPING ] [ Carlo enters ]
Ronson: Whatās going on?
Carlo: Feds are on site. You gotta go.
Ronson: The systemās wiped. Nothing can be traced.
Carlo: Good.
[ š„š„š„š„š„ ] [ Carlo shoots all the techs ]
Ā
[ Ressler hears RAPID GUNSHOTS IN DISTANCE ] [ ALARMS BLARING ] [ He runs toward the sound ]
āā
[ The SWAT team comes upon Liz ]
Liz: FBI! Iām gonna show you my credentials.
ā Weāre hearing gunfire.
Liz: Last door on the left! Thereās another agent down there!
[ ALARMS BLARING ]
āā
[ Ressler enters the pod with the two unconscious girls. Carlo comes up behind him] [ GUN COCKS ]
[ Ressler spins around ] [ā”ļøFightā”ļø] [ Gun discharges š„š„ ] [ Carlo throws Ressler off, but loses his gun. Ressler shoots him ] [ GUNSHOTS š„š„ ]
[ SWAT team comes up ]
ā One down!
Ressler: Whereās the girls?
ā Theyāre back there!
Ā
Corinne: Let go! Let go of me!
Dr Rizal: Be careful with her.
Corinne: Stop it! No!
āā
[ Ressler sees Dr Rizal and the Guards. He signals to the SWAT team ]
āā
Guard: [ On phone ] They have a vehicle waiting for you at the south entrance. Take the girl.
Make your way on foot. Move!
Ressler: FBI! Hands! [ He shoots the Guard š„š„ ] [ The Guard falls, his automatic rifle spraying wildly š„š„š„š„š„š„ ]
Ressler: Cover him.
[ Ressler runs past the fallen Guard ]
āā
[ Dr Rizal is carrying Corinne ]
Dr Rizal: Hang on. Youāre almost home. Corinne.
[ Dr Rizal sees Corinne is bleeding ]
Dr Rizal: Ohh.
[ Ressler bursts through a door ]
Ressler: Hands. Show me your hands!
Dr Rizal: Donāt shoot! Please!
Ressler: Put your hands in the air. Step away from the girl. I said put her down!
Dr Rizal: I canāt! Sheās been shot.
Ressler: Okay. All right. Back away. Put the girl down.
[ Dr Rizal carefully puts Corinne down ]
Ressler: I said back away! [ On comms ] I got a minor with a gunshot wound. We need an emergency Medevac now. 3121 South Broxton.
[ Ressler checks Corinne ]
Ressler: Sheās not breathing.
Dr Rizal: She canāt die. Iām begging you. Please. She cannot die!
[ Ressler gives Corinne CPR ]
Ā
[ An interrogation room ] [ DOOR OPENS ]
Dr Rizal: How is she?
Ressler: In surgery, if you care.
Dr Rizal: Of course I care. I created her. I created all of them.
Ressler: To be human guinea pigs. Why?
Dr Rizal: Because you eat meat. Waste water. Guzzle gas. You like riddles?
Ressler: Not particularly, no.
Dr Rizal: How many SUVs does it take the FBI to bring in a single suspect? I counted six. You think Iāve committed a crime? Youāre killing the planet.
Ressler: And I suppose that youāre trying to solve it by, uh, experimenting on children.
Dr Rizal: 50,000 years ago, a relative of the modern-day human lived on the Indonesian island of Flores. Because resources were scarce, people adapted by becoming smaller. Adults were only three feet tall. As a result, they consumed less, had a smaller carbon footprint. If weāre going to survive climate change, we have to adapt to our environment the same way Homo floresiensis adapted to theirs. I want us to survive. To do that, we have to evolve. And since we donāt have time to wait on natural selection, I figured out a way to speed up the process.
Ressler: Oh, by changing their DNA?
Dr Rizal: As temperatures increase, fresh water will become scarce. Rivers will dry up, springs and aquifers will become contaminated by the rising seas. People will die of thirst. Unless their
kidneys become more powerful, capable of processing the higher salt content.
Ressler: Yeah, CSI said that you forced those little girls to drink salt water.
Dr Rizal: And expose them to extreme heat. The genetic changes I made to Corinneās DNA increased her tolerance to both by 12%. Multiply that by 7 billion people, and you begin to see a glimmer of hope.
Ressler: So, Corinne, the little girl you tried to save, sheās sheās your chosen one.
Dr Rizal: First of a new breed. Homo solvos. The savior of humankind.
Ā
[ Lizās office ]
[ The Lumineersā āŖ āThis Must Be The Placeā (NaĆÆve Melody) plays ]
Cooper: I just spoke with the hospital. Corinneās out of surgery. Sheās gonna be okay.
Liz: Thatās great. And the others?
Cooper: Corinneās sisters are in stable condition. All the other children have been released.
Aram: Any word from Mr. Reddington? We still donāt know how any of this connects to Anna McMahon.
āā
[ DOOR OPENS, BEES BUZZING ]
āŖ Home is where I want to be
Pick me up and turn me round
[ Brimley emerges ]
Red: So?
Brimley: Sang like the Mormon Tabernacle during Vespers!
Red: Why did McMahon hire him?
āā
Liz: If he knows anything, he hasnāt told me. Given how angry he is with me, I think Iād be the last to know.
Cooper: Whyās he angry with you?
Aram: Family squabble?
āŖ The less we say about it the better
Liz: Family? Is that what we are? Iām not so sure.
āŖ Weāll make it up as we go along
Liz: Iāve been thinking about it a lot recently, and, uhā I donāt think I know what āfamilyā even means. [ VOICE BREAKING ] Before we had Agnes, I thought Tom and I were gonna adopt, that family had nothing to do with biology.
Cooper: If this case taught us anything, itās that it doesnāt. Family isnāt about bloodlines. Itās about commitment and love and a whole lot of faith. The parents of Rizalās children. No one would blame them for walking away from those kids.
āā
[ Corinne and her sisters are happily reunited with their parents ]
āā
Cooper: But Iām guessing that learning biology isnāt whatās keeping them together is a powerful reminder of all the other things that do. Every family has challenges. God knows yours with Reddington has more than most. No one would blame you if you chose to walk away from them, but you never will. And not because you canāt. Because you donāt want to. Because in spite of hisā
Aram: His way or the highway.
Cooper: In spite of everything, heās committed to you, he loves you, and he has faith in you. And I think you have the same for him.
āŖ Like ay-eee
Like ay-eee
Ā
[ CHILDREN LAUGHING, SHOUTING PLAYFULLY ] [ CAROUSEL MUSIC PLAYING ]
[ Red joins Liz on a park bench while Agnes rides the carousel with Scottie ]
Liz: Thank you for coming.
Red: I came because I have news. About Anna McMahon.
Liz: Iāve been thinking a lot about what you said. About your code.
Red: She hired Mr. Cotton to find the dossier. We thought she had it. She doesnāt.
Liz: Did you find out who does?
Red: Yes. A child. A random child that Bastien Moreau gave the dossier to in the moments before he was killed. A child who has no idea that they possess a detailed description of a plot against the United States.
Liz: If Mr. Cotton told you, then he told McMahon.
Red: He did. Just before I got to him. Which means she has a head start.
Liz: I have a code, too. I donāt kill people who violate it, but itās every bit as important to my life as your code is to yours. Do you want to hear it?
Red: Sheās gotten so big.
Liz: Love wins.
Red: Thatās not a code. Itās a greeting card.
Liz: You wonāt stay angry with me. I know you think you will, but you wonāt. Parents donāt stay angry with their children. Or their grandchildren. And thatās who you are to us. It doesnāt matter who you were. This is who you are and who youāll always be.
Red: Because you believe love wins?
Liz: Every day and twice on Sundays. Says so on the greeting card. When I was little, did you train me for everything you knew Iād have to face?
Red: If youāre asking whether it was a surprise that you became an FBI agent, the answer is no.
Liz: I want to know what you did for me so I can do the same thing for Agnes. To train her for everything I know sheāll have to face.
Red: Sam did what I told him to. Will Scottie do the same for you?
Liz: She wonāt have to.
Red: She will if Agnes is to get what she needs.
Liz: I left Agnes with Scottie because I was afraid of who you were. But Iām not anymore. Scottie wonāt have to train Agnes. Because Agnes wonāt be with her. Iām bringing her home.
Ā
[ CELLPHONE RINGING ]
Mr Sandquist: [ EXHALES DEEPLY ] [ Cellphone BEEPs ] Yeah.
Anna McMahon: So, did you find him?
Sandquist: Not yet.
McMahon: Which means Reddington did.
Sandquist: Iām still working a fewā
McMahon: And if he found him, he got Cotton to talk. Which means he knows where the dossier is.
Sandquist: You donāt know that.
McMahon: I do know that. Thatās the one thing I know. Did Cotton tell you where the dossier is?
Sandquist: Yes.
McMahon: Then he told Reddington. This is it, everything we have worked for. You need to mobilize your men right now. Find the dossier before Reddington does, and we finish this. Let him beat you, weāre no better than dead by morning. Now go.
[ BEEP ]
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⬠go to start of 6:20 Guillermo Rizal
ā« go to top
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Episode Songs
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ā« Wild Ones
By Crystal FightersāŖ Yeah yeah yeah
Yeah yeah yeah yeahāŖ I thought I was a star
Until I started fading
From the sky I freefall
Every single day I
Go out, look up at where Iām from, ācause
I thought I was a star (Oh oh)āŖ How long
Tell me how long
Can this go on?
Like weāre floatinā in the arms of God
With the wild ones
With the wild ones
And we rage on
Till weāre blazing in the sunāŖ La la la la la la la [x4]
āŖ I thought weād gone too far
We started walkinā on the water
Felt like weād been reborn
When we woke up in Nirvana
Up in the clouds, not cominā down, ācause
I thought weād gone too far (Oh oh)āŖ How long
Tell me how long
Can this go on?
Like weāre floatinā in the arms of God
With the wild ones
With the wild ones
And we rage on
Till weāre blazing in the sunāŖ La la la la la la la [x7]
āŖ Weāve got hearts
Hearts theyāll never tame
Thatās who we are
Weāll burn the night away
Weāll ride this wave
And no weāll never fall
Can you hear the call
Can you hear the callāŖ Of the wild ones
With the wild ones
And we rage on (Letās go)
Till weāre blazing in the sunāŖ La la la la la la la [x4]
āŖ La la la la la la la
(How long)
La la la la la la la
(Tell me how long)
La la la la la la la
(Can this go on?)
La la la la la la la
(Like weāre floatinā in the arms of God)
La la la la la la la
(With the wild ones)
La la la la la la la
(With the wild ones)
La la la la la la la
(And we rage on)
La la la la la la la
(Till weāre blazing in the sun)Lyrics and Credits: http://bit.ly/2IZqNeV
YouTube: https://youtu.be/b-aANP6ldM4
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ā« This Must Be The Place (NaĆÆve Melody)
By The LumineersāŖ Home, is where I want to be
Pick me up and turn me round
I go numb, born with a weak heart
I guess we must be having fun
The less we say about it the better
Weāll make it up as we go along
Feet on the ground
Head in the sky
Itās alright, I know nothingās wrong.. nothingās wrongāŖ Hey, I got plenty of time
Hey, you got light in your eyes
And youāre standing here beside me
I love the passage of time
Never for money
Always for love
Cover up say goodnight⦠say goodnight⪠Home, is where I want to be
But I guess Iām already there
I come home she lifted up her wings
I guess that this must be the place
I canāt tell one from the other
Did I find you, or you find me?
There was a time
Before we were born
If someone asks, this is where Iāll be⦠where Iāll beāŖ Hey, we drift in and out
Hey, sing into my mouth
Out of all those kinds of people
You got a face with a view
Iām just an animal looking for a home, and
Share the same space for a minute or two
And you love me till my heart stops
Love me till Iām dead
Eyes light up, I see through you
Cover up your blank spot
Hit me on the head like ay-eee
Like ay-eee
Like ay-eeeLyrics and Credits: http://bit.ly/2Ww3SL2
YouTube: https://youtu.be/XsUAt5Z1fcs
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⬠go to start of 6:20 Guillermo Rizal
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āāā End 6:20 Guillermo Rizal
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š“ Script 6:21 Anna McMahon (ā 60)
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Program air date: 5/10/2019 in the US
Script Permalink: https://wp.me/pDKwi-9Cm
Entertainment Weekly Recap: http://bit.ly/2UY2aRe
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Director: Michael Caracciolo
Written by: Taylor Martin, Kelli Johnson
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ā Script 6:21 Anna McMahon (ā 60)
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Brief (Where weāre at): Red and the Task Force are in a race with DOJ official Anna McMahon to find a ārandom childā with whom Bastien Moreau (Blacklister #20) left the single remaining copy of a dossier detailing a plot by McMahon and sleezy President Robert Diaz against the United States.
Red remains angry at Liz for having dug up information about who he was before he took on the identity of her father, the real Raymond Reddington. In his previous life, he was Ilya Koslov, a bureaucrat at the Russian Embassy in DC. Ilya was a childhood friend of Lizās mother Katarina Rostova. According to Liz, Katarina and Ilya later were also āin the Cabal together.ā At the end of the Cold War, as alliances collapsed, they were on the run from the KGB, the Cabal and the Americans. In order the get at money deposited in Reddingtonās name, Ilya took on Reddingtonās identity after he had been shot by Liz (āMashaā) who, as a child on 4 or so had shot him to stop a fight between him and Katarina over her. Plastic surgeon Dr Hans Koehler (Blacklister #33) performed a series of surgeries on Ilya to change his appearance to that of Reddington. This allowed him to access $40 million deposited in various banks that had been put there to blackmail Reddington. The KGB and the Cabal subsequently destroyed Reddingtonās reputation so no one would believe his evidence against him and he went on the run and built his criminal empire. Katarina and Ilya gave Katarinaās parents new identities in America. Katarinaās mother recently died but Lizās grandfather is alive, living under the identity of Dominic Wilkinson (āDomā). He was a former KBG operative, who was also Katarinaās handler. He had ordered Katarina to have a relationship with Reddington, a US Naval Intelligence operative. Instead, she had a child with him, Masha (or Liz).
Liz shared Redās true identity with Ressler who had helped in her search, but they have agreed to tell no one else since Red and Dom are still being hunted by those he betrayed. What happened to Katarina remains a mystery. Redās anger at Liz is profound, but she is off-limits to his usual code of ethics (which would mean he would have to kill her for betraying him) because of a promise he made to Katarina to take care of her, a pledge grounded in his complete devotion to Katarina. Besides, as Cooper points out, there is love and trust between Red and Liz as they are āfamilyā in the deepest sense despite family squabbles.
Liz has been reassured by the āsweetā story of Katarina and Ilyaās past and tells Red she is now comfortable enough with who he was to bring her daughter Agnes home from the care her paternal grandmother Scottie. Dembe, Redās longtime bodyguard and friend, though forgiven by Red for hiding Lizās search from him, has left him, a move that has caused Redās torture-master Brimley to upbraid Red and challenge his code of ethics as nothing more than ālipstick on a pigā and ātrayf.ā
Ā
Voiceover: Previously on āThe Blacklistā:
Asst AG Anna McMahon: The Presidentās expecting me.
āā
BND (German Intelligence) Director Anna Ziegler: I have to show this to the Americans.
Former MI6 (British Intelligence) Agent Christopher Miles: You have to tell them that ā Iām keeping the dossier.
āā
Anna McMahon: [ To President Robert Diaz ] Sir.
āā
Miles: We canāt trust them with the proof until we know whoās involved.
āā
Red: Christopher Miles. Former MI6. If there is a dossier, heās precisely the kind of intelligence officer who would compile it.
āā
Cooper: The assistant attorney general plotting against America?
āā
Red: We thought she had the dossier. She doesnāt.
āā
Anna McMahon: [ To Mr Sandquist ] This is it, everything we have worked for. You need to mobilize your men right now. Find the dossier before Reddington does, and we finish this.
Ā
[ Jonathan Grimm descends the stairs his kitchen. He asks his wife Tammy about what color tie to wear ]
Jonathan Grimm: Tell me.
Tammy Grimm: Uh, blue. Definitely.
Jonathan: Definitely definitely? Or youāre too busy to focus, definitely?
Tammy: Definitely, definitely ā you are going to land this account, blue or red. [ Their son Parker (about 10yo) enters ] Hello, my love. And when you do, we should celebrate.
Jonathan: Pick a winner, buddy.
Parker Grimm: Blue is four letters. I hate the number four. Go red.
Jonathan: Sound reasoning. Wish me luck.
Tammy: Luck. [ Kiss ]
Ā
[ The White House ] [ INDISTINCT CONVERSATIONS ]
Aide: You have the Joint Chiefs at 4:00 and the DNI at 5:00. And then you and the First Lady are honoring veterans at a reception.
President Robert Diaz: Iāll meet you in the briefing room.
[ Assistant AG Anna McMahon walks up. They speak in low voices ]
President Diaz: Did we get it?
Anna McMahon: Mr. Sandquist is en route.
Diaz: Yes or no?
McMahon: We are about to, Mr. President.
Diaz: Well, you better. Or heads will roll. His and yours.
Ā
[ Jonathan Grimm drives to work ] [ CELLPHONE RINGS ] [ BEEP ]
Jonathan Grimm: Hey, man. Howās it goinā?
Sam Whatley: [ On phone ] What the hell are you up to?
Jonathan: What are you talking about?
Sam: The drive you asked me to decrypt. Do you have any idea whatās on it?
Ā
[ Liz calls in to The Post Office ]
Liz: The drive contains the dossier.
Cooper: I thought McMahon had the dossier.
Liz: Thatās what we all thought, but Reddington told me McMahon hired a finder to locate it for her.
Ressler: Did the finder tell Reddington where it is?
Liz: Yes. After he told McMahon. Moreau slipped the drive into the backpack of a passing child named Parker Grimm.
Ressler: She already has a head start.
Cooper: Ressler, scramble WFO SWAT and coordinate with Keen on the location. Aram, alert the Grimms. If what Reddington says is true, they have no idea that Bastien Moreau slipped the plans for a terrorist attack into their sonās backpack.
Ā
[ Tammy Grimm is about to run out on an errand ]
Tammy: [ To son Parker ] Okay. [ KEYS JINGLE ] I wonāt be long.
[ Tammy opens the front door and is startled that someone is there ]
Mr Sandquist: Tammy Grimm?
Tammy: Yeah, thatās right. But I-Iām just running to the store, so whatever it is canā
Sandquist: Iām with the Secret Service.
Tammy: Is something wrong?
Sandquist: Itās about your son.
Ā
Jonathan Grimm: A plot against the United States. On the drive I found under my sonās bed?
Sam: You need to get over here.
Jonathan: Is this a surprise party?
Sam: What? No. Itās notā
Jonathan: Because I specifically told Tammy I didnāt wantā
Sam: Itās not a surprise party!
āā
[ CELLPHONE RINGS ] [ Aram tries to call the Grimms ]
āā
Jonathan: All right. Tell me what it says.
āā
Aram: Voicemail.
Cooper: Try his wife.
Ā
[ In the Grimmsā kitchen Mr Sandquist talks to Tammy and Parker ]
Mr Sandquist: The man who put the drive in your backpack was a terrorist.
Parker: But why? I mean, why me?
Sandquist: Canāt say. Itās a matter of national security. Which is why you need to give it to me.
Tammy: Well, we would if we could, but my husband couldnāt open it, so we took it to a friend to have a look.
Sandquist: Iāll need the friendās name.
[ CELLPHONE RINGS ] [ Tammy tries to answer, but Sandquist stops her ]
Sandquist: I need his name.
āā
Aram: She didnāt pick up, either. If something happens to that kid or his familyā Couldnāt we prevent that by just arresting Anna McMahon?
Cooper: Based on what? Reddingtonās word? The proof is on that drive. We need to get it first.
Ā
[ KNOCKING ON Sam Whatleyās DOOR; Sam answers ]
Mr Sandquist: Sam Whatley. Special Agent Sandquist. Secret Service. I believe you know why Iām here.
Sam: Iām sorry, but, no, I-I donāt.
Sandquist: Mind if I come in?
Sam: Actually, I was just on my way out.
Sandquist: Change of plans then.
[ Sandquist pushes Sam inside, knocking the coffee cup out of his hands ]
Ā
[ Jonathan Grimm arrives at Samās house ] [ ENGINE SHUTS OFF ]
[ Jonathan walks to the front door and sees the broken coffee cup. He walks to a side window and looks inside ] [ Sam is being beaten ]
Mr Sandquist: Where is it? Where is it? Whereās the drive?
Ā
[ The FBI raids the Grimm residence ] [ SPEAKING INDISTINCTLY ]
ā FBI!
ā Clear!
ā Top floor clear!
Ressler: Well, either theyāre a really messy family, or else they left in a hurry.
Liz: Or they were taken.
Female SWAT Officer: All clear, sir, maāam.
Ressler: No signs of forced entry?
Female Officer: No, sir. But there wouldnāt be. The family left on its own.
Ressler: How do you know that?
Ā
Mr Sandquist: This would have been much easier if Iād found what I was looking for.
Sam: [ SHAKILY ] Please. Thatās all I have.
Sandquist: Yes. A copy. I need the original.
Sam: I saw what youāre planning. You wonāt getā [ YELLS ] [ Eye being gauged, SQUISHING ]
Sandquist: The drive. Did Grimm keep it?
Sam: [ GROANING ] [ SOBBING SOFTLY ]
Sandquist: This needs to be done in under an hour. Disposal and clean-up.
Sam: Why?
Sandquist: Because I love my country.
Ā
[ RADIO CHATTER ] [ Liz and Ressler view surveillance video of the Grimmsā residence ]
Liz: Aram, are you getting this?
Aram: [ From Post Office ] Yeah. Weāre patched into the system.
SWAT Officer: This was taken 40 minutes ago.
Ressler: He looks panicked.
Liz: Thatās it. Thatās the drive.
Ressler: From the look on his face, Iād say he knows whatās on it.
Aram: If he did, why wouldnāt he call the police?
Cooper: Probably because whatās on it makes him think he canāt trust them ā or us.
Liz: Or maybe because an hour earlier this guy showed up on their doorstep.
Aram: Who is he?
Liz: No idea. He avoided the cameras.
Ressler: Well, we know as of 40 minutes ago they were okay, but what we donāt know is where they are.
Cooper: And if I put out a BOLO, McMahon will know, and it could lead her to them.
Aram: So we have to find three people who donāt want to be found who are probably using fake names and cash.
Cooper: Which means we have nothing to go on.
Liz: You said they think they canāt trust us. If theyāve seen the dossier and it indicates the governmentās involved, they think weāre looking for them on every CCTV monitor, surveillance feed, or private video the government has access to.
Ressler: Well, that rules out airports, train, bus stations.
Aram: You think thereās a chance they havenāt left the city?
Liz: An insurance broker and his teacher wife and kid? Yeah, I think thereās a big chance theyāre laying low in a motel room, scared to death right now.
Cooper: If youāre right and they are hiding out, weāre still looking for a very small needle in a very large haystack.
Liz: Yeah, but I think I have a way to narrow it down.
Ā
[ Liz walks to her car, nodding to a young woman pushing a pram ] [ ENGINE STARTS ] [ When Liz has passed the woman speaks on comms ]
Woman: [ To Mr Sandquist ] No sign of the targets but the FBI is on site.
[ CELLPHONE BUZZING ] [ BEEP ]
Mr Sandquist: Yeah.
Anna McMahon: Did you find Grimm?
Sandquist: No. Neither have the FBI. But theyāre at his house. Which means they know the dossier is in play.
McMahon: [ SIGHS ] I shouldāve killed him when I had the chance.
Sandquist: Who?
McMahon: Who do you think? The bane of our existence. The reason the FBI is now one step ahead of us. Reddington.
Ā
[ Liz finds Red at a Chinese reflexologist ]
LIZ: [ HUSHED VOICE ] Reddington. [ LOUDER ] Reddington.
Red: [ Groggily ] Elizabeth.
Liz: Rogelio. I need to talk to him.
Red: What you need is Jin to work your pressure points. Bronchitis. Asthma. Migraines. Youāve got a problem, reflexology will rub it right out of you. The man is a healer.
Liz: [ WHISPERING ] The Grimms have the dossier. But theyāre on the run with it. We need Rogelio to help us find them.
Red: [ GROANS ] Hmm. [ SPEAKING MANDARIN CHINESE: ] Sadly, thatās all I have time for. [ SIGHS ]
Liz: [ NORMAL VOICE ] Sometime this year would be good.
Red: So be it. But when my sinusitis flares up, Iām blaming you. Xiexie, Jin. [ Gets up, GROANS ]
Ā
[ KNOCK ON DOOR ] [ Door cracks open ]
Red: My friend.
[ Door slams shut ]
Red: Guess heās still angry.
Ā
Red: I admire her joie de vivre.
Rogelio: Thatās not an apology.
Red: I hired Rogelioās niece to work in my warehouse in Lisbon. Before she started, our margins were 18%. After, 13%.
Rogelio: You blame her? My angel?
Red: Your angel slept with my foreman. And when his wife forced him to quit, she slept with his replacement.
Rogelio: She likes powerful men.
Red: [ SCOFFS ]
Rogelio: Is- Is that a crime?
Liz: No. It isnāt. Will you just apologize?
Red: Me?! Her snogging cost me my entire management team!
Liz: We need his help.
Red: Rogelio, Iām sorry.
Liz: Great. Letās skip the kisses and hugs and get straight to business.
Red: Weāre looking for a family who doesnāt want to be found.
[ Liz gives Rogelio a photo ]
Liz: A husband, wife, and 11-year-old son. We think theyāre holed up in a hotel room somewhere within a 60-mile radius of D.C.
Red: I need you to circulate their photo to every maid, busboy, and janitor in your undocumented army. Iāll pay $20,000 to the person who locates them. $50,000 if they do so by dinner. Speaking of which, we passed a Bolivian food cart on our way here that serves the best tucumanas this side of Sucre. When you have news, thatās where weāll be.
Ā
[ Cooperās Office ] [ DOOR OPENS ]
Anna McMahon: How stupid do you think I am?
Cooper: Anna. Itās good to see you, too.
McMahon: You think you can lie to my face and I wonāt know it? That you can go behind my back and succeed? The Grimm family. Whatās your interest in them?
Cooper: Iāll be happy to tell you after you tell me why youāre having my agents followed. I assume thatās how you know what theyāre up to without my informing you.
McMahon: The only thing thatās important is that you didnāt inform me. So do.
Cooper: You want to be informed? Fine. Iāll inform you. Youāre involved in a plot against this country. You know why weāre looking for the Grimms because youāre looking for them, too. They have a flash drive that details your treason.
McMahon: Iāll have your job for this.
Cooper: Iām sure you will. Unless we get the drive first. I canāt prove a thing without it. Or stop you from whatever it is youāre planning.
McMahon: The only thing Iām planning is to shut you down.
Cooper: Go ahead and try.
[ McMahon leaves ] [ DOOR SLAMS ]
Ā
[ A city sidewalk ]
Liz: [ On phone ] I know we were supposed to talk tonight, but I have to reschedule. Iāll call you later and figure out when.
[ Liz sits next to Red on a bench. He is eating tucumanas from an aluminum foil packet ]
Red: Mmm. A deep-fried pocket of heaven for your thoughts.
Liz: I was supposed to meet with Scottie tonight and figure out a transition plan for me to bring Agnes home. The only reason Iām not with her is because I thought figuring out who you really were would put her in harmās way. Now I know it wonāt, but in trying to find out if you were the devil, I learned my mother was. That tape they played at your trial? She destroyed my father. Sheās the reason he ran. I shot him, but sheās responsible for his death.
Red: Your mother canāt hurt you.
Liz: Because sheās dead? The Russians donāt seem to think so. When Ressler was trying to help me find out who you were, he went looking for her and was confronted by the KGB about what he found out. What if I bring Agnes back and theyāre right ā and sheās alive and she finds us?
[ TIRES SCREECH ]
Liz: And sheās more of a threat to Agnes than you ever were?
[ Rogelio walks up ]
Rogelio: Raymond! I may have something. Before I give you the address, I want an apology.
Red: Iām pretty sure I already apologized.
Rogelio: No, not to me. My angel. Luciana.
[ Luciana has gotten out of Rogelioās vehicle and poses provacatively ]
Red: I am very sorry that I forgot what my father always told me: no good deed goes unpunished.
[ SIGHS ]
Ā
[ The White House ] [ First Lady Miriam Diaz descends a staircase in an elegant red dress ] [ FOOTSTEPS APPROACH ]
President Robert Diaz: Ohh. You look stunning.
First Lady Miriam Diaz: Iām doing this out of respect for their service, not as a photo op.
Robert Diaz: Well, itās both actually. After all, we are gearing up for a re-election campaign.
Miriam Diaz: Are we? Because Iām pretty sure thereās something you have to do first, and you havenāt done it.
Aide: Mr. President. You have a call.
Miriam Diaz: Do it, Robert. Or I will.
Announcer: Ladies and gentlemen, First Lady Miriam Diaz.
[ APPLAUSE ]
[ President Diaz steps aside to take the call ]
Diaz: This better be good news.
Anna McMahon: The Deputy Director of the FBI just accused me of being a traitor.
Diaz: So he got the drive.
McMahon: No. And he canāt prove anything unless he does.
Diaz: Then why are we having this conversation, when you should be making sure that doesnāt happen?
McMahon: Sir, I think we should consider a change of plans.
Diaz: Absolutely not. The situation is untenable. We proceed as planned. Now get that drive.
āā
Miriam Diaz: The President and I are so grateful for the sacrifices youāve made in defense of our country.
[ APPLAUSE ]
[ President Diaz approaches the podium ]
Ā
Red: Theyāre being followed?
Cooper: If youād have let me know you had a location.
Red: Thatās what Iām doing, Harold.
Cooper: Now. After Keen and Ressler are already on the scene!
Red: Anna McMahon knows weāre after the dossier.
Cooper: She does, and if she thinks thatās what Keen and Ressler went to the motel to get, sheāll come with force. And theyāre going in unaware and without backup.
Ā
[ The motel ]
Liz: The manager confirmed. This is it.
[ KNOCK ON DOOR ]
Ressler: Mr. Grimm, FBI. Open the door.
[ Liz unlocks the door with a key card ] [ BEEP ]
[ The room is dark. Someone jumps Ressler. ā”ļøFightā”ļø] [ Liz finds Tammy and Parker hiding in a closet ~ the man Ressler is fighting with is Jonathan Grimm ]
Liz: Ressler! Hey! No! Stop!
Tammy: Please. Please donāt hurt him. He doesnāt know anything.
Liz: Weāre here to help.
Ressler: We know you have the flash drive.
Jonathan Grimm: You donāt know whatās on it.
Ressler: Why do you say that?
Jonathan: Because if you did, youād know we could never trust you.
Ā
[ Ressler, Liz and the Grimms walk out of the the motel ]
Jonathan: People in the government are involved in a plot against this country. Why should we believe youāre not part of it?
Ressler: Because if we were, youād be dead already.
Tammy: Sam.
Liz: Whoās Sam?
Jonathan: Samās a security analyst. The most tech-savvy person we know. When I saw the drive was password-protected, ā I gave him a copy of it.
Liz: Was he able to read it?
Jonathan: Yeah. And it freaked him out. He called and said I needed to come to his house. Something about German Intelligence and a plot against America. By the time I got to his place, two men were there. If you are who you say you are, youāll send someone to his house.
[ Lizās CELLPHONE BUZZES ]
Liz: Cooper. We have the Grimms.
Cooper: Bring them in. Fast. Because McMahon found you. Youāre being followed. If her team isnāt there yet, they will be soon.
Ressler: You said you gave Sam a copy? Please tell me you have the original.
Jonathan: I mailed it to The Washington Post. People need to know whatās going on. And when they do, we wonāt be a target.
Ā
[ Two large black SUVs pull up ] [ TIRES SCREECH ]
Special Agent Tyson: Jonathan Grimm.
Jonathan: Yeah?
Tyson: Special Agent Tyson, Secret Service. Sir, we need you to come with us. Please.
Liz: Agents Keen and Ressler, FBI. Whatās going on?
Agent Randolph: We have a situation. We believe Mr. Grimm may be in danger.
Ressler: Mr. Grimm and his family are safe in our custody.
Agent Randolph: You need to come with us.
Ressler: Iām sorry. Thatās not happening.
[ VEHICLE DOOR CLOSES ]
Mr Sandquist: Stand down. Mr Grimm. With me. Right now.
Ressler: Hold up. Weāre federal agents. Youāre not taking him anywhere.
Tammy Grimm: [ Whispers to Liz ] Thatās him.
Liz: Who?
Tammy: That man, the one whoās in charge. He came to the house earlier today. He showed me a badge.
Ressler: ⦠federal warrant ā¦
Tammy: I told him we gave the flash drive to Sam.
Liz: You saw him?
Agent Tyson: Weāre operating under the authority of the DHS Secretary. Itās for the safety of you and your family.
Ressler: Donāt listen to him, Jon. This man doesnāt have the authority to take you anywhere without my consent.
Agent Randolph: You want me to get the Secretary on the line?
Sandquist: That wonāt be necessary. Mrs. Grimm. I went to see your friend, Mr. Whatley. It was a dead end. I told you how important the information on that drive is.
Jonathan: Thatās him.
Tyson: Mr. Grimm, if you donāt come with us, I have the authority to place you under arrest.
Sandquist: These people, these agents, I donāt know their involvement or what their interests are.
Jonathan: [ Pointing at Sandquist ] Thatās him! Thatās the guy! The one I told you about! Heās the one who was torturing my friend Sam!
[ Guns drawn all around ]
Tammy: Oh, God.
Sandquist: I said get in the car. Now.
Ressler: Put it down. Easy. I said put the gun down!
[ Sandquist nods to Tyson, who holsters his weapon ]
Ressler: You better holster that weapon before you make another decision that youāre gonna regret.
Liz: Jon! Do not get in that car!
Agent Randolph: Weāre taking him with us.
Tammy: Jonathan, no. Donāt!
Sandquist: You have no idea who youāre dealing with, Agent Ressler. You need to stand down.
Ressler: Not a chance.
[ Jonathan gets Agent Randolphās gun ]
Agent Randolph: Gun! ā
[ BULLET PLUNGES ] [ š„š„š„ GUNFIRE š„š„š„ ]
[ Tyson shoots Jonathan in the shoulder ]
Jonathan: [ GROANS ]
[ Liz shoots Tyson. Ressler shoots at Agent Randolph ]
[ Lizās gun CLICKs ]
Liz: Iām out! The supply case in the back! Can you get to it?!
[ š„š„š„ GUNFIRE š„š„š„]
Mr Sandquist: Theyāre exposed! Take the wife if you can! Get rid of the kid and the two agents!
[ Agent Randolph shoves Jonathan into Sandquistās SUV ]
Jonathan: No! Please, no!
[ š„š„ GUNFIRE š„š„]
Ressler: Can you get eyes on Grimm?
Liz: I canāt get him!
[ TIRES SQUEAL ] [ Sandquist takes off with Jonathan in the SUV ]
[ Liz is out of ammunition. She turns around. One of Sandquistās agents is about to shoot her ] [ Slow motion ]
[ Suddenly, GUNSHOTS š„ š„š„š„š„ ] [ Redās car squeals up. Red shoots the guy who was about to shoot Liz ]
Red: You all right?
Liz: Iām fine.
Red: Get everyone out of here.
Liz: Where are you going?
Red: After the dossier.
[ TIRES SQUEAL ]
Ā
[ The Post Office ] [ Liz has been talking to Tammy Grimm and Parker. She gets up and leaves the interrogation room to join Cooper ]
Cooper: These poor people, neck-deep in a world of hurt that has nothing to do with them.
Liz: Did you get ahold of Reddington? Please tell me he tracked down that fake Secret Service and got ahold of Grimm.
Ressler: We havenāt heard from him. But we do know this ā theyāre not fake.
Aram: Agents on scene identified the deceased as one Steven Jacob Tyson, a Special Agent detailed to the National Threat Assessment Center.
Ressler: What about the burner he was carrying?
Aram: Right. I ran the info from the SIM card that you gave me. Now, that phone has only corresponded with four numbers in the past six months, none of which Iāve been able to ID. Now, Iām running a tap on all four now, but thereās nothing I can do until someone calls.
[ CELLPHONE BUZZES ]
Liz: [ Answers ] Reddington.
[ Liz puts Red on speaker ]
Red: I lost them. Grimm and the dossier.
Ressler: Thatās bad, but this is potentially worse ā Grimmās wife told us that the man who came to their house was Milian Sandquist.
Cooper: Iāve seen him at the White House.
Ressler: Thatās not surprising. Heās one of the Presidentās body men. Grimm also said that heās the one who tortured their friend.
Aram: Yeah, we sent units to Whatleyās house, but heās missing, and his computerās gone.
Red: And his house is neat as a pin.
Aram: Yes, it was.
Red: Heās not missing. Heās dead. They sent a cleaner.
Liz: If the people closest to the President have been corrupted, then the Presidentās life is in danger.
Red: Or heās part of the conspiracy.
Ressler: Letās be realistic here.
Red: Realistic, Donald? Might I remind you I blackmailed your President over $300 million in illegal campaign contributions he took from a Russian oligarch over three years ago. The man has money, not sense.
Cooper: If the DOJ and Secret Service are involved, we have to warn President Diaz directly.
Red: Do that, and you show your hand.
Ressler: Yeah, to the Commander in Chief.
Cooper: Thereās no scenario where I can sit on information that the Presidentās life is in danger. Aram, stay on MPD, see if they can tell us anything about Grimmās whereabouts.
Liz: Okay, but where are you going?
Cooper: To see the President.
Ā
[ Sandquistās men question Jonathan Grimm ]
Agent Randolph: What do you mean you mailed the drive? Mailed it where?
Jonathan Grimm: To a friend at The Post.
āā
[ Interrogation room at the Post Office ]
Tammy Grimm: Her name is Stacey Aguilar. We went to college together.
Ressler: Sheās a reporter?
Tammy: Yeah. Sheās one of their national-security correspondents.
āā
Agent Randolph: You thought giving the dossier to this friend was gonna keep you safe?
Jonathan: Look, if you let me go, if you donāt hurt me, ā I can contact her.
Agent Randolph: No, no, no, no. Thatās not how this works.
Jonathan: I can get it back.
āā
Ressler: How do you know she even has it?
Tammy: Why wouldnāt she?
Ressler: So, you said you mailed it. When?
Tammy: After Jon got back from Samās. Have you found him? Do you know where my husband is?
Ressler: Weāre still looking, but right now I need you to focus on that drive.
āā
Agent Randolph: [ HUSHED ] What mailbox? I want the location.
Jonathan: No. Listen. Pleaseā
[ Randolph presses Jonathanās shoulder wound ~ SQUISH ]
Jonathan: [ SCREAMS ] Okay! Okay! Okay! Stop! [ WHIMPERS ]
āā
Tammy: It was on our way out of the city. We went over the Key Bridge. Drove right into Rosslyn. The box is on the corner.
āā
Agent Randolph: If youāre lying, our situation will become markedly more difficult.
Jonathan: Please. Iām not lying. I promise.
āā
[ Jonathan is in the back of an SUV as they arrive at the mail box ]
Ā
[ An office at The Post Office ]
Liz: This is good, right? We can still get to the drive before Sandquist.
Ressler: Iām not sure. If Tammy told us, then Jon probably told his captors. And if he told them, that meansā
Liz: Theyāre already on their way.
[ KNOCK ON DOOR, Aram enters ]
Aram: Hey. So, I may have some good news.
Ressler: You figured out who was calling that burner?
Aram: No. Not yet, but I did check with the post office in Rosslyn, and it turns out that specific box that Grimm used to mail the drive was scheduled for a pick-up by the driver over three hours ago.
Liz: Meaning the dossier is not there. We still have a chance.
Ressler: Aram, get in touch with Rosslyn. Have them locate the truck and driver. Tell them weāre on our way.
Ā
[ The White House ]
Cooper: Harold Cooper to see the President.
Receptionist: Yes, Mr. Cooper. Iāll let him know youāre here.
āā
Aram: [ On phone ] No, uh, please. I need to talk to the postmaster. Yes. Urgent. Okay, maāam, I already told you Iām with the FBI and that this is a matterā Okay. Yep. ā I know youāre busy, too, but this ā
[ Agent Andrada who is a few yards from Aram tries to get his attention ] [ FINGERS SNAPPING ]
Aram: [ Still on phone ] Um. Okay. Iām sorry. Uh, now Iām sorry. Youāve got to- You have to hold on. Give me a second. Okay. [ To Agent ] What is it?
Agent Andrada: It just came online. Literally 20 seconds ago.
[ KEYS CLACKING ]
[ Cooperās CELLPHONE BUZZES at the White House ]
Cooper: Aram, I need to call you back.
Aram: No, no, no, no, no. Donāt do that. Itās about one of the four phone numbers we pulled from Agent Tysonās burner.
Cooper: Iām at the White House.
Aram: Uh, one of them is live, like like right now. And itās Anna McMahon.
Cooper: Speaking to whom?
Aram: I donāt know. Uh, Iām pulling it up.
[ Cooper can hear the phone conversation ]
Anna McMahon: The Secret Service is aware of the incident, but none of it is traceable to you.
Manās voice: And if it is?
McMahon: You simply say agents in your security detail were killed trying to obtain Intel about an attack on this country. They died doing their patriotic duty.
Manās voice: The FBI knows differently.
McMahon: Only Cooper and his Task Force. Which may be to our advantage.
Aram: Okay, whoeverās receiving the call, theyāre on a burner.
Manās voice: Has he seen the dossier? Do they have it?
McMahon: This is a chance to find out.
Manās voice: Hold on.
[ Conversation pauses. President Diaz opens the door to his office and signals to Cooper it will be a few more seconds. He is holding a flip-style phone open against his chest. Door closes. Conversation resumes ]
Manās voice: Yeah.
McMahon: Talk to Cooper. See what he knows. Youāre positioned perfectly to find out just how far along they are.
Manās voice: Fine. But I already know the answer ā too far.
[ CELLPHONE BEEPS, CLOSES ]
[ President Diaz opens the door of the office, but Cooper has left. Cooper knows the man on the call with McMahon was indeed Diaz ]
āā
[ Cooper walks down a White House corridor and calls Red ]
Cooper: You were right.
Red: Tell me something I donāt know, Harold.
Cooper: The Presidentās involved in McMahonās plot against the U.S.
Ā
[ Cooperās office ]
Liz: How is this even possible? Diaz? The highest office in the country?
Ressler: That explains the Secret Service.
Liz: But the President. Involved in a plot against America.
Cooper: To do what? And why?
Aram: I feel terrible. I voted for him.
Cooper: Diaz has already phoned me twice, and thatās not a call I can dodge. The only way to unravel this is with that drive.
Ressler: Where are we at with the mail truck? Any updates?
Aram: Oh. No. Nothing. Uh, not yet. I sort of got distracted by the whole āPresident is part of the conspiracyā thing.
Cooper: Well, itās out there. And we need to find it. Before Sandquist and McMahon.
Ā
[ A mailman, Earl Wilson, closes the back of his mail truck and gets in the driverās seat ]
[ ENGINE STARTS ] [ A large black SUV pulls up and blocks his way ] [ TIRES SCREECH ]
Mr Sandquist: Earl Wilson. Agent Sandquist, Secret Service. Weāre acting on a credible threat from Homeland that you may be unintentionally transporting classified material.
Earl Wilson: Classified material? A-Am I in some kind of danger?
Sandquist: We believe one of the boxes on your route was used as a dead drop. We need to escort you to a secure site, where we can explain everything.
Earl: Right. Okay. Sure. H-Hey, mister? We got two other trucks that, uh, run pick-ups in this neighborhood. Uh, do you want me to notify my supervisor?
[ Suddenly, Jonathan Grimm begins pounding on the window from the inside of the SUV ]
Jonathan: [ MUFFLED ] Hey! ā Go! You gotta go!
Sandquist: Be quiet!
Earl: Whoās that?
Jonathan: [ MUFFLED SHOUTING ]
Sandquist: One of our suspects.
Earl: Oh. Okay. Um- Iām sorry. What did you say your name was again?
Jonathan: [ MUFFLED ] Go! Run! Theyāll kill you!
[ Earl tries to get back into his truck to escape, but the DHS agents grab him ]
Earl: No! No! No! No, no! [ YELLS ]
[ Sandquist smashes Earlās face against the window of the mail truck ]
Earl: [ WHIMPERS ]
Sandquist: Get him off the street and into the truck.
[ Earl WILSON YELLS ]
Agent Rudolph: Be quiet.
Earl: [ SOBBING ] Help me!
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[ The Post Office ]
Cooper: Aram. What is it?
Aram: All right. Iāve got bad news. Now, the mail truck is a Grumman LLV built 30 years ago, so thereās no radio, no GPS.
Cooper: No way to track it.
Liz: What about the carrierās cell? Can you trace that?
Aram: Thatās the thing. The driverās name is Earl Wilson. 45. Married, with two kids. Now, the two kids are in middle school, which is why the wife says they use an app to track their familyās movement.
Ressler: Tell me heās logged in.
Aram: He was logged in before the signal died, but his last location was headed northeast on Rhode Island Avenue, just past Eckington, which is over 8 miles off his route.
āā
[ The SUVs have pulled into a large garage ]
Sandquist: The bags. Letās go.
āā
Ressler: So, is this where we think he is?
Aram: No. And thatās the problem. The vehicle was traveling at 68 miles per hour when the signal went dead.
Liz: So it tells us the direction he was headed in, not where he is.
Cooper: Pull CCTV in the area. Have local police canvass the area where the abduction took place. Find a witness. Whatever it takes. We need to find that driver.
Ā
[ Sandquistās men dump out the containers of mail on the floor of the garage ]
Sandquist: Mr. Grimm. We have a problem?
Jonathan: No, itās just I canātā Without my glasses, I canāt see.
[ Earl Wilson is inside the mail truck, one hand cuffed to the interior wall. He tries to retrieve a duffle with his free hand ]
Agent Rudolph: Hey! Thatās a bad idea.
[ Rudolph snatches the bag and pulls out holds a small canister]
Agent Rudolph: Pepper spray.
[ Sandquist gives Jonathan his glasses ]
Mr Sandquist: Take it easy. Weāre all here to help you, Jon. Tell us what weāre looking for.
Jonathan: I donāt know. Itās a small envelope. Padded. Like a bubbled-wrapped envelope. Maybe 5Ć7.
Mr Sandquist: Okay, gentlemen. You heard the man. Small padded envelope. Stacey Aguilar. The Washington Post. Letās get to work.
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Aram: Sir. Sir. [ KNOCK ON DOOR ] I think I figured it out. Uh- Not by tracking the driver of the postal truck, but Sandquist.
Cooper: Tracking Sandquist?
Aram: I canāt believe I didnāt think of it before. He is Secret Service. So I accessed their employment files, which is, like, total legal, and I pulled his phone numberā
Cooper: Which you tracked.
Aram: āwhich is not so legal.
Cooper: You have an address?
Aram: Six miles north of where Earl Wilsonās cellphone went dead.
Cooper: Nice work. Notify MPD. Tell them weāre on our way.
[ KEYPAD DIALING ]
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Agent Randolph: Thatās the last bag.
Jonathan Grimm: Iām telling you, Iām trying.
Mr Sandquist: Not hard enough. Maybe you need some incentive. The mailman. Bring him over here.
Jonathan: No! Please! Iāll find it!
Earl: No. No, no, no. [ SOBBING ] Please, please, please. No. No, no, no! No, no, no! Please!
āā
[ Outside the building, Liz and Ressler arrive ] [ TIRES SCREECH ] [ They are met by MPD ]
Ressler: What do we know?
Officer: No movement. No one in or out.
Ressler: No idea whoās inside.
Liz: We canāt wait.
āā
[ Sandquist sprays pepper spray in Earlās eyes ]
Earl: [ SCREAMING ]
Jonathan: Please stop! Iām begging you!
Sandquist: I donāt think weāre gonna stop until you find that letter.
Jonathan: Maybe you stopped the wrong truck, right? I mean, maybe thatās the problem. We got the wrong guy!
Sandquist: I donāt know, Mr. Wilson. You think we got the wrong guy?
[ Sandquist sprays more pepper spray ]
Earl: [ SCREAMING ]
Jonathan: Iām looking! Iām looking!
Sandquist: Mr. Grimm, you have the help of six men, and weāre all looking. What worries me is that you lied to me. The drive isnāt here. Now, we can do this without you. We can simply open each piece ourselves, Before we do that, before I blind poor Mr. Wilson for life, Iām gonna give you one more chance.
Ressler: FBI! Show me your hands!
[ š„š„š„š„ Gunfight ā¼ļøš„š„š„š„]
[ Sandquist grabs Jonathan and uses him as a shield, then shoots him twice through the back ]
[ ENGINE STARTS. Sandquist escapes with a shoulder wound ]
Ressler: Call it in! We need a medevac!
[ TIRES SQUEAL ]
Ressler: Take him! Iām going after Sandquist!
Liz: [ To Jonathan ] Hang on. Hang on.
Jonathan: [ GASPING ]
Liz: Hey. Hey. Shh. Donāt talk. Weāve got help on the way. Shh.
Jonathan: Pocket ā
[ Liz reaches inside Jonathanās inside suit jacket pocket and pulls out the envelope with the dossier inside. But Jonathan is dying ]
Liz: [ Pleading ] Listen to me. You hear my voice? Hang on. Stay with us. Hey! Stay with us.
Ā
[ Cooperās office ] [ FOOTSTEPS APPROACH ~ Itās Red ]
Red: Anything on the dossier yet?
Cooper: Keen and Ressler are en route.
Red: [ Jovially ] Donāt you love the anticipation? The moment before the curtain goes up, wondering if the show will live up to all the hype and expectation.
Cooper: Iām rooting for underwhelming.
Red: Aww.
Cooper: Whatever Intel the dossier contains, too many people have been killed to keep it secret. Jon Grimm. Christopher Miles. Ana Ziegler. You were nearly killed.
Red: I never properly thanked you for making sure that didnāt happen.
Cooper: I was doing my job.
Red: Harold. You respect authority. You follow the chain of command. And yet you marched into the White House and ordered the President to stay my execution.
Cooper: Desperate times ā
Red: What you did wasnāt a desperate measure. It was an act of bravery and friendship. I can count on one hand the number of people to whom I owe my life. You are one of them. For that, I am forever grateful.
[ KNOCK ON DOOR ]
Aram: Theyāre here.
āā
Ressler: Aram.
[ Ressler tosses the drive with the dossier to Aram who plugs the drive into his computer ]
Aram: Okay, just, uh, give me a second. Okay. I need to make sure we run this through our AV malware.
Red: Remember when classified documents were classified documents, Harold? Typewritten on onion skin, mimeographed, and stamped āTop Secretā just like in the spy movies? That was fun. Simpler times, I suppose.
Aram: All right. Here we go.
Liz: [ Reads the folder name ] āThe Princip Initiative.ā
Ressler: Whatās that? Princip?
Red: Gavrilo Princip, the Bosnian Serb who assassinated Archduke Franz Ferdinand of Austria. That single act set into motion the chain of events that ignited the First World War.
[ KEYS CLACKING, BEEP ]
Liz: What are we looking at?
Cooper: Code names. Operational details.
[ KEYS CLACKING ]
Aram: Thereās a hyperlink here.
[ The link brings up a video of Christopher Miles, now deceased. At the time the video was made he was a former MI6 Agent. The video was meant for Anna Ziegler, head of German Intelligence (BND), also now deceased. Both were killed by Bastien Moreau under contract to Anna McMahon ]
Christopher Miles: Madam Ziegler, if youāre watching this, itās only because your people have vetted my story. As you know, in September this year, the BND contracted my private security firm for an intelligence-gathering operation. It was during that op that I unintentionally stumbled upon a plot, one to assassinate the sitting American President.
Cooper: Wait. Diazās plan is to assassinateā
Liz: Himself?
Red: So much for underwhelming.
Christopher Miles: Contained in this dossier are the cables, intercepts, and secret sources Iāve used to unravel this plot.
Aram: There is a lot of data-sourcing here.
To the best of my knowledge, the operation appears to be led by Anna McMahon, a high-ranking official in the Justice Department. I believe McMahon, along with select others, are working in concert with members of the Presidentās security detail.
Ressler: He doesnāt sound like he thinks the President is in on this.
Christopher Miles: I donāt know exactly why this is happening or who initiated the hit, but I do know the when and where. President Diaz and his opponent will be conducting a series of presidential debates. I have reason to believe the hit will be carried out during one of them.
Iām not sure who I can trust within the U.S. government, which is why Iām coming to you. Because we have a history. Because I can trust you. And because I think you have the best chance to save Robert Diazās life.
Ā
Ressler: All right. There are three debates. One last month, one next month and one tomorrow at the Fillmont.
Red: See if the Third Estate pulled a permit to protest outside.
Liz: You told us McMahon had nothing to do with them.
Red: She doesnāt. But perhaps she wanted us to think she did.
Cooper: Why? And how does it fit in now?
Red: The Third Estate are domestic terrorists dedicated to bringing down the rich and powerful.
Aram: Iām sorry, but, uh, am I understanding this correctly? The American President is part of a plot to assassinate himself.
Liz: It doesnāt make any sense.
Ressler: Iām sorry. What are we missing here?
Liz: Heās not gonna kill himself.
Aram: Uh, okay, well, it looks like the Third Estate will be protesting at the venue.
Red: Of course they will. They hate Diaz. McMahon needs a patsy. Who better to blame for decapitating the head of state than a group named after people who decapitated heads of state?
Cooper: The debate is tomorrow. That gives us a day to figure out how to prevent the assassination.
Liz: But if the President supposedly wants this to happen, we canāt inform him or the Secret Service.
Cooper: So weāre on our own. And weāre on a clock. I want the blueprints to that venue and the path to Diazās motorcade. I donāt care if the President is involved in the plot to assassinate himself or not. Our job is to keep that from happening.
Ā
[ Mr Sandquist has just had his gunshot wound bandaged ]
Anna McMahon: POTUS is about two minutes out.
Mr Sandquist: Itās over. They have the dossier.
McMahon: We donāt know that. Listen to me.
Sandquist: Listening to you got me shot and five of my men killed. They know.
McMahon: Which is why we canāt call it off. If we do, theyāll arrest us and weāll hang for treason.
Sandquist: We are gonna hang for treason.
McMahon: Not if someone else takes the blame.
Sandquist: The Third Estate canāt save us now.
McMahon: No. Only Reddington can.
Sandquist: Reddington.
McMahon: We can get what we want. And take him down once and for all. But if POTUS knows that we lost the dossier, heāll get cold feet. Diaz cannot know the truth. Milian, listen to me. I know we havenāt always agreed on tactics, but you have to trust me on this one.
[ President Diaz enters ]
Diaz: How do you feel?
Sandquist: Fine, sir.
Diaz: Next question. And this time I want an honest answer. Did you get it?
Sandquist: ā Yes, sir. We did.
Ā
[ The Post Office ] [ Liz talks to Red on her cell phone; she is alone ]
Liz: Please tell me this makes sense to you. The President conspiring to kill himself?
Red: He took foreign money to get elected. If he did that, who knows what else heās done. Maybe people found out, and the walls are closing in, and he prefers to go out as a martyr to the cause. Many presidents only live for their legacy. Whatever the reason, heās carrying a heavy burden. People who kill themselves always are. Burdens they canāt imagine ever being able to cast off.
Liz: Are you talking about the President or my mother?
Red: Your mother was not as bad asā I understand why you might think she was, but she wasnāt. She was a young woman trying to make sense of a world that was falling apart around her. She was on one side of an unbridgeable divide. Your father was on the other. And you were in between. Over the years, your motherās legend has grown. Mythic spy. Bloodless turncoat.
In the process, people forgot the person behind the legend, but I havenāt. If she were here, Iām sure sheād tell you she made so many mistakes. She was scared and uncertain and just trying to do the best she could. Bring Agnes home, Elizabeth.
Liz: If thereās any risk ā
Red: There isnāt. Bring her home.
Liz: [ EXHALES SHARPLY ] Thank you.
Red: If you need me, Iāll be at Jinās.
Liz: Sinusitis acting up again?
Red: Nah. Sciatica.
āā
[ Elevator DOORS SLIDING ]
āā
Red: Iām telling you, the man is a wizard.
āā
[ Anna McMahon gets off the elevator with a large group of DHS Agents ]
McMahon: Be sure to get all the case files, paperwork, electronics.
āā
Liz: [ To Red ] Oh, my God. This canāt be good.
Red: What?
āā
Ressler: What are you doing here?
Agent: Sir, please put your hands where I can see them.
āā
Red: Elizabeth, whatās happening?
Liz: McMahonās here with DHS agents.
āā
Agent: Agent Mojtabai, youāre under arrest for conspiracy to commit murder.
Aram: Murder? Wh- Um ā
[ HANDCUFFS CLICKING ]
Aram: Ressler. Whatās going on?
āā
Liz: Theyāre arresting everyone.
Ā
[ Cooperās Office. Anna McMahon enters ]
McMahon: Youāre going to prison, Harold. You and your entire team.
Cooper: And why is that?
McMahon: āCause I know about your plot to assassinate the President.
Cooper: My plot? You know we have the dossier.
McMahon: Diaz refused to commute Reddingtonās sentence, so he convinced you to seek retribution.
Cooper: Youāre trying to get us before we get you.
McMahon: You have the right to remain silent. I strongly suggest your exercise it.
Cooper: You do know you actually need proof. We have it. You donāt.
McMahon: What I have are five dead Secret Service agents, murdered by your Task Force for trying to stop your conspiracy.
Cooper: No one will ever believe you.
McMahon: No one has to. I have CCTV footage that proves your agents murdered them in cold blood.
Cooper: And Jon Grimm. Who tortured and murdered him?
McMahon: Iām fairly certain thereās traffic-camera footage that confirms your agents did.
Cooper: Doctored footage.
McMahon: He and his friend Sam Whatley. Poor men. Gunned down for simply try to blow the whistle on corruption in law enforcement.
Cooper: You wonāt get away with this.
McMahon: [ To her men ] Take him downstairs. Harold, I told you Iād shut you down.
Ā
Liz: [ On phone ] I canāt just stand here ā and not do something.
[ Liz dashes off ]
Red: Wait ā Elizabeth. Elizabeth!
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š“ Script 6:22 Robert Diaz (ā 15)
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Program air date: 5/17/2019 in the US
Script Permalink: https://wp.me/pDKwi-9Ei
Entertainment Weekly Recap: http://bit.ly/30vWiCz
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Director: Bill Roe
Written by: Jon Bokenkamp, John Eisendrath, Lukas Reiter
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ā Script 6:22 Robert Diaz (ā 15)
Ā
Brief (Where weāre at): Just as the Task Force had nailed down proof of a plot against the United States led by players in the Department of Justice, Homeland Security, the Secret Service and President Robert Diaz himself, the tables were turned. Assistant Attorney General Anna McMahon (Blacklister #60) is going to blame the plot on the Task Force and has had DHS agents arrest Cooper, Ressler and Aram. Liz was out of sight so she avoided arrest for the time being.
The plot was described in a dossier left by Christopher Miles, a former MI6 Agent who shared his findings with the head of German Intelligence Ana Ziegler. Both were murdered at the behest of McMahon by Bastien Moreau (Blacklister #20). McMahon has been desperate to round up the sole remaining physical copy of the dossier. She failed and the Task Force got to it first. It was at that point that she hatched the plan to turn the tables and blame the whole plot on the Task Force.
Inexplicable is the fact that the plot described in the dossier involves the assassination of the president. Yet the president is one of the plotters. Does he not know this particular detail? Is it a suicide arrangement of some kind? Is the plan to fake an assassination? The possibilities boggle the mind. But this seems irrelevant at this point, since the Task Force itself has suddenly been de-commissioned. Except for Liz and Red, of course, who have not been apprehended ā yet. Dembe is out of the picture, having left Redās employ. Will he reappear? Red still has some leverage over President Robert Diaz ā knowledge that he took $300 million in illegal campaign contributions from āa Russian oligarchā ā Lizās stepfather, Alexander Kirk (aka Constantin Rostov) (Blacklister #14), who was married to her mother Katarina Rostova when Liz was born. Rostov disappeared after Red whispered something to him in Episode 3:23. What did he whisper? That Red is not the āRaymond Reddingtonā that Rostov so despised? ā a fact that we now know (or at least think we do).
What we know are hints and clues. The plot against America that is in play is code-named the āThe Princip Initiative,ā named for Gavrilo Princip, the Bosnian Serb who assassinated Archduke Ferdinand of Austria. āThat single act set into motion the chain of events that ignited the First World War,ā says Red. The First World War led inexorably to World War II which led to the Cold War which led the the collapse of the USSR, which puts Lizās birth at the nexus of a hundred years of world history. As Red tells Liz about her mother:
She was a young woman trying to make sense of a world that was falling apart around her. She was on one side of an unbridgeable divide. Your father was on the other. And you were in between.
Ā
[ ā Note: German dialogue from subtitles is in italics ]
Ā
[ The remaining personel are escorted from the central area (war room) of the āPost Officeā black site. Cooper, Ressler and Aram were arrested earlier ]
ā This way.
ā Come on.
ā Letās go.
[ Senior DOJ official Anna McMahon makes a call from Cooperās office, now vacant, to President Robert Diaz ]
Anna McMahon: Itās handled.
President Diaz: Except Keen and Reddington.
McMahon: The less you know, the better.
Diaz: Anna, I believe weāre way past plausible deniability.
McMahon: Theyāll come for their friends, and then weāll have all the traitors.
Diaz: You say that like itāll be easy to prove. These are honest peopleā
McMahon: Who have killed Secret Service Agents investigating a plot against the President. Whose work has made Reddington stronger. Theyāre in league with him, and he hates you. Iām not worried about making a case against them. The question I have is you. Do you want this?
Diaz: Weāve talked about this.
McMahon: I know. Before. But this is it. Itās your last chance to say no.
Diaz: Itās what has to be done.
McMahon: I canāt imagine how hard this must be for you.
Diaz: One shot. A kill shot. Thatās my instruction and I want it clearly conveyed.
McMahon: A kill shot.
Diaz: Iād like this to be as painless as possible.
[ PHONE BEEPS ]
Ā
[ First Lady Miriam Diaz walks up to her husband ]
Miriam: Tomorrowās a big day for you.
Diaz: For both of us. What youāve wanted me to do, Iām gonna take care of it tomorrow at the debate.
Miriam: Do you mean that?
Diaz: This has haunted us for too long.
Miriam: [ EXHALES SHAKILY ] Iām relieved to hear you say that.
Diaz: Ohh. Itāll shock the world.
Miriam: I donāt care about the world. I care about you. I know youāre conflicted, but this is the right thing to do. [ SIGHS ] And Iām proud of you for doing it.
[ Hug ]
Ā
[ Cooper is locked in an interrogation room ] [ INTERCOM BEEPS ]
Anna McMahon: Agent Cooper. Itās over. Agent Keenās badge was swiped. We know sheās in the facility, and we will find her. Main Justice has evidence that your Task Force is working with Reddington on a coup dāetat. Reddington will be hunted. Your team will be tried and convicted. But Iām willing to help you, Harold, only you ā if you reach out to her. Bring her in.
[ McMahon holds up the flash drive with the dossier compiled by former MI6 Agent Christopher Miles detailing the assassination planned by McMahon and members of the Secret Service ]
McMahon: The Miles dossier. We recovered it from Agent Mojtabaiās computer. Without it you have nothing. Make the call. Bring her in.
Cooper: Good luck.
McMahon: Good luck?
Cooper: Youāre gonna need it if you hope to dismantle my team.
McMahon: Your team is going to prison.
Cooper: Then Iām going with them.
McMahon: And Agent Keen? She wonāt make it out of here alive.
Cooper: You donāt know Agent Keen.
Ā
[ Liz calls Red from somewhere within the black site. Red is in his Mercedes ]
Liz: Reddington.
Red: Elizabeth.
Liz: McMahon has them. Cooper, Ressler, and Aram. Everyone. She has her people sweeping the building looking for me. I need your help. I have an idea.
Red: Youāve gotten out of there before. You can do it again.
Liz: I am not leaving them.
Red: Thereās nothing you can do for them right now.
Liz: I donāt think you get it. I am getting my team out of here. We are stopping the President from killing himself ā and then I am going to the store for every princess pillow, comforter, backpack, toothbrush, and pajamas I can find so my apartmentās ready when Agnes gets home. Do you understand me?
Red: Tell me what you need me to do.
Liz: Put me in touch with your friend. Uh, the kid whose mother hates you.
Red: Tadashi Ito.
Liz: Yeah. Tadashi. Thatās it. Have him call me.
Red: Iāll try. [ CHUCKLES ] But my arrangement with Mariko is weekends only. What else?
Liz: How long do you think itāll take Ruddiger to get here?
Red: Ruddiger? I am not sure heās even in the country.
Liz: It isnāt just Ruddiger. Heās gonna need help.
Red: Elizabeth, slow down. If Iām going to involve Ruddiger, I need to know exactly what youāre planning.
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[ Red goes to see Maxwell Ruddiger, a munitions wizard ]
[ RADIO TUNING ]
Red: Where the hell is everyone?
Ruddiger: Ah. Itās, uh- Itās a work in progress.
Red: A work in progress? Ruddiger! We donāt have time! I was very clearā
Jurgen: Where are the heatshrink connectors?
Ruddiger: I told you if theyāre not with the pulse reset counters, then they are going to be in my strip-it bag.
Red: Whoās this guy?
Ruddiger: Jurgen.
Red: Does Jurgen work at the airport?
Jurgen: [ In perfect English ] Part time. Customer service.
Ruddiger: Heās bilingual.
[ A Tall Man and another man enter ]
Ruddiger: Where the hell have you been? I needed you here fifteen minutes ago!
Tall Man: We had to get the gear.
Red: Ruddiger.
Ruddiger: You said you needed a team.
Red: And this is them?
Ruddiger: Yeah.
Red: Who are these guys?
Ruddiger: This is Dieter. Till. Horst. Little Udo. And, Jurgen, you have met.
ā Hello.
Ruddiger: You said you need to get through concrete and steel. These five are the best.
Red: What? Wait. Five? The Shadow Five?
Ruddiger: Yeah.
Red: [ CHUCKLING ] Oh, my God! These guys robbed the Banco Central. How do you know them?
Ruddiger: Till and I met in rehab.
Red: And they know what weāre doing?
Ruddiger: My friend wants to know that you all approved of this plan.
Bearded Man (v-neck): No maps. No plan.
Ruddiger: We drill. We get out. Everyone onboard?
[ LAUGHTER ]
Bearded Man (v-neck): Tell your friend we think heās nuts. This will be a blast!
Jurgen: Letās go get crazy with the American! Weāre all very excited by this.
ā Hey, hey, hey!
ā Yo!
Ā
[ Sofi Tukkerās āŖ āBest Friendā PLAYS ]
[ PHONE UNLOCKS, BEEPS ]
Liz: Tadashi, itās me. I found the Access Control System.
Tadashi: Where have you been?! Iām missing the entire prom!
Liz: Tadashi, I promise you, Iām gonna make this up to you, but, right now, I need you to forget about that dance and walk me through this like your life depends on it.
Tadashi: Fine. Iām looking at a map of the controller hub now. Give me names.
Liz: Okay, in the war room on the upper deck, there should be a holding cell. Itās probably called holding T-6. Or maybe just Bay Six.
Tadashi: T-6. I see it. On the distribution panel, youāre gonna find port 18. There should be a CAT5 wire feeding that slot. Do you see it?
Liz: Port 18. Iāve got it.
Tadashi: Pull it.
[ Liz pulls a cord from a panel ] [ BEEP, LOCK CLICKS ]
Liz: Okay. What about interrogation on the B subfloor? C-2.
Tadashi: Thatās port 27.
[ Liz pulls another cord ] [ BEEP, LOCK CLICKS ]
Liz: Interrogation C-1?
Tadashi: Port 6.
[ BEEP, LOCK CLICKS ]
Liz: Okay, Tadashi. Stay with me. Iām gonna go fast, so pay attention. War room south corridor, south exit, R3.
Tadashi: Port 38.
Liz: Annex fire lane.
Tadashi: Port 20.
Liz: West mechanical room.
Tadashi: Port 14.
[ BEEP, LOCK CLICKS ]
āŖ I think that Iāll keep loving you, way past 65
[ BEEP, LOCK CLICKS ]
āŖ We made a language for us two, we donāt need to describe
Every time you call on me, I drop what I do
[ BEEP, LOCK CLICKS ]
[ Cooper, Aram and Ressler hear the the locks on the rooms they are in click and realize they are no longer locked. They cautiously exit ]
āā
Tadashi: Oh, my God.
Liz: What? What is it?
Tadashi: My dateās favorite song. This girl, sheās way out of my league.
Liz: Tadashi, one day youāre gonna write a book about how you skipped the school dance to prevent a conspiracy and save the Presidentās life, and then youāll be in a league of your own. Now, do you remember what we talked about?
Tadashi: The ultrasonic system.
Liz: How do I activate it?
āŖ We got a lot in common
We can talk ābout nothinā
Shoot the ish [sh*t], we got ish to shoot
[ BEEP, LOCK CLICKS ]
[ Cooper, Ressler and Aram find each other in the hallway ]
Aram: Okay, this is, uh- This is weird, right?
Ressler: No. Itās Keen. Sheās here.
Aram: We need a plan.
Cooper: Agent Keen is our plan.
āā
Tadashi: I know you and Mr. Reddington have a plan, butā
Liz: Tadashi. The ultrasonic system.
Tadashi: The router clamp. Pull it.
āā
[ šØALARMS BLARINGšØ, Lights flashing ]
Aram: Pretty sure thatās not part of Agent Keenās plan.
Ressler: All right. Move. Letās go.
āā
[ INDISTINCT SHOUTING ]
Anna McMahon: Hey! Theyāre gone.
Mr Sandquist: Not gone. Theyāre in the facility.
āā
Cooper: If we can make it to the boiler room, access the security module, we may be able to open one of the south delivery gates.
[ Suddenly, guards appears ]
ā Hands on your heads! Hands!
ā Donāt move!
ā Hands!
[ Cooper, Aram and Ressler raise their hands ]
āā
Female Guard: [ On phone ] Copy That. [ To McMahon ] Maāam, all three are in custody. South annex, Block C.
McMahon: Please tell me you have a space in this facility thatās better suited at housing criminals.
Female Guard: Yes, maāam. Matter of fact, we do.
āā
[ BEEPING ] [ RUMBLING ] [ Cooper, Aram and Ressler are herded into the red containment unit or āRed Boxā ]
Anna McMahon: Donāt go anywhere, boys. Thisāll all be over soon enough.
[ DOOR THUDS ]
āā
Liz: [ On phone ] Hey. Itās me.
Red: Did it work?
Liz: Yeah, theyāre in the box, right where we want them.
Red: Fantastic. Iām on my way to you now with Ruddiger and the boys. Tell the fellas weāre a go.
Ruddiger: Boss man says weāre a go!
ā I like this crazy guy. Heās fun!
ā Letās get to work. Letās light it up!
[ SHOUTING IN GERMAN ] [ ALL CHEERING ]
ā Yeah!
ā Whoo!
Shadow Five: Hey, hey, hey, hey, hey, hey, hey!
Ā
[ Inside the Red Box ]
Ressler: This brings back memories. None of them good.
[ INTERCOM CLICKS ]
Anna McMahon: I gave you a chance, Harold. I tried to extend an olive branch. But this? You chose this.
Cooper: Have you found her yet? Agent Keen. I asked if youāve found her yet.
McMahon: We will.
Cooper: Huh. I sort of doubt that.
[ Intercom CLICKs off ]
āā
McMahon: [ To Sandquist ] I donāt care if you have to tear this place down. Find her!
Ā
[ BRAKES SQUEAL ] [ A postal delivery truck pulls up to the delivery entrance of the Post Office. Redās man Morgan is driving ]
Guard: Weāre in lockdown. Nothing in, nothing out.
Morgan: Couple packages is all I got. Iām trying to finish my route. Can I just leave āem with you?
Guard: Fine. Make it quick.
[ They go to the back of the truck. Morgan rolls up the door ]
[ GUNS COCK ]
Red: Special delivery.
[ The guard is forced inside ]
[ Redās man Chuck gets into the booth and opens the gate. The truck drives through ]
Ā
[ The Red Box ] [ Intercom comes on ]
Liz: Guys. Can you hear me, guys?
Aram: Agent Keen? Wait. Can they hear us?
Liz: No. I bypassed the monitor relay. Aram, listen to me. I need your help. Reddington and I directed you to the box for a reason. If we can bypass the CCTV on our control server, piggyback the RSS ā could someone remotely view our internal feed?
Aram: Theyād have to be very capable.
Liz: If they were capable?
Aram: Well, yeah, but if you bypass the signal, the war room monitors will stream the same data over and over again. Theyād be blind. ā Oh!
Cooper: Assuming that Aram can walk you through the process remotely, what then?
āā
[ KEYS CLACKING, STUDENTS SHOUTING IN DISTANCE ]
Tadashi: Okay. Iām good on my end. The video feeds are looping.
Liz: Heās in. The war roomās blind. Reddington, youāre on.
[ Red walks down in corridor with his men ]
[ Sofi Tukkerās āŖ āBatsh*tā Plays ]
āŖ Oh, youāre bad enough to me
Bad enough that we
Always have something to get over
Red: Cameras are down. Youāre clear. Gentlemen. Thank you all. Lots of luck.
āŖ I got that salted chip on my shoulder
Oh, but when the night is deep
You find me in the streets
Asking me to come over
[ The Post Office sublevel ]
[ BUZZING ] [ The Shadow Five begin cutting into the ceiling with blow torches ]
āā
Liz: [ On intercom ] Guys, hang tight. Reddingtonās on site. Cavalryās on its way.
Ressler: Reddington? Whatās he gonna do?
Aram: He doesnāt think he can blow through The Box, does he? Itās titanium-gold alloy.
Thatās it, Iām crazy! [ Spoken ]
āŖ Thatās it, thatās it
Red: Tadashi, can you hear me?
Tadashi: Mr. Reddington! Yes! Uh, I mean, copy that. Iām gonna guide you. You ready?
Red: Right as rain. Ready for Roger.
Tadashi: I donāt know what that means.
Red: It means yes. Yes, Iām ready. Which way do I go?
āā
[ Meanwhile, the Shadow Five work on the ceiling from below the Red Box ]
Ruddiger: Undo. Undo. Watch your slipknots. Youāre getting sloppy like a schoolboy.
āā
Tadashi: On your right there should be a door. Take it and move down the hallway.
āā
Aram: Listen. Even if he could blow through the foundation, which is impossible, heād likely kill us in the fall.
Cooper: Nobodyās killing anybody.
āā
Tadashi: In 30 feet, thereās a door. Agent Keen says the code is 71-6324.
Red: [ On phone ] Weāre there. Bring the feeds back online.
Tadashi: Okay. Here goes nothing.
āŖ Thatās it, thatās it, thatās it, yeah, youāre crazy
[ ā”ļøSTATICā”ļø CRACKLING ]
āŖ Yeah, youāre crazy
Thatās it, thatās it, youāre crazy
Thatās it, thatās it, youāre crazy
āā
[ The landing over the Post Office war room ]
Agent Rudolph: Theyāre inside. Hit the alarm.
Anna McMahon: Whatās going on?
Agent Rudolph: We have a breach.
[ šØALARMS BLARINGšØ ] [ Sandquist and guards run through a hall ]
āā
Red: Ruddiger, weāre back online. Showās over. Get your men out.
āā
ā The boss man says pack it up!
[ Ruddigerās men pack up and leave ]
āā
[ šØALARMS BLARINGšØ ]
āā
Tadashi: Mr. Reddington, youāre almost there. 100 yards. Maybe less.
āā
[ Sandquist arrives at the site where Ruddigerās men had been working. They are gone ]
Mr Sandquist: [ Over comms, to McMahon ] Itās a diversion.
[ He heads back toward the war room with his contingent ]
āā
[ Liz meets Red in the hall ]
Red: Fancy meeting you here.
[ Liz keys in a code, KEYPAD BEEPS, LOCK CLICKS ]
[ GUN COCKS ] [ Between them, Liz and Red and Redās men commandeer the remaining guards ]
Red: On the ground, now!
[ They reach the Red Box ]
Liz: Put your weapons down! Hands!
ā Donāt move.
Liz: Show me your hands!
ā Donāt even try.
[ Red, Liz and their men arrive at the Red Box ]
Red: Whatās the passcode?
Aram: Passcode. Itās- Itās āSamar.ā
Red: Iām not sure Iād associate a high-security containment cell with my girlfriend, but I guess love is blind.
[ KEYPAD BEEPS, LOCK CLICKS ]
[ šØALARMS BLARINGšØ ] [ Door opens ]
[ Cooper, Ressler and Aram get out of The Box ]
Red: Good to see you, Harold. Hold your gratitude and appreciation till later. Weāre in a bit of a rush.
[ KEYPAD BEEPING ] [ šØALARMS BLARINGšØ ] [ KEYPAD BEEPING ]
[ McMahonās guards are herded into The Box ~ which is where McMahon finds them ]
Ā
[ A pleasant room with a large dining table ]
Ressler: That was the easy part?
Red: The most predictable.
Aram: Uh, we just broke out of a black-site facility.
Cooper: And now we have to break in to the most secure building in America ā the location of a presidential debate. FBI. DHS. MPD. Eyes in the sky.
Red: Everyone, this is Roxanne, the maĆ®tre dā at Delmarās. I thought it best to discuss our next move on a full stomach.
Aram: Um, are those- Are those French toast kabobs?
Red: With Vermont maple syrup butter dipping sauce. Please.
Ressler: The debateās tonight.
Red: Yes, and, by then, weāll need to figure out a way to infiltrate the protestors outside the arena, start a riot, pose as law enforcement coming to quell the insurrection, slip inside during the commotion, hack into the facilityās surveillance feeds to find the shooter before he kills the President.
Cooper: And you think we have time to eat?
Red: Have you had(!) their Ethiopian porridge? Who will be the first responders to a disturbance outside the arena?
Cooper: Local police will maintain command.
Red: Then weāll need Elizabeth and Donald assigned to the MPD.
Liz: You are aware that weāre wanted fugitives.
Ressler: And that our pictures have been posted to the MPD website.
Red: Harold? Any favors you can call in?
Flash forward:
Cooper: Thanks, Phil.
Captain Philip Hyde: You said it was urgent.
Cooper: A warrant has been issued for my arrest in connection with a crime I did not commit.
The only way to prove my innocence is for you to let two of my agents work perimeter security for the debate. I need this, Phil. I canāt think of anything Iāve needed more.
Red: Next, surveillance feeds.
Aram: Well, the debateās taking place at Fillmont University, and campus security is in the same building as the student union.
Red: Aram, looks like youāre going back to college.
Flash forward:
[ Aram registers for classes ]
Aram: So, uh, whatās with all the, uh, security?
Roxanne: Presidential debate. Anyone tries anything, theyāre gonna shoot first, ask questions later.
Aram: How comforting.
[ Aram acquires a new student ID ]
Red: Lastly, The Third Estate. They have a permit to protest outside the debate. Fervent subversives that they are, Iām certain they and their colleagues will offer full-throated outrage. But to get inside that hall, we donāt need a protest. We need an insurrection.
Cooper: And you have someone that can make that happen?
Red: I do.
Flash forward:
[ Vontae Jones walks up a group of friends in a booth at a restaurant ]
Vontae Jones: Yo, yo, yo! So, who wants to go to a presidential debate, huh? That would be no one.
All: [ LAUGHTER ]
Vontae: Okay. Okay. Let me rephrase that. Who wants to cause trouble at a presidential debate?
Young woman: [ CHUCKLES ]
Vontae: Look. Your democracy needs you. And itāll pay if you heed the call.
Friend: How much?
Vontae: Ah, well, that depends on how much trouble you cause.
Red: And thatās the plan.
Liz: And the sooner we execute it, the sooner I bring Agnes home.
Aram: Wait. Wait. Is that true?
Liz: It is.
Cooper: This is wonderful news. She must be absolutely thrilled. When did you decide this?
Red: Donald, a word?
Aram: This is amazing.
Cooper: When is she coming home?
āā
[ Red pulls Ressler aside ]
Red: Elizabeth told me you had a run-in with a few Russians recently.
Ressler: She told you that?
Red: Yes. When you were investigating my identity.
Ressler: [ SIGHS ] I was looking for information about, uh, Katarina Rostova. I donāt know how they found out, but they were anxious to know what I knew.
Red: Did you get a name?
Ressler: No. But a friend of theirs drove a vehicle with diplomatic plates, so I figure some pretty powerful people want answers.
Red: As for answers, I believe Elizabeth has given you one.
Ressler: She has. And it stays with me.
Red: Good.
āā
[ COOPER SPEAKING INDISTINCTLY ]
[ Red and Ressler rejoin the group ]
Liz: Everyone seems to have a part to play. Except you.
Red: I have an important meeting.
Liz: More important than saving the Presidentās life?
Red: I couldnāt care less about saving the Presidentās life. Iām just trying to get your old job back. Have some fun. Itās gonna be a riot.
Ā
[ Outside the Presidential debate venue, the Third Estate is chanting. Most protestors are young, but an older man cues them on a megaphone. He is Eric Copeland, the man Red threatened at gun point trying to find out Anna McMahonās connection to the Third Estate ]
Yo, hey, hey, hey!
No fascist USA!
Yo, hey, hey, hey!
No fascist USA!
Yo, hey, hey, hey!
No fascist USA!
Yo, hey, hey, hey!
No fascist USA!
Yo, hey, hey, hey!
No fascist USA!
Yo, hey, hey, hey!
No fascist USA!
[ Cooper coordinates over comms with Aram who has gained access to the collegeās blueprints and surveillance, Liz and Ressler in police riot gear, and Vontae Jones and his friends who are among the protestors ]
[ CHANTING ]
Lock him up!
Lock him up!
Lock him up!
Lock him up!
Lock him up!
Lock him up!
Lock him up!
Ā
Aram: Okay. Mr. Cooper? Mr. Cooper, I think I may have found something. Iām in their network now, andā This is weird, but one of their cameras is down.
Cooper: How does that help us?
Aram: Well, the system says itās offline for a self-diagnostic, but according to their blueprints, the room that itās watching is some sort of lighting booth on the fifth floor.
Cooper: Meaning it has a direct line of sight to the stage?
Aram: Thatās gotta be it, right? I mean, thatās our shooter.
Ā
[ DOOR OPENS AND CLOSES ]
[ Miriam and Robert Diaz are backstage at the debate venue when Anna McMahon and Mr Sandquist arrive ]
Miriam Diaz: Oh. You just made it. Protestors have all the streets locked off. Itās a madhouse.
Anna McMahon: Is he okay?
Miriam: Heās a good man. Today I think heāll be great.
Mr Sandquist: Itāll be a day to remember.
Moderator: Ladies and gentlemen, the President of the United States.
[ APPLAUSE ] [ CAMERA SHUTTERS CLICKING ]
Ā
[ THUNDER RUMBLING ] [ Red sits with a man about his age at an oceanside weather shelter. Itās off-season so they are alone ]
Red: The consulate is on alert, which means everyoneās is.
Stranger: Weāve been in worse situations. Those worked out. This will, too.
Red: Theyāre actively looking for Katarina.
Stranger: [ SIGHS ] Masha was bound to find out you arenāt who you say you are. What I canāt figure out is Dom.
Red: Umh.
Stranger: Why would he tell her all that?
Red: In an attempt to help her move on.
Stranger: And she believed him?
Red: She did. So much so that sheās decided itās safe to bring her daughter home.
Stranger: [ SIGHS ] I know Dom meant well. He shouldnāt have told her that story.
Red: If Moscow is looking for Katarina ā if Agent Resslerās inquiry has reignited their searchā
Stranger: Then I know that could be bad.
[ THUNDER RUMBLES ]
Red: I want this done before Mashaās daughter comes home.
Stranger: Have I ever let you down?
Red: Once. When we were children.
Stranger: You wouldnāt give back the truck. [ LAUGHS ] Iāll get this done.
Red: Youāre always so optimistic.
Stranger: I thought thatās why you loved me.
Red: I love you because I can trust you.
[ THUNDER RUMBLES ]
Ā
Copeland: The rich say get back!
Protestors: We say fight back!
Copeland: The rich say get back!
Protestors: We say fight back!
Copeland: The rich say get back!
Protestors: We say fight back!
Copeland: The rich say get back!
Protestors: We say fight back!
Get back! ā Fight back! ā Get back! ā Fight back! ā Get back! ā Fight back! ā
Ressler: Okay, weāre on site.
Liz: Ready on your go.
Cooper: Jones?
Vontae: [ BEEP ] Yeah. Weāre here. Weāre ready.
Ressler: Guys, the entire Secret Service is looking for us. Anytime soon would be great.
Cooper: Jones, letās go! Make some noise!
Protestors: The people, united, will never be divided!
The people, united, will never be divided!
The people, united, will never be divided!
The people, united, will never be divided!
[ Vontae gets a Molotov cocktail out of his backpack. He lights it and throws the bottle ] [ ā”ļø GLASS SHATTERS ā”ļø~ š„ FLAMES RUSH š„ ]
Woman on loudspeaker: Leave the grounds immediately. We are ordering you to leave the grounds immediately.
[ Another Molotov cocktail is thrown ] [ ā”ļø GLASS SHATTERS š„ ] [ CROWD SHOUTING ]
Woman on loudspeaker: Disperse immediately, or we will give you tear gas.
Ressler: Weāre gonna have a crowd crush on our hands. Call in the gas!
Liz: We canāt hold the line!
Ressler: Weāve got a situation here on the south perimeter! If these people breach, weāre gonna lose this position. Hey, you two, help me secure that door!
[ INDISTINCT SHOUTING ]
[ Liz and Ressler go to a door being watched only by campus security, who lets them in ]
Liz: Weāve got a problem. We need your help. Lock these doors and redirect any additional staff.
You, notify the Control Center, tell them we need to issue a lock-out.
Ressler: [ Over comms ] Aram, weāre in.
[ Ressler and Liz run up an emergency stairs ]
Aram: [ Computer KEYS CLACKING ] All right. Iām bringing up the blueprints now. Iām gonna guide you.
āā
Moderator: Healthcare has been a central question in the campaign. Senator Trotter, whatās your position on single-payer healthcare?
āā
[ Offstage ]
Agent Randolph: [ To McMahon ] This is the final question before closing remarks. Heās getting into position now.
[ Another Agent appears and shows the Wanted Posters for Liz and Ressler on his cellphone ]
Agent: Randolph, itās them. Theyāre here.
āā
Moderator: āI think we can all agree onā
āā
[ MODERATOR SPEAKING IN DISTANCE ]
[ Ressler and Liz climb more stairs ]
Ressler: Aram! Talk to us!
Aram: Okay, when you exit the stairwell, there is a service hallway to your left.
[ KEYS CLACKING ]
āā
[ Mr Sandquist ascends a stairs and enters the lighting room. He takes off his tourniquet and pulls out the black case containing his high-powered sniperās rifle that was hidden in the room ] [ LATCHES CLICKING ] [ He assembles the rifle ]
āā
Aram: All right, when you get to the fifth floor, make a right. The lighting room is about 40 yards down the hall, top of the stairs.
āā
President Diaz: But here it is the bottom line. Iām very proud of the work weāve done, but that work is far from finished. I believe that thereās progress to make on jobs and education, on military spending, and financial deregulation. Iām asking the American people to give me the chance to finish what we started. Thank you.
[ CHEERS AND APPLAUSE ]
[ JP Sousaās āŖ āThe Stars and Stripes Foreverā plays]
āā
[ The scope of Sandquistās rifle focuses on Diaz ]
āā
[ Miriam Diaz joins her husband on the stage ]
Miriam: [ Whispers ] What happened, Robert? I thought you were gonna do the right thing.
āā
Aram: Right there. Straight ahead.
āā
[ Liz and Ressler arrive at the sniperās nest. They startle Sandquist ]
[ GUNSHOT š„]
[ Miriam Diaz falls, hit in the shoulder ] [ AUDIENCE SCREAMING ]
Secret Service: Get him out of here! Letās go!
[ President Diaz is rushed away ]
[ MIRIAM GASPS, BREATHING SHAKILY ]
āā
[ Ressler fights with Sandquist ] [ Both grunting ]
[ Secret Service agents arrive ]
Agent Randolph: Hands up! Right now! Drop it! Put the gun down!
Ressler: This is a mistake! This is a mistake!
Sandquist: He got a shot off before I could stop him.
Agent Randolph: [ On comms ] Command into control. Two under. Suspects in custody.
Liz: Heās the one you should be taking into custody! Heās the shooter!
Ā
[ SIRENS WAILING ] [ Back of police wagon ]
Liz: No oneās gonna believe we tried to assassinate the President.
Ressler: Itās more believable than the alternative.
Liz: That he tried to assassinate himself? āCause thatās what he did.
Ressler: Is it? Because I know we think thatās what happenedā
Liz: Because thatās what happened! Weāre being accused of trying to assassinate a man whose life we saved.
[ SIRENS WAILING ]
[ Aram is brought into the wagon ] [ CHAINS CLINKING ]
Ressler: You okay?
Aram: Not really, no.
Liz: He didnāt do anything.
[ The guard hits her ]
Guard: Youāre traitors. To your badge and your country.
Ressler: You donāt have to beat the truth out of us. Weāre telling you. Heās the shooter.
Sandquist: Save it for trial.
Ressler: Youāre never gonna let us get to trial.
[ Doors close ]
Ā
Cooper: [ On phone ] Theyāve been arrested.
Red: And the President?
Cooper: Heās fine. The plan worked. They stopped the assassination.
Red: And then got blamed for it.
Cooper: Theyāve been taken. I donāt know where, and Iām in no position to find out.
Red: Whoās the controlling authority?
Cooper: Homeland. Do you have DHS on the payroll? ā Iām in no mood for opaque. Do you have them on the payroll or not?
Red: Yes. Some.
Cooper: Call them. You got them into harmās way. I need you to get them out.
Ā
[ A line of police vehicles speeds down a highway ] [ McMahon and Sandquist are in the back seat of one of the vehicles ]
Diaz: Is my wife all right?
McMahon: She is, Mr. President.
Diaz: Put Sandquist on.
[ PHONE BEEPS ]
McMahon: Heās here.
Diaz: Wanna tell me what the hell happened?
Sandquist: The Task Force.
Diaz: You told me theyād been neutralized!
Sandquist: Theyāll be held responsible.
Diaz: For what? Wounding my wife? That wasnāt the plan.
Sandquist: No, sir.
Diaz: Do they know what the plan was?
McMahon: We donāt think so, sir.
Diaz: You donāt think so? You donāt think so?! You know how much comfort that brings me? Absolutely none! Before today, I had one problem. And now, thanks to you, Iāve got two. Deal with them.
[ PHONE BEEPS ]
Ā
[ In the back of the police wagon ]
Ressler: He got the shot off.
Liz: After we surprised him. Thatās why he missed.
Ressler: Iāve seen his file. Sandquist was a Green Beret. His unit won the Armyās Special Ops Sniper Competition. Beat 40 other teams from around the world.
Aram: Shooting a clay pigeonās a lot easier than killing a President.
Ressler: [ SIGHS ]
Aram: Maybe he got cold feet.
Ressler: Then why take the shot?
Liz: Okay, so the President wasnāt his target. Who was? I mean, think about it ā an assassin goes to all the trouble to take a shot at a presidential debate, and his target isnāt the President? Does that make any sense to you?
Ressler: No, it doesnāt. But Iām telling you thatās what happened.
Ā
[ TIRES SCREECH ] [ GEAR SHIFTER CLICKS, ENGINE SHUTS OFF ]
[ Sandquist opens the back door of the police wagon ]
Sandquist: Time to go.
Liz: Where are we?
Sandquist: The end of the line.
Aram: If itās, uh- If itās all the same to you, I-I think weāre good here.
Sandquist: Feel free to resist. After all, youāre gonna be killed when you try to escape.
Aram: But, um, w-weāre not trying to escape.
Sandquist: You didnāt try and assassinate the President, either. Letās go.
[ TIRES SCREECH, ENGINE REVS ] [ Redās Mercedes speeds from around a bend and š„ā¼ļøCRASHESā¼ļøš„ into the police wagon, turning it on itās side. Some of Sandquistās men are trapped ]
Ā
[ š„š„š„ Gunfight š„š„š„ between Redās crew and police and Secret Service] [ Slow motion ]
[ Lissomās āŖ āMascaronā plays ]
[ RESSLER GRUNTS ]
Liz: Aram! Hold him down!
ā Aah!
Liz: Gun.
[ Ressler, Liz and Aram subdue the police and get their guns ]
Aram: How many are you?
[ GROANING ]
Aram: How many?
Agent: My leg!
[ š„š„š„ GUNFIRE š„š„š„ ]
Aram: Come on!
Agent: Six!
Aram: Thereās six of them! Ressler.
⪠⦠you threw me down a rope,
It killed me,
Endowed, you shut meā
[ Morgan is hit ]
Morgan: [ SCREAMS ]
āŖ If only I could float ā¦
[ Gasoline pours from the bottom of the overturned police wagon ]
Liz: Cover!
[ Chuck is also hit ]
āŖ Are there, maybe
Are there, maybe
Are there, maybe
Breaks in me
[ Red pulls Morgan away from the wagon ]
Morgan: [ GROANING ]
āŖ Breaks in me
And are there, maybe
And are there, maybe
[ Sandquist gets out a grenade ]
Aram: Drop it!
[ Sandquist pulls the pin from the grenade and rolls it toward the police wagon ]
āŖ Breaks in me
Aram: Go, go, go! Go!
[ Aram and Liz run. So does Ressler ] [ The police wagon š„š„ā¼ļøExplodesā¼ļøš„š„ ]
[ Ressler turns and runs back toward the burning police wagon. Sandquist stoops to picks up his gun. When he straightens up, Ressler shoots him in the chest š„š„š„ ]
āā
[ Red is kneeling next to Morgan ]
Red: We need an ambulance! Quickly!
[ Liz gets out her cellphone ] [ KEYPAD DIALING ]
[ GUN COCKS ] [ Anna McMahon presses a gun to Redās neck as he is bowed down over Morgan ]
Anna McMahon: Put the phone down! And the gun! You, too, Agent Ressler!
Ressler: Not gonna happen.
McMahon: You thought that we were trying to hurt this country. We werenāt. We were trying to save it.
Red: With a coup dāetat. Thatās original.
Liz: You have no play here.
McMahon: I know! But neither do you. No more games! No more cheating death!
Ressler: Donāt do it. If you kill him, I kill you.
McMahon: I hope so!
[ GUNSHOT š„ ] [ Suddenly McMahon is shot through the head from behind by ā Dembe! ]
[ Red looks back at Dembe in amazement ] [ Dembe breathes deeply ]
Ā
[ In the basement of Delmarās, the tv plays in the background. Ressler is arranging objects on the table, salt and pepper shakers, water glassss ]
Woman on tv: And while authorities have yet to makeā
Ressler: Hey, Aram. Pass me that.
āwhat we can confirm is this the shootout occurred as the suspects were being transferred to a federal detention facility.
[ Ressler gathers more items ]
Ressler: Sorry. Donāt mind me.
Sources tell us that as many as six federal officers were wounded in the shootout.
Aram: Thatās us. Wanted in connection with shooting at the President.
Liz: And without the dossier, we canāt prove otherwise.
Ressler: Except ā no one shot at the President.
Cooper: What exactly are you doing?
Ressler: Diaz wasnāt the target.
Liz: Then who was?
āā
[ In an adjacent alcove, Red has been on the phone ]
Red: Okay.
[ PHONE BEEPS ] [ PHONE CLOSES ]
Dembe: Will they be okay?
Red: Chuck will be. Morgan, it could go either way.
Dembe: Morgan is strong.
Red: So, are you back? Does this mean Iām forgiven?
Dembe: The Townsend Directive. Our friend in Miami says itās in play.
Red: Is that why youāre here?
Dembe: He says itās very important.
Red: Itās critical. But not as critical as knowing why youāre here.
Dembe: I said I needed to follow my own path. I did. It led me back to you.
[ Red clasps Dembeās hand ]
Ā
[ Red and Dembe join the others as Ressler explains the arrangement of objects heās laid out ]
Ressler: So, this is the debate stage and everyone who was on it when the shot was fired. The moderator, the Senator, her husband, their son, the President, and the First Lady.
Cooper: And the shooter?
Ressler: Here. World-class sniper with a clean shot at the President.
Liz: Who he wouldāve killed if we hadnāt surprised him.
Ressler: But why? And why wait, then? Why not shoot during the debate when heās not moving?
Woman on tv: Meanwhile the outpouring of sympathy from around the world continues for the President and his injured wife.
Cooper: You think he arranged all this to boost his poll numbers?
Ressler: A crack shot misses an easy target? Itās the only explanation that makes sense.
Red: Except for the real explanation.
Cooper: And whatās that?
Red: He didnāt miss.
Ā
[ Walter Reed Medical Center ]
[ Red and Cooper are in an elevator along with Cynthia Panabaker of the CIA and two heavily armed guards. Red is in handcuffs ]
Panabaker: [ Angrily ] In no world is this okay.
Cooper: Weāll keep it brief.
Panabaker: Two minutes. I told them we had information on the assassination and that it was a matter of national security, and they gave me two minutes!
[ ELEVATOR DINGS ]
[ They walk to Miriam Diazās hospital room ]
Miriam Diaz: I agreed to talk to you, but thisā My God. Whatās he doing here?
Red: Mrs. Diaz, for the sake of brevity, please allow me to get right to the point. I understand youāve been harboring a powerful secret. I need to know what that secret is.
Miriam: What is this? Why is he here?
Red: Because of your husband. You and I both know that about four years ago, he accepted hundreds of millions of dollars from a Russian oligarch named Constantine Rostov. I blackmailed him about it at the time, but thereās more to the story, isnāt there, Mrs. Diaz?
Miriam: I have no idea what youāre talking about.
Red: The assassination attempt. It wasnāt aimed at the President. It was orchestrated by the President to kill you. A plot by a desperate man trying to get rid of his wife, while disguising her murder in the mess of what appeared to be a botched assassination.
Miriam: What would make you thinkā
Red: Why?
Miriam: That canāt be.
Red: Mrs. Diaz. Why does your husband want you dead?
Panabaker: Itās all right, Miriam.
Miriam: Four months before the primaries, we were at my parentsā place at Indian Lake. Weād been out. Weād been drinking. There was a woman. And her son. Robert, heād had so much to drink, he thought he hit a deer. We talked about going to the police. We didnāt. Robert said he knew a man, a fixer.
Red: The Russian money wasnāt used to buy the election. It was used to buy your husbandās reputation.
Miriam: I was fine. I thought I was. I- But I couldnāt sleep. I-I couldnāt eat. I wanted ā
Red: What did you want?
Miriam: I wanted him to tell the truth. To go public. I didnāt care what it meant. I wanted us to do the right thing. But he refused. So I put together documents. From the fixer. I made recordings.
Red: Proof.
Miriam: That bullet. You really think it was intended for me? This is not some horrible mistake?
Red: Horrible, yes. But this was not a mistake, Mrs. Diaz.
Ā
[ President Robert Diaz stares out a window at the White House ]
On TV:
Announcer: The President will announce his resignation in a prime-time address to the nation.
Male Reporter: The attempt on the First Lady was allegedly orchestrated by the President.
Female Reporter: A stunning fall from grace ā
Female Reporter #2: ā as an attempt on the First Ladyās life ā
Announcer: ā prime-time address
[ Panabaker and Cooper are with Diaz ]
[ Kevin Morbyās āŖ āNothing Sacred / All Things Wildā plays ]
Cooper: Sir, did you hear what I said? Mr. President?
Diaz: Yes, I heard you. Upon my resignation, the Bureau will open a criminal investigation. Reddington did this.
āŖ Bitter earth, bitter sea
Panabaker: No, sir. You did this to yourself.
Diaz: How does a wanted fugitive bring down a President?
Cooper: [ INHALES DEEPLY ] With pleasure.
Ā
āŖ Youāre gone now for so long
You grown a child
[ Liz waits at home with Red and Dembe for Agnes ]
Liz: Ah, I feel anxious. I donāt know why.
Red: Itās a new beginning.
Liz: Anxious isnāt really the right word. Itās more like heightened. Like, I can feel every breath. Iām not used to that.
Red: Youāre doing the right thing, Elizabeth.
Liz: Well, itās only because I finally know. I know who you are. I know that you care. I know that Iām safe. I know that my mother cared.
Red: Sheād be proud of you.
āŖ Ooh-ooh
[ A young blonde woman, Kat, shows up with Agnes ]
Agnes: Mommy! Ooh!
[ Hug ]
Liz: Welcome home, Agnes.
Agnes: Mommy!
Liz: Oh, Iāve missed you. Kat, hi.
Kat: Scottie wanted me to tell you sheāll bring over the rest of her things in the morning.
āŖ Bitter dirt, bitter tea
Everything we do is a mess
Red: Well, weād better get going. [ To Kat ] May we walk you out?
āŖ But, oh, honey
Liz: Youāre not gonna stay for dinner?
Red: And intrude on your mother-daughter reunion? I donāt think so. And we need to be someplace.
āŖ We knew everything
Agnes: Mommy, whoās that funny-looking man?
Liz: [ CHUCKLES ] Itās a long story. But we finally have time to tell it.
āŖ Ooh
Liz: Hey, do you want a lemon bar?
Agnes: Yes.
[ LIZ CHUCKLES ]
[ Hug ]
āŖ All things sacred
Ooh-ahh
Nothing wild
Ā
[ Red meets the Stranger again ]
Stranger: I found her.
Red: Where?
Stranger: Paris.
Red: Youāre sure?
āŖ Bitter you, bitter me
[ The Stranger shows Red a photo ]
Red: Oh, my God.
Stranger: Itās her. Iām telling you, Raymond. Paper trails. The passports. The travel. Itās her.
Red: [ SIGHS ] You have an address?
āŖ āwonāt be sorry long
Stranger: Raymond, are you sure about this? If youāre not sureā
Red: Iām sure.
āŖ Dumb and mean
What did you mean when youād scream?
Nothingās sacred
Ooh-ahhhh
Ā
[ A darkened Paris street on a rainy evening ]
[ A woman in heels with her light-colored hair in a bun walks along the sidewalk. Red walks behind her, catching up until heās within a few meters ]
Red: Katarina.
[ She stops, then turns around ]
Katarina: Raymond.
[ She walks to up him. They kiss ]
Katarina: Are they watching?
Red: Itās not safe. Youāre not safe.
[ They kiss again ] [ Then she takes out a hypodermic needle and jabs him ] [ Red GRUNTS ] [ Katarina pulls out the needle. Red looks at it, then collapses ]
[ Creamās āŖ āI Feel Freeā plays ]
āŖ Bomp, bomp, bomp, bomp, bomp-bomp
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
[ A car pulls up. Men get out and load Red into the car and drive away ]
āŖ Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
Bomp, bomp, bomp, bomp, bomp-bomp, I feel free
(ooooo oo oo oo ooo oo ooooo)
[ Katarina picks up Redās fedora and, twiddling it, continues on her walk, smiling slightly ]
āŖ Feel when I dance with you,
We move like the sea.
You, youāre all I want to know.
I feel free, I feel free, I feel free.
Ā
⬠go to start of 6:22 Robert Diaz
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Episode Songs
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ā« Best Friend (feat. Alisa Ueno, The Knocks & NERVO)
By Sofi Tukker[Sofi Tukker:]
āŖ I think that Iāll keep loving you, way past sixty-five
We made a language for us two, we donāt need to describe
Everytime time you call on me, I drop what I do
You are my best friend and weāve got some shit to shoot[The Knocks & Sofi Tukker:]
āŖ Yo, you wanna meet me at the bar? YAWP!
Yo, you wanna meet me at the lounge? YAWP!
Yo, you wanna meet me at the club? YAWP!
Yo, you wanna meet me downtown? Okay!
Yo, you wanna meet me in the east? YAWP!
Yo, you wanna meet me in the west? YAWP!
Yo, you wanna meet me on the block? YAWP!
Yo, you wanna meet me at the spot? Okay![Sofi Tukker:]
āŖ I think that Iāll keep loving you, way past sixty-five
We made a language for us two, we donāt need to describe
Everytime time you call on me, I drop what I do
You are my best friend and weāve got some shit to shoot[NERVO:]
āŖ Thatās the way it is
Thatās the way it goes
Itās just us two, itās deja-vu, itās what we know
Thatās the way we like it, donāt complicate
No need to fight it, just invite it
Yea-a-ah[Alisa Ueno:]
āŖāDatte bare-bareā weāre in love
Aināt nobody loved me like youāve done
I might have first ādai renāai kitto saisho de saigoā in my life
Alisa from Tokyo
Iām so addictive like some PokĆ©mon
āAimai nante iranai naiā
Like āichi ni san deā bye bye bye[Sofi Tukker:]
āŖ Wanna be my new friend? We got a lot in common
We can talk ābout nothinā, shoot the shit, we got shit to shoot[The Knocks & Sofi Tukker:]
āŖ Yo, you wanna meet me at the bar? YAWP!
Yo, you wanna meet me at the lounge? YAWP!
Yo, you wanna meet me at the club? YAWP!
Yo, you wanna meet me downtown? Okay!
Yo, you wanna meet me in the east? YAWP!
Yo, you wanna meet me in the west? YAWP!
Yo, you wanna meet me on the block? YAWP!
Yo, you wanna meet me at the spot? Okay![Sofi Tukker:]
āŖ I think that Iāll keep loving you, way past sixty-five
We made a language for us two, we donāt need to describe
Everytime time you call on me, I drop what I do
You are my best friend and weāve got some shit to shoot[The Knocks:]
āŖ Yo, you wanna
Yo, you wanna
Yo, you wanna meet?
Yo, you wanna
Yo, you wanna
Yo, you wanna meet?
Yo, you wanna
Yo, you wanna
Yo, you wanna meet?
Yo, you wanna
Yo, you wanna
Yo, you wanna meet?Lyrics and Credits: http://bit.ly/2HD3cO5
YouTube: https://youtu.be/4Vx7MTU-UVE
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ā« Batshit
By Sofi TukkerāŖ Oh, youāre bad enough to me
Bad enough that we always have something to get over
Oh, you dress up so happy
Looking so fancy
I got that salted chip on my shoulder
Oh, but when the night is deep
You find me in the streets
Asking me to come overāŖ Batshit, batshit
Batshit
Iām batshit crazyāŖ Iām batshit crazy
Batshit, batshit
Batshit
Iām batshit crazy
Batshit, batshit
BatshitāŖ Oh, but when the night is deep
You find me in the streets
Asking me to come overāŖ Iām batshit crazy
Batshit, batshit, batshit, batshit crazy
Batshit, batshit, batshit, batshit crazy
Batshit, batshit, batshit, batshit crazy
Batshit, batshit, batshit, batshit crazy
Batshit, batshit, batshit, batshit crazyāŖ Oh, youāre bad enough to me
Bad enough that we always have something to get over
Oh, you dress up so happy
Looking so fancy
I got that salted chip on my shoulder
Oh, but when the night is deep
You find me in the streets
Asking me to come overāŖ Batshit, batshit
Batshit
Iām batshit crazy
Batshit, batshit
Batshit
Iām batshit crazy
Batshit, batshit
Batshit
Iām batshit crazy
Batshit, batshit
Batshit
Iām batshit crazyLyrics and Credits: http://bit.ly/2Q6MZ7B
YouTube: https://youtu.be/VDndE432GpU
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ā« Mascaron
By LissomāŖ I see doubt built upon it,
Be thinned-out, spilt upon it,
Easy vows built upon it,
Be without, guilt upon it.āŖ Toy with the rest of my lung,
My lung.
Feign attention,
I wonāt ā you know,
I couldnāt cope.
I couldnāt cope.āŖ Deep in doubt,
Wilt on it,
Be worn down,
Linger on it.āŖ Toy with the rest of my lung,
My lung.
Feign attention,
I wonāt ā you know,
I couldnāt cope.
I couldnāt cope.
I couldnāt cope.
I couldnāt cope.āŖ And proud, you threw me down a rope,
It killed me,
Endowed, you shut me in a āhomeā,
If only I could float.āŖ Are there, maybe,
Are there, maybe,
Breaks in me?
Breaks in me?āŖ Are there, maybe,
Are there, maybe,
Breaks in me?
Breaks in me?āŖ Are there, maybe,
Are there, maybe,
Breaks in me?
Breaks in me?āŖ Are there, maybe,
Are there, maybe,
Breaks in me?
Breaks in me?Lyrics Google: lyrics mascaron by lissom
YouTube: https://youtu.be/LoFfXjdwEWQ
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ā« Nothing Sacred/All Things Wild
By Kevin MorbyāŖ Bitter garden, bitter leaf
Bitter earth, bitter sea
Nothing here is sacred, dear, all things wild
Youāre gone now for so long, you grown a child
And when you were young
You used to plea
And when you were young
You used to plea to make me believeāŖ Nothing sacred, all things wild
Nothing sacred, all things wildāŖ Bitter water, bitter sea
Bitter dirt, bitter tea
Everything we do is a mess
But oh, honey, may this mess be blessed
And when we were young
We knew everything
And when we were young
We claimed to sing and kick and screamāŖ All things sacred, nothing wild
All things sacred, nothing wildāŖ Bitter blue, bitter green
Bitter you, bitter me
Sorry for poisoning you with my song
Iām sorry now but I wonāt be sorry long
And when you were young
Dumb and mean
What did you mean when youād screamāŖ Nothing sacred, all things wild
Nothing sacred, all things wildLyrics and Credits: http://bit.ly/2JTqORj
YouTube: https://youtu.be/e-GDoK1LK6Q
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ā« I Feel Free
By CreamāŖ ah, ah, ah, ah, ah, ah, I feel free. [x8]
āŖ Feel when I dance with you,
We move like the sea.
You, youāre all I want to know.
I feel free, I feel free, I feel free.āŖ I can walk down the street, thereās no one there
Though the pavements are one huge crowd.
I can drive down the road, my eyes donāt see,
Though my mind wants to cry out loud.āŖ I feel free, I feel free, I feel free.
āŖ I can walk down the street, thereās no one there
Though the pavements are one huge crowd.
I can drive down the road; my eyes donāt see,
Though my mind wants to cry out loud,
Though my mind wants to cry out loud.āŖ Dance floor is like the sea,
Ceiling is the sky.
Youāre the sun and as you shine on me,
I feel free, I feel free, I feel free.Lyrics and Credits: http://bit.ly/2Vwx8QT
YouTube: https://youtu.be/EVcIer_4OnA
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⬠go to start of 6:22 Robert Diaz
ā« go to top
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āāā End 6:22 Robert Diaz
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